Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

An original painting, sumi and light colour on paper, image size 13.5 x 20 in; 34.3 x 50.8 cms. Shows the Shiraito no Taki waterfall at Hakone. The water, originating from Mount Fuji, flows over the edge of a 20 meter high cliff in thin white streams reminiscent of silk threads (hence the name Shiraito). Sold with the lid of a previous box which has a guarantee by Kazuo Inoue (a well known expert on Ukiyo-e [1889-1946] dated 1943 which gives the painting as having been done 1845-1848). In very good condition. Signed Hiroshige with Ichiryusai seal.

 

Status: Sold

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

An original painting, sumi and light colour on silk, 13.5 x 20.5 in; 34.5 x 52 cms. Shows the renowned Husband and Wife rocks, Meoto Iwa, “Married Couple Stones,” off Futami, Mie, Japan. At this time – c. late 1840s – many thin ropes were used to tie the couple together. They are now joined by a single large shimenawa – a rope of rice straw. The larger (male) rock called Izanagi has a small torii at the top. The smaller (female) rock is called Izanami. They are sacred to the Shinto religion and worshippers flock to the neighbouring Futami Okitama Shrine, which is dedicated to the food goddess Miketsu. The ancient Shinto custom of worshipping stones is called Iwakura. A fine Hiroshige painting.

 

 

Signed Hiroshige ga with large Ichiryusai seal. In good condition with interesting old mount.

 

 

Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)


Click here to view image full size.

An original painting, sumi and light colour on silk, 14.5 x 22 in; 36.8 x 55.9 cms. Labelled on the right Hakone no kosui, “The Lake of Hakone.” Shows the reflection of Fuji in Lake Kawaguchi with the Misaka mountain range. A similar view could be seen from Lake Ashi. Hokusai produced a version for for the Thirty-six Views of Fuji set and this area was the subject of a number of Hiroshige prints. Signed Hiroshige with Ichiryusai seal. In very good condition.

 

Status: Sold

 


Click here to view image full size.

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Mii no bansho, “Evening Bell at Miidera Temple” from a set Omi hakkei no uchi, “Eight Views in Omi [Province].” Shows the temple hidden amongst hills on the southern side of Lake Biwa. Miidera is the common name for the Onjoji, a temple of the Tendai sect founded in 858. Published by Hoeido and Eikyudo in c. 1834-5. The “Eight Views” theme was derived (as so much else in Japanese art) from China and based on the Eight Views of Xiaoxiang paintings of the 11th century. The subject was transposed to Omi and then taken up by such artists as Harunobu, and later Hiroshige. It was often playfully alluded to in sets of eight prints in mitate-e style.

 

 

Very good impression, colour and condition, Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Nihonbashi no hakuu, “Light Rain on Nihon Bridge.” From a Toto meisho set of 21 designs published between c. 1832 and 1839 by Kikakudo. The set was subsequently enlarged. Shows figures crossing Nihonbashi in rain, one figure carries an umbrella with the publisher’s name. Warehouses in the background and a distant view of Fuji. A beautiful print and very difficult to find in early impression: The title cartouche had a plug inserted beside the bottom three characters of the title on the left. This damage seems to have occurred when the block was cut and over time the spigot gradually slipped out leaving an unprinted area (which is sometimes painted in). In the earliest impressions the plug is hardly visible (as here). Also, the publisher’s seal at the bottom right should be in red, later editions having it in black. There was also an early variant edition with a yellow sky.

 

 

Fine impression and colour. Imperceptible centre fold, also near the right edge, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Iki Shisaku, “Shisaku in Iki [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1856. A heavy snowfall over Iki island which lies to the northeast of the Kyushu coast in southern Japan.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Kai, Saruhashi, “Kai [Province], Monkey Bridge” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The bridge spans the Katsura River and is an example of the hanebashi method of construction whereby cantilever beams are set in the opposing cliff faces. Called the Monkey Bridge because monkeys are originally supposed to have strung themselves across the gorge.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Awa, Naruto no fuha, Naruto Whirlpools, Awa [Province]” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1855. The finest print from the set and one of Hiroshige’s most important designs. The phenomenon is caused by the tides that move large amounts of water through the Naruto Strait into and out of the Inland Sea.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Station Annaka from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” Published by Kinjudo, the set was started by Eisen in 1835 who designed twenty-four prints before Hiroshige replaced him and completed the set before 1843. Shows the entourage of a feudal lord progressing along the road between rest houses.

 

Very fine impression of the earliest printing. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Oji Shozoku enoki, Omisoka no kitsunebi, “Foxfires on New Year’s Eve at the Shozoku Hackberry Tree, Oji,” from Meisho Edo hyakkei, “The One Hundred Famous Views of Edo,” published by Uoya Eikichi 1856-58 (this being 1857). This is the only design from the set where Hiroshige uses historical fantasy: Every New Year’s Eve foxes gathered at the ancient enoki tree to pay their respects to their fox patron in the nearby Inari shrine at Oji, in northern Edo. The shrine was dedicated to the god of the harvests and farmers would predict the outcome of a harvest by the amount of kitsunebi (fox flames) they saw emitted by the foxes. A popular print from the set.

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Shibaura, shiohigari no zu, “Low Tide [or Ebbtide, or catalogued in some instances as Shell-gathering] at Shibaura” from a Toto meisho “Famous Places in the Eastern Capital” set of ten prints published c. 1831-2 by Kawaguchiya Shozo. Hiroshige’s first oban landscape set with some outstanding designs. Shibaura is now an area with high-rise residential towers. The first editions, as here, have decorative borders adding a western element into the designs. These were removed on later editions. Extremely rare in this state.

 

Fine impression and colour. Very minor edge soil and slight centre fold. Slight trimming of decorative border on left, otherwise very good condition. Prints from this set are often missing or have the publisher’s name and address on the right border trimmed. Signed Ichiyusai Hiroshige ga. (The last set to be signed like this.)

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Susaki yuki no hatsuhi, “Snow on New Year’s Day at Susaki” from a Toto meisho “Famous Places in the Eastern Capital” set of ten prints published c. 1831-2 by Kawaguchiya Shozo. Hiroshige’s first oban landscape set with some outstanding designs. Fukagawa Susaki was a spit of land along Edo Bay. (Also the subject of the Eagle design, Jumantsubo Fukagawa Susaki, from the One Hundred Views of Edo later on.) The first editions, as here, have decorative borders adding a western element into the designs. These were removed on later editions. Extremely rare in this state.

 

Fine impression and colour. Very minor edge soil and slight centre fold, otherwise very good condition. Prints from this set are often missing or have the publisher’s name and address on the right border trimmed. Signed Ichiyusai Hiroshige ga. (The last set to be signed like this.)

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

A chu-tanzaku print, Natsu, Ryogoku no tsuki, “Summer Moon at Ryogoku Bridge” from a set Shiki Koto meisho, “Famous Views of Edo in the Four Seasons.” Published by Kawaguchiya Shozo, 1834-5.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Okute from Kisokaido rokujukyutsugi no uchi, “The Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows woodcutters making their way home as evening approaches.

 

Fine impression: There is a plug of wood next to the last rock on the right. This repair gradually reveals itself and moves out leaving a gap. On the earliest impressions, as here, nothing is discernible. Slight fading of red, otherwise fine colour. Slight centre fold, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

A triptych, Takanawa tsuki no kei, “Moon at Takanawa” from a set Edo meisho shiki no nagame, “Famous Places of Edo in the Four Seasons.” Shows beauties on the veranda of an inn overlooking the bay. Takanawa was a popular place to visit with views on a clear day of the Boso mountains across Edo Bay. Hiroshige depicted this area many times. Published by Maruya Jimpachi (Enjudo), 1847-8.

 

Very fine impression. Fine colour. Minor trimming, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Fukagawa, Suzaki, Juman-tsubo, “The One Hundred Thousand Tsubo Plain, Suzaki, Fukagawa” from Meisho Edo hyakkei, “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1859 (this being 1857). An eagle hovers over the snowy coastal plain, Mt Tsukuba and the Chiba mountains in the distance. Collectors at the beginning of the 20th century considered this the pre-eminent design from the set. Since then Ohashi has replaced it.

 

Fine impression, colour and condition. A nice early impression. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Atago shita Yabukoji, “Bamboo Lane Below Atago Hill” from Meisho Edo hyakkei, “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1859 (this being 1857). A snow scene showing figures beside a stream, Atago Hill was to the right and lay just outside the northeast corner of the mansion of the daimyo of Minakuchi. It was the highest natural point in Edo.

 

Superb impression of the extremely rare first edition. Very fine colour. Left corner margin expertly restored, otherwise fine condition. Large margins. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Shoheibashi Seido Kandagawa, “Seido Shrine and Kanda River Seen from Shohei Bridge.” The scene under light rain and is near present day Akihabara. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1857). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.

 

 

Superb impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Azuma no mori yoru no ame, “Evening Rain at Azuma Shrine.” From a fine and rare early set Edo kinko hakkei, ”Eight Views in the Environs of Edo.” Shows figures walking along a dike beside the Kita Jumagawa. Azuma Shrine is seen amongst trees to the left. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492 – G499, this being G498. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Haneda no rakugan, “Descending Geese at Haneda.” From a fine and rare early set Edo kinko hakkei, ”Eight Views in the Environs of Edo.” Planes now descend here. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492 – G499, this being G492. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour. Minimal edge soil, otherwise fine condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Koganeibashi no sekisho, “Evening Glow at Koganei Bridge.” From a fine and rare early set Edo kinko hakkei, ”Eight Views in the Environs of Edo.” This area was famous for its cherry trees and visitors are seen cherry viewing. It is also where the Tamagawa-josui was made to draw water from the Tama River into Edo. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492 – G499, this being G495. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour. Small edge nibble on top border and minimal edge soil, otherwise fine condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

The great shrine at Izumo, Izumo, taisha hotohoto no zu from Rokujuyoshu meisho zue, “Famous Views in the Sixty-odd Provinces.” The set published by Koshimuraya Heisuke, 1853-6 (this being 1854). Shows a group of three young women bringing offerings to the Shinto shrine. A large cryptomeria tree in the foreground and other figures, trees and a torii in the misty background. The main deity of the shrine is Okuninushi no Okami, patron of good relationships and marriage (which probably accounts for the women’s visit). A beautiful design when well printed.

 

 

Fine early impression: Should have applied bokashi across the foreground area, as here. Fine colour. Slight vertical crease in left margin, otherwise fine condition. Signed Hiroshige hitsu.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travellers coming and going at the edge of the village. Published by Tsutaya, Hare 7 (1855).

 

 

Very good impression and colour. Several small blemishes, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

A snow scene: Meguro taikobashi yuhi no oka, “Drum Bridge and Sunset Hill, Meguro” from Edo meisho hyakkei, “The Hundred Famous Views of Edo.” Shows the valley of the Meguro River with travellers crossing the stone bridge, Yuhi Hill to the left. Stone bridges were uncommon in Edo because of the risk from earthquakes. Published by Uoya Eikichi between Ansei 3 and 5 (1856-58). This design dated Snake 4 (1857).

 

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Suruga Satta no kaijo, “The Sea at Satta, Suruga Province” from Fuji sanjurokkei, “The Thirty-Six Views of Fuji.” The best design from the set published by Koeido (Tsutaya Kichizo), 4/1858. A huge wave breaks on the right releasing a flock of chidori. These birds were supposed to originate from the spume of these waves. Originally, travellers on the Tokaido had to traverse the base of the cliff, to the left. However, in 1655, a pass was cut in the cliff above. Fuji rises above the bay of Kiyomi. A popular design.

 

 

Very good impression and colour. Crease in right hand margin, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin, c 1832-35. (Late editions have the seal in black.) There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Asukayama bosetsu, “Evening Snow on Asuka Hill.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Shows figures struggling through the deep snow. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets and this is one of his finest designs. Rare.

 

 

Very fine impression. Fine colour and condition with large margins and splashed gofun. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Shibaura no seiran, “Clearing Weather at Shiba Bay.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Shows boats anchored on the edge of Edo Bay. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Ikegami no bansho, “Evening Bell at Ikegami.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.”The otherwise nondescript town is famous for the large temple overlooking it. This was the Ikegami Honmonji, the main temple of the Lotus sect, a branch of Buddhism founded by Nichiren. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499.They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Gyotoku no kihan, “Returning Sails at Gyotoku.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Gyotoku was a prosperous area on the Edogawa and Edo Bay. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Hakone from the “Reisho” Tokaido. So-called because of the titles written in formal script. The best Tokaido set after the Hoeido. Shows travellers holding pine-torches climbing a mountain path at night. The Hakone mountains were one of the most gruelling parts of the Tokaido, but at the same time one of the most relaxing with the hot springs, Lake Ashi and the fine cryptomeria trees. Published by Marusei, c 1851-2. One of the five best designs from the set and probably the masterpiece. The composition and use of kimetsubishi to show the woodgrain in the night sky and mountains makes it one of Hiroshige’s most beautiful prints.

 

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Haneda no rakugan, “Descending Geese at Haneda.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Planes now descend here. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matti Forrer, 1994, nos. G492 – G499, this being G492. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

Very fine impression. Fine colour. Minimal edge soil, otherwise fine condition with large margins. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Fukagawa, Suzaki, juman-tsubo, “The One Hundred Thousand Tsubo Plain, Suzaki, Fukagawa” from Meisho Edo hyakkei, “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1859 (this being 1857). An eagle hovers over the snowy coastal plain, Mt Tsukuba and the Chiba mountains in the distance. Collectors at the beginning of the 20th century considered this the pre-eminent design from the set. Since then Ohashi has replaced it.

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Sakasai no watashi, “Ferry at Sakasai” from Meisho Edo hyakkei, the “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1858, this being 1857. The set shows famous sights, popular annual events, and festivals in and around Edo in the four seasons. Two Chinese egrets are seen flying down to join other egrets on the Nakagawa. The ferry is seen in the background.

 

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

A snow scene Bizen Yugayama, “Mount Yuga in Bizen [Province].” From a set of 20 prints Sankai mitate sumo, “Mounains and Sea Contending Like Wrestlers.” The title is in a sumo umpire’s fan (a gunbai). There are 10 prints of mountains and 10 prints of harbours. The set was published by Yamadaya in 1858 (except for Etchu Tateyama which was published by Marujin). A beautiful print.

 

 

Fine impression, colour and condition. There is an anomaly here (as sometimes happens in Ukiyo-e): The first edition of this set has a variegated cartouche. However, the impression here is unquestionably the earliest but has only a one-colour cartouche. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

Kozuke, Harunasan setchu, “Kozuke [Province], Mount Haruna Under Snow.” From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A red bridge spans a gorge with precipitous cliffs and a fast flowing river. Fantastic crags point upwards into the sky. In the distance is Mount Haruna – a sleeping volcano.

 

 

Very good impression. Good colour. Trimmed close, otherwise good condtion. Signed Hiroshige ga.

 

 

Status: Sold

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Kii Wakanoura, “Waka Bay in Kii [Province}.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1855. Shows cranes taking off from the bay.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Shinano, Sarashina tagoto no tsuki Kyodaisan, “The Moon Reflected in the Sarashina Paddy-fields, Mt. Kyodai, Shinano [Province}.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. It was a popular outing to view the multiple images of the moon reflected in the pools.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)


 Click here to view image full size.

Mochizuki from Kisokaido rokujukyutsugi no uchi, “The Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows travellers on the Uryu Slope between Yawara and Mochizuki. Mount Tateshima to the right. One of the finest designs from the set.

 

Fine early impression with gradation over the moon and woodgrain showing. Fine colour. Very slight centrefold and soil in left margin, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1865)


 Click here to view image full size.

A triptych showing Mitsuuji, the romantic hero of the Inaka Genji (“A Rustic Genji”) accompanied by a beauty looking out across a snow-covered garden to where a group of girls are building a giant snow rabbit. Hiroshige and Kunisada collaborated on a number of these Genji triptychs in the 1850s and this is one of the most charming. Published by Moriya Jihei of Kinshodo, 12/1854 (and therefore probably in anticipation of the following year, which was a Year of the Rabbit).

 

Fine impression. The early state with gradation behind the rabbit and bokashi on stream and in the sky. Fine colour. Fine condition. Signed Toyokuni ga on two outside panels and Yuki no kei oju, “Snow landscape by request” Hiroshige hitsu.

 

Status: Sold

 

Tags: , , ,