Katsukawa SHUN’EI




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An hosoban showing Iwai Hanshiro IV in a “Shibaraku” role, probably as Akita Jonosuke Yoshikage from the play Mieiko nori no hachi no ki performed at the Kawarazaki Theatre in the 11th month, 1791. The highly stylised and dramatic Shibaraku costume gave rise to some of the best ukiyo-e designs. Originally staged by Ichikawa Danjuro I in 1697, it quickly gained popularity and was included in the kaomise celebrations at Edo theatres. Published by Harimaya Shinshichi. Ex Beres collection, sold Paris 2002, lot 39.

 

 

Fine impression, very good colour and condition. Beres seal au verso. Signed Shun’ei ga.

 

 

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Katsukawa SHUN’EI (1762-1819)




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An hosoban portrait of the sumo wrestler Tanikaze Kajinosuke (1750-1795). Possibly the greatest sumo wrestler of all time. He made his debut in 1769 at the age of 19 and went on to record the longest run of 63 consecutive victories, a record that remained unbroken for 150 years. Officially recognised as the fourth yokuzuna and the first to be awarded the title in his lifetime. Published c. 1781. An uncommon subject in hosoban format. Rare.

 

 

Very good impression and colour. A small area of repaired wormage at the top, otherwise very good condition. Signed Shun’ei ga.

 

 

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Torii KIYONOBU II (1706-1763)




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An hosoban showing the actors Ichimura Uzaemon VIII (above) and Segawa Kikujiro I in an onnagata role. Published by Emiya Kichiemon, c. 1746. Another impression in the MET (JP831), listed as Kiyonobu I.

 

 

Very good impression. Good colour and condition. Signed Torii Kiyonobu hitsu.

 

 

Status: Available

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Katsukawa SHUNSHO (1726-1792)




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An hosoban showing the actor Ichikawa Danjuro V as a blacksmith forging a sword blade. An unidentified role published c. 1780.

 

 

Fine impression. Very good colour and condition. Signed Shunsho ga.

 

 

Status: Available

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Utgawa HIROSHIGE (1797-1858)




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A beauty from a set: Edo meisho gosho, “Five Elements of Famous Places in Edo.” This design representing Water of Kameido, Kameido no mizu, and Metal of Ueno, Uenoji no kane. A rare set published by Kikakudo, c. 1847-52.

 

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Available

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Utgawa HIROSHIGE (1797-1858)




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Kurodai, black sea bream (Acantho pagus schlegeli) and akadai, red bream (Pagus tumifrons) together with bamboo shoots and Japanese pepper. Poems by Tomigaki Uchiyasu and Kaoan Hoshi. From the first series of ten plus one prints published by Eijudo, c. 1832-34. The set was issued privately for a poetry group (probably the Shingyoku Circle) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they seldom come onto the market.

 

 

Fine, early impression before the grey block defect on the tail of the black sea bream. Fine colour. Slight centre fold (as usual), otherwise very good condition. Full size. Kruml 10b (Andon 49). Signed Ichiyusai Hiroshige.

 

 

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Utagawa KUNIYOSHI (1797-1861)




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Wada Heita Tanenaga (1182-1213), short sword in hand, struggling with a giant python. He was a renowned archer and retainer of Minamoto no Yoriie. Various stories tell of how he came across the python in a cave or saved a village from its carnivorous attacks. From an untitled early set published by Yamashiroya Heisuke, c. 1845. Robinson S1f.8. A striking design and rare.

 

 

Very good impression and colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

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Utagawa KUNIYOSHI (1797-1861)




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Kamada Matahachi of Matsusaka in Ise Province killing a monstrous cat. These mountain cats – nekomata – were reputed to eat humans. Published by Tsutaya Kichizo, c. 1840. Robinson S1e.3. A wonderful and rare design.

 

 

Very good impression and colour. Repair bottom right corner and slight trimming, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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An aizuri-e print showing the courtesan Nanahito of the Sugata-ebi house, 1 chome, Kyomachi, parading in front of rooftops. Published by Yamaguchiya Tobei, c. 1835-40. In fact, the left sheet of a triptych. Apparently, no known copy of the complete triptych is known, only this design and the first sheet. Nanahito was a popular courtesan also appearing on prints by Kunisada and Eisen.

 

 

Very fine impression, colour and condition. Signed “Restraining tears”, Ichiyusai Kuniyoshi ga.

 

 

Status: Available

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Tsukioka YOSHITOSHI (1839-1892)




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Urusa-so: Kansei nenkan shojo no fuzoku, “Looking Tiresome: The Appearance of a Virgin of the Kansei Era [1789-1801]” Shows a young woman playing with her cat from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set shows women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. One of the three best designs from the set.

 

 

Very fine impression of the first edition with blind printing on the cat. Fine colour and condition with the extra border left and top. Signed Yoshitoshi ga.

 

 

Status: Available

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Tsukioka YOSHITOSHI (1839-1892)




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Kayu-so: Kaei nenken kakoi-mono no fuzoku, “Looking Itchy: The Appearance of a Kept Woman of the Kaei era [1848-1854]. Shows a bare-breasted beauty emerging from a mosquito net from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set shows women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. One of the three best designs from the set.

 

 

Very fine impression of the first edition. Fine colour and condition with the extra border left and top. Signed Yoshitoshi ga.

 

 

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Isoda KORYUSAI (1735-1790)




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An oiran, Meizan (or Nayama) of the Chojiya House in the Shin-Yoshiwara with her two kamuro. From a large series – the total not known – with title: Hinagata wakana no hatsu moyo, “New Designs as Fresh as Young Leaves.” Published in the late 1770s by Eijudo with some designs by Juzaburo. A wonderful set. Another impression in MFA, 11.14622.

 

 

Fine impression. Exceptionally good colour. Very slight thinning down two sides, otherwise fine condition. Signed Koryu ga with printed kakihan.

 

 

Status: Available

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Utagawa YOSHITSUYA (1822-1866)




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The magician Ryuomaru battling with a giant dragon from a set of fine designs: Honcho musha kagami, “Mirror of Warriors of Our Country.” Published 1856-7 by Tsujiokaya Bunsuke. A good pupil of Kuniyoshi.

 

 

Good impression, colour and condition. Signed Ichieisai Yoshitsuya ga.

 

 

Status: Available

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Utagawa TOYOKUNI I (1769-1825)




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The actor Nakamura Utaemon II playing two roles (out of seven), Nana yaku no uchi, which are: the Manzai street entertainer Tsuchiemon (seated) and Kudayu’s daughter Okumi, in the play Chushin koshaku performed at the Nakamura-za Theatre, 7/1812.

 

 

Very good impression and colour. Minor creasing, otherwise very good condition. Signed Toyokuni ga.

 

 

Status: Reserved

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Utagawa TOYOKUNI I (1769-1825)




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The actor Segawa Roko III as the Lady Onoe in the play Yanoji Musubi hana no gyoretsu, performed at the Nakamura-za Theatre, 4/1806.

 

 

Very good impression and colour. Minor creasing, otherwise very good condition. Signed Toyokuni ga.

 

 

Status: Available

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Utagawa TOYOKUNI I (1769-1825)




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The actors Matsumoto Koshiro V (right) as the barber Nagata Taro; in reality Kamada Masakiyo, and Segawa Michinosuke I as Genkichi’s wife, Osoro; in reality Nagata’s younger sister, in the play Wakazakari Heike Monogatari, performed at the Ichimura-za Theatre, 11/1806. Published by Hachi.

 

 

Very good impression and colour. Minor creasing, otherwise very good condition. Signed Toyokuni ga.

 

 

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Utagawa TOYOKUNI I (1769-1825)




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The actor Onoe Matsusuke I as the ghost of the wife of Kohada Koheiji in the play Eiri otogi zoshi performed at the Ichimura-za Theatre, 7/1808. In fact, Matsusuke played both the wife and Kohada Koheiji. One of the best plots in Kabuki: Kohada Koheiji was a third-rate kabuki actor who couldn’t find work. His drama teacher, taking pity on him, bribed a director to give him work. On seeing him, the director immediately saw his potential as a yurei (ghost) because of his appearance – white skin, dark, sunken eyes and long hair. And at this he became extremely successful. However, his wife Osoka, was embarrassed by him and took a lover. Together, they planned to kill him which they did by drowning him in a swamp. This gave him his greatest yurei role and he came back to haunt them to death. Published by Tsuruya Kinsuke, 1808.

 

 

Very good impression and colour. Minor creasing, otherwise very good condition. Signed Toyokuni ga.

 

 

Status: Available

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Kawanabe KYOSAI (1831-1889)




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A triptych, Nanba senki no uchi, “The Battle of Nanba,” showing the Buddhist monk Tenkai (1536-1643) chanting a spell, and Okubo Hikozaemon (1560-1639), both retainers of Tokugawa Ieyasu, at the great battle of Domyoji, Osaka, in 1615. Tokugawa Ieyasu’s army clashed with the Osaka army of Toyotomi Hideyori. This led to the fall of Osaka and the death of Hideyori. On the right is a huge exploding land-mine disintegrating a Buddhist stone statue. Published by Ebisuya Shoshichi, 4/1874. Extremely rare: I have only seen one other impression of this design.

 

 

Fine impression and colour. Trimmed, otherwise very good condition. Signed Seisai Kyosai and Oju Seisai Kyosai.

 

 

Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing Miyamoto Mushashi (c. 1584-1645) fighting a pack of wolves in the mountains of Hakone watched by Sekiguchi Yataro seated beside a fire. Musashi was a renowned double-bladed swordsman (as seen here) and is considered the sword-saint of Japan. Published by Kiya Sojiro, 4/1861 and is probably Kuniyoshi’s last print.

 

 

Very good impression and colour. Slight creasing, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Reserved

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Available, New Acquisitions,Ogata GEKKO (1859-1920)




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A triptych showing the last stand of the Kusunoki Clan at the Battle of Shijonawate in 1348. The event took place during the Nanbokucho wars when the Kusunoki Masatsura forces of the Southern Imperial Court were attacked at Yoshino by the Northern forces led by Ko no Moroyasu. Masatsura fought valiantly against a hail of arrows, eventually succumbing and committing suicide. . Published 1883 by Matsuo Danzo (who only appears to have survived one year). There is an earlier triptych version of this by Gekko in 1878. A later and far inferior reprint was published in 1901.

 

 

Superb impression, colour and condition with extensive burnishing. Signed Gekko ga.

 

 

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ANONYMOUS (Late 18th century)




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An Uki-e, “floating picture” painting showing an interior with a puppet performance taking place. A puppeteer manipulates a female puppet in the centre, behind him two gidayu narrators and a shamisen player. A male puppet is being held behind a screen. Ladies behind a screen at right enjoy the drama. In fact, a male individual at the back seems overcome by emotion with a hanky to his face. The architecture is represented using one-point perspective, a style which made its way to Japan in the 1740’s from the West via China. (Interestingly the artist has got the perspective wrong on the screen at right.) This genre of painting – invariably unsigned – always shows interior or semi-interior views with banquets or, as here, puppet performances. Full colour on paper, 17 x 23 in; 43.2 x 58.5 cms. Minor marks, although good condition for this kind of painting.

 

Status:  
Available

 




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Ichiryusai HIROSHIGE (1797-1858)



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An uncut fan print with title Shinkiro no zu which has a double meaning of being the Yoshiwara in the deep sea and also a chimera or mirage. The scene enclosed in a (dreaming ?) bivalve shows visitors in a watery Yoshiwara, all with fish heads. Of the utmost rarity: This appears to be the only impression known. There are also what appear to be keying marks on three sides that have not been removed. Published by Shinagawaya Kyusuke with censor seal for 1845.

 

Very fine impression. Fine colour and condition. Signed Hiroshige giga hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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An extremely rare chu-tanzaku, Fuyu Sumidagawa no yuki, “Winter Snow on the Sumida River.” From a set Shiki Edo meisho, “Famous Places in Edo in the Four Seasons.” A lone figure in straw cape and large hat poles a log raft down the Sumida river in heavy snow. Published by Kawasho c. 1834. There are a number of states of this design known: As here (probably the earliest) with publisher’s seal and kiwame seal; with kiwame only; and without either. There are also extremely deceiving copies of this print. Provenance: Ex Le Veel collection, sold by Ader Picard Tajan, Paris, 2nd sale, 24/10/1980, lot 114, p. 50.

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing the ghosts of the Taira (Heike) warriors attempting to sink Yoshitsune’s ship off the coast of Settsu on his way to Shikoku. This is one of Kuniyoshi’s great designs – amongst the three or four best triptychs and is illustrated in numerous publications. The scene is the outcome of a great battle at Dan-no-ura where the Minamoto (Genji) clans clashed and defeated the Taira clans a few years earlier. The spirits of the drowned warriors rose up to seek revenge only to be pacified by Benkei reciting exorcisms with his rosary. Published 1849-52 by Enshuya Hikobei. Robinson T242. Rare.


Very good impression and colour although slightly mismatched blue on the first and second sheets. Very good condition. Full size. There appear to be three states of this design: The main difference being in the shape of the ghosts and lines in the waves only on the first state. In this (the second state) the ghosts lack some of the features that are on the first and a large spirit appears above the wave over the ship on the centre panel. The third state has further differences in the ghosts and lacks this figure. Also, the colour of the boat gets greyer. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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A complete triptych showing beauties in boats on the Sumida River. Shubi no matsu, “Successful-deal Pine Tree” from a set Edo meisho somoku-zukushi, “Notable Sights Famous for Grass and Trees in Edo.” This famous pine was blown down during the An’ei era (1772-1780); its successor died during the Ansei era (1854-1859); the third died at the end of the Meiji era (c 1910). There is also the Hiroshige view of this subject from the 100 Views of Edo. Published by Ebiya Rinnosuke (Kaijudo), 1845.

 

Very good impression. Fine colour and condition. Full size. Another state has darker water and variegated cartouche. Signed Cho-o-ro Kuniyoshi ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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One of Hiroshige’s most beautiful triptychs: Sumidagawa setchu no zu,“The Sumida River in Snow” from a series Edo meisho shiki no nagame, “Views of the Famous Places of Edo in the Four Seasons.” Shows a ferry landing on the Sumida with a beauty disembarking from a boat and another pair ready to board. Published by Maruya Jinpachi, c 1847-8. Rare.

 

Very good impression and colour. Horizontal centre fold, otherwise good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNISADA (1786-1864)




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A lively design showing Ichikawa Danjuro VII in the role of the loyal warrior Arajishi Otokonosuke Terumitsu fighting a giant rat in the cellar beneath the women’s quarters of the Ashikaga Palace. This scene, Yukashita no Ba, is from the play Date kurabe okuni Kabuki performed at the Kawarasaki-za Theatre, 3/1829. Shortly afterwards, the rat escapes down a hole in the hanamichi pathway, only to re-emerge in a cloud of smoke as the arch-villain and master of the black arts, Nikki Danjo. Published by Eikyudo (Yamamoto Kyubei) 1829.

 

Fine impression, colour and condition on an extra large sheet of hosho. Signed Gototei Kunisada ga.

 

Status: Sold

 

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SESSHUNSAI (Dates unknown but active c 1800)




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An extremely rare early Osaka hosoban showing the actor Asao Tamejuro II (1779-1806) standing before a broken barricade in the role of Yamashiro Kantsubo in the play Meiboku sendai hagi. This artist and print appear to be unrecorded. Published by Houki (Honya Kichisai), c early 1800. A wonderful design. Many thanks to Hendrick Luhl for his help on this print.

 

Very good impression and colour. The fujitive background aobana, dayflower pigment, intact except for one small area affected by moisture visible au verso. Very good condition. Signed Sesshunsai ga with seal unread.

 

Status: Sold

 

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Jokei RYUKOSAI (Fl. c 1772-1816)




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The most important and influential Osaka artist of the late eighteenth century. An innovator whose style may well have influenced such artists as Shunei and Sharaku. His prints – mostly hosoban – are all of the utmost rarity. Indeed, it is thought they originally formed triptychs but, so far, no complete design has been located. The oban design offered here is even rarer, there being only two other impressions known: Illustrated in colour, pl. 13, in Kamigata Ukiyo-e Nihyaku-nen Ten, “200 Years of Kamigata Ukiyo-e,” Susumu Matsudaira, 1975; and pl. 43, p. 56, catalogue of exhibition Ukiyo-e of the Kamigata Area at the Osaka Museum of History and Yamaguchi Prefectural Hagi Uragami Museum, Kitagawa Hiroko, 2014. Shows five actors. From right to left (rear): Nakamura Kyojuro, Arashi Sangoro III, Kataoka Nizaemon VII and (front): Asao Tamejiro I, Ichikawa Danzo IV. Published c 1790 by Ki.

 

Fine impression. Very good colour. Small areas of contemporary hand colouring to face and costume of Tamejiro. Slight folds and small sumi mark bottom left, otherwise very good condition. Probably full size. Signed Ryukosai ga.

 

Status: Sold

 

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Jokei RYUKOSAI (Fl. c 1772-1816)




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The most important and influential Osaka artist of the late eighteenth century. An innovator whose style may well have influenced such artists as Shunei and Sharaku. His prints – mostly hosoban – are all of the utmost rarity. Indeed, it is thought, as here, that they originally formed triptychs but, so far, no complete design has been located. The unsigned left panel of a triptych published 1/1793 showing Onoe Shinshichi I (Fujaku) as Isshiki Yukinokami in the play Keisai yanagi sakura. The play involves the rescue of the Ashikaga Shogunate through the efforts of Yukinokami in uncovering a usurper’s plot. The hero stands in a snowy garden holding a fragment of a handscroll he has been found reading. Of the utmost rarity: Only a few impressions are known and there are two states: As here without role above and published by Osakaya Sashichi and with the calligraphy and published by Shiocho.

 

Fine impression, colour and condition.

 

Status: Sold

 

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TOGAKUSAI (Active c 1782)




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An extremely rare and early Osaka hosoban (probably unrecorded) showing the actor Kano Hinasuke I (who later became Arashi Koroku III) standing on large geta and holding an umbrella. Published by Shioki-han (Shioya Kisuke), c 1782. The poem above is signed using the actor’s hango Arashi Minshi. Only a few designs are known by this artist. Many thanks to Hendrick Luhl for his help on this print.

 

Very good impression and colour. Some wear and tear which has been skilfully restored. On very thin paper. Signed Togakusai hitsu with seal Sadakuni.

 

Status: Sold

 

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Utagawa KUNISADA (1786-1864)




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An exceptionally rare original double-sided woodblock. On one side is the key-block showing Ichikawa Danjuro VII as the strongman, “chikaramochi,” Ura no Kingo. On the other is the key-block showing Iwai Kumesaburo II as the female acrobat, “karuwazashi,” Tamamoto Kosan. The play is Fujikawabune noriai banashi performed at the Nakamura-za Theatre, 5/1826. The block measures 8.5 x 10.75 x .75 in; 21.6 x 27.3 x 2 cms. The two images signed Gototei Kunisada ga. In very good condition but with obvious minor damage. Sold “as is.”


 

Status: Sold

 




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Kubo SHUNMAN (1757-1820)




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A rare surimono showing new year festivities before a large screen depicting Mount Fuji at sunset. A versatile and highly talented artist working in various mediums, Shunman produced (and cut and printed) some of the finest surimono. Published c 1810s. I cannot, at the moment, locate another impression.

Fine impression and colour with extensive gold and silver. Fine condition. Sealed Shunman bottom right.


Fine impression and colour with silver and gold. Light backing, otherwise very good condition. Signed Shokyuko Shuntei ga.

 

Status: Sold

 

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Totoya HOKKEI (1780-1850)




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An exceptionally rare surimono showing salt gatherers on a beach, their huts behind them and Mount Fuji towering over the horizon. Published c 1820s. I cannot, at the moment, locate another impression.


Fine impression with gold clouds and Fuji heavily blind-printed. Fine colour. Minimal soil, otherwise very good condition. Si8ned Hokkei.

 

Status: Sold

 

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Kitagawa UTAMARO (1753-1806)




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No. 7 from a set of 12 prints: Joshoku kaiko tewazagusa, showing women engaged in the sericulture (silkworm) industry. This was traditionally the domain of women. The colour scheme is red-avoiding (murasaki-e) using predominantly purple. This stage of the process shows the metamorphosis – the winged moth stage – when silkworms are used to lay eggs. This set is taken verbatim from the Shunsho/Shigemasa set of chuban prints, Kaiko yashinai-gusa. (See elsewhere on this site for a Shunsho example.) Published 1798-1800 by Tsuru-ya Kiemon.


Fine impression. Fine colour, perfectly retained. Very good condition; full size. Signed Utamaro hitsu.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 3, Tamba, and shows men fishing at night with the aid of flares. The set published 1852 by Sano-ya Kihei.


Very fine impression and colour with strong burnishing on collar. Fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A beauty reading a program while a cat dozes beside her. From a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 19. Catching octopuses, Takasago in Banshu [Harima] Province. The set published 1852 by Sano-ya Kihei.


Very good impression and colour. The cat’s fur blind-printed. Light album backing, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Token Gonbei using a mirror to pluck his forehead (hitai). The style became known as Token hitai. From a set: Kuniyoshi moyo shofuda tsuki genkin otoko, “Men of Ready Money with True Labels Attached, Kuniyoshi Style.” These otokodates (a word that is difficult to translate but was a chivalrous commoner, a fashionable man-about-town, street-wise and ready to assist the oppressed). Gonbei is said to have beaten a barking token (Dutch hunting dog) to death with his bare hands – thus he got his name. Published c 1845 by Iba-ya Kyubei.


Very fine impression. Fine colour. Light album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Sasai Kyuzo Masayasu (Sakai Kyuzo Narashige) enveloped in smoke and disintegrating before a volley of musketry at the battle of the Anegawa (1570). From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this being 12, but not numbered) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.36. The best design from the set.


Fine early impression. Fine colour. Slight nibbling to left edge, otherwise very good condition. Fine impression. Fine colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Katsushika HOKUSAI (1760-1849)




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A poem by Onakatomi no Yoshinobu Ason from Hyakunin isshu uba ga etoki, the “Hundred Poems explained by the Wet Nurse.” Published by Nishimuraya Eijudo and Iseya Eijudo c 1835/6. Although obviously intended to be a set of 100 prints, only 27 are known plus drawings for the others. The poet speaks of his love being like a fire kept by guards at the Imperial Palace: It only burns hot at night. Shows a group of sleepy imperial guards with the fire burning low. The poet and servant are seen on the distant hill.


Very fine early impression. Fine colour and condition. (The small white area without colour top left should appear on every untrimmed genuine impression.) Signed Zen Hokusai manji (the manji seal black).

 

Status: Sold

 

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