Torii KIYONAGA (1752-1815)




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A chuban print showing a woman at a washtub watched by a small child. Another woman is hanging a kimono out to dry. Without any series title but with a scalloped cloud above which may have been intended to have a title. Published c. late 1770s. Rare: Not listed in Hirano, Chie Hirano, Kiyonaga, MFAB, 1939.

 

 

Superb impression, colour and condition. Possibly a proof impression. Signed Kiyonaga ga.

 

 

Status: Available

 

 

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Katsushika HOKUSAI (1760-1849)




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A design interpreting a poem by the Lady of Ise (c. 875-c. 938) from an unfinished set Hyakunin isshu uba ga etoki, “The Hundred Poems [By the Hundred Poets] as Told by the Nurse.” Published 1835-36 by Eijudo with 27 prints known and 67 outstanding drawings for the set. Shows a mother and daughter or lady and servant at a window overlooking Naniwa Inlet with rice fields in the distance and men working on the roof of the building they are in.

 

 

Fine early impression with woodgrain showing on the roof. Fine colour. Small nick out of right edge, otherwise fine condition. Signed Zen Hokusai manji.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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Sukiya embankment in snow, Toto Sukiya-gashi, from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. The rampart on the inner side of the moat of Edo Castle on the right. Figures cross a bridge leading to Sukiya Gate. In the distance the long outer walls of the main residence of the Nabeshima Clan of Saga. Fuji on the horizon.

 

 

Very fine impression and colour. A very small repaired wormhole in top right margin, otherwise fine condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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Men punting rafts on the Sagami River from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858.This print was included in the background of the famous 1887 portrait of Pere Tanguy by Vincent Van Gogh. The river was sometimes referred to as the Ayu River because of the (then) abundance of sweetwater fish (ayu).

 

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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An original painting in sumi with touches of green and pale blue. Image size 50 x 17 in; 127 x 43.2 cms on paper. Shows the Mount Haruna area which also has Mount Myogi and Mount Akagi. Depicts the strange peaks surrounded by swirling mist and cloud. The region was formed more than 300,000 years ago in Gunma, eastern Honshu. Hiroshige designed a snow scene of the same area for the print set Sixty-odd Provinces of Japan published in 1853. Recently remounted and in very good condition. Signed Hiroshige ga with Ichiryusai seal.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858)




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A view of the beautiful peninsula of Izu, Izu no sanchu, “In the Mountains of Izu Province” from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. This area is about 100 km southwest of Tokyo and a popular place to visit.

 

 

Very fine impression and colour. Trimmed close bottom left, otherwise fine condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa KUNISADA (1786-1864)




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The actor Danjuro VIII as the ghost of Seigen from a set of prints Mitate sanjurokkasen no uchi, “An Imaginary Thirty-six Poets” published by Iseya Kanekichi in 1852. The relevant poet in this case is Ariwara no Narihira. The corrupt priest Seigen broke his vows of chastity when he fell in love with Sakurahime. Danjuro played this role in the play Yami no ume yume no tamakura, in the New Year’s programme at the Kawarazaki theatre, Edo, in 1/1853.

 

 

Very fine early impression with glue applied to the eyes. Fine colour and condition. Signed Toyokuni ga.

 

 

Status: Available

 

 

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Okumura MASANOBU (1686-1764)




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An hashira-e showing Shoki, the Chinese demon queller, Chung Kwei, about to plunge a sword into an oni. Another pillar print showing Shoki from the same period is illustrated in The Clarence Buckingham Collection of Japanese Prints, The Primitives, Helen C. Gunsaulus, AIC, 1955, no. 103, p. 166. Published c. 1745. Rare.

 

 

Very good impression. A sumi-e, printed in sumi with washes of sumi applied by hand. Slight toning, otherwise very good condition.Pillar prints are often toned because they were hung and, of course, this is especially true of the earlier examples, as here. Signed Hogetsudo
Tanchosai Okumura Bunkaku Masanobu Baio ga with seal Tanchosai.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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Shimadai, grouper (probably Chilodactylus zonatus) and ainame, greenling (Hexagrammus otakii) together with red-berried nanten. Poem by Kanshunro Nushibito. Probably the first edition (Kruml 18a). From the second series of fish published by Yamasho c. 1840-42.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)




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Nikko Shimofuri no taki, “Shimofuri Waterfall in Nikko” from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1859).

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)




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Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei. “Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860).

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa KUNISADA (1786-1864)




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An early warrior print showing Rokuson Okeigi (Minamoto no Tsunemoto [894-961]) battling a giant dragon. From a set Honcho komei kagami, “A Mirror of Our Country’s Renown Heroes” published by Joshuya Kinzo, c. 1835.

 

Fine impression and colour. Slight trimming, otherwise very good condition. Signed Kocho Kunisada ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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A print from the set Mitate junishi, “Selection for the Twelve Signs [of the Zodiac].” This being Dog. Shows the wrestler Inuda (Inu, “Dog”) Kobungo umpiring a match between two crabs. Published c. 1845 by Iba-ya Sensaburo. Robinson S38.11.

 

Fine impression and colour. Very slight trimming, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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BUNSEI (Active c. 1830 -1844)




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A complete set of Eight Views of Xiaoxiang, modern Hunan Province, China. These eight views were taken up by Japanese artists such as Hiroshige and transposed to Japan becoming sets like the Eight Views of Omi, etc. Bunsei was a pupil of Tani Buncho. He seems to have made a speciality of this subject and there is a slightly larger version set of the same subject. Published c. 1830s. Provenance: Ex Hayashi with his seal on most of the designs. Rare complete.

 

Very good impressions and colour. Minor edge wormage, othwerwise very good condition. Each signed Bunsei.

 

Status: Available

 




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Utagawa KUNITERU (Fl. mid-19th c.)




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An original hanshita-e (preparatory drawing) for a triptych showing the ground floor interior of a brothel in the Yoshiwara with courtesans and their assistants. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. He was a pupil of Kunisada, originally calling himself Sadashige, and becoming Kuniteru when Kunisada became Toyokuni III. Sumi and touches of red. Extensive pentimenti. Sold “as is” with all imperfections. Signed on two sheets Kuniteru ga.

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, Nakamura Kamenojo I as the geisha Azuma standing above Kawarasaki Gonjuro I as Yamazakiya Yogoro, Bando Kamezo I as Settanaoshi Chogoro standing above Onoe Kikugoro IV as Kumasaka Ocho, and Onoe Kikugoro IV as Akogi Gennojo standing above Onoe Kikujiro II as Onnadayu Okoyo. The play was Yume musubu cho ni torioi performed at the Ichimura-za theatre 3/1856. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. (This was also most likely a published print by Sanoki as it is from the same group as others offered here.) Signed on two sheets Toyoukuni ga.

 

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a published diptych showing, on the left, the actor Onoe Kikujiro II as Tatsuhime – in reality Yawata, the younger sister of Kotoda. On the right is Iwai Kumesaburo III as Kudo Kanaishimaru. The play is Matsu icho Tsurukame Soga performed at the Nakamura-ya theatre, 1/1854. The publisher of the print was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red. Signed Toyokuni ga on both sheets. Sold “as is” with all imperfections.

 

Status: Available

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, the actor Bando Takesaburo I as Nagoya Sanza, Ichimura Uzaemon XIII as the Shinzo (“courtesan’s apprentice”), and Nakamura Fukusuke I as Fuwa Banzaemon. This is actually from the dance Sanpukutsui Kabuki no irodori performed at the Ichimura-za theatre, 5/1855. The publisher was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. Signed Toyokuni ga on the three sheets. Sold “as is” with all imperfections.

 

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Utagawa KUNISADA (1786-1864)




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A fine original fan painting showing a woman of Ohara; a mountain village north of Kyoto. These Oharame collected brushwood and firewood in the fall to sell in Kyoto. They are often depicted and obviously caused a stir when they entered Kyoto to ply their trade. The custom has evidently been going on since the 12th century. She is shown holding a flower and sitting on her bundle of firewood.


 

Full colour on prepared paper mounted as a fan, 6.5 x 17in; 16.5 x 43.2 cms (paper area). In very good condition. Signed Kunisada ga with indistinct seals, probably Kuni Sada. A charming painting.

 

Status: Available

 




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ANONYMOUS (Late 18th century)




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An Uki-e, “floating picture” painting showing an interior with a puppet performance taking place. A puppeteer manipulates a female puppet in the centre, behind him two gidayu narrators and a shamisen player. A male puppet is being held behind a screen. Ladies behind a screen at right enjoy the drama. In fact, a male individual at the back seems overcome by emotion with a hanky to his face. The architecture is represented using one-point perspective, a style which made its way to Japan in the 1740’s from the West via China. (Interestingly the artist has got the perspective wrong on the screen at right.) This genre of painting – invariably unsigned – always shows interior or semi-interior views with banquets or, as here, puppet performances. Full colour on paper, 17 x 23 in; 43.2 x 58.5 cms. Minor marks, although good condition for this kind of painting.

 

Status:  
Available

 




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Ichiryusai HIROSHIGE (1797-1858)



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An uncut fan print with title Shinkiro no zu which has a double meaning of being the Yoshiwara in the deep sea and also a chimera or mirage. The scene enclosed in a (dreaming ?) bivalve shows visitors in a watery Yoshiwara, all with fish heads. Of the utmost rarity: This appears to be the only impression known. There are also what appear to be keying marks on three sides that have not been removed. Published by Shinagawaya Kyusuke with censor seal for 1845.

 

Very fine impression. Fine colour and condition. Signed Hiroshige giga hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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An extremely rare chu-tanzaku, Fuyu Sumidagawa no yuki, “Winter Snow on the Sumida River.” From a set Shiki Edo meisho, “Famous Places in Edo in the Four Seasons.” A lone figure in straw cape and large hat poles a log raft down the Sumida river in heavy snow. Published by Kawasho c. 1834. There are a number of states of this design known: As here (probably the earliest) with publisher’s seal and kiwame seal; with kiwame only; and without either. There are also extremely deceiving copies of this print. Provenance: Ex Le Veel collection, sold by Ader Picard Tajan, Paris, 2nd sale, 24/10/1980, lot 114, p. 50.

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing the ghosts of the Taira (Heike) warriors attempting to sink Yoshitsune’s ship off the coast of Settsu on his way to Shikoku. This is one of Kuniyoshi’s great designs – amongst the three or four best triptychs and is illustrated in numerous publications. The scene is the outcome of a great battle at Dan-no-ura where the Minamoto (Genji) clans clashed and defeated the Taira clans a few years earlier. The spirits of the drowned warriors rose up to seek revenge only to be pacified by Benkei reciting exorcisms with his rosary. Published 1849-52 by Enshuya Hikobei. Robinson T242. Rare.


Very good impression and colour although slightly mismatched blue on the first and second sheets. Very good condition. Full size. There appear to be three states of this design: The main difference being in the shape of the ghosts and lines in the waves only on the first state. In this (the second state) the ghosts lack some of the features that are on the first and a large spirit appears above the wave over the ship on the centre panel. The third state has further differences in the ghosts and lacks this figure. Also, the colour of the boat gets greyer. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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A complete triptych showing beauties in boats on the Sumida River. Shubi no matsu, “Successful-deal Pine Tree” from a set Edo meisho somoku-zukushi, “Notable Sights Famous for Grass and Trees in Edo.” This famous pine was blown down during the An’ei era (1772-1780); its successor died during the Ansei era (1854-1859); the third died at the end of the Meiji era (c 1910). There is also the Hiroshige view of this subject from the 100 Views of Edo. Published by Ebiya Rinnosuke (Kaijudo), 1845.

 

Very good impression. Fine colour and condition. Full size. Another state has darker water and variegated cartouche. Signed Cho-o-ro Kuniyoshi ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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One of Hiroshige’s most beautiful triptychs: Sumidagawa setchu no zu,“The Sumida River in Snow” from a series Edo meisho shiki no nagame, “Views of the Famous Places of Edo in the Four Seasons.” Shows a ferry landing on the Sumida with a beauty disembarking from a boat and another pair ready to board. Published by Maruya Jinpachi, c 1847-8. Rare.

 

Very good impression and colour. Horizontal centre fold, otherwise good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNISADA (1786-1864)




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A lively design showing Ichikawa Danjuro VII in the role of the loyal warrior Arajishi Otokonosuke Terumitsu fighting a giant rat in the cellar beneath the women’s quarters of the Ashikaga Palace. This scene, Yukashita no Ba, is from the play Date kurabe okuni Kabuki performed at the Kawarasaki-za Theatre, 3/1829. Shortly afterwards, the rat escapes down a hole in the hanamichi pathway, only to re-emerge in a cloud of smoke as the arch-villain and master of the black arts, Nikki Danjo. Published by Eikyudo (Yamamoto Kyubei) 1829.

 

Fine impression, colour and condition on an extra large sheet of hosho. Signed Gototei Kunisada ga.

 

Status: Sold

 

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SESSHUNSAI (Dates unknown but active c 1800)




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An extremely rare early Osaka hosoban showing the actor Asao Tamejuro II (1779-1806) standing before a broken barricade in the role of Yamashiro Kantsubo in the play Meiboku sendai hagi. This artist and print appear to be unrecorded. Published by Houki (Honya Kichisai), c early 1800. A wonderful design. Many thanks to Hendrick Luhl for his help on this print.

 

Very good impression and colour. The fujitive background aobana, dayflower pigment, intact except for one small area affected by moisture visible au verso. Very good condition. Signed Sesshunsai ga with seal unread.

 

Status: Sold

 

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Jokei RYUKOSAI (Fl. c 1772-1816)




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The most important and influential Osaka artist of the late eighteenth century. An innovator whose style may well have influenced such artists as Shunei and Sharaku. His prints – mostly hosoban – are all of the utmost rarity. Indeed, it is thought they originally formed triptychs but, so far, no complete design has been located. The oban design offered here is even rarer, there being only two other impressions known: Illustrated in colour, pl. 13, in Kamigata Ukiyo-e Nihyaku-nen Ten, “200 Years of Kamigata Ukiyo-e,” Susumu Matsudaira, 1975; and pl. 43, p. 56, catalogue of exhibition Ukiyo-e of the Kamigata Area at the Osaka Museum of History and Yamaguchi Prefectural Hagi Uragami Museum, Kitagawa Hiroko, 2014. Shows five actors. From right to left (rear): Nakamura Kyojuro, Arashi Sangoro III, Kataoka Nizaemon VII and (front): Asao Tamejiro I, Ichikawa Danzo IV. Published c 1790 by Ki.

 

Fine impression. Very good colour. Small areas of contemporary hand colouring to face and costume of Tamejiro. Slight folds and small sumi mark bottom left, otherwise very good condition. Probably full size. Signed Ryukosai ga.

 

Status: Sold

 

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Jokei RYUKOSAI (Fl. c 1772-1816)




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The most important and influential Osaka artist of the late eighteenth century. An innovator whose style may well have influenced such artists as Shunei and Sharaku. His prints – mostly hosoban – are all of the utmost rarity. Indeed, it is thought, as here, that they originally formed triptychs but, so far, no complete design has been located. The unsigned left panel of a triptych published 1/1793 showing Onoe Shinshichi I (Fujaku) as Isshiki Yukinokami in the play Keisai yanagi sakura. The play involves the rescue of the Ashikaga Shogunate through the efforts of Yukinokami in uncovering a usurper’s plot. The hero stands in a snowy garden holding a fragment of a handscroll he has been found reading. Of the utmost rarity: Only a few impressions are known and there are two states: As here without role above and published by Osakaya Sashichi and with the calligraphy and published by Shiocho.

 

Fine impression, colour and condition.

 

Status: Sold

 

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TOGAKUSAI (Active c 1782)




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An extremely rare and early Osaka hosoban (probably unrecorded) showing the actor Kano Hinasuke I (who later became Arashi Koroku III) standing on large geta and holding an umbrella. Published by Shioki-han (Shioya Kisuke), c 1782. The poem above is signed using the actor’s hango Arashi Minshi. Only a few designs are known by this artist. Many thanks to Hendrick Luhl for his help on this print.

 

Very good impression and colour. Some wear and tear which has been skilfully restored. On very thin paper. Signed Togakusai hitsu with seal Sadakuni.

 

Status: Sold

 

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Utagawa KUNISADA (1786-1864)




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An exceptionally rare original double-sided woodblock. On one side is the key-block showing Ichikawa Danjuro VII as the strongman, “chikaramochi,” Ura no Kingo. On the other is the key-block showing Iwai Kumesaburo II as the female acrobat, “karuwazashi,” Tamamoto Kosan. The play is Fujikawabune noriai banashi performed at the Nakamura-za Theatre, 5/1826. The block measures 8.5 x 10.75 x .75 in; 21.6 x 27.3 x 2 cms. The two images signed Gototei Kunisada ga. In very good condition but with obvious minor damage. Sold “as is.”


 

Status: Sold

 




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Kubo SHUNMAN (1757-1820)




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A rare surimono showing new year festivities before a large screen depicting Mount Fuji at sunset. A versatile and highly talented artist working in various mediums, Shunman produced (and cut and printed) some of the finest surimono. Published c 1810s. I cannot, at the moment, locate another impression.

Fine impression and colour with extensive gold and silver. Fine condition. Sealed Shunman bottom right.


Fine impression and colour with silver and gold. Light backing, otherwise very good condition. Signed Shokyuko Shuntei ga.

 

Status: Sold

 

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Totoya HOKKEI (1780-1850)




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An exceptionally rare surimono showing salt gatherers on a beach, their huts behind them and Mount Fuji towering over the horizon. Published c 1820s. I cannot, at the moment, locate another impression.


Fine impression with gold clouds and Fuji heavily blind-printed. Fine colour. Minimal soil, otherwise very good condition. Si8ned Hokkei.

 

Status: Sold

 

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Kitagawa UTAMARO (1753-1806)




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No. 7 from a set of 12 prints: Joshoku kaiko tewazagusa, showing women engaged in the sericulture (silkworm) industry. This was traditionally the domain of women. The colour scheme is red-avoiding (murasaki-e) using predominantly purple. This stage of the process shows the metamorphosis – the winged moth stage – when silkworms are used to lay eggs. This set is taken verbatim from the Shunsho/Shigemasa set of chuban prints, Kaiko yashinai-gusa. (See elsewhere on this site for a Shunsho example.) Published 1798-1800 by Tsuru-ya Kiemon.


Fine impression. Fine colour, perfectly retained. Very good condition; full size. Signed Utamaro hitsu.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 3, Tamba, and shows men fishing at night with the aid of flares. The set published 1852 by Sano-ya Kihei.


Very fine impression and colour with strong burnishing on collar. Fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A beauty reading a program while a cat dozes beside her. From a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 19. Catching octopuses, Takasago in Banshu [Harima] Province. The set published 1852 by Sano-ya Kihei.


Very good impression and colour. The cat’s fur blind-printed. Light album backing, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Token Gonbei using a mirror to pluck his forehead (hitai). The style became known as Token hitai. From a set: Kuniyoshi moyo shofuda tsuki genkin otoko, “Men of Ready Money with True Labels Attached, Kuniyoshi Style.” These otokodates (a word that is difficult to translate but was a chivalrous commoner, a fashionable man-about-town, street-wise and ready to assist the oppressed). Gonbei is said to have beaten a barking token (Dutch hunting dog) to death with his bare hands – thus he got his name. Published c 1845 by Iba-ya Kyubei.


Very fine impression. Fine colour. Light album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Sasai Kyuzo Masayasu (Sakai Kyuzo Narashige) enveloped in smoke and disintegrating before a volley of musketry at the battle of the Anegawa (1570). From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this being 12, but not numbered) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.36. The best design from the set.


Fine early impression. Fine colour. Slight nibbling to left edge, otherwise very good condition. Fine impression. Fine colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Katsushika HOKUSAI (1760-1849)




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A poem by Onakatomi no Yoshinobu Ason from Hyakunin isshu uba ga etoki, the “Hundred Poems explained by the Wet Nurse.” Published by Nishimuraya Eijudo and Iseya Eijudo c 1835/6. Although obviously intended to be a set of 100 prints, only 27 are known plus drawings for the others. The poet speaks of his love being like a fire kept by guards at the Imperial Palace: It only burns hot at night. Shows a group of sleepy imperial guards with the fire burning low. The poet and servant are seen on the distant hill.


Very fine early impression. Fine colour and condition. (The small white area without colour top left should appear on every untrimmed genuine impression.) Signed Zen Hokusai manji (the manji seal black).

 

Status: Sold

 

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Katsushika HOKUSAI (1760-1849)




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A poem by Kiyowara no Fukayabu from Hyakunin isshu uba ga etoki, the “Hundred Poems explained by the Wet Nurse.” Published by Nishimuraya Eijudo and Iseya Eijudo c 1835/6. Although obviously intended to be a set of 100 prints, only 27 are known plus drawings for the others. The poet speaks of the shortness of the summer night and asks if the moon is still overhead or hidden by clouds. Shows an evening on the Sumida River with a large pleasure boat accompanied by a smaller craft and a vessel providing food.


Fine early impression. Fine colour. Slight centre fold, otherwise good condition. Signed Zen Hokusai manji (the manji seal black).

 

Status: Sold

 

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