Kawamata TSUNEMASA (Fl. 1716-48)
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Shows a beautiful salt-water gatherer, her hut behind her on the seashore. A member of the Kawamata school, he probably worked in Kyoto and specialised in bijinga.
Sumi and full colour on paper. Outlines picked out in gold. 32.5 x 10.5 in; 82.5 x 26.5 cms. Fine old brocade mount. Old box. Signed and sealed Tsunemasa.
Status: Available
Watanabe SEITEI (1851-1918)
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Two geese – possibly Greater White-fronted Geese ( although the legs should be a little more orange ) with tall reeds and a large misty moon. Sumi and light colour on silk, 43 x 16 in; 109 x 40.5 cms. Signed and sealed Seitei. In fine condition with original box signed and sealed by Seitei.
Status: Available
Ichiyusai KUNIYOSHI (1797-1861)
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A hand painted fan showing an Onna Daruma, a female Bodhidharma. Legend has it that Daruma reached Japan by crossing the sea on a stalk of millet and many prints depict this event but often substituting a courtesan for Daruma. Otherwise he is shown, bearded, with beetle brows and huge earrings. During the Edo period the word daruma was a slang expression for a prostitute and a darumaya was a brothel, hence the number of prints showing Daruma with courtesans. The fan has survived by being mounted onto Japanese paper. Sumi and red on a mica surface, 5.5 x 18.25 in; 14 x 46 cms. Signed Ichiyusai Kuniyoshi ga with kiri seal. Sold “as is” with all defects of a used fan. A rare item.
Status: Available
Tosendo RIFU (Active c. 1730)
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Rifu was a member of the Kaigetsudo school, although little is known of his life. This beautiful painting shows a young woman in a voluminous robe cooling off in the summer. Full colour on paper with elements picked out in gold such as the comb, fan and robe. Lacquered hair. Image size 46 x 18.75in; 117 x 47.5 cms. Two other Rifu paintings are in the Idemitsu collection, see Ukiyo-e Paintings in the Idemitsu Collection, 1988, no 50 and 51. In very good condition for a painting of this period on paper. Mount in excellent condition. New box and presented with a futo-maki ( thick wooden roll to preserve the painting from damage ). Fully signed Yamato e-shi Tosendo Rifu zu. Yamato meaning the pride of being a Japanese painter as opposed to one imitating Chinese painting.
Status: Available
Oku BUMMEI (?-1813)
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A Maruyama school artist and “One of the ten most notable pupils of Okyo.” A contributor to the anthology Keijo gaen of 1814. Shows a strolling courtesan composed of almost limpid brush strokes creating an ethereal image of the floating world. Sumi and light brown-red on paper, 41.25 x 11.75 in; 104.75 x 29.75 cms. Mount and painting in very good condition. Signed Bummei and undecipherable seal.
Status: Available
Soga SHOHAKU (1730-1781)
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An enigmatic and unclassifiable artist who took the name Soga from Soga Jasoku, a fifteenth-century artist. He lived in Kyoto and is known to have abhored Okyo. Although admired for his dynamic brushwork by his contemporaries, he was considered – if not mad – certainly very eccentric. Now widely admired with many copies. Shows the Dragon of the Storm. A mythological creature that dominated Chinese and Japanese art. It was a scaly four legged serpent with dorsal spines, the head having two horns, long feelers, and flame-like streamers at the shoulders and hind quarters. What could be a hackneyed subject – especially in Kishi hands – but here transformed by the sheer brilliance of the brushwork. Sumi on paper, 47.5 x 14.5 in; 120.5 x 37 cms, c 1770s. Old mount with the painting in extremely good condition. Box of considerable age with inscription on lid: Soga Shohaku: Ranzan ka un ryu, “Soga Shohaku: Ranzan Dragon in the Cloud.” Underside of lid inscription states that it is from a collector’s rare collection and there are various undecipherable Japanese ( collectors’ ? ) seals. Signed Kiyu no zu with seals Ranzan and Soga shi. A masterpiece.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An important original painting either prior and for the published print Yotsugi-dori, yosui hikifune, “Hauling Canal Boats, Yotsugi Road” from the Meisho Edo hyakkei, published 1857; or painted at the same time because of particular satisfaction with the design. The canal supplied drinking water to the Fukagawa area. It also provided a regular passenger boat service heading northeast. There is some artistic license as the canal was fairly straight, which would not have provided such an interesting composition. Sumi and light blue on thin silk. ( Unique to Hiroshige as he had a penchant for rather coarse silk. ) 24.5 x 16.75 in; 62.25 x 42.5 cms. Good condition. From the collection of a leading supplier of tea ceremony utensils in Tokyo. Signed Hiroshige ga with Ichiryusai seal. ( For the same signature and seal, see Dr Timothy Clark, Ukiyo-e Paintings, B.M., no 141. )
Status: Sold
Matsumura KEIBUN (1779-1843)
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A handscroll comprising twelve mostly nature studies. ( Four shown. ): An isolated village; redstart and camellia; a rock; iris; rose; bamboo; lobster; sparrow and begonia; a village covered in snow; a scholar reading; white camellia; hibiscus. Sumi and light colour on paper, 14 x 441.2 in; 35.5 x 1120 cms. Keibun was a leading Kyoto artist who had many talented pupils. He studied with his older brother Matsumura Goshun and also Maruyama Okyo. The paintings show all the spontaneity and brevity of a leading exponent of the shijo school and the subject matter is typical. Minor marks; slight edge damage on one painting, but generally good condition. Each painting sealed Kei Bun . Ivory rollers and stickered box.
Status: Available
Manjiro HOKUGA (Fl. Early 19th Century)
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A pupil of Hokusai who specialised in Surimono and book illustration. Used Hokuga signature until 1810, then Hotei Gosei. Shows Shoki, the demon quellor, descending to earth on a vapour cloud wielding a sword in order to vanquish demons. Painted entirely in red pigment. The subject matter and use of red ink comes from China. The colour was thought to exorcise evil spirits and was used to ward off illness. Red pigment on paper. Image size: 37.5 x 10.75 in; 95.5 x 27.5 cms. Very good condition. Old box. A fine painting exhibited and published: Itabashi Kuritsu Bijyutsukan, Hokusai and his followers – the collection of the best Ukiyo-e paintings. Exhibition Catalogue, Tokyo, 2008, pl. no. 57. Signed Manjiro Hokuga ga with seal Manjiro.
Status: Sold
Ogata GEKKO (1859-1920)
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Gekko was a founding member of the Bunten and frequent prize winner. As well as designing prints, he illustrated magazines and decorated pottery. A talented artist who developed his own distinctive style. A young girl and a cuckoo. The first cuckoo traditionally heralds the arrival of summer and is usually shown flying across or near the moon – here represented by the circular window. And it might not be too fanciful to see the arrival of the cuckoo compared to the coming of age of the young girl. Sumi and colour on silk. Image size: 37 x 14 in; 94 x 35.5 cms. Very slight damage to bottom of washira mount. New box. Signed and sealed Gekko.
Status: Sold
Watanabe SEITEI (1851-1918)
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A fascinating painting by Seitei in homage or as a commission inspired by Yoshitoshi’s ghost print: The ghost of Genji’s lover, Yugao, from Tsuki hyakushi, published 3/1886. Another unusual element is that Seitei has painted the outline of the scroll and the ichimonji and gone beyond, painting a surround of wild grasses and wispy clouds on what would be the kami and chu-mawashi. Seitei was famous for his depictions of birds and flowers and this is, again, a most unusual departure for him. One of Seitei’s masterpieces. Sumi and light colour on silk. Full size: 65.5 x 13.25 in; 166.5 x 33.5 cms. Light foxing at top, otherwise good condition with ( not original ) box. Signed Seitei Watanabe ga and dated kanoe Tora ( year of the Tiger, 1890 ) chugetsu, “Moon in Daylight.” Sealed Seitei.
Status: Available
Ichiunsai KUNIHISA II (1832-1891)
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A fine work of the artist, c 1850s. The pupil and son-in-law of Kunisada. A beauty promenading. Sumi and full colour on silk. Image size 34 x 11.75 in; 86.5 x 29.5 cms. Fine condition. New mount and box. Signed Kunihisa ga. Seals unread.
Status: Available
Onishi CHINNEN (1792-1851)
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A highly talented artist, he is considered – with Nanrei – to be the finest exponent of the Maruyama-Shijo style in Edo at this time. Of samurai birth, he initially studied under Nangaku and is famous for the highly regarded books: Azuma no teburi, 1829 and Sonan gafu, 1834 ( offered elsewhere on this site ). Shows Fuji looming above masts and a bridge. Possibly the Inari Bridge near the harbour ( shrine ) at Teppozu in Edo. See Hiroshige’s design of this view for the 100 Views of Edo, no. 77. A typically spontaneous Shijo painting. Sumi on paper. Image size 41 x 10.5 in; 105 x 27 cms. Blue paper mounting; grey-blue damask ichimonji with bamboo rollers. Light creasing otherwise good condition with box. Signed Chinnen with seal Unka.
Status: Sold
Onishi CHINNEN (1792-1851)
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A highly talented artist, he is considered – with Nanrei – to be the finest exponent of the Maruyama-Shijo style in Edo at this time. Of samurai birth, he initially studied under Nangaku and is famous for the highly regarded books: Azuma no teburi, 1829 and Sonan gafu, 1834 ( offered elsewhere on this site ). Shows a carp climbing a waterfall. A leaping carp is one of the commonest subjects for artists of various schools so as to become almost hackneyed. It takes an individual artist to breath life into the subject. Sumi and very light colour on silk. Image size 39.5 x 19 in; 99.5 x 35.5 cms. Blue-grey damask and beige silk mounting; cream gold damask ichimonji with bone jiku. New box. Light toning otherwise very good condition with splashed gofun around the head of the fish. Signed Chinnen with seal Unka.
Status: Sold
Cho GESSHO (1772-1832)
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A talented artist. The son of a kakemono-mounter, he studied under Goshun in Kyoto and associated with Rosetsu in Nagoya, where he settled. Known for his involvement in several haiga and kyoka anthologies and the wonderful gafu-style Fukei gaso of 1817. An original painting, sumi and light colour on paper, image size 44 x 11.5 in; 111.5 x 29 cms. Shows Shiyei Sennin ( Chinese: Tsze Ying ) riding the red carp in storm clouds to heaven. The story tells of how Shiyei caught the carp and, because of its fine appearance, decided to keep it. After just one year it had grown to ten feet in length with horns and feelers. Shiyei’s adoration of the fish led to it telling him that it was there to take him to heaven. Recently remounted with light blue silk mounting. Wood rollers. Very good condition. New box. Signed Gessho with seal Yukisada Genkei.
Status: Available
Mori KANSAI (1814-1894)
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A highly regarded artist who practised and taught the Shijo style in Kyoto. The pupil and adopted son of Mori Tetsuzan. A fine album ( 15 x 12 in; 38.2 x 30.5 cms ) of twelve Shijo drawings in sumi and light colour on paper. The album is beautifully presented with heavily gold-flecked paper throughout and silk brocade covers, the chitsu also covered in brocade. Some light foxing giving a wabi-sabi spirit to the work. Signed and sealed Kansai on last drawing.
Status: Available
Mori TETSUZAN (1775-1841)
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A makimono with six paintings of Japanese Akita pups, sumi and light colour on paper. Painted area measures 73 x 11.5 in; 185.4 x 29.4 cms. Testsuzan, a highly talented but quirky artist with a penchant for animals, was adopted by his uncle, the celebrated painter Mori Sosen. One of Okyo’s ten best pupils, he moved to Edo from Kyoto bringing the Maruyama style to the Kanto region. In very good condition, remounted in recent years with fine outer silk cover and gold-flecked paper fore and aft. Rosewood rollers. Signed Tetsuzan with his seal at the end.
Status: Available
Watanabe SEITEI (1852-1918)
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An original painting showing a snow covered cliff overhanging a waterfall; one long piece of vegetation is suspended over the fall. A beautiful painting in sumi with light touches of colour on silk. An artist who excelled at kachoga. Image size 39 x 13 in, 99 x 33 cms. Seitei was a successful artist and had a large studio. Many paintings of his are studio or partly studio works. Painting and original (?) mount in good condition. Ivory rollers and wooden box. Fully signed, sealed and dated: Hinoe tori ( 1896 ) doshi, Ran Seitei zu.
Status: Available
Kobayashi KIYOCHIKA (1847-1915)
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An original painting showing Minamoto Yoshiie, a renowned archer, at the Nakoso checking station ( Kikuta noseki ) on the boundary of the Hitachi and Iwaki Provinces in 1087. He is said to have halted his horse here and composed a waka poem on the cherry blossom covering the path. This well known painting was exhibited at a special exhibition at the Ota Memorial Art Museum in 1989 of Kiyochika’s work and illustrated in the catalogue, no. 193, p.11. Full colour on silk. Image size 50 x 19.5 in, 127 x 49.5 cms. Painting in good condition. Old mount slightly worn top and bottom, but generally good condition. Wooden rollers and box. Signed and sealed Kiyochika.
Status: Sold
Nakabayashi CHIKUTO (1776-1853)
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A technically virtuoso painting of butterflies. Chikuto was recognized as the theorist of the Nanga school and is known for his illustrated books, especially Chikuto gafu of 1800. Full colour on silk. Image size 30.5 x 10.5 in, 77.5 x 26.5 cms. Painting and old mounting in good condition. Ivory rollers and wooden box. Signed and sealed Chikuto.
Status: Available
Imao KEINEN (1845-1924)
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Probably the best known artist of his time and famous for his realistic depictions of birds and flowers. Two koi or carp swim beneath a rock with an overhanging white mountain rose. Ink, colour, gofun and gold on silk. Original mount with ivory rollers. A double kiri-wood box inscribed by Keinen’s son Keisho with date Showa 13, 1938 and a guarantee of authenticity. He entitles the painting Nobara yuri, “Koi playing under a wild rose.” Image size: 44.5 x 14.5 in; 113 x 36.5 cms. Slight crease, otherwise good condition. Signed Keinen.
Status: Available
Kishi CHIKUDO (1826-1897)
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A large painting, 57 x 28 in; 144 x 71 cms ( image size ) showing a peregrine falcon dislodging snow from a heavily snow-laden pine tree. The bird was closely associated with the New Year. Chikudo was the fourth generation head of the Kishi school which was founded by Ganku. An artist with great talent, he participated in the decoration of the Kyoto Imperial Palace in 1854. Signed Kishi Chikudo. Very good condition. Original mount and wooden rollers. Ink, colour and gofun on silk. With box.
Status: Available
Jokei RYUKOSAI (Fl. 1772-1816)
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The most important Osaka artist in the last quarter of the 18th century. His prints are rare and, apart from being an influence on Shunei and possibly Sharaku, he spawned a line of fine pupils. His actor prints are trenchant and full of character. A delightful painting showing a geisha parading and looking askance at a client ( ? ). Full colour on silk, 27 x 13 in., 68 x 32 cms. Good condition. Old mount. Lacquer ends. Signed Ryukosai with kakihan.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An important original Hiroshige painting. Sumi and colour on grey silk, 22.5 x 13.75 inches, 57 x 35 cms. An atmospheric scene showing an evening view at Tamegawa. Villagers hurrying home across a bridge to avoid an approaching thunderstorm. Lightning flashing above. This is a well known painting and has been illustrated in a number of books, including Ukiyo-e Art, Number 18, Memorial Exhibition of Hiroshige, The Japan Ukiyo-e Society, 1968, pl.20. Very good condition; fully mounted with double box and ivory ends. Signed Hiroshige fude with Ichiryusai seal. Hiroshige signature c. 1848- 52.
Status: Available
Utagawa KUNISADA (1786-1865)
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An original painting on grey silk of an actor in a female role ( Segawa Kikunojo III ? ). Executed in fine detail – almost as a surimono with gold, silver and heightened gofun. Probably one of a set tipped into an album and commissioned by a wealthy patron of his favourite actors. Pin-ups of their day. 8.5 x 7 inches, 22 x 18 cms. Minor damage. Signed Ichiyosai Toyokuni hitsu, c. 1852.
Status: Available
Kawanabe KYOSAI (1831-1889)
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A fine painting, sumi on paper, showing three crows on the boughs of a willow tree. Crows were one of Kyosai’s favourite subjects and, apart from paintings, he used them in various formats: fan prints, oban and dai-oban prints. There are also numerous copies of his crow paintings. Signed Kyosai ga. 51 x 18.5 inches, 129.5 x 47 cms. Very good condition with original mount and rollers.
Status: Available
Ichiyusai KUNIYOSHI (1797-1861 )
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An original and unrecorded painting of a young beauty reading a letter. She looks to be around 18 or 19 years old and this was most likely a commission from the girl’s family. ( The flower on her bodice is probably the family crest. ) Only 32 paintings are currently known by Kuniyoshi and this appears to date from c.1848-54. Sumi and full colour on paper. Minor loss of pigment, otherwise good condition. 100 x 30.5 cms; 39.5 x 12 inches ( image size ). New mount and box. Signed and sealed Ichiyusai Kuniyoshi. ( For other examples of these seals see Appendix 1, p. 261, Heroes & Ghosts, Robert Schaap, Hotei, 1998.)
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A fine and important original painting by Hiroshige in the Shijo style, sumi and light colour on paper, showing a beauty beneath a tree. This manner of painting seems to have appealed to Hiroshige and some of his best work employs it. ( See Kobijutsu, Special Issue, Number 3, March 1983, Hiroshige, colour illustrations 5 and 18. ) Ex collection Takeoka Toyota with lid of box signed and dated ( 1920 ) by him. Extremely good condition with new mount and boxes ( but retaining original lid ). 112.4 x 51.6 cms; 44 x 20.25 inches. Signed, sealed and dated 3rd year Ka’ei era, 1850, Hiroshige hitsu with Ichiryusai seal.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original painting; sumi and colour on silk showing sunrise on New Year’s day at Suzaki. This painting illustrated in The Memorial Exhibition, Hiroshige’s Two Hundred Anniversary, Dr Kobayashi Tadashi, 1996, no. 313. Image size 14.25 x 22 inches, 36 x 56 cms. Mounted as a scroll with box guaranteed by Dr Narazaki. Good condition. Signed Hiroshige ga with Ichiryusai seal.
Status: Sold
Kawanabe KYOSAI (1831-1889)
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A large painting on silk, 54 x 34.5 inches ( 137 x 87.5 cms ) showing a side view of a huge Okame mask. Okame ( or Ofuku ) was the Goddess of Mirth, Ama no Uzume no Mikoto. She is known for helping Amaterasu out of the cave, into which she had retired, by performing a dance. At the bottom of the painting are the jingling bells used in her dance.
Minor wormage, otherwise good condition. Mounted with rollers and box. Signed oju Seisei Kyosai, “ By request, Seisei Kyosai “ with red kakihan of tengu mask
Status: Available
