Utagawa HIROSHIGE (1797-1858)



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Fukagawa, Suzaki, Juman-tsubo, “The One Hundred Thousand Tsubo Plain, Suzaki, Fukagawa” from Meisho Edo hyakkei, “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1859 (this being 1857). An eagle hovers over the snowy coastal plain, Mt Tsukuba and the Chiba mountains in the distance. Collectors at the beginning of the 20th century considered this the pre-eminent design from the set. Since then Ohashi has replaced it.

 

Fine impression, colour and condition. A nice early impression. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Atago shita Yabukoji, “Bamboo Lane Below Atago Hill” from Meisho Edo hyakkei, “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1859 (this being 1857). A snow scene showing figures beside a stream, Atago Hill was to the right and lay just outside the northeast corner of the mansion of the daimyo of Minakuchi. It was the highest natural point in Edo.

 

Superb impression of the extremely rare first edition. Very fine colour. Left corner margin expertly restored, otherwise fine condition. Large margins. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)




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Shoheibashi Seido Kandagawa, “Seido Shrine and Kanda River Seen from Shohei Bridge.” The scene under light rain and is near present day Akihabara. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1857). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.

 

 

Superb impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Azuma no mori yoru no ame, “Evening Rain at Azuma Shrine.” From a fine and rare early set Edo kinko hakkei, ”Eight Views in the Environs of Edo.” Shows figures walking along a dike beside the Kita Jumagawa. Azuma Shrine is seen amongst trees to the left. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492 – G499, this being G498. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Haneda no rakugan, “Descending Geese at Haneda.” From a fine and rare early set Edo kinko hakkei, ”Eight Views in the Environs of Edo.” Planes now descend here. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492 – G499, this being G492. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour. Minimal edge soil, otherwise fine condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Koganeibashi no sekisho, “Evening Glow at Koganei Bridge.” From a fine and rare early set Edo kinko hakkei, ”Eight Views in the Environs of Edo.” This area was famous for its cherry trees and visitors are seen cherry viewing. It is also where the Tamagawa-josui was made to draw water from the Tama River into Edo. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492 – G499, this being G495. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour. Small edge nibble on top border and minimal edge soil, otherwise fine condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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The great shrine at Izumo, Izumo, taisha hotohoto no zu from Rokujuyoshu meisho zue, “Famous Views in the Sixty-odd Provinces.” The set published by Koshimuraya Heisuke, 1853-6 (this being 1854). Shows a group of three young women bringing offerings to the Shinto shrine. A large cryptomeria tree in the foreground and other figures, trees and a torii in the misty background. The main deity of the shrine is Okuninushi no Okami, patron of good relationships and marriage (which probably accounts for the women’s visit). A beautiful design when well printed.

 

 

Fine early impression: Should have applied bokashi across the foreground area, as here. Fine colour. Slight vertical crease in left margin, otherwise fine condition. Signed Hiroshige hitsu.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travellers coming and going at the edge of the village. Published by Tsutaya, Hare 7 (1855).

 

 

Very good impression and colour. Several small blemishes, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)



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A snow scene: Meguro taikobashi yuhi no oka, “Drum Bridge and Sunset Hill, Meguro” from Edo meisho hyakkei, “The Hundred Famous Views of Edo.” Shows the valley of the Meguro River with travellers crossing the stone bridge, Yuhi Hill to the left. Stone bridges were uncommon in Edo because of the risk from earthquakes. Published by Uoya Eikichi between Ansei 3 and 5 (1856-58). This design dated Snake 4 (1857).

 

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Suruga Satta no kaijo, “The Sea at Satta, Suruga Province” from Fuji sanjurokkei, “The Thirty-Six Views of Fuji.” The best design from the set published by Koeido (Tsutaya Kichizo), 4/1858. A huge wave breaks on the right releasing a flock of chidori. These birds were supposed to originate from the spume of these waves. Originally, travellers on the Tokaido had to traverse the base of the cliff, to the left. However, in 1655, a pass was cut in the cliff above. Fuji rises above the bay of Kiyomi. A popular design.

 

 

Very good impression and colour. Crease in right hand margin, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin, c 1832-35. (Late editions have the seal in black.) There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Asukayama bosetsu, “Evening Snow on Asuka Hill.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Shows figures struggling through the deep snow. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets and this is one of his finest designs. Rare.

 

 

Very fine impression. Fine colour and condition with large margins and splashed gofun. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Shibaura no seiran, “Clearing Weather at Shiba Bay.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Shows boats anchored on the edge of Edo Bay. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Ikegami no bansho, “Evening Bell at Ikegami.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.”The otherwise nondescript town is famous for the large temple overlooking it. This was the Ikegami Honmonji, the main temple of the Lotus sect, a branch of Buddhism founded by Nichiren. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499.They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Gyotoku no kihan, “Returning Sails at Gyotoku.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Gyotoku was a prosperous area on the Edogawa and Edo Bay. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Hakone from the “Reisho” Tokaido. So-called because of the titles written in formal script. The best Tokaido set after the Hoeido. Shows travellers holding pine-torches climbing a mountain path at night. The Hakone mountains were one of the most gruelling parts of the Tokaido, but at the same time one of the most relaxing with the hot springs, Lake Ashi and the fine cryptomeria trees. Published by Marusei, c 1851-2. One of the five best designs from the set and probably the masterpiece. The composition and use of kimetsubishi to show the woodgrain in the night sky and mountains makes it one of Hiroshige’s most beautiful prints.

 

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)



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Haneda no rakugan, “Descending Geese at Haneda.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Planes now descend here. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matti Forrer, 1994, nos. G492 – G499, this being G492. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

Very fine impression. Fine colour. Minimal edge soil, otherwise fine condition with large margins. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Fukagawa, Suzaki, juman-tsubo, “The One Hundred Thousand Tsubo Plain, Suzaki, Fukagawa” from Meisho Edo hyakkei, “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1859 (this being 1857). An eagle hovers over the snowy coastal plain, Mt Tsukuba and the Chiba mountains in the distance. Collectors at the beginning of the 20th century considered this the pre-eminent design from the set. Since then Ohashi has replaced it.

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)




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Sakasai no watashi, “Ferry at Sakasai” from Meisho Edo hyakkei, the “One Hundred Famous Views of Edo.” The set published by Uoya Eikichi between 1856 and 1858, this being 1857. The set shows famous sights, popular annual events, and festivals in and around Edo in the four seasons. Two Chinese egrets are seen flying down to join other egrets on the Nakagawa. The ferry is seen in the background.

 

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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A snow scene Bizen Yugayama, “Mount Yuga in Bizen [Province].” From a set of 20 prints Sankai mitate sumo, “Mounains and Sea Contending Like Wrestlers.” The title is in a sumo umpire’s fan (a gunbai). There are 10 prints of mountains and 10 prints of harbours. The set was published by Yamadaya in 1858 (except for Etchu Tateyama which was published by Marujin). A beautiful print.

 

 

Fine impression, colour and condition. There is an anomaly here (as sometimes happens in Ukiyo-e): The first edition of this set has a variegated cartouche. However, the impression here is unquestionably the earliest but has only a one-colour cartouche. Signed Hiroshige ga.

 

 

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Utagawa HIROSHIGE (1797-1858)




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Kozuke, Harunasan setchu, “Kozuke [Province], Mount Haruna Under Snow.” From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A red bridge spans a gorge with precipitous cliffs and a fast flowing river. Fantastic crags point upwards into the sky. In the distance is Mount Haruna – a sleeping volcano.

 

 

Very good impression. Good colour. Trimmed close, otherwise good condtion. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)



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Kii Wakanoura, “Waka Bay in Kii [Province}.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1855. Shows cranes taking off from the bay.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Shinano, Sarashina tagoto no tsuki Kyodaisan, “The Moon Reflected in the Sarashina Paddy-fields, Mt. Kyodai, Shinano [Province}.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. It was a popular outing to view the multiple images of the moon reflected in the pools.

 

Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Mochizuki from Kisokaido rokujukyutsugi no uchi, “The Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows travellers on the Uryu Slope between Yawara and Mochizuki. Mount Tateshima to the right. One of the finest designs from the set.

 

Fine early impression with gradation over the moon and woodgrain showing. Fine colour. Very slight centrefold and soil in left margin, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1865)



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A triptych showing Mitsuuji, the romantic hero of the Inaka Genji (“A Rustic Genji”) accompanied by a beauty looking out across a snow-covered garden to where a group of girls are building a giant snow rabbit. Hiroshige and Kunisada collaborated on a number of these Genji triptychs in the 1850s and this is one of the most charming. Published by Moriya Jihei of Kinshodo, 12/1854 (and therefore probably in anticipation of the following year, which was a Year of the Rabbit).

 

Fine impression. The early state with gradation behind the rabbit and bokashi on stream and in the sky. Fine colour. Fine condition. Signed Toyokuni ga on two outside panels and Yuki no kei oju, “Snow landscape by request” Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Suruga Satta no kaijo, “The Sea at Satta, Suruga Province” from the set Fuji sanjurokkei, “The Thirty-Six Views of Fuji.” The series published by Tsutaya Kichizo, 1858. Shows the coast of Oyashirazu at Satta on the west side of Suruga Bay with a large wave about to break on the coast. The spume from the wave is supposed to turn into chidori and they can be seen here flying away. This area is on the Tokaido Road between Edo and Kyoto and, previous to 1655, travellers had to circumvent the cliffs – some of which are 300-400 metres tall – by way of the base, near the sea. However, in that year, to facilitate the journey a pass was cut in the rock above the cliff. The best design from the set. Early impressions of this set were particularly well printed as a tribute to Hiroshige’s life. Late editions have a signature label printed in yellow instead of red.

 

Fine impression and colour. Trimmed close at bottom left, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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A fine snow scene: Iki Shisaku, “Shisaku in Iki Province” from a set of sixty-nine prints plus title page Rokuju yoshu meisho zue, “Famous Places in the Sixty-Odd Provinces.” Published by Koshimuraya Heisuke, 1853-1856 (this being 1856). This far-flung region of Japan at the southern tip of the main group of islands is evocatively captured here.

 

Superb impression of the very rare first edition with variegated cartouche and bokashi clouds. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Awa Naruto no fuha, “Angry Seas at Naruto, Awa” from a set of sixty-nine prints plus title page Rokuju yoshu meisho zue, “Famous Places in the Sixty-Odd Provinces.” Published by Koshimuraya Heisuke, 1853-1856 (this being 1855). The most famous design from the set. This area of sea between the islands of Shikoku and Honshu , where the waters of the Inland Sea and Pacific Ocean meet, is famous for its whirlpools. Hiroshige returned to this theme in a triptych setsu-getsu-ka set where the whirlpools represent “Flower.”

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)




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A complete Tokaido set of 56 prints printed four-to-a-sheet on fourteen sheets, uncut. Each sheet has an indication of where it is to be cut. Published by Aritaya Seiemon, 1845. Extremely rare complete.

 

 

Fine impressions and colour. Centre folds and some soil at bottom on some sheets. One sheet restored, but overall in good condition. Each design signed Hiroshige ga.

 

 

Status: Sold

 

 




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Utagawa HIROSHIGE (1797-1858)




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Shows station Wada in heavy snow from Kisokaido rokujukyutsugi no uchi. The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). This high pass (1651 metres) was a difficult part of the journey.

 

 

Fine early impression before the break in the key block to the left and beneath the publisher’s gourd seal. Fine colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1864)




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Prince Genji being poled in a punt on a lake. From a set of such triptychs published by Iseya Kanekichi in 1853. Furyu Genji fune asobi, “Fashionable Genji Enjoying a Pleasure Boat.”

 

 

Very fine impression and colour. Slightly trimmed at bottom, otherwise fine condition. Signed Hiroshige ga and Toyokuni ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1864)




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A triptych Shinshu Sarashina tagoro no tsuki, “The Moon Reflected in the Rice Fields at Sarashina, Shinano Province.” Shows Mitsuuji, the romantic hero of the Inaka Genji (“A Rustic Genji”), admiring the multiple views of the moon reflected in the paddy-fields and about to compose a poem. On the left, Mount Kyodai. This phenomenon was greatly admired and pilgrimages were made to view it. There was a plethora of these Genji parody prints in the 1850s following two popular Kabuki plays and Hiroshige and Kunisada collaborated on a number of such triptychs. Interestingly, this design has a date seal for 3/1861 making it probably the last and based on an existing collaborative hanshita-e. Published by Moriya Jihei. Rare.

 

 

Superb impression and colour. Slightly trimmed round; sheets connected and album backing, otherwise very good condition. Signed Hiroshige ga and Toyokuni ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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A snow scene showing the Inokashira Benten Shrine and Inokashira Pond, Inokashira no ike Benzaiten no Yashiro no kei from a set Meisho setsugekka, “Famous Places of Snow, Moon and Flowers.” The pond was originally built to supply water for Edo. This is the first edition published by Zen c. 1842; it was subsequently republished by Maruya Jinpachi and there are further late editions without publisher’s seal, a different seal beneath Hiroshige’s signature and with a recut block giving larger snowflakes.

 

 

Fine impression and colour. Minor margin soil, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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A view of the beautiful peninsula of Izu, Izu no sanchu, “In the Mountains of Izu Province” from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. This area is about 100 km southwest of Tokyo and a popular place to visit.

 

 

Very fine impression and colour. Trimmed close bottom left, otherwise fine condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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Sukiya embankment in snow, Toto Sukiya-gashi, from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. The rampart on the inner side of the moat of Edo Castle on the right. Figures cross a bridge leading to Sukiya Gate. In the distance the long outer walls of the main residence of the Nabeshima Clan of Saga. Fuji on the horizon.

 

 

Very fine impression and colour. A very small repaired wormhole in top right margin, otherwise fine condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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Suruga Miho no Matsubara, “Miho no Matsubara in Suruga Province” from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. Shows the renowned pine trees with a majestic Fuji below a yellow sky. Many of these pines are now hundreds of years old.

 

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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Men punting rafts on the Sagami River from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858.This print was included in the background of the famous 1887 portrait of Pere Tanguy by Vincent Van Gogh. The river was sometimes referred to as the Ayu River because of the (then) abundance of sweetwater fish (ayu).

 

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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Kambara, yoru no yuki, “Night Snow at Kambara” from Tokaido gojusan tsugi no uchi, “Fifty-three Stations of the Tokaido Road.” The set published by Hoeido (Takenouchi Magohachi)/Senkakudo, c. 1833-4. One of Hiroshige’s most celebrated designs, discussed and illustrated extensively. This is the very rare first edition: The sky is graded down from the top and the last figure on the right has the uncleared wood evident on the legs. This mistake was soon rectified but in doing so the block cutter made a small break above the knee. Probably the earliest state of the first edition has a blue tint to the gradation on the distant hills: See the Honolulu Academy of Arts impression, 15.927. Kambara owes a lot to Hiroshige’s imagination as it doesn’t resemble any place near there. Also, Kambara has little snow, yet it remains one of Hiroshige’s most iconic images.

 

 

Fine impression of the first edition with subtle gradation on the roofs of the houses and elsewhere. Seals a little faded, otherwise very good colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Harima Maiko no hama, “Maiko Beach Harima Province” from Rokujuyoshu meisho zue, “Famous Views of the Sixty-odd Provinces.” Shows the beach with the famous pine forest stretching down to the water. Published by Koshihei, 1853-6, this being 1853.

 

 

Fine impression of the first edition. Slight fading, otherwise very good colour. Fine condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Shono, haku-u, “Sudden Shower at Shono” from Tokaido gojusan tsugi no uchi, “Fifty-three Stations of the Tokaido Road.” The set published by Hoeido (Takenouchi Magohachi)/Senkakudo, c. 1833-4. Together with Kambara, one of Hiroshige’s most celebrated designs, discussed and illustrated extensively. This is the very rare first edition: The waves of bamboo beautifully graded and strong woodgrain evident on the house roofs bottom right. See Sebastian Izzard, Hiroshige, The Ukiyo-e Society of America, 1983, nos. 17a-e for illustrations and a description of the various states. Although the area had thick groves of bamboo growing along the Suzuka River, there was nowhere that exactly matches the design.

 

 

Fine impression of the first edition with subtle gradation. Seals and green a little faded, otherwise very good colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

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