Utagawa KUNIYASU (1794-1832)
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A triptych Soshu Enoshima Benzaiten Iwaya narabi sairei no zu, “Picture of Iwaya, the Main Shrine, Pilgrims to the Display of Benzaiten at Enoshima.” Enoshima island was a popular place to visit with the Iwaya caves and the shrine of the Buddhist goddess Benzaiten (Benten), goddess of the arts, entertainment and wealth, and one of the Seven Gods of Good Fortune. A fascinating print showing a multitude of various visitors. Published by Kawaguchiya Uhei, late 1820s. Rare.
Fine impression, colour and condition. Signed Kuniyasu ga.
Status: Available
Utagawa KUNIYASU (1794-1832)
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Shows a beauty after a bath. The poem above compares her to the young green shoots of the willow tree in spring. Published by Omiya Heihachi, c. 1820.
Very good impression, colour and condition. Signed Kuniyasu ga.
Status: Available
Utagawa KUNIYASU (1794-1832)
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A surimono of a sumo wrestler in a typical stance. The calligraphy above, being gold on a dark blue ground and which might be a guide to the wrestler, is too obscure to read. Although sumo is a rare subject for surimono, there are another two illustrated examples showing a very similar composition and pose. See: The Kunisada, no.100, p.147, Jewels Of Japanese Printmaking: Surimono Of The Bunka-Bunsei Era 1804-1830, Joan Mirviss, Ota Memorial Museum Of Art, 2000; and the ( attrib. to ) Shuntei, p.75, Surimono, Helena Markus, Firenze 1983. Published c late 1820s.
Fine impression with gold and silver. Mica added to the dark blue ground. Good colour and condition. Signed Kuniyasu ga.
Status: Sold