Please contact JapanesePrints-London for prices of catalogued items. We also purchase prints, paintings and books individually or as collections. Richard Kruml also appraises and values collections.

 

Dealing in fine Japanese prints, paintings and books since 1968.

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of Hiroshige’s most famous designs.

 

 

Very good impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

A snow scene: Meguro taikobashi yuhi no oka, “Drum Bridge and Sunset Hill, Meguro” from Edo meisho hyakkei, “The Hundred Famous Views of Edo.” Shows the valley of the Meguro River with travellers crossing the stone bridge, Yuhi Hill to the left. Stone bridges were uncommon in Edo because of the risk from earthquakes. Published by Uoya Eikichi between Ansei 3 and 5 (1856-58). This design dated Snake 4 (1857).

 

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Suruga Satta no kaijo, “The Sea at Satta, Suruga Province” from Fuji sanjurokkei, “The Thirty-Six Views of Fuji.” The best design from the set published by Koeido (Tsutaya Kichizo), 4/1858. A huge wave breaks on the right releasing a flock of chidori. These birds were supposed to originate from the spume of these waves. Originally, travellers on the Tokaido had to traverse the base of the cliff, to the left. However, in 1655, a pass was cut in the cliff above. Fuji rises above the bay of Kiyomi. A popular design.

 

 

Very good impression and colour. Crease in right hand margin, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa KUNIYOSHI (1797-1861)



Click here to view image full size.

A view of pilgrims bathing in the Roben waterfall at the Afuri (Shinto) shrine, Oyama in Segami Province. Oyama sekison otaki no zu. This happened during the summer months and was considered a purification ritual. Oyama is a sacred mountain near the Izu peninsula and a short distance from Kamakura and Enoshima. Kuniyoshi designed another oban of this subject as well as two triptychs. Published by Wakasaya Yoichi, 1839-40. It has been suggested that the tattooed figure, on the left, holding a lantern with Kuniyoshi inscribed on it may be Kuniyoshi himself.

 

 

Very good impression and colour. Slight centre fold and expertly repared wormage. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Yashima GAKUTEI (1786 ?-1868)



Click here to view image full size.

A saling junk caught in stormy seas, driving rain, and under a threatening sky. The masterpiece from a set of six prints issued in album form with title Naniwa meisho, Tempozan shokei ichiran, “A Famous Place in Osaka, Selected Views of Mount Tempo.” Published in Osaka , 1834, by Shioya Kisuke. In the circular cartouche: Osaka Tempozan yudachi no kei, “View of a Storm at Tempozan, Osaka.” Gakutei is best known for his many surimono. He was also a kyoka poet and painter. Unfortunately, he only produced a few landscapes. Other impressions illustrated in Michener, Japanese Prints, no. 198; Mellor sale catalogue, Sotheby, July 1963, pl. XXXI; Grabhorn, Landscape Prints of Old Japan, pl. 30.SC1/344. One of the great 19th century landscapes.

 

 

Fine impression and colour. Slight centre fold (as usual as it was published in folding album form), otherwise very good condition. Signed Gogaku with seal Go.

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa KUNISADA (1786-1865)



Click here to view image full size.

A triptych showing the great wrestling match between Matano Goro Kagehisa and Kawazu Saburo Sukeyasu. The match was refereed by Ebina Gempachi and occurred during a hunting expedition organised by the general Minamoto no Yoritomo in 1176 near Mt. Akazawa. Kawazu was the eventual victor after a rematch, throwing Matano by twisting his foot behind him – a throw still known as the kawazu in his honour. Kawazu was later found murdered – his death being avenged by his sons Juro and Goro. Published by Yamaguchiya Tobei, 1838-40. An earlier version was designed by Kunisada as well as there being an excellent example by Kuniyoshi.

 

 

Very good impression and colour. Minor creasing and wear, otherwise good condition. Signed Kochoro Kunisada ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa YOSHIKAZU (Active 1850-1870)



Click here to view image full size.

A triptych showing Miinamoto no Yorimitsu (aka Raiko) and his retainers confronting the giant Earth Spider (Tsuchigumo – a form of spider-like yokai). After a fierce battle Yorimitsu cuts off the head of the spider and 1990 dead victims emerge from its stomach. A popular subject and there are numerous versions by other artists.

 

 

Fine impression and colour. Light backing and trimming, otherwise very good condition. Signed Isshunsai Yoshikazu ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa KUNIYOSHI (1797-1861)



Click here to view image full size.

A triptych: Mitate gogyo: Mizu, Ukifune, “Comparisons of the Five Elements: Water,” Ukifune. Shows Prince Genji in a boat with his attendants feeding ducks during the winter. Ukifune was the nickname of a princess in The Tale of Genji. An unrecognised daughter of the Eighth Prince in the 51st Chapter of the story. Ukifune also means: “A boat set adrift.” Published by Sanoki (Sanoya Kihei), 1851-52.

 

 

Superb impression, colour and condition. Signed Ichiyusai

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa KUNIYOSHI (1797-1861)



Click here to view image full size.

A triptych showing Shutendoji’s palace on Mount Oyeyama, Oyeyama fukujin shusei. Raiko (Minamoto no Yorimitsu) is charged by the Emperor Murakami with killing the evil Shutendoji who terrorizes the neighbourhood. He and his retainers infiltrate the castle and ply Shutendoji and his ogrish band with sake and dance for them. Eventually Shutendoji is so intoxicated he has to be carried to bed, whereupon Raiko and his followers attack and decapitate him. This is the episode most often depicted with the head flying through the air. Published by Kiya Sojiro, 1853.

 

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Utagawa YOSHITORA (Active c 1850-1880)



Click here to view image full size.

A triptych showing Sato Masakiyo, having invaded Shikoku and overthrowing the castle of Shosokabe Motochika, entering deep into the mountains where he battles an army of huge toads, lizards, bats, spiders, cats and dogs. Sato Masakiyo Shikoku seibatsu no toki Shosokabe Motochika no honjo o semeotosu ori kara hakarazu shinzan ni tachiiri kebutsu taiji no zu. Published by Kinseido (Sanoya Tomigoro), 1862.

 

 

Very good impression and colour. Album backing, otherwise good condition. Signed Yoshitora ga.

 

 

Status: Available

 

 

Tags: , , ,

 

Kitao MASANOBU (Santo KYODEN) (1761-1816)



Click here to view image full size.

One double-oban design from the most sumptuous album ever produced: Yoshiwara keisei: Shin bijin awase jihitsu kagami, “A Mirror of New Yoshiwara Courtesans with Samples of Their Calligraphy.” Published by Tsutaya Juzaburo, 1784. Shows courtesans viewing calligraphic scrolls. Seven double-oban designs were published in album form, although the original intention was for a larger set. Signed on two sheets Kitao sensai Masanobu.

 

 

Fine impression. Extremely good colour. Centre fold (as always), several very small wormholes and minor marks, but otherwise in very good condition.

 

 

Status: Available

 

 

Tags: , , , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

A half-block print showing a Japanese cormorant (?) and iris. Printed only in grades of sumi. In fact, this and the other half is illustrated in: Four Hundred Ukiyoe Woodblock Prints From The Museum Of Art, Rhode Island School Of Design, 1990, no. 166, p. 72 which shows fish and hydrangea on the other side. This is an aizuri print. The quality of impression here leads me to believe this might be a proof impression. Published by Shimizuya Naojiro, c early 1840s.

 

 

Fine impression, colour and codition. Signed Hiroshige hitsu.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

A tanzaku showing a parrot perched on hanging ivy. Published c 1830s by Kawasho (Kawaguchi Shozo).

 

 

Fine impression and colour. Centre fold, otherwise very good condition. Signed Hiroshige hitsu.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa SADAHIDE (1807-1873)



Click here to view image full size.

An uncut fan print showing the two brine-gathering maidens of Suma Bay: Matsukaze “Pine Wind”and Murasame “Drops of Rain.” Published by Tsuruya Kiemon, c early 1840s. Rare.

 

 

Very good impression, colour and condition. Signed Gountei Sadahide hitsu.

 

 

Status: Sold

 

 

Tags: , ,

 

Hosoda EISHI (1756-1829)




Click here to view image full size.

An original painting, full colour on silk, 32.5 x 10 in; 82.5 x 25.5 cms. Shows a promenading courtesan under a full moon – presumably on the way to an assignation. She wears a vivid red over-garment decorated with iris and the under-garment has heavy mica applied. Eishi was of unusually high rank for an Ukiyo-e artist and is noted for his refined beauties – both painted and in woodblock form. They often have ink-wash backgrounds in the Edo-Kano technique learned as a pupil of Kano Eisen’in Michinobu (1730-90). His corpus is extensive and there are also many copies of his work. He had around thirty pupils including Eisho, Eiri and Eisui. Minor flaking of mica but in otherwise good condition. Signed Chobunsai Eishi hitsu with Eishi seal.
 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: ,

 

KAIGETSUDO School




Click here to view image full size.

An original painting, full colour on paper, 39.75 x 15.25 in; 101 x 38.75 cms. Shows a beauty erotically biting a cloth. The kimono is decorated with a strong motif of flowering plants. The school was founded by Kaigetsudo Ando (1671-1743). He had a tight-knit atelier of artists who followed his style of large single standing beauties with bold drapery and small faces. There are many copies of the leading Kaigetsudo artists and it’s refreshing to have an unquestionably authentic painting of the period, c early 1710s. Minor imperfections but all in line with the age of the painting, otherwise good condition.
 

Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Torii KOTONDO (1900-1976)




Click here to view image full size.

An original painting, full colour on silk with touches of gold, 45.5 x 14.5 in; 115.5 x 36.75 cms. Shows the famous story of the demon Ibaraki of Rashomon (a gate south of the Imperial Palace in Kyoto). The tale relates how Watanabe no Tsuna cuts off the arm of the demon Ibaraki near the Rashomon Gate in 976 to free the neighbourhood of the beast. Watanabe locks the arm in a box. Subsequently he is visited by his wet nurse who asks to see the arm, whereupon she seizes it and flies off revealing her true guise as that of the demon. The story was made into a No play, Ibaraki, and later a Kabuki play. Kotondo is famous for his beauty prints of the late 1920s and early 1930s. In fine condition. Signed Kotondo ga with Kotondo seal.
 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin, c 1832-35. (Late editions have the seal in black.) There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Asukayama bosetsu, “Evening Snow on Asuka Hill.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Shows figures struggling through the deep snow. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets and this is one of his finest designs. Rare.

 

 

Very fine impression. Fine colour and condition with large margins and splashed gofun. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Shibaura no seiran, “Clearing Weather at Shiba Bay.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Shows boats anchored on the edge of Edo Bay. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Ikegami no bansho, “Evening Bell at Ikegami.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.”The otherwise nondescript town is famous for the large temple overlooking it. This was the Ikegami Honmonji, the main temple of the Lotus sect, a branch of Buddhism founded by Nichiren. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499.They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Gyotoku no kihan, “Returning Sails at Gyotoku.” From a fine and rare early set Edo kinko hakkei, “Eight Views in the Environs of Edo.” Gyotoku was a prosperous area on the Edogawa and Edo Bay. This set was first published privately for the Taihaido Poetry Club by the publisher Sanoya Kihei (Kikakudo) c 1837-8. (Similar to Hiroshige’s first set of fish prints.) For obvious reasons examples of these prints are of the utmost rarity. An entire set is in the Baur Collection, Matthi Forrer, 1994, nos. G492-G499. They have the copyright owner’s name in the left border, Taihaido Nomimasu, who was the head of the poetry club. They also have three poems on each design. The commercial edition, as here, has one or two poems and loses the Taihaido name. (Again, similar to the fish series.) These prints, initially not intended for commercial consumption, are more refined with a greater degree of care taken with the cutting of the blocks. Contrary to later sets, figures are small, pigments are subdued and large foreground objects are not in evidence yet. One of Hiroshige’s finest sets. Rare.

 

 

Very fine impression. Fine colour and condition with large margins. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)



Click here to view image full size.

Hakone from the “Reisho” Tokaido. So-called because of the titles written in formal script. The best Tokaido set after the Hoeido. Shows travellers holding pine-torches climbing a mountain path at night. The Hakone mountains were one of the most gruelling parts of the Tokaido, but at the same time one of the most relaxing with the hot springs, Lake Ashi and the fine cryptomeria trees. Published by Marusei, c 1851-2. One of the five best designs from the set and probably the masterpiece. The composition and use of kimetsubishi to show the woodgrain in the night sky and mountains makes it one of Hiroshige’s most beautiful prints.

 

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Chokotei TOSHIMASA (Active c 1810s)



Click here to view image full size.

A long surimono for a Horse year (probably 1810). Shows the Five Festivals, Gosekku no uchi, which are: Matsu-no-uchi, New Year; Hinamatsuri, Girls’ Day, or Doll Festival; Tango-no-sekku, Boys’ Day; Tanabata, Star Festival; Choyo-no-sekku, Chrysanthemum Festival.

 

 

Very good impression, colour and condition. Signed Chokotei Toshimasa hitsu.
Status: Sold

 

 

Tags: , ,

 

MANGETSUDO (Active 1743-1747)



Click here to view image full size.

An hosoban showing a youth impersonated by Onoe Kikugoro I standing outside the Yoshiwara. Above is a cartouche showing a gosho-guruma (a mid-17th century Imperial cart) and above the cartouche the word Kayoi: An allusion to the story of Shosho visiting Komachi. This is the right sheet of a triptych with title Yoshiwara Komachi sambukutsui, “Komachi of the Yoshiwara, Set of Three.” (See Hayashi catalogue, 1902, no. 325 for the complete triptych.) Another impression is illustrated in The Clarence Buckingham Collection Of Japanese Prints, The Primitives, AIC, p. 183, which lacks signature and publisher’s seal. Published by Okumuraya, c 1740. Nothing is known about Mangetsudo, other than he was a follower of Masanobu.

 

 

Very good impression. Some fading, otherwise good condition. Signed Mangetsudo.

 

 

Status: Sold

 

 

Tags: , ,

 

Katsukawa SHUNKO (1743-1812)



Click here to view image full size.

An hosoban showing the actor Ichikawa Danzo IV in the role of Tsuribune Sabu in the play Natsu matsuri kagami performed at the Morita-za Theatre, 7/1779.

 

 

Fine impression, colour and condition. Exceptional state of preservation. Signed Katsukawa Shunko ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa TOYOKUNI I (1769-1825)



Click here to view image full size.

The actor Sawamura Sojuro III in the role of Lord Ashikaga Yorikane on board the pleasure boat Takaomaru from the play Kimigatede Yoshiwara sodachi performed at the Miyako-za Theatre, 7/1795. This is the right-hand sheet of a famous diptych. The left sheet (showing Segawa Kikunojo III as the courtesan Takao) is illustrated in the Popper collection, no. 245, Parke Bernet sale catalogue, 9/1972. Another impression was in the Vever collection, illustrated in Vever sale catalogue, Sotheby & Co, Part 1, lot 278, p. 260, 26/3/1974. Published by Senichi (Izumi-ya), 1795 when Toyokuni was producing his greatest designs.

 

 

Fine impression. Very good colour and condition. Signed Toyokuni ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Katsukawa SHUNCHO (Active 1780-1795)



Click here to view image full size.

A chuban print from a set of five designs: Imoseyama gomai tsuzuki, “Imoseyama, a Set of Five Prints.” Shows two court beauties and an attendant. Based on the Bunraku play Imoseyama onna teikin, “Husband and Wife Mountain: An Exemplary Tale of Womanly Virtue” which was performed for the first time in 1771. It was then adapted for the Kabuki theatre. The play is in five acts.

 

 

Very good impression, colour and condition. Signed Shuncho ga.

 

 

Status: Sold

 

 

Tags: , ,

 

Tsukioka YOSHITOSHI (1839-1892)



Click here to view image full size.

Kemu-so: Kyowa nenkan naishitsu no fuzoku, “Looking Smoky:The Appearance of a Housewife of the Kyowa Era.” From the set: Thirty-Two Aspects of Women published by Tsunashima Kamekichi, 1888. Shows a housewife fanning a smoldering fire probably intended to repel summer insects. The best design from the set.

 

 

Very fine impression, colour and condition of the first edition. The gradation and printing of the smoke is particularly accomplished. Signed Yoshitoshi ga.

 

 

Status: Sold

 

 

Tags: , ,