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Ichiryusai HIROSHIGE (1797-1858)



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Spring moon at the shore of Tsukudajima. One of a set of chu-tanzaku prints published by Shogendo, c.1837. Tsukudajima was one of two islands at the mouth of the Sumida River. Originally a sandbar, it was reclaimed with earth and rocks and given its name by the first Tokugawa Shogun, Ieyasu, who invited thirty-three fishermen to live there in 1613 in order to provide fish for the rapidly expanding city of Edo. The fishermen came from Tsukudama near Osaka. And it was they who became the proprietors of what would become the Tsukiji fish market. It must have been popular during the late Edo period as a place to visit and view the boats from teahouses on the shore because there are many prints depicting the area, especially under a full moon.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)



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Ishiyama no shugetsu, “Autumn Moon at Ishiyama” from a set of prints Omi hakkei no uchi, “Eight Views in Omi Province.” Shows Lake Biwa with Seta Bridge and Mount Hira in the distance. To the left is the temple where Murasaki Shikibu wrote her famous Tales of Genji. Published by Takenouchi, c. 1834-5. A guarantee label and seal au verso from the now deceased dealer M. Nakazawa.

 

Fine impression: There is a curious feature on this print in that the blue sky block is invariably printed short of the mountain, top left, giving a white gap around the mountain. This is one of the few impressions I have seen where it is barely visible. Fine colour. Slight edge soil, otherwise very good condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)




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Echikawa from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows the Echi river with a trestle bridge crossing it. In the foreground a laden oxen being led and two peripatetic priests.

 

Fine impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)



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Bingo Abumon Kannondo. The temple of Kannon at Abumon, Bingo Province. From the set Rokuju yoshu meisho zue, “Famous Places in the Sixty-odd Provinces.” Published by Koshimuraya Heisuke between 1853-1856 (this being 1853).

 

Fine, early impression. The earliest states have a cloud printed top left (as here). Very good colour. Slight centre fold and trimmed close, otherwise good condition. Signed Hiroshige ga.

 

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Utagawa HIROSHIGE II (1826-1869)



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Shinshu Suwa-ko yatsume akauo wo to (ru). Shinshu (Shinano) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1860). A winter scene showing figures catching lampreys, eels and red rockfish in Lake Suwa. The lake was unusual in having warm currents beneath the ice, even in mid winter.

 

Fine impression of the first edition. Fine colour. Very slight edge soil, otherwise fine condition. Signed Hiroshige ga.

 

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Utagawa HIROSHIGE II (1826-1869)



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Enshu Akiba enkei Fukuroi tako. Fukuroi, Enshu (Totomi) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows kite flying with a distant view of Mount Akiba. It has been suggested that the release of confetti was to bring good luck for the forthcoming harvest.

 

Very fine impression of the first edition. Fine colour. Very slight soil, otherwise fine condition. Signed Hiroshige ga.

 

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Utagawa HIROSHIGE II (1826-1869)



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Mino Ochiai-bashi. Mino (Noshu) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1861). An evening rain scene with figures making their way across the torrential Chitose River, famous for its fishing.

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

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Utagawa HIROSHIGE II (1826-1869)



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Kashu Kanazawa Daijo-ji. Kashu (Kaga) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows the famous Zen temple. The mountains behind shrouded in mist, beautifully conveyed by expert wiping of the blocks in Shijo-style. One of my favourite landscape prints.

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)



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Tadasugawara no yudachi, “Evening Shower on the bank of the Tadasu River” from the early set Kyoto meisho no uchi, “Famous Views of Kyoto.” The set of ten masterpieces was published by Eisendo, c 1834. Shows figures running in the rain to get to the tea-houses which lined the banks here where the Kamo River and Takamo River joined.

 

Very good impression. The extremely rare first state of this print has the publisher’s seal in red in the upper left margin. This early state has the kiwame seal in left margin. This was removed on later editions and the seal after Hiroshige’s signature has the characters reversed white on red. Very good colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa KUNISADA (1786-1864)



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A design from a rare set of ten untitled landscapes showing a poet on the seashore contemplating the view: An aizuri landscape with salt water gatherers and the beams of a setting sun. Published by Yamaguchiya Tobei, 1832.

 

Fine impression and colour. Slight centre fold and backing, otherwise very good condition. Signed Kochoro Kunisada ga.

 

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Ichiryusai HIROSHIGE II (1829-1869)



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Soshu Shichirigahama, the “Seven Ri Beach” near Kamakura, Kanagawa Prefecture. From the set Shokoku meisho hyakkei, “The One Hundred Views of Famous Places in the Provinces.” From the beach one gets a clear view of Fuji and Enoshima Island – both framed by a giant wave. The set (of which only 80 are known) was published by Uoya Eikichi, 1859-61 (this being 1859). Hiroshige’s foremost pupil. He was called Shigenobu until assuming the name Hiroshige II on Hiroshige’s death. Married his daughter.

 

Very good impression and colour. Very slight stain in cartouche, otherwise very good condition. Sugned Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Seki and Kameyama from the chuban Muraichi Tokaido. The set of 56 prints published by Muraichi, 1852. Printed two-to-a-sheet uncut and probably from a complete proof set. Double censor’s seals Murata and Kinugasa and date seal 2ic/1852 top right.

 

Fine impressions with strong woodgrain showing. Fine colour. Very small binding holes in right border, otherwise fine condition. Signed Hiroshige ga on each print.

 

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Ichiyusai HIROSHIGE II (1829-1869)




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A snow scene: Imadobashi Matsuchiyama, “Imado Bridge and Matsuchi Hill.” From Toto sanjurokkei, “Thirty-six Views of the Eastern [ Edo ] Capital.” The set published by Ai-To between 1861 and 1862 ( this being 8/1862 ). This was also a district that attracted Hiroshige I and he designed a number of prints of the area. One of the six best designs from the set.


Fine impression of the first edition. Fine colour. Trimmed close at bottom, otherwise fine condition. Signed Hiroshige ga.


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Kikukawa EIZAN (1787-1867)




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A triptych showing a street thronged with people in front of the famous department store Iwaki Masuya, giving a good cross-section of the inhabitants of the city at this time. The store specialised in silk and textiles and was one of the most important in Edo having, at one point, 500 employees in its stores. Hiroshige designed another triptych of this subject in c. 1850.

 

Published by Mikawaya Seiemon, c. 1815. Rare.

 

Fine impression. Extremely fine fresh colour. Fine condition. Full size. Signed Kikukawa Eizan fude.

 

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Ichiryusai HIROSHIGE (1797-1858)




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Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travelers coming and going at the edge of the village. Published by Tsutaya, Hare 7, 1855.

 

Very good impression with wood-grain evident in the sky. Very good colour. Trimmed close, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Keisai EISEN (1790-1848)




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Edo Ryogokubashi noryo no yakei, “View of an Evening Cooling Off at the Ryogoku Bridge, Edo.” Shows a multitude of boats beneath the bridge, fireworks above. Published c 1829.

 

Fine, early impression. Fine colour and condition. Signed Eisen ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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An extremely rare uncut fan print: Kominato in Awa Province from Boso meisho, Famous Places in Awa, Kazusa and Shimosa Provinces. Shows beauties viewing the bay. Another impression illustrated in Hiroshige no uchiwae, Hiroshige Fan Prints, Okuda, Atsuko, Unsodo, 2010, no 91, p 68 (plus two others from the set). Five other designs presently known: Hoda Coast; Mount Kiyosumi; Mount Fuji from Kisarazu; Mount Kano, and Kisarazu in Kazusa Province. Published by Tsujiya Yasubei, 12/1852. Certainly one of the few impressions extant.

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Mount Haruna in snow, Kozuke Province.One of the best designs from Rokuju yoshu meisho zue, “Famous Places in the Sixty-odd Provinces.” The series published by Koshimuraya Heisuke between 7/1853 and 3/1856 (this being 8/1853).

 

Very good impression and colour. Margins trimmed a little, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto Meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin c 1832-35. There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river.

 

Very fine impression. Fine colour. Later editions have the black seal of Sanoki in right margin. Very slight centre fold and two backed pinholes; trimmed just on the black title slip on right, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Returning boats at Yabase, Yabase kihan, from an upright Omi Hakkei set. Published by Uoya Eikichi, 1857.

 

Fine impression and colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga

 

Status: Sold

 

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Katsushika HOKUSAI (1760-1849)




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A poem by Fujiwara no Yoshitaka (954-974) from Hyakunin isshu uba ga etoki, the “Hundred Poems Explained by the Wet Nurse.” Published by Eijudo and Iseri, c 1835-6. Although obviously intended to be a set of 100 prints, only 27 are known plus drawings for others. The poet speaks of a trivial life prior to meeting his lover. Two women and their companions relax after a bath admiring the view across water. Steam rises from the bath and two cormorants are seen on the left. A languid scene and one of Hokusai’s most beautiful designs.

 

Fine impression. Very good colour. Two states are known: the printers quickly discovered that the red seal at left was not easily discernible and cut the block to correct this. This is the first state but the seal can hardly be seen except on the reverse. Signed Zen Hokusai.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Suruga Satta no kaijo, “The Sea at Satta, Suruga Province” from Fuji sanjurokkei, “The Thirty-Six Views of Fuji.” The best design from the set published by Koeido (Tsutaya Kichizo), 4/1858. A huge wave breaks on the right releasing a flock of chidori. These birds were supposed to originate from the spume of these waves. Originally travellers on the Tokaido had to traverse the base of the cliff, to the left. However in 1655 a pass was cut in the cliff above. Fuji rises above the bay of Kiyomi. A very popular print.

 

Fine impression and colour. One or two very minor marks, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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The Sanza Theatre, Saruwaka-cho showing women on the balcony of a tea-house overlooking the street from an oban set Edo Meisho of approx. 45 prints published by Yamada-ya, 1853 – 1858, half being published in 1853. This design published 1858.


Fine impression and colour. Slight centre fold, otherwise good condition. Signed Hiroshige ga.


Status: Sold

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Katsushika HOKUSAI (1760-1849)




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Yoshiwara Station from a chuban Fifty-three Stations of the Tokaido. The set of 55 prints published by Iseya Rihei, c 1806. Unsigned but the original wrapper evidently had Hokusai’s signature. Two women, a man and boy press grapes.


Fine impression. Extremely fine colour. One small repaired wormhole near edge, otherwise fine condition.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto Meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin c 1832-35. There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river. This is the best example of this design I have seen since the impression in my Catalogue 7, 1971, no 12.

Very fine impression and colour. Later editions have the black seal of Sanoki in right margin. Fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Kawaguchi no watashi Zenkoji, “Ferryboats to Zenkoji Temple at Kawaguchi” from Meisho Edo hyakkei, the “One Hundred Views of Edo.” The set published between 1856 and 1858 (this being 1857) by Uoya Eikichi. This fine example of a first edition with the extra large margins has never been in an album.


Superb impression of the first edition with beautiful bokashi and mica. Very fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Hasegawa SADANOBU I (1809-1879)



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A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Shijo-bashi yori Nawate-dori Yamato-bashi o nozumo, “View from Shijo Bridge Towards Yamato Bridge at Nawate Street.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the snow scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

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Hasegawa SADANOBU I (1809-1879)



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A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Ryoan-ji yuki [no] akebono, “Snowy Dawn at Ryoan-ji Temple.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the snow scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

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Hasegawa SADANOBU I (1809-1879)



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A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Toganoo monzen uchu, “Temple Entrance at Toganoo in the Rain.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the rain scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Mochizuki from Kisokaido rokujukyutsugi no uchi, “The Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows travellers on the Uryu Slope between Yawara and Mochizuki. Mount Tateshima to the right. One of the finest designs from the set.

 

Fine early impression with gradation over the moon and woodgrain showing. Fine colour. Very slight centrefold and soil in left margin, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE II (1826-1869)



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A view of Ama-no-hashidate, Tango Province, from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 10/1859). The place name can be translated as “Bridge to Heaven” and it’s considered to be one of the most beautiful areas in Japan. Seen here under a full moon.

 

Superb impression of the first edition: One of the earliest pulls from the blocks. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Nichiren struggling up a snow-covered mountain near Tsukahara on the Island of Sado. The best design from Koso goichidai ryakuza, the “Illustrated Abridged Biography of the Founder.” Nichiren being the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei, c 1831. Like many great landscapes, there exist different states which causes confusion over which is the earliest. The basic difference is that the design is known with and without a horizon line and that there is at least one impression where the uninked, blind-printed line can be seen in a raked light (as indeed it can on this impression). It has been asserted that those impressions without are the earliest; however, it seems from this that the sumi block was probably cut initially with the line but the publishers thought that it looked aesthetically better without printing it, and it was subsequently removed. In any case, this is an extremely rare print and most surviving examples appear to be similar in impression. There is a break in the border to the left of the bottom of Kuniyoshi’s signature which could give a guide to the earliest states, but as this is often painted in, it is not reliable. The composition is based on a design in the illustrated book Bumpo sansui gafu by Kawamura Bumpo, published posthumously in 1824. Although not from a landscape set, this is considered one of the great 19th century landscapes.


Fine impression and colour. Beautiful gradation with splashed gofun (oxidised). Slight centre fold, otherwise very good condition. Signed Ichiyusai Kuniyoshi hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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The entrance to the Yoshiwara from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1865)



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A triptych showing Mitsuuji, the romantic hero of the Inaka Genji (“A Rustic Genji”) accompanied by a beauty looking out across a snow-covered garden to where a group of girls are building a giant snow rabbit. Hiroshige and Kunisada collaborated on a number of these Genji triptychs in the 1850s and this is one of the most charming. Published by Moriya Jihei of Kinshodo, 12/1854 (and therefore probably in anticipation of the following year, which was a Year of the Rabbit).

 

Fine impression. The early state with gradation behind the rabbit and bokashi on stream and in the sky. Fine colour. Fine condition. Signed Toyokuni ga on two outside panels and Yuki no kei oju, “Snow landscape by request” Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE ( 1797-1858 )




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Numazu, Shizuoka Prefecture, from the  so-called “Upright Tokaido”, Gojusan tsugi meisho zue. The 12th of the 53 Stations. At its peak in Edo times the town had 1200 buildings. It is now Numazu City. The old adage that familiarity breeds contempt certainly applies to this set, which was reprinted many times. Early printings, as here, enable us to appreciate this underrated series. One of the two snow scenes from the set showing figures crossing one of two trestle bridges. Published by Tsutaya, 1855.


Very good impression, colour and condition. Signed Ichiryusai Hiroshige ga.


Status: Sold

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Ichiryusai HIROSHIGE (1797-1858)




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Fireworks over Ryogoku Bridge from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A view of Hara, Yoshiwara and Kanbara from Tokaido gojusan eki (shishuku meisho), “ Famous Views of the Fifty-three Stations of the Tokaido (Four at a Time)” although the set actually varies, showing between three and six per sheet. The set of twelve designs published by Tsuruya Kiemon and Tsutaya Kichizo, c 1835.

 

Very fine impression of the first edition. Fine colour. Some soil on reverse, otherwise very good condition. Signed Ichiyusai Kuniyoshi shuku zu (“Drawn together by Ichiyusai Kuniyoshi”).

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Travellers viewing Mount Asama. Usui-toge yori Asama o miru zu, “A View of Mount Asama from Usui Pass.” From Kuniyoshi’s best landscape set. Of the utmost rarity with most extant impressions differing. This and the impression in the Museum of Fine Arts, Boston, are similar, without the smoke coming from the cone of Asama (the most active volcano on Honshu). Other impressions are in: The British Museum, 1948, 0410, 0. 108, which has gradation up the left side of the mountain; the Metropolitan Museum of Art, JP 1424, with gradation down from the summit; and Worcester Art Museum which is similar to the Mets, 1901.692. Published by Yamaguchiya Tobei, c 1836. I have only had one other impression in over forty-five years of dealing.

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Ichiyusai HIROSHIGE II (1829-1869)




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A view of a smoking Mt Asama, Shinano Province from Shokoku meisho hyakkei, the ‘One Hundred Views of Famous Places in the Provinces’. Published by Uoei, Sheep 9 ( 1859 ).


Very good impression, colour and, apart from one small spot, very good condition. Signed Hiroshige ga.



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Ichiryusai HIROSHIGE (1797-1858)




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The finest design from all the Hiroshige/Kunisada collaborations with the superb snowscape designed by Hiroshige, and the figures by Kunisada. From a triptych series Furyu Genji, “Elegant Genji.” The Tale of Genji was written by Shikibu Murasaki and published in 1021 and follows the life of this multi-endowed character. Published in 1858 by Isaya Kanekichi.


Fine impression and colour. Extensive splashed gofun ( oxidised ). Very good condition. Signed Hiroshige ga and Kunisada ga.


Status: Sold

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