Kikugawa EIZAN (1787-1867)




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A set of six prints: Furyu ukiyo sugata comparing beautiful women to the six poetical geniuses of the 9th/10th centuries. This design interpreting a poem by Fumiya no Yasuhide which speaks of the wild wind of Autumn. The beauty holds a brush with her teeth while she prepares ink to complete a letter. Unidentified publisher, c 1810s.

 

Fine impression and colour. Very good condition. Full size. Signed Kikugawa Eizan hitsu.

 

Status: Available

 

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Kikugawa EIZAN (1787-1867)



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The courtesan Biso of the Ogi House holding a brush up to a snow sculpture of Daruma. Snow from a Snow, Moon, Flowers set: Seiro bijin setsugekka. Published by Kawaguchiya Uhei, c late 1810s.

 

Fine impression. Very good colour. Fine condition: Full size with extra paper. Signed Eizan hitsu.

 

Status: Sold

 

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Kikukawa EIZAN (1787-1867)




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A triptych showing a street thronged with people in front of the famous department store Iwaki Masuya, giving a good cross-section of the inhabitants of the city at this time. The store specialised in silk and textiles and was one of the most important in Edo having, at one point, 500 employees in its stores. Hiroshige designed another triptych of this subject in c. 1850.

 

Published by Mikawaya Seiemon, c. 1815. Rare.

 

Fine impression. Extremely fine fresh colour. Fine condition. Full size. Signed Kikukawa Eizan fude.

 

Status: Available

 

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Kikukawa EIZAN (1787-1867)




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An original painting by Eizan who was the leading exponent of bijinga in the early 1800s producing many fine oban, triptych and shunga designs. He founded the Kikukawa School. Surprisingly, given his output of prints, his paintings are rare. This beautiful example, full colour on silk, 35 x 14.5 in; 88.9 x 36.8 cms, shows a courtesan reading a letter. Her sumptuous clothes are restrained in pattern and colour before the excesses of later years and other artists. Another example, not as fine as offered here, is in the Tokyo National Museum and is illustrated in their catalogue Ukiyo-e Painting Exhibition, 1993, no. 72, p. 64. The British Museum has a very slight painting of a beauty by Eizan illustrated in Ukiyo-e Paintings in the British Museum, Timothy Clark, Smithsonian Institution, 1992, no. 148, p. 195. One other fine example is illustrated in Masterpieces of ukiyo-e paintings from the Weston collection, various authors, 2015, no. 106, p. 161. Painted c. 1815-25. Signed Kikukawa Eizan hitsu with seals Kikukawa and Toshinobu. In very good condition having been recently remounted.

 

Status: Sold

 




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Kikugawa EIZAN (1787-1867)




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A surimono showing a game of rock-paper-scissors, although this might be a variant called Kitsune-ken, with fox-hunter-village chief. The game originates (as so much in Japan) from China and eventually made its way to the west. This was (and is) a dangerous game to play with ladies who entertained as they seldom lost. Published c 1820s. Eizan designed few surimono and this is rare.

 

Fine impression. Very good colour and condition. Signed Kikugawa Eizan hitsu.

 

Status: Sold

 

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Kikugawa EIZAN (1787-1867)




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A kakemono-e ( vertical diptych ) showing a tiger peering round a giant bamboo. Although Toyohiro and Toyokuni I produced kakemono-e during the 1800-1804 period, Eizan is generally identified with the format and published many during 1804-1817. The style used borrows from Korean paintings of tigers. No publisher’s seal, c.1804-1817. Another impression illustrated in Ukiyo-e no bi, nishiki-e no keifu, Yamaguchi Prefecture Municipal Museum, n.d., p.84/85.


Good impression. Very good colour and condition with the sheets separated to join accurately. Signed Kikukawa Eizan hitsu.



Status: Sold

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Kikugawa EIZAN (1787-1867)




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A fine kakemono of a standing beauty reading. The perfectly preserved colours on this print allow us to fully appreciate her elaborate garments.

 

Fine impression. Very fine colour. Fine condition. Full size. Signed Toshinobu Eizan hitsu.

 

Status: Sold

 

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Kikugawa EIZAN (1787-1867)


Kikugawa-EIZAN-1787-to-1867-beauties8


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A complete triptych showing young girls in attendance on a court couple. An early (c.1820) design published by Nishimuraya Yohachi.


Very good impression, colour and condition. Full size with extra paper for joining. Signed Eizan fude.



Status: Sold

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Kikugawa EIZAN (1787-1867)



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Winter from a set Furyu bijin kodakara awase, “Elegant Beauties and Precious Children.” Shows a beauty carrying one child and looking down at another with a large snowball. Published by Matsumura Yahei, c late 1810s.

 

Fine impression. Very good colour. Fine condition: Full size with extra paper. Signed Eizan hitsu.

 

Status: Sold

 

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Kikugawa EIZAN (1787-1867)




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An early Eizan published c. 1810s by Shimizu. Seiro Niwaka zensei ki, “Popular Entertainment at the Niwaka Festival.” Aizuga yanagi koshizuki, with a list of entertainers. This event during the 8th month of every year in the Edo Yoshiwara involved dancing and music and girls dressed – as here, lower right figure – as men.


Superb impression and colour’ Slight browning of the thick hosho and small nick out of top left edge, otherwise very good condition. Full size. Signed Eizan hitsu.


Status: Sold

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Kikugawa EIZAN (1787-1867)




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A double bust portrait showing the courtesans Takigawa and Hanaogi from the Yoshiwara house Ogiya. An early print ( Eizan being 21 ) published 1808 by Kikakudo. Rare.


Fine impression. Fine, totally unfaded colour. Slight browning and light creasing. Full size. Signed Kikugawa Eizan hitsu.


Status: Sold

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Kikugawa EIZAN (1787-1867)


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A picnic party visiting the famous cherry tree at Naruko in the city, Miyako meibonku naruko no sakura. Poems are being written and attached to the branches. An extremely early design ( published 1807 ).


Fine impression. Very good colour. Some trimming around thereby loosing part of signature on two sheets. Signed Kikugawa Eizan fude.


Status: Sold

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Kikugawa EIZAN (1787-1867)


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A beauty ascending a staircase with a large black samisen case from a set: Furyu bijin soroi, a “Collection of Fashionable Beauties”. One of Eizan’s finest designs. Unidentified publisher.


Fine impression and colour on thick totally untrimmed deluxe hosho. Fine condition. Signed Kikugawa Eizan fude


Status: Sold

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Kikugawa EIZAN (1787-1867)


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A rare complete pentaptych showing a princess and her retinue on two boats being ferried across a river. Published c 1810’s by Izumiya Ichibei.


Very good impression, colour and condition. Signed Kikugawa Eizan hitsu.


Status: Sold

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Kikugawa EIZAN (1787-1867)


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A young beauty with child from a set Furyu kodakara rokkasen, “Six Poets in Modern Days with Darling Children”.


Very good impression on thick hosho. Very good colour and condition. Completely untrimmed. Signed Kikugawa Eizan fude.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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The priest Nichiren standing on the rocky promontory at Reizan in Kamakura and having his prayers for rain answered. The event occurred in 1271. His disciples surround him and protect him from the deluge with a large umbrella. Bunei hachi Kamakura Reizan-ga-saki uki. The second best design from Koso [ Nichiren ] goichidai ryakuzu, “Illustrated Abridged Biography of the Founder.” Nichiren ( 1222 – 1282 ) was the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei c 1831.

 

Fine impression. This example has an orange-red colour used on Nichiren’s robe and umbrella, rather than the brighter red of other impressions. Also, the far mountains are more subtly rendered than on other examples.Very good colour and condition. Slight centre fold. Full size with ample room on top border for the umbrella which protrudes beyond the border and is notorious for being trimmed. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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A triptych showing Ushiwakamaru (Minamoto no Yoshitsune, 1159-1189) and his manservant Onmaya Kisanta watching his loyal retainer, the warrior monk Benkei, dragging the giant Mii Temple bell up Mount Hiei. Benkei ga yuriki tawamure ni Miidera no tsurigane no Eizan e hikiaguru zu. Published by Ibaya Senzaburo, 1845-6. One of Kuniyoshi’s great designs. Rare.

 

Fine impression. Very good colour. Some edge strengthening on the back on centre sheet, otherwise very good condition. Full size: An extremely difficult design to find without trimming and illustrated examples often have the bell not aligning up because of this. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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The priest Nichiren standing on the rocky promontory at Reizan in Kamakura and having his prayers for rain answered. The event occurred in 1271. His disciples surround him and protect him from the deluge with a large umbrella. Bunei hachi Kamakura Reizan-ga-saki uki. The second best design from Koso [ Nichiren ] goichidai ryakuzu, “Illustrated Abridged Biography of the Founder.” Nichiren ( 1222 – 1282 ) was the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei c 1831.

 

Fine impression and colour. Small repaired binding holes in right margin, otherwise fine condition. Full size with ample room on top border for the umbrella which protrudes beyond the border and is notorious for being trimmed. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI ( 1797-1861 )




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The priest Nichiren standing on the rocky promontory at Reizan in Kamakura and having his prayers for rain answered. The event occurred in 1271. His disciples surround him and protect him from the deluge with a large umbrella. Bunei hachi Kamakura Reizan-ga-saki uki. The second best design from Koso [ Nichiren ] goichidai ryakuzu, “Illustrated Abridged Biography of the Founder.” Nichiren ( 1222 – 1282 ) was the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei c 1831.


Fine impression. Very good colour and condition. This design is notorious for having the umbrella trimmed off and/or the title in right margin. The printer has compensated for this by printing close to the left border. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Keisai EISEN ( 1790-1848 )




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A prolific pupil of Eizan. Shows a carp swimming among water-weed. Blue ground. An extremely rare print. Published by Ezakiya, c 1843-6. There is another version of this print without censor’s seal and with a moon reflected in the water. This appears to be a copy of the impression offered here as the blocks vary slightly. Ex Vever collection, Sothebys 1977, Part III, lot 227, p. 120 ( who also sold the copy, lot 228 ).


Fine impression, colour and condition. Signed Keisai.


Status: Sold

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Utagawa KUNIYOSHI (1797 – 1861)




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The battle of Miidera Temple. An early triptych, c. 1820-25. The temple became very prosperous but was at constant war with its rival, the Hieizan. Both temples kept armies of mercenaries. Published by Yamamoto-ya Heikichi. A later edition is illustrated in Utagawa Kuniyoshi, Exhibition to Commemorate the 200th Anniversary of Utagawa Kuniyoshi’s Birth, Nagoya City Museum et al, 1996, no. 5, p. 36. Probably Robinson T6.


Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.



Status: Sold

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Artists

( A to Z )

Kyogado ASHIKUNI ( Fl. c. 1807 – 1818 )
Gigado ASHIYUKI ( Fl. c. 1814 – 1833 )



Ki BAITEI ( 1734 – 1810 )
Takizawa BAKIN ( 1767 – 1848 )
Ono BAKUFU ( 1888 – 1976 )
Georges BIGOT ( 1860 – 1927 )
Kawamura BUMPO ( 1779 – 1821 )
Ippitsusai BUNCHO ( Fl. c. 1765 – 1792 )



Toyohara CHIKANOBU ( 1838 – 1912 )
Kishi CHIKUDO ( 1826 – 1897 )
Tsubaki CHINZAN ( 1801 – 1854 )
Eishosai CHOKI ( Fl. c. 1756 – 1808 ). See also SHIKO



Rekisentei EIRI ( Fl. c. 1790 – 1800 )
Keisai EISEN ( 1790 – 1848 )
Hosoda EISHI ( 1756 – 1829 )
Hosoda EISHO ( Fl. c. 1780 – 1800 )
Ichirakutei EISUI ( Fl. c. 1790 – 1823 )
Kikugawa EIZAN ( 1787 – 1867 )


Hirano HAKUHO ( 1879 – 1957 )


Elizabeth KEITH ( 1887 – 1956 )
Imao KEINEN ( 1845 – 1924 )


Yashima GAKUTEI ( 1786 – 1868 )
Ogata GEKKO ( 1859 – 1920 )
Adachi GINKO ( Fl. c. 1847 – 1897 )
Matsumura GOSHUN ( 1752 – 1811 )
GYOSAI. See Kawanabe KYOSAI



Hirano HAKUHO ( 1879 – 1957 )
Suzuki HARUNOBU ( 1724 – 1770 )
Kawase HASUI ( 1883 – 1957 )
Kitagawa HIDEMARO ( Fl. c. early 19th century )
Kinoshita HIRONOBU ( Fl. c. 1851 – 1870 )
Gosotei HIROSADA ( Fl. c. 1847 – 1863 )
Ichiryusai HIROSHIGE ( 1797 – 1858 )
Ichiryusai HIROSHIGE II ( 1826 – 1869 )
Ando HIROSHIGE III ( 1843 – 1894 )
Nakamura HOCHU ( Fl. c. late 18th to early 19th century )
Sakai HOITSU ( 1761 – 1828 )
Totoya HOKKEI ( 1780 – 1850 )
Teisai HOKUBA ( 1771 – 1844 )
Shunkosai HOKUEI (Active 1824-1837)
Katsushika HOKUGA ( Fl. c. 1830 )
Shotei HOKUJU ( Fl. c. 1789 – 1818 )
Katsushika HOKUSAI ( 1760 – 1849 ). Also used numerous other names such as: SORI, SHUNRO, SHINSAI
Shokosai HOKUSHU ( Fl. c. 1808 – 1832 )


KEISAI. See Kitao MASAYOSHI
Suzuki KIITSU ( 1796 – 1858 )
Kitagawa KIKUMARO ( Fl. c. ? – 1830 ). See TSUKIMARO
Kobayashi KIYOCHIKA ( 1847 – 1915 )
Torii KIYOHIRO ( Fl. c. 1737 – 1771 )
Torii KIYOMASA ( Fl. c. 1700 – 1722 )
KIYOMINE. See Torii KIYOMITSU II
Torii KIYOMITSU ( 1735 – 1785 )
Torii KIYOMITSU II ( 1787 – 1868 ). See KIYOMINE
Torii KIYONAGA ( 1752 – 1815 )
Torii KIYONOBU ( 1664 – 1729 )
Torii KIYONOBU II ( 1706 – 1763 )
Torii KIYOTSUNE ( Fl. c. 1757 – 1779 )
Isoda KORYUSAI ( Fl. c. 1767 – 1788 )
Ohara KOSON ( 1877 – 1945 ). See SHOSON
Torii KOTONDO ( 1900 – 1976 )
Toyohara KUNICHIKA ( 1835 – 1900 )
Utagawa KUNIHIRO ( Fl. c. 1815 – 1843 )
Ichiunsai KUNIHISA ( 1832 – 1891 )
Utagawa KUNINAO ( 1793 – 1854 )
Utagawa KUNISADA ( 1786 – 1865 )
Utagawa KUNISADA II ( 1823 – 1880 )
Utagawa KUNISATO ( ? – 1858 )
Utagawa KUNITERU ( 1808 – 1876 )
KUNITERU. See Utagawa SADASHIGE
Utagawa KUNITERU II ( 1829 – 1874 )
Utagawa KUNIYASU ( 1794 – 1832 )
Ichiyusai KUNIYOSHI ( 1797 – 1861 )
Santo KYODEN. See Kitao MASANOBU
Kawanabe KYOSAI ( 1831 – 1889 ). See GYOSAI


Okumura MASANOBU ( 1686 – 1764 )
KitaoMASANOBU ( 1761 – 1816 ). See Santo KYODEN
Kitao MASAYOSHI ( 1764 – 1824 ). See KEISAI
Oishi MATORA ( 1794 – 1833 )
Hishikawa MORONOBU ( Fl. c. 1618 – 1694 )


Nishimura NANTEI ( 1775 – 1834 )
Utagawa NOBUKATSU ( Fl. c. 1830 – 1844 )
Watanabe NOBUKAZU ( Fl. c. late 19th century )


Hishikawa RYUKOKU ( Fl. c. 1808 – 1816 )
Jokei RYUKOSAI ( Fl. 1772 – 1816 )


Gokitei SADAFUSA ( Fl. c. 1825 – 1850 )
Hasegawa SADAHARU ( Fl. c. 1830 – 1844 )
Gokotei SADAKAGE ( Fl. c. 1818 – 1844 )
Utagawa SADAHIDE ( 1807 – 1873 )
Hasegawa SADANOBU ( 1809 – 1879 )
Utagawa SADASHIGE ( Fl. c. mid 19th century ). See KUNITERU
Gofutei SADATORA ( Fl. c. 1825 )
Yamaguchi SHIGEHARU ( 1803 – 1853 )
Kitao SHIGEMASA ( 1739 – 1820 )
Nishimura SHIGENAGA ( 1697 ? – 1756 )
Nishimura SHIGENOBU ( Fl. c. 1724 – 1735 )
SHIKO. See Eishosai CHOKI
Ryuryukyo SHINSAI ( 1764 – 1820 )
Ito SHINSUI ( 1898 – 1972 )
Kojima SHOGETSU ( Fl. c. 1880 – 1890 )
SHOSON. See Ohara KOSON
Takahashi SHOTEI ( 1871 – 1945 )
Yamamoto SHOUN ( 1870 – 1965 )
Yamakawa SHUHO ( 1898 – 1944 )
Katsukawa SHUNCHO ( Fl. c. 1780 – 1795 )
Takehara SHUNCHOSAI ( Fl. c. 1772 – 1801 )
Katsukawa SHUN’EI ( 1762 – 1819 )
Katsukawa SHUNKO ( 1743 – 1812 )
Hishikawa SHUNKYO ( Fl. c. early 19th century )
Kubo SHUNMAN ( 1757 – 1820 )
Katsukawa SHUNSEN ( Fl. c. 1762 – 1830 )
Natori SHUNSEN ( 1886 – 1960 )
Gatoken SHUNSHI ( Fl. c. 1820 – 1828 )
Katsukawa SHUNSHO ( 1726 – 1792 )
Katsukawa SHUNTEI ( 1770 – 1820 )
Katsukawa SHUNZAN ( Fl. c. 1782 – 1798 )
Yamaguchi SOKEN ( 1759 – 1834 )


Ikeno TAIGA ( 1723 – 1776 )
Katsukawa TERUSHIGE ( Fl. c. 1715 – 1725 )
Mori TETSUZAN (1775-1841)
Migita TOSHIHIDE ( 1863 – 1925 )
Mizuno TOSHIKATA ( 1866 – 1908 )
Okumura TOSHINOBU ( Fl. c. 1717 – 1750 )
Utagawa TOYOHARU ( 1735 – 1814 )
Utagawa TOYOHIRO ( 1773 – 1828 )
Utagawa TOYOKUNI ( 1769 – 1825 )
Utagawa TOYOKUNI II ( 1777 – 1835 ). See TOYOSHIGE
Yamamura TOYONARI ( 1885 – 1942 )
Ishikawa TOYONOBU ( 1711 – 1785 )
TOYOSHIGE. See Utagawa TOYOKUNI II
TSUKIMARO. See Kitagawa KIKUMARO
Kitano TSUNETOMI ( 1880 – 1947 )


Toyokawa UMEKUNI ( Fl. c. 1816 – 1826 )
Kitagawa UTAMARO ( 1753 – 1806 )
Kitagawa UTAMARO II ( ? – 1831 )


Inoue YASUJI ( 1864 – 1889 )
Hiroshi YOSHIDA ( 1876 – 1950 )
Ipposai YOSHIFUJI ( 1828 – 1887 )
Utagawa YOSHIIKU ( 1833 – 1904 )
Utagawa YOSHIKATA ( Fl. c. 1841 – 1864 )
Utagawa YOSHIKAZU ( Fl. c. 1850 – 1870 )
Toyokawa YOSHIKUNI ( Fl. c. 1803 – 1840 )
Utagawa YOSHIMUNE ( 1817 – 1880 )
Ichiyosai YOSHITAKI ( 1841 – 1899 )
Utagawa YOSHITORA ( Fl. c. 1850 – 1880 )
Taiso YOSHITOSHI ( 1839 – 1892 )
Utagawa YOSHITSURU ( Fl. c. 1840 – 1850 )
Ichieisai YOSHITSUYA ( 1822 – 1866 )
Mori YOSHIYUKI ( 1835 – 1879 )


Shibata ZESHIN ( 1807 – 1891 )

 

Keisai EISEN (1790-1848)


Kikugawa-EIZAN-1787-to-1867-beauties26


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A kakemono-e showing a promenading beauty.


Fine impression. Almost perfect colour and condition. Signed Keisai Eisen ga.


Status: Sold

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