Please contact JapanesePrints-London for prices of catalogued items. We also purchase prints, paintings and books individually or as collections. Richard Kruml also appraises and values collections.

 

Ichiryusai HIROSHIGE (1797-1858)




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A copy of Ryakuga Korin-fu Ryusai hyakuza, the One Hundred Abbreviated Drawings by Ryusai [Hiroshige]. 1 vol. complete: 21 sheets; inside front cover title and illustrator Hiroshige (also given on last page). 3pp. preface dated Kaei 4 (1851) and signed Ryukatei Tanekazu and 20 pages, numbered, with illustrations in sumi, blue and pink. Colophon inside back cover with a list of bookshops (?) in Osaka and Edo and publisher Yoshidaya Genpachi. According to Brown (L.N.Brown, Block Printing And Book Illustration In Japan , George Routledge & Sons Ltd. 1924, p. 195) this book was republished as vol. IV of Sohitsu gafu. Original covers, missing title slip. Contents very good with only minor marks.

 

Status: Available

 




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Utagawa TOYOKUNI (1769-1825)




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Furyu rokkasen, “Fashionable Six Poets.” One sheet from a set of three that can be viewed separately or as a triptych. Shows the famous Heian period waka poets Ono no Komachi and Ariwara no Narihira together with an attendant. Two famous poems by them above in gold clouds, hinting at the archaising motif. Published by Nishimuraya Yohachi , c 1802. Originally purchased from me in 1976.

 

Fine impression and colour. Very good condition with yellow ground and gold printed at the top. Signed Toyokuni ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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The warrior Kojoso Jisen in a tree by moonlight shining his lantern towards the ground. From the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Published by Kagaya Kichiyemon, 1827-30. Robinson S2. 33.

 

Fine impression and colour. Fine condition. Full size (unusual as this set are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)




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The entrance to the Yoshiwara from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)




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Fireworks over Ryogoku Bridge from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa TOYOKUNI (1769-1825)




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Tsuki, “Moon” from a set of three prints, San bijin, “Three Beauties.” Based on the Snow, Moon, Flower theme. Shows a koto player adjusting the finger picks in order to start playing. Published by Kamaya Matabei, c 1810s.

 

Fine impression and colour. Slight creasing, otherwise very good condition. Full size. Signed Toyokuni ga.

 

Status: Available

 

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Utagawa KUNITSUNA (1805-1868)




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A preliminary brush drawing for a print laid onto Japanese paper showing a full length portrait of the sumo wrestler Fujibi Mitsuemon. Originally a drawing of another wrestler was made and altered with pentimenti to show Mitsuemon. 13.25 x 9.5 in; 33.6 x 24.2 cms.

 

Signed Kunitsuna ga. He was a pupil of Toyokuni. Purchased from me in 1975. Sold “as is” with all imperfections.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)




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Sukiya embankment in snow, Toto Sukiya-gashi, from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. The rampart on the inner side of the moat of Edo Castle on the right. Figures cross a bridge leading to Sukiya Gate. In the distance the long outer walls of the main residence of the Nabeshima Clan of Saga. Fuji on the horizon.

 

Fine impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)




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Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travelers coming and going at the edge of the village. Published by Tsutaya, Hare 7, 1855.

 

Very good impression with wood-grain evident in the sky. Very good colour. Trimmed close, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa TOYOHIRO (1773-1829)




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A surimono showing a mechanical doll with movable eyes and mouth. It holds two puppets of Chinese boys, karako, playing cymbols. These automata, karakuri ningyo, were popular in Edo-period Japan and those made by Takeda Omi were the most famous. The doll stands on a small table with a flowering cherry tree. Issued c 1810s. Rare.

 

Fine impression and colour with extensive gold, silver and burnishing. Fine condition.

 

Status: Available

 

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Yashima GAKUTEI (1786-1868)




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A surimono showing two dancers performing the Sparrow dance, Suzume odori. From a set of six prints forming a hexaptych (this being the top left sheet) for the Katsushika Poetry Club, Katsushika rokubantsuzuki, c 1827-8. The vertical gold bands suggest a birdcage.Illustrated in Surimono, in the Rijksmuseum, Amsterdam, Matthi Forrer, 2013, no. 455.

 

Fine impression and colour. Minor soil, otherwise good condition.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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2 vols. complete: Kanjaku tsuizen hanashidori, “The Liberated Birds: A Memorial Book for Kanjaku.” A memorial book for the actor Nakamura Utaemon who died in 1852. He had the literary name of Kanjaku, meaning ”playing with sparrows” and the covers and many illustrations allude to this custom of releasing birds at funerals. Vol. 1: 1st preface , 3pp. giving the biography of Utaemon IV; poem 1p. 3 sheets: calligraphy (in ishizuri), 1p.; illustrations in colour, 5pp. signed on first page Toyokuni (III). Sheets 1-8: 2nd preface, 5pp., remaining pp. text, poems and colour illustrations. Sheets 1-75 with 15 single-page and 62 double-page illustrations in sumi and light colour. Inside back cover: colophon dated Kaei 5 (1852). Vol. 2: 110 sheets of text, poems, and illustrations. 38 single-page and 50 double-page illustrations (many in colour and includes a double-page illustration by Kuniyoshi). Last page, colophon, dated Kaei 5 (1852). Original covers with clouds and sparrows. Some soil and minor damage. One title slip missing and other damaged. Contents extremely good.

 

Status: Available

 




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Yanagawa SHIGENOBU (1787-1833)




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An original painting by this artist who was the pupil and then son-in-law of Hokusai. He was given the name Yanagawa (from his residence in the Honjo district of Edo) to distinguish him from other Shigenobu artists. A good book illustrator and surimono designer. He designed the first square surimono in Osaka in 1822, inspiring others to follow. His paintings are rare. Shows a portrait of the Japanese scholar and writer Ishikawa Masamochi (1754-1830). The fifth son of Ishikawa Toyonobu, he was a renowned kyoka poet and Gesaku writer (playful, mocking works), including The Magical Carpenter of Japan. An important figure in kyoka/surimono circles. Known as Rokujuen (Yadao no Meshimori). His family crest is seen on his kimono and he sits before a low desk ready to write. A high quality painting, sumi and colour on silk, 29 x 12.5 in.; 73.6 x 31.8 cms. Several small backed wormholes at bottom, otherwise very good condition. Would benefit from being remounted.

 

Signed Shigenobu with seal Yanagawa.

 

Status: Available

 




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Cho GESSHO (1772-1832) and Kazaore YUJO (fl. c. 1790-1800)




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5 vols. complete: Zoku Koya Bunko, “The Sequel to Koya Library.” Vol. 1: 52 sheets; 48 illus. Vol. 2: 49 sheets; 48 illus. Vol. 3: 53 sheets; 51 illus. Vol. 4: 53 sheets; 52 illus. Vol. 5: 56 sheets; 54 illus. Preface, 5 pp. by Kogetsutei, dated Kansai 9 (1797). Artists: Kazaore Yujo and Cho Gessho. Published by Fugetsu Magosuke, Nagoya, Kansai 10 (1798), together with other publishers in Edo, Osaka and Kyoto. The greatest anthology of printed haiga (haiku poems accompanied by illustrations based on simple, yet often profound, observations of everyday life). The anthology was started by Yujo but taken over by Gessho on his death. Most of the work is Gessho’s. This is one of the few books where the block-cutter and printer must take pride of place beside the artist. The most striking effects were achieved by these artisans by imaginative working of the block surface and wiping of the blocks to produce distinctive variations in texture and formless adumbrations of trees, plants and landscapes, all in sumi. Other examples: Duret 464 (5 vols. 1799); Gonse (III), 438 (4 vols., 1798); Holloway 18; Ryerson, pl. XI. Original covers and title slips. Some slight damage to covers and slight restored wormage at bottom of first sheets of vol. 1. But otherwise an exceptionally fine and clean copy with hardly any thumbing on corners. A lovely and rare set.

 

Status: Available

 




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Ichiryusai HIROSHIGE (1797-1858)




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A design that hardly needs cataloging as it is one of Hiroshige’s most famous. Shono – Sudden Rain, Shono-hakuu from Tokaido gojusan tsugi no uchi, “The Fifty-three Stations of the Tokaido Road” published by Hoeido, c. 1831-4. Palanquin bearers and farmers are caught in a downpour near the town of Shono in Ise Province. Various changes were tried by the printers over a period of time: Altering the pigments and bokashi to achieve different atmospheric effects. The impression offered here is of the earliest state with beautiful gradation on the bamboo groves. The set proved popular and many impressions were pulled, the blocks and printing gradually deteriorating.

 

Fine impression. Slight loss of the red, otherwise very good colour. Very slight centre fold and slight irregularity in the paper density at top edge, otherwise very good condition. A fine example of this important design. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa TOYOKUNI I (1769-1825)




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Shows Tamagiku of the House of Tama from the extremely rare set of seven prints Bijin nanakomachi, “Beauties of the Seven Komachi” from Toyokuni’s best period ( c.1793-7 ). A parody of the Noh play Sekidera Komachi showing the courtesan writing a letter to her client. To her left is Komachi’s poem about aging. Ono no Komachi, the beautiful ninth century poetess, was inspiration for many prints. Ex Matsuki collection.


Fine impression and colour with extensive embossing. Yellow ground. Full size. Fine condition. Signed Toyokuni ga.


Status: Available

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Ichiryusai HIROSHIGE (1797-1858)




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Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto Meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin c 1832-35. There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river.

 

Very fine impression. Fine colour. Later editions have the black seal of Sanoki in right margin. Very slight centre fold and two backed pinholes; trimmed just on the black title slip on right, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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Hatsuhana’s long penance under the Tonozawa waterfall to aid her crippled husband “Hazari” Katsugoro who is intent on revenging his brother’s murder. Hatsuhana dies, Katsugoro is cured and kills his arch enemy near the waterfall. From the set Kenjo reppuden, “Stories of Wise and Virtuous Women.” Published by Ibaya Sensaburo, 1841-2.

 

Fine impression and colour. One backed wormhole top left, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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Nichiren struggling up a snow-covered mountain near Tsukahara on the Island of Sado. The best design from Koso goichidai ryakuza, the “Illustrated Abridged Biography of the Founder.” Nichiren being the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei, c 1831. Like many great landscapes, there exist different states which causes confusion over which is the earliest. The basic difference is that the design is known with and without a horizon line and that there is at least one impression where the uninked, blind-printed line can be seen in a raked light (as indeed it can on this impression). It has been asserted that those impressions without are the earliest; however, it seems from this that the sumi block was probably cut initially with the line but the publishers thought that it looked aesthetically better without printing it, and it was subsequently removed. In any case, this is an extremely rare print and most surviving examples appear to be similar in impression. There is a break in the border to the left of the bottom of Kuniyoshi’s signature which could give a guide to the earliest states, but as this is often painted in, it is not reliable. The composition is based on a design in the illustrated book Bumpo sansui gafu by Kawamura Bumpo, published posthumously in 1824. Although not from a landscape set, this is considered one of the great 19th century landscapes.


Fine impression and colour. Beautiful gradation with splashed gofun (oxidised). Slight centre fold, otherwise very good condition. Signed Ichiyusai Kuniyoshi hitsu.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)




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An extremely rare uncut fan print: Kominato in Awa Province from Boso meisho, Famous Places in Awa, Kazusa and Shimosa Provinces. Shows beauties viewing the bay. Another impression illustrated in Hiroshige no uchiwae, Hiroshige Fan Prints, Okuda, Atsuko, Unsodo, 2010, no 91, p 68 (plus two others from the set). Five other designs presently known: Hoda Coast; Mount Kiyosumi; Mount Fuji from Kisarazu; Mount Kano, and Kisarazu in Kazusa Province. Published by Tsujiya Yasubei, 12/1852. Certainly one of the few impressions extant.

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Isoda KORYUSAI (FL c 1764-1788)




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The courtesan Matsunoi of the Matsubaya House reading with two attendants from the fine set Hinagata wakana no hatsu moyo, “Models for Fashion: New designs as Fresh as Young Leaves.” Published c 1776 by Eijuhan of Nishimura Yohachi (in black) and Koshodo of Tsutuya Juzaburo (in red). Only the early prints from this large series were jointly published – presumably to defray costs, the set then solely issued by Eijuhan.


Very good impression and particularly well preserved colours. Slight trimming, otherwise very good condition. Signed Koryusai ga.

 

Status: Available

 

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Katsukawa SHUN’EI (1762-1819)




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A hosoban diptych complete showing Ichikawa Monnosuke II ( left sheet ) as Soga no Goro and Sawamura Sojuro III ( right sheet ) as Soga no Juro in the play Shunshoku Edo-e Soga performed at the Ichimura-ya in the first month of 1791. Published by Harimaya Shinshichi. Most hosoban multiples have become separated over time.


Very good impression, colour and condition. Completely untrimmed. Signed Shun’ei ga.


Status: Available

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Katsushika HOKUSAI (1760-1849)




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An original painting by Hokusai showing wild boars, a parent and baby. Another “Wild Boar in the Moonlight” painting is in the Museum of Fine Arts, Boston, acc. No. 11.7430, ex William Sturgis Bigelow collection. The same broad background brushstroke shading is found on both paintings. Illustrated in Idemitsu Museum of Arts, vol. 9, Ukiyo-e Paintings, Kikuchi Sadao, 1976, pl. 84, p. 57. It was originally in the inventory of Yabumoto Soshiro, the largest antique dealer in Tokyo after he moved from Kyoto in the second half of the 20th century. Sumi and light colour on paper, 12.75 x 22 in; 32.4 x 56 cms. Signed Gakyorojin Manji hitsu rei hachi-ju-ichi (“at the age of 81”) with Fumoto-no-saki seal, so probably painted for the year of the boar, 1839. There are other paintings with the same signature and seal, e.g. The Harari Collection of Japanese Paintings and Drawings, volume 2, Jack Hillier, Lund Humphries, 1970, no. 142 “The Comet,” p. 258.

 

In very good condition. Recently remounted and sold with the old Edo-era box.

 

Status: Sold




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Kishi RENZAN (1805-1859)




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An original painting by Renzan, also known as Gantoku. He was adopted by the Kishi family and trained by his father-in-law, Kishi Ganku, who founded the Kishi school. His fellow pupils were Yokoyama Kazan and Minwa Bumpo. After Ganku’s death, he became the leader of the school together with Gantai. Highly regarded in Japan, he painted the walls of the Room of the Wild Geese in the Kyoto Imperial Palace. Shows a fierce tiger, very much in the style of Ganku. This subject is usually found as a diptych with a dragon. But this painting seems to stand alone and was probably painted for a year of the tiger, 1842 (?). Sumi and light colour on silk. 37 x 14 in.; 94 x 35.5 cms. Interestingly, Renzan designed a surimono of this subject also for a Tiger year, 1842 or 1854.

 

Signed Kishi Bunshin with upper seal Kishi Bunshin and lower seal unread. In good condition although mount somewhat creased.

 

Status: Sold

 




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Tsukioka YOSHITOSHI (1839-1892)




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A triptych: Honcho gito kurabe, “The Great Thieves of Japan, Compared.” Published by Iseki, 1865.

 

Superb impression, colour and condition. Extensive mica and burnishing. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A view of Hara, Yoshiwara and Kanbara from Tokaido gojusan eki (shishuku meisho), “ Famous Views of the Fifty-three Stations of the Tokaido (Four at a Time)” although the set actually varies, showing between three and six per sheet. The set of twelve designs published by Tsuruya Kiemon and Tsutaya Kichizo, c 1835.

 

Very fine impression of the first edition. Fine colour. Some soil on reverse, otherwise very good condition. Signed Ichiyusai Kuniyoshi shuku zu (“Drawn together by Ichiyusai Kuniyoshi”).

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Travellers viewing Mount Asama. Usui-toge yori Asama o miru zu, “A View of Mount Asama from Usui Pass.” From Kuniyoshi’s best landscape set. Of the utmost rarity with most extant impressions differing. This and the impression in the Museum of Fine Arts, Boston, are similar, without the smoke coming from the cone of Asama (the most active volcano on Honshu). Other impressions are in: The British Museum, 1948, 0410, 0. 108, which has gradation up the left side of the mountain; the Metropolitan Museum of Art, JP 1424, with gradation down from the summit; and Worcester Art Museum which is similar to the Mets, 1901.692. Published by Yamaguchiya Tobei, c 1836. I have only had one other impression in over forty-five years of dealing.

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Totoya HOKKEI (1780-1850) (Attrib. to.)




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A surimono showing a new year’s throng of musicians, a monkey trainer, a samurai and children with a large kite. Possibly one sheet of a diptych or triptych. A beautiful example of the art of the surimono. Rare.

 

Superb impression. Fine colour with extensive silver, gold and blind-printing.

 

Status: Sold

 

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Katsushika HOKUSAI (1760-1849)




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A surimono, Watakuri uma, from a series Uma tsukushi, “Horse Series.” The set of at least thirty surimono was issued by the Yomo-gawa Poetry Club for the Horse Year, 1822. The title alludes to the appearance of the watakuri, “cotton gin” usually seen atop a wooden sawhorse-like stand. Also shown is a wooden saddle on a leather base, a smoking set and branches of white plum. Poems by Matsuchi, Kagetsudo and Matsunoya Sononari. Rare.

 

Fine impression and colour with silver, gold and blind-printing. Very good condition. Signed Fusenkyo Iitsu hitsu.

 

Status: Sold

 

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Toyohara KUNICHIKA (1835-1900)




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Ichikawa Danjuro IX as the Chinese pirate from Fuzhou (Fukushu kaizoku) shichiso kanteirei from the set: Shiranui monogatari kanto no hitori. Shiranui monogatari was a picture-book published in three parts from 1849 onwards, written by three authors: Ryukatei Tanekazu, Ryutei Tanehiko II, and Ryusuitei Tanekiyo, with illustrations by Toyokuni III. In 1853 it became the subject of a popular Kabuki play. Published by Kobayashi Tetsujiro, 1879. A rare set.

 

Very fine impression, colour and condition with extensive burnishing. Signed Toyohara Kunichika ga.

 

Status: Sold

 

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Toyohara KUNICHIKA (1835-1900)




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Onoe Kikugoro V as Aoyagi Harunosuke Toshitada holding a large bronze bell from the set: Shiranui monogatari kanto no hitori. Shiranui monogatari was a picture-book published in three parts from 1849 onwards, written by three authors: Ryukatei Tanekazu, Ryutei Tanehiko II, and Ryusuitei Tanekiyo, with illustrations by Toyokuni III. In 1853 it became the subject of a popular Kabuki play. Published by Kobayashi Tetsujiro, 1879. A rare set.

 

Very fine impression, colour and condition. Signed Toyohara Kunichika ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Miyanokoshi (no. 37) from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of the best designs from the set. Shows a family group crossing a plank bridge against a misty silhouetted backdrop and a full moon.

 

Very good impression and colour. Various states exist of this design with differences in gradation and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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The warrior Hitentaisei Rikon in armour, holding a long-handled axe and scanning the horizon from a craggy outcrop. From the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Published by Kagaya Kichiyemon, 1827-30. Robinson S2. 21.

 

Extremely fine impression and colour. Fine condition. Full size (unusual as this set are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Autumn from a set of four triptychs, Edo meisho shiki-no nagame, “Famous Places in Edo in the Four Seasons.” An evening scene with beauties on a balcony overlooking the bay at Takanawa. Birds are descending across a full moon. Published by Marujin, 1848-9. All four triptychs from this set are masterpieces.

 

Fine impression. Perfect colour. Slight thinning and creasing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Hosoda EISHI (1756-1829)




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A parading courtesan, Senzan of the Choji-ya house, with her two kamuro, Isieji and Hanaji. From a set of seven prints Seiro moyo awase, “A Comparison of Patterns of the Green houses.” Published by Eijudo, 1796-7. The title on a teacup. A luxurious yellow ground. See Klaus J. Brandt, 1977, no. 263, p. 146. A fine set. Rare.

 

Fine impression. Extremely fine, unfaded colour. Fine condition: Untrimmed with extra paper at left. A benchmark example for prints of this period. Signed Eishi zu.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Omoshiro-so: Bunsei nenkan okujochu no fuzoku, “Looking Amused: The Appearance of a High-ranking Maid in the Bunsei Era” ( 1818 – 1830 ). From the set: Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. Shows a maid to the concubine of a daimyo looking over a balcony.

 

Superb impression of the first edition. Very fine colour and condition with the extra paper at left edge and the full handling area showing bottom right. Beautiful blind-printing. Signed Yoshitoshi ga.

 

Status: Sold

 

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Tsukioka YOSHITOSHI (1839-1892)




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Mita-so: Tempo nenkan o-kosho fuzoku, “Looking Inquisitive: The Appearance of a Maid in the Tempo Era” ( 1830 – 1844 ). From the set: Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. Shows a maid peering through a summer bamboo screen.

 

Superb impression of the first edition. Very fine colour and condition with the extra paper at left edge and the full handling area showing bottom right. Beautiful blind-printing and a polished pattern applied to the black obi. Signed Yoshitoshi ga.

 

Status: Sold

 

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