/category/warriors-and-legends/

 

Shirai TOSHINOBU II (1866-1903)



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A triptych showing Nitta no Shiro Tadatsune encountering the Goddess of Mount Fuji and her dragon in a cave on Mt. Fuji. (Bodhisattva Kannon [Buddhist]; spirit of Mt. Fuji [Shinto].) Tadatsune’s comrades were afraid to enter the cave and the Goddess commends him on his bravery. Published by Inoue Mohei, 1885. A little known pupil of Yoshitoshi who recognised him as a pupil and named him Toshinobu, which he kept until he died. A wonderful design.

 

Fine impression and colour. Minor pin holes at corners and slight centre folds, but otherwise very good condition. Signed Utagawa Kuniume aratame Shusai Kuni… (?) changing his name to a Kuni but unread. This must have been a short-lived change as the name is not recorded.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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The priest Mongaku Shonin doing thirty-seven days penance under the freezing Nachi waterfall near Kyoto. He is helped by Fudo Myo-o’s two attendants Seitaka and Kongara seen here top right. This act of self-mortification is because he accidentally killed his beloved cousin Kesa. Published by Uoya Eikichi, 1860. A fine design.

 

Superb impression of the first state with splashed gofun over Mongaku’s head. Fine colour. Lightly backed and imperceptible centrefold, otherwise fine condition. Signed Chooro Kuniyoshi ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Oiso no Maihime telling the Soga brothers the whereabouts of Suketsune. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man named Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.

 

Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Kewaizaka no Shosho cuts her hair to become a nun. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man named Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.

 

Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Soga no Juro on a horse lower left bids farewell to his lover, Tora Gozen. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man named Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition. It was republished in 1858 by Yamaguchiya Tobei.

 

Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Soga no Juro and Soga no Goro attack Suketsune in the snow. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man named Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition , it was republished in 1858 by Yamaguchiya Tobei.

 

Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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The Soga brothers bidding farewell to the summer foliage. From a set Soga monogatari zue, “The Revenge of the Soga Brothers.” A set of 30 prints published by Ibaya Senzaburo, 1848. This famous story has many versions but basically it tells how Kawazu Sukeyasu was murdered by his cousin Kudo Suketsune. Sukeyasu left two sons and his widow remarried a man named Soga. He adopted the two children and they waited patiently for an opportunity to kill Suketsune which came when he was hunting near Mt Fuji. They killed him but were themselves slain in the ensuing battle. This is the first edition, it was republished in 1858 by Yamaguchiya Tobei.

 

Fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa YOSHIKAZU (Fl. 1850-1870)



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A triptych showing the battle of Shijo Nawate at Yoshino, Nara. Shows Kusunoki Masatsura of the Southern army in the centre amidst a hail of arrows battling the Northern armies in 1348. He was killed in this fight at the age of 22. Published by Sanoya Tomigoro, 1862.

 

Very good impression and colour. Very slight trimming, otherwise very good condition. Signed Ichikawa Yoshikazu ga.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)



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Yamauba and Kintoki from a set of thirteen prints Ikkai zuihitsu, “A Miscellany by Ikkai,” this being an early name of Yoshitoshi’s. A strange print in more ways than one: Not only is this his most “Westernized” design, but the impression is a puzzle. There is a thought that the design is based on Raphael’s Santa Familia but it could as easily be a Botticelli. Certainly it looks to be after Madonna and child images he has seen. Also, this set has numerous variations in seals. Basically, it seems those with red or black seals in the margin are the earliest. However, this is a fine impression and has no seals. Published by Masadaya Heikichi, 1872.

 

Fine impression and colour (with Kintoki a deeper red than on other impressions). Very good condition. Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Available

 

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Tsukioka YOSHITOSHI (1839-1892)




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The battle of Fujikawa from a set of triptychs Toyotomi Shoshinroku published by Yorozumago, c 1869. The set relates Hideyoshi’s (1537-1598) exploits. From humble origins he became the second unifier of Japan who, after 100 years of war, brought stability and peace.

 

Fine impression, colour and condition. Full size with extra paper all around. Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Available

 

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Utagawa KUNISADA (1786-1865)



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A triptych showing the great sumo wrestling match between Momotaro and Kaidomaru, the two youths of prodigious strength. Momotaro, on the right, is identified by the peaches on his garment. (He was known as “The Peach Boy.”) A pheasant is umpiring the match (a reference to the companions Momotaro makes early in his career: a monkey, dog and pheasant). While a bear officiates on Kaidomaru’s side (also a reference to the animals he befriends in the forest). Published by Yamaguchiya Tobei, c. 1842-6. Extremely rare.

 

Very good impression. Some slight movement of the colours, otherwise very good. Very good condition: full size. Signed Kochoro Kunisada ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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The apparition of the Sea Monk, Umibozu, looming above the sailor Kawanaya Tokuzo. The best design from the Tokaido gojusan tsui, Station 41, Kuwana. The legend has it that Tokuzo, against the advice of his peers, went to sea on the last day of the year. He subsequently experienced huge seas and the monster who demanded to know what was the most horrible thing he knew. He replied that his profession was the most horrid. Satisfied, the creature descended into the Stygian gloom and the storm abated. Published by Kojima-ya Jubei, c. 1845. Illustrated in Robinson, Kuniyoshi, HMSO, 1961, no. 49.

 

Fine impression. This is an alternative version to the norm with lighter printing to the waves. Fine colour. Slight edge soil, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Toyohara CHIKANOBU (1838-1912)



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Kusunoki Masatsura killing the magical tanuki from a set of 50 prints Azuma nishiki chuya kurabe, “Edo Embroidery Pictures.” The set published by Kobayashi Tetsujiro, 1886.

 

Fine impression, colour and condition. Signed Yoshu Chikanobu hitsu.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)



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Kobayakawa Takakage debating with the tengu on mount Hiko from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.”The set published by Sasaki Toyokichi, 1889-1892 (this being 1892).

 

Very fine first edition. Fine colour and condition. Signed Yoshitoshi.

 

Status: Available

 

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Toyohara CHIKANOBU (1838-1912)



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O’ai-no-kata of Okazaki dispatches a man who spied on her while taking a bath. From a set of 50 prints Azuma nishiki chuya kurabe, “Edo Embroidery Pictures.” The series published by Kobayashi Tetsujiro, 1886.

 

Fine impression, colour and condition. Signed Yoshu Chikanobu hitsu.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)



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Shoki appearing in the Chinese emperor Ming Huang’s dream and cleansing him of a fever demon. From the set Shinkei sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set published by Sasaki Toyokichi, 1889 – 1892 (this being 1890).

 

Very fine first edition, fine colour and condition. Signed Yoshitoshi.

 

Status: Available

 

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Tsukioka YOSHITOSHI (1839-1892)



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A triptych from a set of three designs: Buyu setsugekka no uchi, “Snow, Moon and Flowers with Valiant Warriors,” this being “Flower”: Ikutamori ume, “Plum at Ikuta Forest.” The battle of Ichi-no-Tan took place in the forest between the Taira and Minamoto clans. Published by Kiya Sojiro, 2/1867.

 

Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu

 

Status: Available

 

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Ichieisai YOSHITSUYA (1822-1866)



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The young Kintaro, aka, Kintoki, Sakata Kaidomaru. He is shown fighting a giant carp in a waterfall from a series: Honcho musha kagami, Kintaro, “ Mirror of Warriors of Our Country, Kintaro.” This child of superhuman strength is often depicted with the animals living on Ashigara mountain where he honed his fighting skills and was spotted by Minamoto Yorimitsu (944-1021), under whom he went on to serve.Yoshitsuya was a pupil of Kuniyoshi and this print can be compared to a famous design by Kuniyoshi of the same subject published in 1836. Published by Tsujiokaya Bunsuke, 7/1856.

 

Very good impression and colour. Slight creasing, otherwise good condition. Signed Ichieisai Yoshitsuya ga.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)




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Shows Abe no Hirafu, a governor of Koshi, killing a giant bear in heavy snow. From a set: Dai Nippon meisho kagami, “Mirror of Famous Leaders of Great Japan.” Published by Funazu Chujiro, 1880.

 

Fine impression, colour and condition. Signed Oju Yoshitoshi hitsu.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)




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A triptych: Shirazunoyabu yawata no jikkai. Shows Otake Taro Mitsukuni, the old servant of Takiyasha, defying the apparitions that haunted her in the ruins of her old home. This is the subject of Kuniyoshi’s famous triptych of the skeleton. Published by Kobayashi, 1881.

 

Very good impression and colour. Minor creasing and edge soil, otherwise very good condition. Signed Oju Taiso Yoshitoshi ga.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)




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Minamoto no Ushiwakamura battling with Kumasaka Chohan. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).

 

Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

Status: Available

 

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Tsukioka YOSHITOSHI (1839-1892)




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Tamiya Boutaro from a set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Shows the spirit of the tengu helping Tamiya Boutaro Munechika avenge his father’s death. The set published by Tsuda Genshichi 1881-87 (this being 1881).

 

Fine impression: This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing. Fine colour and condition. Signed Oju Yoshitoshi ga.

 

Status: Available

 

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Utagawa KUNISADA (1786-1864)




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Kaido-maru (Kintoki) with his forest companion, a bear-cub, attacking a giant white monkey. The chubby Kintoki is always shown red-hued and wielding a giant axe. In this case he heaves a tree above his head. Published by Moritaya Hanzo, c 1827. Rare.

 

Very good impression. Fine colour. Slightly trimmed, otherwise very good condition. Signed Gototei Kunisada ga.

 

Status: Available

 

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Tsukioka YOSHITOSHI (1839-1892)




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Uesugi no Terutora (Kenshin) riding into battle. One of the best designs from a fine set: Yoshitoshi musha burui, “Yoshitoshi’s Courageous Warriors” published by Kobayashi Tetsujiro, 1883. This is the first edition with two red seals left margin, complete date with day, month and year in left margin and three-colour cartouche. Subsequent editions were printed with only two-colour cartouche and then just one colour. It was also reprinted by Tsunajima Kamekichi in 1886.


Fine impression and colour. Slight browning, otherwise very good condition. Signed Taiso Yoshitoshi ga.


Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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Oho ( Wang P’ou ) visiting his mother’s tomb to comfort her during a thunderstorm. Shows peasants fleeing the zigzag lightning bolts. From a set of fourteen prints: Nijushi-ko doji kagami, “Mirror of the Twenty-Four Paragons of Filial Piety.” Published by Wakasa-ya Yoichi, c 1840. Each print shows an example of a child’s exemplary behaviour in looking after their aged parents There is a strong western influence in this set. Robinson S13.14.


Very good impression and colour. Slight centre fold, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.



Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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A bust portrait of the sumo wrestler Nuregami Chogoro holding a pipe from the series Kuniyoshi moyo shofuda tsuketari genkin otoko, “ Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” The title derived from a contemporary kabuki play Shofuda tsuki kongen kusazuri. Poem above by Rosho. Robinson S40.5. Published by Ibaya Kyubei, 1845.


Fine impression and colour. Slight trimming and retains original album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.


Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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A bust portrait of Goshaku Somegoro playing a shakuhachi from the series Kuniyoshi moyo shofuda tsuketari genkin otoko, “ Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” The title derived from a contemporary kabuki play Shofuda tsuki kongen kusazuri. Poem above by Umeya. Robinson S40.3. Published by Ibaya Kyubei, 1845.


Fine impression and colour. Slight trimming and retains original album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.


Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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A bust portrait of Teranishi Kanshin holding a fan from the series Kuniyoshi moyo shofuda tsuketari genkin otoko, “ Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” The title derived from a contemporary kabuki play Shofuda tsuki kongen kusazuri. Poem above by Gosonoya of Ise. Robinson S40.7. Published by Ibaya Kyubei, 1845.


Fine impression and colour. Slight trimming and retains original album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.


Status: Available

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Taiso YOSHITOSHI (1839 – 1892)




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Watanabe no Tsuna on horseback in the rain. One of the finest designs from Wakan hyaku monogatari. Published by Daikin, 1865/2.


Fine impression and colour. Minor wormage otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.



Status: Available

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Ichieisai YOSHITSUYA ( 1822-1866 )




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Takamatsu Naizen and Tateshina Danjo Masatada grappling during the Battle of Kawanakajima in the mid 16th century. They are heavily entwined in the red ribbons of the standards. Published by Tsujiokaya Bunsuke in 1857.


Fine impression and colour. Light album backing, otherwise very good condition. Signed Ichieisai Yoshitsuya.


Status: Available

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Mori YOSHIYUKI ( 1835-1879 )




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Shows Hido Hachiro holding the decapitated head of an enemy from Honcho buyu kagami, “Mirror of our Country’s Military Elegance.” Yoshiyuki was a pupil of Yoshiume and designed the set A Hundred Views of Osaka. He moved to Tokyo in 1868. Published by Tsutaya, c 1868. Rare: The first time I have catalogued this set.


Fine impression, colour and condition. Signed Yoshiyuki ga.


Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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An extremely rare diptych, Shoki-san jaki ni sokko, “Shoki-San, Quick-Acting Medicine to Remove Evil Spirits.” Images of Shoki were used to ward off evil spirits and illness, especially during the Boys’ Festival. Published 1858 by Enshuya Hikobei. Provenance: Purchased from me in 1994.


Extremely fine impression. Fine colour and condition. Signed Ichiyusai Kuniyoshi fude with Yutaka seal.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych Akazawa-yama o-sumo showing the most famous sumo match in Japanese history between Kawazu Saburo Sukeyasu and Matano Goro Kagehisa at Akazawa mountain. Also famous as Kawazu used a new sumo hold wrapping a foot around his opponent’s leg and encircling the neck with one arm, a manoeuvre that became known as the Kawazu hold. The event took place in 1176 before Shogun Minamoto Yoritomo where Kawazu defeats the popular bully Matano. Subsequently Kawazu was murdered, quite unrelated to the bout. His sons swear revenge and their story becomes the Soga monogatari. Kawazu is shown here throwing Matano to the ground, the referee to the left. Published 1858 by Maruya Kyushiro. Robinson T353. Provenance: Purchased from me in 1994.


Superb impression and colour. One small thinned area, otherwise very fine condition. Probably the finest impression extant of this famous design. Signed Kuniyoshi ga and Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing the famous archer Minamoto no Yorimasa preparing to shoot the monster Nue on the roof of the Shishinden Palace. The story relates how in 1153 the sixteen year old Emperor Konoe was having difficulty sleeping due to the shrieks and scratchings emanating from the palace roof. Guards informed him that a black cloud descended there every night. Yorimasa was called upon to investigate and he brought down the beast – a composite creature, part monkey, badger, tiger, dragon and snake which was duly despatched by his retainer Hironao no Hayata (Tadazumi no Hayata). Subsequently Konoe sleeps soundly and rewards Yorimasa with a fine sword and a court beauty Yorimasa loves. An exceptional design published 1842-3 by Yamashiroya Shinroku. Robinson T112. Provenance: Purchased from me in 1994.


Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Kwaido Maru (Kintoki) seizes Raijin, the Thunder God, with one hand while holding his thunder drums with the other. A thunderbolt falls to earth causing flashes of lightning. A fine and rare set: Honcho musha kagami, “Mirror of Warriors of our Country.” The set published by Tsujioka-ya Bunsuke, 1855. Robinson S87.6.


Fine impression. Slightly trimmed, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Hironao no Hayata (Tadazumi no Hayata), Yorimasa’s retainer (see the triptych by Kuniyoshi of the same subject on this update), grappling with the composite beast Nue on the roof of the Shishinden Palace. Forked lightning bounces around him. One of the best designs from Honcho Suikoden goyu happyaku-nin no hitori, “Eight Hundred Heroes of our Country’s Suikoden, One by One.” Published by Kagaya Kichiemon, 1830-31.


Very good impression and colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Aigo Gozayemon Hisamitsu (Haigo Gozaemon Hisamitsu) mounted and armoured (less helmet) in battle levelling his long spear. He was a retainer of the Oda family and served under Shibata Katsuiye. From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this design numbered 43) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.1. One of the best designs from the set.


Very fine impression. Fine colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Negoro- no Komizucha (Negoro-no Komizucha) dressed as a warrior-monk fighting with a long nail-studded club (a tetsubo) and a broken naginata. Swords and arrows fly about him.. From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this design numbered 26) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.26. One of the best designs from the set.


Fine impression and colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Kobayashi KIYOCHIKA (1847-1915)




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Shows Captain Kani Ichita who, because he was suffering from dysentery, broke down 100 yards from the assault on Two Dragon Hill at the siege of Port Arthur in the Russo-Japanese war ( 1/8/1904-2/1/1905 ). Not able to forgive his weakness, he went back to the same spot a week later and commited seppuku. From a set Rikukaigunjin komei kagami, “Mirror of Army and Navy Heroes.” Published by Inoue Kichijiro, 2/1895. For whatever reason, a rare set. Fine design.


Fine impression and colour. Signs of mounting au verso, otherwise fine condition. Signed Kiyochika.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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Fukishima Masamori (Fukushima Masanori) in armour struggling with three assailants. He was the son of a cooper in the province of Owari. From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this design numbered 15) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.9. One of the best designs from the set.


Fine impression and colour. Small binding holes, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.2. One of the best designs from the set.

 

Status: Sold

 

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