New Tsukioka YOSHITOSHI (1839-1892)




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A triptych , Shinyo rokkaisen, “Six New Monsters” showing Taira no Kiyomori (1118-1181) and his lover on the engawa of the palace confronted by a multitude of snow covered skulls and skeletons in the garden. Towards the end of his life, Kiyomori, the head of the Taira Clan, was obsessed with and hallucinated that his vanquished enemies – on his quest for power and authority – had come back for retribution. Published by Funazu, 1882.

 

 

Very fine impression. Fine colour. Sheets attached, otherwise fine condition. Signed Oju Yoshitoshi ga.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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Urusa-so: Kansei nenkan shojo no fuzoku, “Looking Tiresome: The Appearance of a Virgin of the Kansei Era [1789-1801]” Shows a young woman playing with her cat from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set shows women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. One of the three best designs from the set.

 

 

Very fine impression of the first edition with blind printing on the cat. Fine colour and condition with the extra border left and top. Signed Yoshitoshi ga.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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Tamiya Boutaro from a set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Shows the spirit of the tengu helping Tamiya Boutaro Munechika avenge his father’s death. The set published by Tsuda Genshichi 1881-87 (this being 1881).

 

 

Fine impression: This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing. Fine colour and condition. Signed Oju Yoshitoshi ga.

 

 

Status: Available

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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An original preparatory drawing (hanshita-e) for an unpublished set. Shows a busy street scene with a doctor’s surgery on the right. Probably c early 1870s. Signed on a painter’s palette Ikkaisai Yoshitoshi fude. Two small areas of pentimenti. Sumi on thin Japanese paper, image size 13.5 x 9.25 in; 34.5 x 23.5 cms. In good condition.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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Abe no Hirafu fighting a giant bear in the snow from a set of 51 prints Dai Nippon meisho kagami, “A Mirror of Famous Commanders of Great Japan.” The set was published by Ebisuya Shoshichi (the first 11 prints) and Funazu Chujiro between 1878-1882. Hirafu was a general for the Empress Saimei. On his return from a mission to the Emishi in northeastern Japan, where he signed a peace agreement , he presented the Empress with two live bears and seventy bear hides. Published by Funazu Chujiro in 1880.

 

 

Fine, early impression with splashed gofun (only on the earliest states). Fine colour. Light album backing, otherwise fine condition. Signed Oju Yoshitoshi hitsu.

 

 

Status: Available

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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Yatsunada attacking Saohime’s brother’s castle from a set of 51 prints Dai Nippon meisho kagami, “A Mirror of Famous Commanders of Great Japan.” The set was published by Ebisuya Shoshichi (the first 11 prints) and Funazu Chujiro between 1878-1882. Saohime had conspired with her elder brother Saohikoto to murder the emperor but she abandoned their plan at the last moment. She is seen escaping the conflagration. Published by Funazu Chujiro in 1880.

 

 

Fine, early impression. Fine colour. Light album backing, otherwise fine condition. Signed Oju Yoshitoshi hitsu.

 

 

Status: Available

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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The best design from the set Tsuki hyakushi, the “Hundred Phases of the Moon”. The set published between 1885 and 1892 ( this being 1886 ) by Akiyama Buemon. Benkei against a full moon. In 1185 Yoshitsune attacked by his half-brother Minamoto no Yoritomo, was forced to flee to northern Japan by ship. Sailing along the Inland Sea off the coast of Harima Province not far from Kyoto, the ship was struck by a storm in Daimotsu Bay caused by the vengeful ghosts of the Taira warriors Yoshitsune and his men had slain. Benkei pacified the spirits in the prow of the boat by holding up his string of prayer beads.

 

Fine impression, colour and condition. (A good guide to the quality of the impression is to look at the outline of Benkei’s face: This fine line started to break down early on.) An impression that has not been in an album: Full margins with very extensive mica. Signed Yoshitoshi.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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The demon Ibaraki of Rashomon ( a gate south of the Imperial Palace in Kyoto ) visits Watanabe no Tsuna disguised as an old woman to retrieve its severed arm. This famous story relates how Watanabe cut off the arm after camping out at the gate to rid the neighbourhood of the beast. ( See below on this website for Yoshitoshi’s vertical diptych of the same subject. ) From Yoshitoshi manga, “Sketches by Yoshitoshi” from a fine set of seven diptychs. Published by Kobayashi 1885-86 ( this being 1885 ).

 

Very fine impression of the first edition. Fine colour. Fine condition apart from one minor mark. As originally published with no backing paper, with the margins completely untrimmed ( often cut in this set ), and plenty of space for joining. Signed Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Hohodemi Mikoto battling a giant bream to regain the magic fish hook. The best design from a fine chuban set Biyu Suikoden published by Omiya Kyujiro, 1866/7 (this being 1867). He eventually marries the Sea God’s daughter Princess Toyotama. There is a later edition with the publisher’s name removed.

 

Very good impression, colour and condition. Signed Kaisai Yoshitoshi hitsu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Takagi Umanosuke, a seven foot tall Jujutsu master, holding a trial of courage with a giant ghost in an ancient temple. He also mastered the arts of Bojutsu (staff), Sojutsu (spear), and Naginarajutsu (halberd). One of the best designs from a fine chuban set Biyu Suikoden published by Omiya Kyujiro, 1866/7 (this being 1866). There is a later edition with the publisher’s name removed.

 

Very good impression and colour.One small mark, otherwise good condition. Signed Kaisai Yoshitoshi hitsu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Roba kiwan o mochisaru zu, the best design from Shinkei sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set published by Sasaki Toyokichi, 1889. The well-known story relates how Watanabe no Tsuna cuts off the arm of the demon Ibaraki near the Rashomon Gate in Kyoto in 976. Watanabe locks the arm in a box. Subsequently he is visited by his wet-nurse who asks to see the arm, whereupon she seizes it and flies off revealing her true guise as that of the demon. The story was made into a no play, Ibaraki, and later a kabuki play.

 

Very fine first edition, fine colour and condition. Full size with the publishing details intact on left margin. The second edition (with only two-colour cartouche) is shown on the front cover of The Age of Yoshitoshi, The Rijksmuseum, 1990 and no. 47, p. 40. Signed Yoshitoshi.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Daininbo Umegae o satsugai no zu, “Picture of the Priest Dainin Killing the Girl Umegae from the set Shinsen azuma nishiki-e, “New Selection of Eastern Brocade Pictures.” The set was based on episodes from kabuki drama although set in naturalistic surroundings. Published by Tsunashima Kamekichi between 1885-89 (this being 1886).

 

Very fine impression, colour and condition. Full, untrimmed yellow borders. Two-colour cartouche: Supposedly the first edition has three-colour cartouche but this impression could not be better, so presumably the printer had a forgetful day. Signed Yoshitoshi.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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The most gruesome of Yoshitoshi’s designs showing the old hag of the Lonely House about to eviscerate the pregnant woman hanging from the roof. Published by Matsui Eikichi, 1885.

 

Fine impression of the first edition. Little work has been done on the various states in this set other than that most were reprinted by Hasegawa Tsunejiro. Fine colour. Very full size with large margins left, top and where the sheets join. (The left border is often trimmed thereby losing the publication details.) Minor soil, otherwise fine condition. On thick hosho. Signed Oju Yoshitoshi.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Kesa Gozen writing her last words before dying for her husband, the palace guard Minamoto Wataru from the set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Published by Tsuda Genshichi, 1881-87 (this being 1887). This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing.

 

Very fine impression, colour and condition. Superb gradation and blind-printing. Signed Taiso Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Torii Suheemon Katsutaka escaping the castle of Okudaira Nobumasa, which is being attacked by Takeda Katsuyori, in order get help from Tokugawa Ieyasu. From the set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Published by Tsuda Genshichi, 1881-87 (this being 1887). This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing.

 

Very fine impression, colour and condition. Superb gradation on the piers with gofun added to the sumi. Signed Taiso Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Zennojo, the filial son from Shinano Province, dreams of his father’s crimes and successfully prays for his recovery from illness. From the set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Published by Tsuda Genshichi, 1881-87 (this being 1887). This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing.

 

Very fine impression, colour and condition. Superb gradation and burnishing. Signed Taiso Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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A vertical diptych showing Taira no Atsumori and Kumagai Naozane at the battle of Ichinotani in 1184. The story relates how Naozane cuts off the head of Atsumori but is overwhelmed by remorse because he looked so much like his son. Published by Matsui, Meiji 18, 1885.

 

Superb impression. Very fine colour and condition with ample room for joining. Untrimmed. (An essential with this set as the publishing information is often on the left margin.) The first edition (indeed, this may be the earliest state of the first edition). Signed Oju Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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A vertical diptych showing Taira no Koremochi about to kill the female demon whose reflection he sees in a stream on Mount Togakushi in Shinano. The episode follows an excursion to view the autumn maples. He encounters a party of girls who invite him to join them to only become intoxicated and fall asleep. He is aroused by terrifying sounds emanating from the devil. The No play Momijigari, “Maple Picnic” is based on this story. Published by Matsui, Meiji 20, 1887.

 

Superb impression. Very fine colour and condition with ample room for joining. Untrimmed. (An essential with this set as the publishing information is often on the left margin.) The first edition. Signed Oju Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1832 – 1892)




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Saigo Takamori yumei hosho. Shows the ghost of Marshall Takamori ( 1827 -1877 ) holding a petition. Best known as the leader of the Satsuma rebellion, which was finally quashed at Kagoshima on Sept. 24th 1877. Saigo was wounded in the leg and his faithful retainer, Beppu Shinsuke, put an end to his life. A popular figure with a statue being erected in his honour in 1899 at the entrance to Ueno Park in Tokyo, and his son being made a Marquis in 1902. This print, published by Funazu Chujiro, was issued just under a year after he died in 7/1878. Exceptionally rare: One other ( trimmed ) impression illustrated in Beauty & Violence, Havilland Press, 1992, no. 37, p. 124. Interestingly, the print has a price of two sen, five rin marked on it.


Fine impression and colour. The ornate brocade printed in silver. Trimmed close on two sides and minor marks, otherwise good condition. Signed Oju “By special request” Yoshitoshi.



Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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Hatakeyama Shoji Shigetada wounded by soldiers of his Lord Hojo Tokimasa. One of the best designs from a fine set: Yoshitoshi musha burui, “Yoshitoshi’s Courageous Warriors” published by Kobayashi Tetsujiro, 1883. This is the first edition with two red seals left margin, complete date with day, month and year in left margin and three-colour cartouche. Subsequent editions were printed with only two-colour cartouche and then just one colour. It was also reprinted by Tsunajima Kamekichi in 1886.


Fine impression and colour. Slight browning, otherwise very good condition. Signed Taiso Yoshitoshi ga.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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Hojo Tokimasa praying to a goddess in the sea. One of the best designs from a fine set: Yoshitoshi musha burui, “Yoshitoshi’s Courageous Warriors” published by Kobayashi Tetsujiro, 1883. This is the first edition with two red seals left margin, complete date with day, month and year in left margin and (on this design) a two–colour cartouche. Subsequent editions were printed with only one colour. It was also reprinted by Tsunajima Kamekichi in 1886.


Fine impression and colour. Burnishing and mica added. Slight browning, otherwise very good condition. Signed Taiso Yoshitoshi ga.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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Lu Ta ( Lu Chi Shen ) demolishing the gate of the temple of the Five-Crested Mountain. A Chinese captain, he accidentally killed a man and to escape death he became a priest at the temple. The abbot cut his hair and renamed him Lu Chi Shen, “Lu of Deep Wisdom.” However, quickly disregarding priestly vows, he became violent again and drank heavily. Staggering back one night he shattered the temple gate fighting the huge wooden guardian figures. The abbot dismissed him and he reappears as one of the 108 heroes of the Suikoden. Published by Matsui 1887.

 

Very fine impression of the earliest state of the first edition with blind printing and burnishing. This design was reprinted by Hasegawa with seal in upper left margin “Reproduction not permitted” and lacking date. Also, the lovely pigment used to colour the torso of the guardian figure ( which oxidizes ) is replaced with an inferior colour . There are also intermediate printings between first and Hasegawa version. Fine colour. Some discolouration on the reverse not affecting the front, otherwise fine condition with left margin intact. On thick hosho: These vertical designs must have the left border uncut as it often contains publication information. Signed Yoshitoshi.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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A triptych showing Ushiwakamaru (the young Minamoto Yoshitsune) holding the spear of Ise Saburo Yoshimori as he and his compatriots pass over Yahagi Bridge. From a set of triptychs Bidan musha hakkei, “Eight Views from Fine Tales of Warriors.” This being Descending Geese at Yahagi Bridge. Published 2/1868 by Kinseido. In fact this is based on an earlier version of this subject designed by Utagawa Yoshitsuya in 1861.

Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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A triptych: Honcho gito kurabe, “The Great Thieves of Japan, Compared.” Published by Iseki, 1865.

 

Superb impression, colour and condition. Extensive mica and burnishing. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)



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The ghost of Genta Yoshihira, having been executed by Taira no Kiyomori, springs into the air causing a thunderstorm and exacting revenge. The best design from Shingata sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” Published 1889 by Sasaki.

 

Very fine impression, colour and condition. The first edition. Signed Yoshitoshi.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)



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A triptych showing a scene during the siege of Nagashino Castle by Takeda Katsuyori. Torii Suneemon Katsutaka was sent to get help and managed to evade the guards. He insists on returning to his comrades but meanwhile Takeda has fastened bells to the cables on the castle’s exit which gave the alarm and frightens a flock of herons. Katsutaka was captured and died a samurai’s death shouting hold fast to his comrades. Takeda’s troops were subsequently massacred. Published by Kinseido, 1868. From a series Bidan musha hakkei, “Eight Views from Fine Tales of Warriors.”

 

Very fine impression, the rain beautifully burnished; blind-printing and mica applied. Fine colour and condition. Full size. A fine copy. Signed Tsukioka Yoshitoshi hitsu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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The ronin Yazama Shinroku Fujiwara Mitsukaze ) from Seichu gishinden, “Tales of True Loyalty.” From a rare uncompleted set of the 47 Ronin published 6/1868 by Masudaya. Thirteen designs extant. It has been suggested that the set was completed but that the others are not known based on the fact that two of the prints are numbered 3 and 46. An error as artists did not commence and progress from number 1. Artists chose at random which numbers from a set to start with. Well known examples being Hiroshige’s Tokaido and Kisokaido.


Very good impression and colour. Small backed wormage and light album backing. Signed Ikkaisai Yoshitoshi hitsu.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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The ronin Okudera Kouemon Fujiwara Hidetomi ( number 7 ) from Seichu gishinden, “Tales of True Loyalty.” From a rare uncompleted set of the 47 Ronin published 6/1868 by Masudaya. Thirteen designs extant. It has been suggested that the set was completed but that the others are not known based on the fact that two of the prints are numbered 3 and 46. An error as artists did not commence and progress from number 1. Artists chose at random which numbers from a set to start with. Well known examples being Hiroshige’s Tokaido and Kisokaido.


Very good impression and colour. Light album backing. Signed Ikkaisai Yoshitoshi hitsu.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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The ronin Muramatsu Sandayu Fujiwara Takano ( number 46 ) from Seichu gishinden, “Tales of True Loyalty.” From a rare uncompleted set of the 47 Ronin published 6/1868 by Masudaya. Thirteen designs extant. It has been suggested that the set was completed but that the others are not known based on the fact that two of the prints are numbered 3 and 46. An error as artists did not commence and progress from number 1. Artists chose at random which numbers from a set to start with. Well known examples being Hiroshige’s Tokaido and Kisokaido.


Very good impression and colour. Small backed wormhole and light album backing. Signed Ikkaisai Yoshitoshi hitsu.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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A triptych showing Ban Danemon Naoyuki exorcising the Bakemono in Masanori Fukushima’s mansion. A badger ghost rears up surrounded by other goblins, one of whom attempts to appease him with tea. Fukushima no yakata ni oite Naoyuki kori o taiji no zu. Published by Tsujibun, 1866.

 

 

Fine impression, colour and condition. Signed Kaisai Yoshitoshi hitsu and Ikkaisai Yoshitoshi hitsu.

 

 

Status: Sold

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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A chuban print from a set Wakan goki zoroi, “Valour in China and Japan.” Shows Kintaro about to deliver a blow to the Thunder God Raijin (the God of thunder and lightning – a Japanese Thor). Published by Daisada, 1868. A rare set.

 

 

Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.

 

 

Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)



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A complete hexaptych (six-sheet) design comprising two triptychs: Kawanakajima okassen no zu, “The Great Battle of Kawanakajima,” published by Tsujibun, 6/1866 and Takeda yusho kessen no zu, “The Bloody Battle of the Brave Generals of the Takeda Clan,” published by Tsujibun, 6/1867. The great battles of Kawanakajima took place between 1553 and 1564 between the daimyos Takeda Shingen (1521-1573) and Uesugi Kenshin (1530-1578). Starting as more skirmishes than all out warfare they ended up with a fourth battle where Kenshin is estimated to have had 72% casualties and Shingen 62%. Rare complete.

 

 

Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.

 

 

Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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Flood from a series Seiu kandankei, “A Barometer of Emotions.” Shows the actor Nakamura Shikan IV as Abe Bungo no Kami riding through rough waves. A fine set published by Okura Magobei, 1876.

 

Very good impression and colour. Slight edge soil, otherwise very good condition. Signed Oju Yoshitoshi hitsu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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A triptych showing the exorcism of the evil fox of Princess Osakabe by Miyamoto Musashi. The story relates how Musashi is the only warrior brave enough to enter Himeji castle which is haunted by the princess. He pursues her and finally cannot resist touching her which exorcises the evil foxes who can be seen surrounding the princess. In gratitude she presents him with a sword (seen here on middle and left sheet). Published 1863 by Yamazakiya Seishichi.

 

Very good impression and colour. Slight creasing, otherwise good condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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The battle of Fujikawa from a set of triptychs Toyotomi Shoshinroku published by Yorozumago, c 1869. The set relates Hideyoshi’s (1537-1598) exploits. From humble origins he became the second unifier of Japan who, after 100 years of war, brought stability and peace.

 

 

Fine impression, colour and condition. Full size with extra paper all around. Signed Ikkaisai Yoshitoshi hitsu.

 

 

Status: Sold

 

 

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Tsukioka YOSHITOSHI (1839-1892)



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A triptych from a set of three designs: Buyu setsugekka no uchi, “Snow, Moon and Flowers with Valiant Warriors,” this being “Flower”: Ikutamori ume, “Plum at Ikuta Forest.” The battle of Ichi-no-Tan took place in the forest between the Taira and Minamoto clans. Published by Kiya Sojiro, 2/1867.

 

Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)



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The best design from the set Tsuki hyakushi, the “Hundred Phases of the Moon.” The set published between 1885 and 1892 (this being 1886) by Akiyama Buemon. Shows Benkei on the prow of the ship in which Yoshitsune was forced to flee to northern Japan after being attacked by his half-brother Minamoto no Yoritomo. Sailing along the Inland Sea off the coast of Harima Province not far from Kyoto, the ship was struck by a storm in Daimotsu Bay caused by the vengeful ghosts of the Taira warriors Yoshitsune and his men had slain. Benkei pacified the spirits by holding up his string of prayer beads.

 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Yoshitoshi.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)



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A unique key-block proof of Happinata Kojo (Chin: Xiang Chong) riding into battle on his horse. This appears to be a proof for an unpublished print for the set Goketsu Suikoden, “Heroes of the Suikoden” published by Ohashi in 1868. Keyes lists just seven designs in this set. Aratame and date seal for 7/1868 and engraver’s seal Hori Wakasa. No publisher’s seal. The kento marks just visible. Browned and creased but commensurate with having survived. Sold “as is.” Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)



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A key-block proof of Juunryu Kosonsho (Chin: Kun-sun Sheng) praying with lightning flashing around him. From the set Goketsu Suikoden, “Heroes of the Suikoden” published by Ohashi in 1868. Keyes lists just seven designs in this set. Aratame and date seal for 7/1868 and engraver’s seal Hori Wakasa. Publisher’s seal Ohashi (Daikyodo). One kento mark visible. Browned and creased but commensurate with having survived. Sold “as is.” Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)



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A unique key-block proof of Kyubiki Toso-o (Chin: Tao Tsung-Wang) brandishing a sword. This appears to be a proof for an unpublished print for the set Goketsu Suikoden, “Heroes of the Suikoden” published by Ohashi in 1868. Keyes lists just seven designs in this set. Aratame and date seal for 7/1868. The outline for the engraver’s seal printed but the name not inserted. No publisher’s seal. The kento marks evident. Browned and creased but commensurate with having survived. Sold “as is.” Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Sold

 

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