/category/landscapes/

 

Keisai EISEN (1790-1848)



 Click here to view image full size.

Kegon no taki, santaki no sono ikkei, “Kegon Falls, One of the Three Waterfalls” from a set of eight prints Nikkosan meisho no uchi, “Celebrated Views in the Nikko Mountains.” Published by Yamamotoya Heikichi c. 1844. Obviously inspired by Hokusai’s set of waterfalls. See: The Japanese Print: A New Approach, J. Hillier, Bell & Son, 1960, Chapter XVI, where Jack Hillier discusses Eisen and his landscapes and considers this set “… is perhaps the crowning achievement of his career as a designer of landscape-prints.” Extremely rare.

 

Very fine impression. (I have only seen early impressions of this set – perhaps it was not popular at the time.) Fine colour. Extremely slight vertical fold, otherwise fine condition. Signed Keisai Eisen utsusu.

 

Status: Available

 

Tags: , , ,

 

Utagawa KUNISADA (1786-1864)



 Click here to view image full size.

A design from a rare set of ten untitled landscapes showing a poet on the seashore contemplating the view: An aizuri landscape with salt water gatherers and the beams of a setting sun. Published by Yamaguchiya Tobei, 1832.

 

Fine impression and colour. Slight centre fold and backing, otherwise very good condition. Signed Kochoro Kunisada ga.

 

Status: Available

 

Tags: , , ,

 

Utagawa KUNISADA II (1823-1880)



 Click here to view image full size.

A snow scene showing Prince Genji and attendants on Sugatami Bridge from a set of twelve months: Junikagetsu Genji no Sugatami. This being the eleventh month. Published by Yamashiroya Jinbei, 1867.

 

Fine impression, colour and condition with extensive splashed gofun. Signed Kochoro Kunisada hitsu

 

Status: Available

 

Tags: , , ,

 

Ichiryusai HIROSHIGE II (1829-1869)



 Click here to view image full size.

Soshu Shichirigahama, the “Seven Ri Beach” near Kamakura, Kanagawa Prefecture. From the set Shokoku meisho hyakkei, “The One Hundred Views of Famous Places in the Provinces.” From the beach one gets a clear view of Fuji and Enoshima Island – both framed by a giant wave. The set (of which only 80 are known) was published by Uoya Eikichi, 1859-61 (this being 1859). Hiroshige’s foremost pupil. He was called Shigenobu until assuming the name Hiroshige II on Hiroshige’s death. Married his daughter.

 

Very good impression and colour. Very slight stain in cartouche, otherwise very good condition. Sugned Hiroshige ga.

 

Status: Available

 

Tags: , , ,

 

Ichiryusai HIROSHIGE (1797-1858)



 Click here to view image full size.

Numazu, Hikure, “Yellow Dusk” from Tokaido gojusan tsugi, “The Fifty-three Stations of the Tokaido.” The set of fifty-five prints was published jointly by Hoeido and Senkakudo in 1834. Shows travellers about to enter the village of Numazu beneath the huge orb of the moon. On each side are dark pines, and this station is famous for its forest which stretches along the seashore. One of the travellers is carrying a red tengu mask on his back, the mark of a pilgrim to the Shinto shrine of Kompira.

 

Very good impression and colour. Imperceptible centre fold and minor repaired wormage on bottom margin, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

Tags: , , ,

 

Katsushika HOKUSAI (1760-1849)



 Click here to view image full size.

The Aoigaoka [waterfall] in Edo: Toto Aoigaoka no taki from a set of eight prints with title, Shokoku taki meguri, “A Journey to the Waterfalls of All the Provinces.” A majestic set with a mostly beautiful unifying colour scheme: There is probably no other Hokusai set that has the same impact when viewed complete. Amongst Hokusai’s finest work and much sought after. There are numerous Hiroshige designs based on the same location but they are prosaic in comparison. Eisen, inspired by Hokusai, also produced a set of waterfalls in 1847 which are themselves fine and rare. This particular fall is in fact a spillway for the Tameike reservoir seen above. Aoi Hill near Toranomon Gate to the left. The set published by Eijudo, c. 1832. Rare.

 

Fine impression. Fine, unfaded colour. Minimal soil and slight trimming on left: These designs are martyrs to trimming and many illustrated examples are trimmed, otherwise very good condition. (This raises an interesting problem because most Hokusai landscapes do not have a black border – contrary to Hiroshige’s – which do, making it easy to judge the trimming on the latter.) Signed Zen Hokusai Iitsu hitsu.

 

Status: Available

 

Tags: , ,

 

Kikukawa EIZAN (1787-1867)




 Click here to view image full size.

A triptych showing a street thronged with people in front of the famous department store Iwaki Masuya, giving a good cross-section of the inhabitants of the city at this time. The store specialised in silk and textiles and was one of the most important in Edo having, at one point, 500 employees in its stores. Hiroshige designed another triptych of this subject in c. 1850.

 

Published by Mikawaya Seiemon, c. 1815. Rare.

 

Fine impression. Extremely fine fresh colour. Fine condition. Full size. Signed Kikukawa Eizan fude.

 

Status: Available

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)



 Click here to view image full size.

Seki and Kameyama from the chuban Muraichi Tokaido. The set of 56 prints published by Muraichi, 1852. Printed two-to-a-sheet uncut and probably from a complete proof set. Double censor’s seals Murata and Kinugasa and date seal 2ic/1852 top right.

 

Fine impressions with strong woodgrain showing. Fine colour. Very small binding holes in right border, otherwise fine condition. Signed Hiroshige ga on each print.

 

Status: Available

 

Tags: , ,

 

Utagawa HIROSHIGE II (1826-1869)



 Click here to view image full size.

Yoroi no watashi, “Yoroi Ferry” from the set Toto sanjurokkei, “Thirty-six Views of Edo.” Published by Ai-To, 1862. Shows the laden ferry crossing in heavy snow. The Koami-cho warehouses on the right.

 

Fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Available

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)



 Click here to view image full size.

Tadasugawara no yudachi, “Evening Shower on the bank of the Tadasu River” from the early set Kyoto meisho no uchi, “Famous Views of Kyoto.” The set of ten masterpieces was published by Eisendo, c 1834. Shows figures running in the rain to get to the tea-houses which lined the banks here where the Kamo River and Takamo River joined.

 

Very good impression. The extremely rare first state of this print has the publisher’s seal in red in the upper left margin. This early state has the kiwame seal in left margin. This was removed on later editions and the seal after Hiroshige’s signature has the characters reversed white on red. Very good colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

Tags: , ,

 

Utagawa HIROSHIGE II (1826-1869)




 Click here to view image full size.

Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860). A fascinating print.

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Available

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travelers coming and going at the edge of the village. Published by Tsutaya, Hare 7, 1855.

 

Very good impression with wood-grain evident in the sky. Very good colour. Trimmed close, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

Tags: , ,

 

Ichiyusai HIROSHIGE II (1829-1869)




 Click here to view image full size.

A snow scene: Imadobashi Matsuchiyama, “Imado Bridge and Matsuchi Hill.” From Toto sanjurokkei, “Thirty-six Views of the Eastern [ Edo ] Capital.” The set published by Ai-To between 1861 and 1862 ( this being 8/1862 ). This was also a district that attracted Hiroshige I and he designed a number of prints of the area. One of the six best designs from the set.


Fine impression of the first edition. Fine colour. Trimmed close at bottom, otherwise fine condition. Signed Hiroshige ga.


Status: Available

Tags: , ,

 

Keisai EISEN (1790-1848)




 Click here to view image full size.

Edo Ryogokubashi noryo no yakei, “View of an Evening Cooling Off at the Ryogoku Bridge, Edo.” Shows a multitude of boats beneath the bridge, fireworks above. Published c 1829.

 

Fine, early impression. Fine colour and condition. Signed Eisen ga.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

An extremely rare uncut fan print: Kominato in Awa Province from Boso meisho, Famous Places in Awa, Kazusa and Shimosa Provinces. Shows beauties viewing the bay. Another impression illustrated in Hiroshige no uchiwae, Hiroshige Fan Prints, Okuda, Atsuko, Unsodo, 2010, no 91, p 68 (plus two others from the set). Five other designs presently known: Hoda Coast; Mount Kiyosumi; Mount Fuji from Kisarazu; Mount Kano, and Kisarazu in Kazusa Province. Published by Tsujiya Yasubei, 12/1852. Certainly one of the few impressions extant.

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Mount Haruna in snow, Kozuke Province.One of the best designs from Rokuju yoshu meisho zue, “Famous Places in the Sixty-odd Provinces.” The series published by Koshimuraya Heisuke between 7/1853 and 3/1856 (this being 8/1853).

 

Very good impression and colour. Margins trimmed a little, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto Meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin c 1832-35. There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river.

 

Very fine impression. Fine colour. Later editions have the black seal of Sanoki in right margin. Very slight centre fold and two backed pinholes; trimmed just on the black title slip on right, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Returning boats at Yabase, Yabase kihan, from an upright Omi Hakkei set. Published by Uoya Eikichi, 1857.

 

Fine impression and colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga

 

Status: Sold

 

Tags: , ,

 

Katsushika HOKUSAI (1760-1849)




 Click here to view image full size.

A poem by Fujiwara no Yoshitaka (954-974) from Hyakunin isshu uba ga etoki, the “Hundred Poems Explained by the Wet Nurse.” Published by Eijudo and Iseri, c 1835-6. Although obviously intended to be a set of 100 prints, only 27 are known plus drawings for others. The poet speaks of a trivial life prior to meeting his lover. Two women and their companions relax after a bath admiring the view across water. Steam rises from the bath and two cormorants are seen on the left. A languid scene and one of Hokusai’s most beautiful designs.

 

Fine impression. Very good colour. Two states are known: the printers quickly discovered that the red seal at left was not easily discernible and cut the block to correct this. This is the first state but the seal can hardly be seen except on the reverse. Signed Zen Hokusai.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Suruga Satta no kaijo, “The Sea at Satta, Suruga Province” from Fuji sanjurokkei, “The Thirty-Six Views of Fuji.” The best design from the set published by Koeido (Tsutaya Kichizo), 4/1858. A huge wave breaks on the right releasing a flock of chidori. These birds were supposed to originate from the spume of these waves. Originally travellers on the Tokaido had to traverse the base of the cliff, to the left. However in 1655 a pass was cut in the cliff above. Fuji rises above the bay of Kiyomi. A very popular print.

 

Fine impression and colour. One or two very minor marks, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

The Sanza Theatre, Saruwaka-cho showing women on the balcony of a tea-house overlooking the street from an oban set Edo Meisho of approx. 45 prints published by Yamada-ya, 1853 – 1858, half being published in 1853. This design published 1858.


Fine impression and colour. Slight centre fold, otherwise good condition. Signed Hiroshige ga.


Status: Sold

Tags: , ,

 

Katsushika HOKUSAI (1760-1849)




 Click here to view image full size.

Yoshiwara Station from a chuban Fifty-three Stations of the Tokaido. The set of 55 prints published by Iseya Rihei, c 1806. Unsigned but the original wrapper evidently had Hokusai’s signature. Two women, a man and boy press grapes.


Fine impression. Extremely fine colour. One small repaired wormhole near edge, otherwise fine condition.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto Meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin c 1832-35. There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river. This is the best example of this design I have seen since the impression in my Catalogue 7, 1971, no 12.

Very fine impression and colour. Later editions have the black seal of Sanoki in right margin. Fine condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Kawaguchi no watashi Zenkoji, “Ferryboats to Zenkoji Temple at Kawaguchi” from Meisho Edo hyakkei, the “One Hundred Views of Edo.” The set published between 1856 and 1858 (this being 1857) by Uoya Eikichi. This fine example of a first edition with the extra large margins has never been in an album.


Superb impression of the first edition with beautiful bokashi and mica. Very fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Hasegawa SADANOBU I (1809-1879)



 Click here to view image full size.

A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Shijo-bashi yori Nawate-dori Yamato-bashi o nozumo, “View from Shijo Bridge Towards Yamato Bridge at Nawate Street.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the snow scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

Tags: , ,

 

Hasegawa SADANOBU I (1809-1879)



 Click here to view image full size.

A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Ryoan-ji yuki [no] akebono, “Snowy Dawn at Ryoan-ji Temple.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the snow scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

Tags: , ,

 

Hasegawa SADANOBU I (1809-1879)



 Click here to view image full size.

A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Toganoo monzen uchu, “Temple Entrance at Toganoo in the Rain.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the rain scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



 Click here to view image full size.

Mochizuki from Kisokaido rokujukyutsugi no uchi, “The Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows travellers on the Uryu Slope between Yawara and Mochizuki. Mount Tateshima to the right. One of the finest designs from the set.

 

Fine early impression with gradation over the moon and woodgrain showing. Fine colour. Very slight centrefold and soil in left margin, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE II (1826-1869)



 Click here to view image full size.

A view of Ama-no-hashidate, Tango Province, from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 10/1859). The place name can be translated as “Bridge to Heaven” and it’s considered to be one of the most beautiful areas in Japan. Seen here under a full moon.

 

Superb impression of the first edition: One of the earliest pulls from the blocks. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




 Click here to view image full size.

Nichiren struggling up a snow-covered mountain near Tsukahara on the Island of Sado. The best design from Koso goichidai ryakuza, the “Illustrated Abridged Biography of the Founder.” Nichiren being the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei, c 1831. Like many great landscapes, there exist different states which causes confusion over which is the earliest. The basic difference is that the design is known with and without a horizon line and that there is at least one impression where the uninked, blind-printed line can be seen in a raked light (as indeed it can on this impression). It has been asserted that those impressions without are the earliest; however, it seems from this that the sumi block was probably cut initially with the line but the publishers thought that it looked aesthetically better without printing it, and it was subsequently removed. In any case, this is an extremely rare print and most surviving examples appear to be similar in impression. There is a break in the border to the left of the bottom of Kuniyoshi’s signature which could give a guide to the earliest states, but as this is often painted in, it is not reliable. The composition is based on a design in the illustrated book Bumpo sansui gafu by Kawamura Bumpo, published posthumously in 1824. Although not from a landscape set, this is considered one of the great 19th century landscapes.


Fine impression and colour. Beautiful gradation with splashed gofun (oxidised). Slight centre fold, otherwise very good condition. Signed Ichiyusai Kuniyoshi hitsu.

 

Status: Sold

 

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

The entrance to the Yoshiwara from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1865)



 Click here to view image full size.

A triptych showing Mitsuuji, the romantic hero of the Inaka Genji (“A Rustic Genji”) accompanied by a beauty looking out across a snow-covered garden to where a group of girls are building a giant snow rabbit. Hiroshige and Kunisada collaborated on a number of these Genji triptychs in the 1850s and this is one of the most charming. Published by Moriya Jihei of Kinshodo, 12/1854 (and therefore probably in anticipation of the following year, which was a Year of the Rabbit).

 

Fine impression. The early state with gradation behind the rabbit and bokashi on stream and in the sky. Fine colour. Fine condition. Signed Toyokuni ga on two outside panels and Yuki no kei oju, “Snow landscape by request” Hiroshige hitsu.

 

Status: Sold

 

Tags: , , ,

 

Ichiryusai HIROSHIGE ( 1797-1858 )




 Click here to view image full size.

Numazu, Shizuoka Prefecture, from the  so-called “Upright Tokaido”, Gojusan tsugi meisho zue. The 12th of the 53 Stations. At its peak in Edo times the town had 1200 buildings. It is now Numazu City. The old adage that familiarity breeds contempt certainly applies to this set, which was reprinted many times. Early printings, as here, enable us to appreciate this underrated series. One of the two snow scenes from the set showing figures crossing one of two trestle bridges. Published by Tsutaya, 1855.


Very good impression, colour and condition. Signed Ichiryusai Hiroshige ga.


Status: Sold

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

Fireworks over Ryogoku Bridge from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




 Click here to view image full size.

A view of Hara, Yoshiwara and Kanbara from Tokaido gojusan eki (shishuku meisho), “ Famous Views of the Fifty-three Stations of the Tokaido (Four at a Time)” although the set actually varies, showing between three and six per sheet. The set of twelve designs published by Tsuruya Kiemon and Tsutaya Kichizo, c 1835.

 

Very fine impression of the first edition. Fine colour. Some soil on reverse, otherwise very good condition. Signed Ichiyusai Kuniyoshi shuku zu (“Drawn together by Ichiyusai Kuniyoshi”).

 

Status: Sold

 

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




 Click here to view image full size.

Travellers viewing Mount Asama. Usui-toge yori Asama o miru zu, “A View of Mount Asama from Usui Pass.” From Kuniyoshi’s best landscape set. Of the utmost rarity with most extant impressions differing. This and the impression in the Museum of Fine Arts, Boston, are similar, without the smoke coming from the cone of Asama (the most active volcano on Honshu). Other impressions are in: The British Museum, 1948, 0410, 0. 108, which has gradation up the left side of the mountain; the Metropolitan Museum of Art, JP 1424, with gradation down from the summit; and Worcester Art Museum which is similar to the Mets, 1901.692. Published by Yamaguchiya Tobei, c 1836. I have only had one other impression in over forty-five years of dealing.

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

Tags: , ,

 

Ichiyusai HIROSHIGE II (1829-1869)




 Click here to view image full size.

A view of a smoking Mt Asama, Shinano Province from Shokoku meisho hyakkei, the ‘One Hundred Views of Famous Places in the Provinces’. Published by Uoei, Sheep 9 ( 1859 ).


Very good impression, colour and, apart from one small spot, very good condition. Signed Hiroshige ga.



Status: Sold

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




 Click here to view image full size.

The finest design from all the Hiroshige/Kunisada collaborations with the superb snowscape designed by Hiroshige, and the figures by Kunisada. From a triptych series Furyu Genji, “Elegant Genji.” The Tale of Genji was written by Shikibu Murasaki and published in 1021 and follows the life of this multi-endowed character. Published in 1858 by Isaya Kanekichi.


Fine impression and colour. Extensive splashed gofun ( oxidised ). Very good condition. Signed Hiroshige ga and Kunisada ga.


Status: Sold

Tags: , ,

 

Keisai EISEN (1790-1848)



 Click here to view image full size.

Jakko Nunobiki no taki, “Jakko [Temple] Nunobiki Waterfall” from a set of eight prints Nikkosan meisho no uchi, “Celebrated Views in the Nikko Mountains.” Published by Yamamotoya Heikichi c. 1844. Obviously inspired by Hokusai’s set of waterfalls. See: The Japanese Print: A New Approach, J. Hillier, Bell & Son, 1960, Chapter XVI, where Jack Hillier discusses Eisen and his landscapes and considers this set “… is perhaps the crowning achievement of his career as a designer of landscape-prints.” Extremely rare.

 

Very fine impression. (I have only seen early impressions of this set – perhaps it was not popular at the time.) Fine colour. Extremely slight vertical fold, otherwise fine condition. Signed Keisai Eisen utsusu.

 

Status: Sold

 

Tags: , , ,

 

Ichiryusai HIROSHIGE (1797-1858)



 Click here to view image full size.

Kameido Tenmangu keidai no yuki, “The Compound of the Tenman Shrine at Kameido in Snow.” From a set of twenty-one prints Toto meisho, “Famous Views in the Eastern Capital” published by Sanoya Kihei, c. 1834-5. The series was extended to fifty-five in c.1839-42. One of the most famous places in Edo. Known for its pergola, two drum bridges, koi ponds and the wisteria which flowered in the fifth month. The main shrine is dedicated to the memory of Sugawara no Michizane (Tenjin), the father of Japanese learning and built in 1662. The design comes in various states: Late editions have a black sky and the red publisher’s seal on right margin, is replaced with an abbreviated Sanoki seal in black. Even later editions show a slipping plug becoming evident on the edge of the water, centre left.

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

Tags: , , ,