Utagawa HIROSHIGE (1797-1858)




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A snow scene: Yushima Tenjin sakaue chobo, “Hilltop View, Yushima Tenjin Shrine.” The shrine is dedicated to scholars and is near Ueno Park. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.

 

 

Fine impression, colour and condition. Signed Hiroshige hitsu.

 

 

Status: Available

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Utagawa HIROSHIGE (1797-1858)



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Kozuke, Harunasan setchu, “Kozuke [Province], Mount Haruna Under Snow.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A red bridge spans a gorge with precipitous cliffs and a fast flowing river. Fantastic crags point upwards into the sky. In the distance is Mount Haruna – a sleeping volcano.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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Mimasaka, Yamabushidani, “Mimasaka [Province], Yamabushi Valley.” Travellers caught in heavy wind and rain in the valley. Hiroshige II also produced an excellent version of this design. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by b Koshimuraya Heisuke between 1853 and 1856, this being 1853.

 
 

Very fine impression and colour. Light album backing and very small wormhole at extreme edge of margin, top left, otherwise fine condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Kisoji no Yamagawa, “Mountain River on the Kiso Road.” One of Hiroshige’s most iconic images: Snow from an untitled set of three Setsugekka (“Snow, Moon, Flowers”) triptychs. The other two being Moon at Kanazawa and Whirlpools at Awa. The Setsugekka theme was taken from a poem by Tang dynasty poet Bai Juyi (Haku Rakuten). It’s a metonym for beautiful views, etc. This part of the Kiso Road was particularly treacherous but it’s not possible to identify the exact location and Hiroshige most likely used a certain amount of artist’s license. Published by Okasawaya Taheiji, 1857, a year before his death.

 
 

Fine impression and colour. Centre sheet lightly backed and slightly trimmed, otherwise very good condition. Signed Hiroshige hitsu with Bokurin Shokoku seal.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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One of a set: Edo Murasaki meisho Genji, “Murasaki’s Genji in Famous Places of Edo.” Mitate Ukifune Sumidagawa no watashi, “A Parody of Ukifune Crossing the Sumida River.” Shows a beauty on a ferry crossing the Sumida River in heavy snow, representing Ukifune, one of the court ladies of the Genji Monogatari. Stylised clouds above and below copying the traditional kiri-gane gold found on Yamato-e scrolls. These Genji pictures were popular at this time to circumvent the reforms of 1842. Published by Kinseido (his seal also appearing on the umbrella bottom right). Rare.

 

Fine impression. Very good colour. Lower margin trimmed close, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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The extremely rare first, private printing of Bora, the grey mullet (Mugil cephalus) with camellia and Japanese asparagusado. From a set of 10 prints in folding album form, privately commissioned for a poetry club, c 1832-34. Poems by Higaki Kunifune and Toshinoto Haruki. The judges’ names next to the poems. These were removed on the commercial editions. Rare because of the obvious reason that the numbers printed were directly related to the relatively small memberships of poetry groups.

 
 

Fine impression and colour of the earliest printing without kiwame seal and publisher’s seal. With judges’ names and without gradation at top. Centre fold (as always), otherwise very good condition. Signed Ichiyusai Hiroshige ga. Unknown collector’s seal au verso.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Inada, yellowtail or amberjack (Seriola quinqueradiata) and fugu, blowfish or puffer (Fugu pardalis). Together with plum blossom. Poem by Suzugaki. From the second set of 9 prints published by Yamasho, c 1840-42. (Some designs on the reprints have the publisher’s mark Marujin.)

 
 

Extremely early impression before the block defect below the fugu’s tail is evident. Fine colour with extensive mica on the inada. Some slight creasing, otherwise very good condition. Full size. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Katsuo, bonito (Kasuwonus pelamis). Also called ocean bonito, strip-bellied bonito and striped tuna. Together with three sprigs of cherry (sakura). Poems by Toshinoto Haruki and Toshihiro Machikado. From the first commercial edition of the first series published by Eijudo, c 1832-34.

 
 

Early impression with the kiwame and publisher’s seal sharp. Fine colour. Some slight creasing, otherwise very good condition. Full size. Signed Ichiyusai Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Kochi, bartail flatheads (Platycephalus indictus). Together with a flowering egg-plant, nasu. Poems by Yoshigaki Toshimochi and Magaki Harutomo. From the first commercial edition of the first series published by Eijudo, c 1832-34.

 
 

Early impression with the kiwame and publisher’s seal sharp. Fine colour. Some slight creasing, otherwise very good condition. Full size. Signed Ichiyusai Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Nihonbashi yukibare, “The Nihon Bridge, Clear Weather After Snow.” From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi. Number 1 from the set and a view of the Sumida River with Mt. Fuji in the distance. This is the starting point for the Tokaido Road.

 
 

Fine, early impression with gradation on the roofs and on Mt. Fuji. Fine colour. Margins trimmed a little, otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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The lumberyard, Fukugawa, from the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi. Shows snow falling on the timber yards lining a river. An umbrella in the foreground is inscribed Uo, “Fish” – a reference to the publisher Uoya Eikichi. A large supply of timber was needed for the world’s largest wooden city. However, in 1641 a fire destroyed not only houses but the lumber which was then stored in a central area forcing the government to move the yards to Fukugawa.

 
 

Very good, early impression. Very good colour. Trimmed close at bottom. Otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Iyo Province, Saijo. From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A large furled sail in the foreground with Saiju village on the water’s edge. Beyond is Mt. Ishizuchi.

 
 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Oki Province, Takuhi Shrine. From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The prows of two boats near the island of Nishinoshima. A torii seen at the top of the print indicates the Takuhi Shrine, one of the most important shrines dedicated to the gods of the sea.

 
 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1864)



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A triptych from a set: Furyu Genji: Akashi. An evening scene showing Genji’s secret lover Lady Fujitsubo and an attendant watching the departing Prince Genji walking through the reeds of Akashi Bay. Based on the famous Genji monogatari written by the 11th century noblewoman and lady-in-waiting Murasaki Shikibu. Published by Iseya Kanekichi 1853.

 
 

Fine impression. This is the early state with gradation over the moon. Fine colour. Very slight trimming and retains album backing, otherwise very good condition. Signed Hiroshige ga and Toyokuni ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)




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Tosa, kaijo katsuo tsuri, “Tosa [Province], Bonito Fishing at Sea.” From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1855. Tosa, located on the southern coast of the island of Shikoku, was famous for its bonito.

 

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Available

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Utagawa HIROSHIGE (1797-1858)



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Omi, Biwako Ishiyamadera, “Ishiyama Temple and Lake Biwa in Omi [Province].”From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Moonlight on Lake Biwa is one of the iconic Eight Views of Omi.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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Mino, Yoro no taki, “Mino [Province], Yoro Waterfall” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The 32 metre fall is 4 metres wide and is located in Yoro Park, near Nagoya.

 

Very fine impression and colour with blind-printing on the fall. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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A chuban print showing two house swallows and wisteria. Although Hiroshige is recognised as one of the pre-eminent landscape artists, many of his most beautiful designs are in the uchiwa-e format and kachoga.

 

Fine impression and colour. Several expertly repaired wormholes, otherwise very good condition. Signed Hiroshige hitsu.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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Kameido Tenmangu keidai no yuki, “The Compound of the Tenman Shrine at Kameido in Snow.” From a set of twenty-one prints Toto meisho, “Famous Views in the Eastern Capital” published by Sanoya Kihei, c 1834-5. The series was extended to fifty-five in c 1839-42. One of the most famous places in Edo. Known for its pergola, two drum bridges, koi ponds and the wisteria which flowered in the fifth month. The main shrine is dedicated to the memory of Sugawara no Michizane (Tenjin), the father of Japanese learning and built in 1662. The design comes in various states: Late editions have a black sky and the red publisher’s seal on right margin is replaced with an abbreviated Sanoki seal in black. Even later editions show a slipping plug becoming evident on the edge of the water, centre left.

 
 

Fine impression and colour. Probably the earliest printing. Slight trimming on right margin, otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Izumo, taisha Hotohoto no zu, “Izuma [Province], Hotohoto Festival at Izumo Shrine.” Shows pilgrims to the oldest Shinto shrine in Japan. A heavy mist scene with the torii gate seen to the right. Every year from the 11th to the 17th day of the 10th lunar month (usually November) all Shinto’s deities from around Japan supposedly assembled here. It is also the shrine to visit in the hope of finding a partner. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshimuraya Heisuke between 1853 and 1856, this being 1853.

 
 

Very fine impression and colour. Light album backing and very small wormhole at extreme edge of margin, top left, otherwise fine condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Hoki, ono Daisen enbo, “Hoki [Province], Distant View of Mount Daisen.” Shows rice-planting in the rain, with the volcanic mountain in the background. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshimuraya Heisuke between 1853 and 1856, this being 1853.

 
 

Very fine impression and colour. The rain printed with gofun. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Tosa, kaijo katsuo tsuri, “Tosa [Province], Bonito Fishing at Sea.” Fishermen used fishing rods, rather than nets, to reduce the stress on the fish and maximise taste. Tosa, located on the southern coast of the island of Shikoku, was famous for its bonito. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by b Koshimuraya Heisuke between 1853 and 1856, this being 1855.

 
 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Tango Province, Amanohashidate (“Bridge to Heaven”). One of Japan’s three scenic views. The sandbar, located in Miyazu Bay, is said to resemble a pathway connecting heaven and earth. Also known for its fine pine trees. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by b Koshimuraya Heisuke between 1853 and 1856, this being 1853.

 
 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)




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Shimadai, grouper (probably Chilodactylus zonatus) and ainame, greenling (Hexagrammus otakii) together with red-berried nanten. Poem by Kanshunro Nushibito. Probably the first edition (Kruml 18a). From the second series of fish published by Yamasho c. 1840-42.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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A snow scene: Fukagawa kiba, “Fukagawa Timber Yards.” The yards date back and are the result of the Meireki fire of 1657. Large amounts of wood was required for expanding Edo and the wood yards were moved to this area of swampland east of the Sumida River. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.

 

 

Fine impression, colour and condition. Signed Hiroshige hitsu.

 

 

Status: Available

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Utagawa HIROSHIGE (1797-1858)



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Wakasa, Gyosen karei-ami, “Fishing Boats and Flounder Nets in Wakasa [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Fishing in Wakasa Bay. The highway between the Wakasa ports and Kyoto was nicknamed the “Mackerel Highway” because of the quantity of fish that was transported.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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Hida, kago-watashi, “Basket Ropeway in Hida [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Originating in China, Japan and northern India, travellers could cross deep ravines by suspending themselves in a harness which evolved into a basket.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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Asakusa Kinryuzan, “The Kinryuzan Temple at Asakusa” from Meisho Edo hyakkei, “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1859 (this being 1856). A snow scene showing the oldest Buddhist temple in the city, the Sensoji or Asakusa Kannon, built on the low hill of Kinryuzan. Shows the Kaminarimon gate with the huge lantern with one character of the name shinbashi (a donor’s organisation).

 

Very good early impression and colour. Before the square plug becomes evident on the bottom left. Very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)




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A pheasant on a snow-covered pine. Published by Kawaguchi Shozo, c. 1830s (seal top left).

 

 

Fine impression and colour. Minimal trimming, otherwise very good condition. Signed Hiroshige hitsu.

 

 

Status: Available

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Utagawa HIROSHIGE (1797-1858)



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Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of Hiroshige’s most famous designs.

 

 

Very good impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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Ishiyakushi from an aiban set Tokaido gojusantsugi no uchi, commonly called the Gyosho Tokaido because of the cursive script on title. Shows travellers entering and leaving the village in heavy snow. Published by Ezakiya Kichibei/Yamadaya, c. 1841-2. There are variant states: later editions lack the gradation on the horizon. The first state may have a Hiroshige seal after the signature.

 

 

Very good impression and colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

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Utagawa HIROSHIGE (1797-1858)



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A vertical diptych showing a multitude of cranes flying up from a cresting wave to a large red sun. In fact this diptych was used by an Edo publisher as end sheets to albums – usually sets of Hiroshige landscapes. Rare: Invariably it is impossible to match the two sheets as the bottom design is always graded blue at the top. Another matching impression is illustrated pl. 143 in Four Hundred Ukiyoe Woodblock Prints From The Museum Of Art, Rhode Island School Of Design, Abby Aldrich Rockefeller Collection Of Japanese Prints, 1990. Another impression is known with a large red seal at a slight angle bottom right. (This may be the first state but rather spoils the design.) Published 5/1858.

Fine impression and colour. Small expertly repaired binding holes, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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A medium tanzaku showing a Java sparrow on a magnolia branch. Published by Kawasho (Kawaguchi Shozo) c early 1830s. Another example of this design has an overall light pink ground rather than the light yellow graded up, as here. Another impression is illustrated in Kikuchi , A Treasury of Japanese Wood Block Prints Ukiyo-e, NY, 1968, no. 1477.

 

 

Fine impression with blind-printing on the bird’s breast. Very good colour. Minimal soil at bottom, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Kami, crab (Charybois) and saba, mackerel (Scomber Japonicus) together with two flowers of morning glory. Poem by Shichichintei. This is the first edition (Kruml 19a). From the second series of fish published by Yamasho c. 1840-42. Collector’s seal Hayashi bottom right corner.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)



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A half-block print showing a Japanese cormorant (?) and iris. Printed only in grades of sumi. In fact, this and the other half is illustrated in: Four Hundred Ukiyoe Woodblock Prints From The Museum Of Art, Rhode Island School Of Design, 1990, no. 166, p. 72 which shows fish and hydrangea on the other side. This is an aizuri print. The quality of impression here leads me to believe this might be a proof impression. Published by Shimizuya Naojiro, c early 1840s.

 

 

Fine impression, colour and codition. Signed Hiroshige hitsu.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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A large panel showing a parrot on a flowering crab apple branch. This is the very rare first edition published by Jakurindo (Wakasaya Yoichi). It was reissued by Kikakudo (Sanoya Kihei). Published c. early 1830s. Hiroshige is rightly regarded as the leading landscape artist. However, many of his finest designs are in the fan (uchiwa-e) and bird and flower (kacho-e) genres. They are not so well known because of their often great rarity.

 

 

Fine impression. Very good colour. Slight trimming, otherwise very good condition. Signed Hiroshige hitsu.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)


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A half-block, 8.75 x 6.5 in; 22.5 x 16.5 cms, print showing a Japanese crane standing in water with a flowering plant (a variety of Berberis ?). Published c. late 1840s by Tsutaya Kichizo. Unidentified collector’s seal au verso.

 

Very good impression, colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)


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A third-of-a-block (ko-tanzaku) print, 13.5 x 3 in; 34 x 7.25 cms, showing a sparrow and cherry blossom. Published c. mid 1840s. Unidentified publisher’s seal. These narrow panels are often poorly printed, but not in this case.

 

Very fine impression: beautiful gradation. Fine colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)


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A bora, grey mullet (Mugil cephalus), together with camellia and Japanese asparagusudo. This impression is from the extremely rare first private edition for a poetry club with the judges’ names beside the kyoka poems by Higaki Kunifune and Toshinoto Haruki. From a set of ten prints published – most likely – by Eijudo around 1832-34. These prints were subsequently issued commercially by Eijudo with his seal and a kiwame seal (both missing here on the private printing) and with the judges’ names removed. Who the poetry group was is not known, but they must have been affluent and influential. Of the sixteen poets on the prints, four were certainly members of the Shingyoku Circle, which was affiliated to the Yomogawa. This was the group that commissioned, amongst others, Hokusai’s Horse and Shell series of surimono. There appear to be three other impressions known from the private edition: Sebastian Izzard, Hiroshige, The Ukiyo-e Society of America Inc., 1983, no. 5; Ukiyo-e art, no. 18, Memeorial exhibition of Hiroshige, The Japan Ukiyo-e Society, 1968 (C) no. 4; and Juzo Suzuki, Utagawa Hiroshige, Nihon Keizai Shinbun, 1970, no. 593. Provenance: Ex Stoclet collection.

 

Very fine impression. Fine colour. Centre fold (as usual as they were issued in folding album form), otherwise fine condition. Signed Ichiryusai Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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An uncut fan print. Moon from a setsugekka set of famous views of Edo. Shows the interior of a teahouse. Published 1849-53 by Ibaya Sensaburo.

 

 

Very good impression and colour. Restored centre bottom and other minor imperfections, but otherwise good condition. Signed Hiroshige ga. Very rare: Seemingly only two other impressions extant.

 

 

Status: Sold

 

 

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