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Utagawa HIROSHIGE (1797-1858)
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An original painting, sumi and light colour on silk, 11 x 18 in; 28 x 45.75 cms. Shows the sea off the Miura Peninsula in Sagami Province with Mount Fuji rising above mist in the distance. Hiroshige used the same view for one of his designs for the Thirty-six Views of Fuji set published in 1858. A beautiful painting with a signature dating it to the mid to late 1830s.
Minor creasing and old mount, otherwise good condition. Signed Hiroshige with Hiro seal.
Status: Available
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Suzuki HARUNOBU (1724-1770)
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A beauty standing beside a stream where wild chrysanthemums grow. A mitate-e (parody) of Kikujido, the Chrysanthemum Boy, who was the favourite of the Chinese Emperor Mu (c. 950 B.C.). However, because of court jealousy, he was banished but had his exile eased by the Emperor who gifted him the ability to read sacred Buddhist texts. He became an immortal, spending his days surrounded by chrysanthemums and inscribing words of peace on the flowers’ petals. This is the second state: The first (private edition) is a calendar print with a signature (of an amateur) Kinga Ko and seal and has the year and its cyclical signs for 1766. These Harunobu calendar prints, printed in small numbers, were commissioned by wealthy individuals between c. 1764 and 1766 and so popular that they were published commercially. Rare.
Very good impression and colour Very minor edge soil, otherwise very good condition. Signed Suzuki Harunobu ga.
Status: Available
Utagawa KUNISADA (1786-1865)
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A geisha partly illuminated by a lantern on a boat from a set Tsuki no kage shinobiau yo, “Secret Meetings by Moonlight.” Published jointly by Izumiya ichibei (as here) and Yamamoto Kyubei, c. 1836-38.
Very good impression and colour. Minor creasing, otherwise very good condition. Signed Kochoro Kunisada ga.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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An original drawing, sumi and colour on thin paper laid onto Japanese paper. A preliminary design for a fan print, the outline indicated in red. Apparently never published. Shows a woman in the box on the left picking mulberry leaves (?), signed Ryusai. And in the box on the right a woman possibly in the process of spinning silk, signed Hiroshige. Good condition.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Spring moon at the shore of Tsukudajima . One of a set of chu-tanzaku prints published by Shogendo, c. 1837. Tsukudajima was one of two islands at the mouth of the Sumida River. Originally a sanbar, it was reclaimed with earth and rocks and given its name by the first Tokugawa Shogun, Ieyasu, who invited thirty-three fishermen to live there in 1613 in order to provide fish for the rapidly expanding city of Edo. The fishermen came from Tsukudama near Osaka and it was they who became the proprietors of what would become the Tsukiji fish market. It must have been popular during the late Edo period as a place to visit and view the boats from teahouses on the shore because there are many prints depicting the area, especially under a full moon.
Fine impression, colour and condition. Signed Hiroshige ga. n.
Status: Available
Utagawa HIROSHIGE (1797-1858)
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Shimotsuke Nikkosan urami no taki, “Back-viewed Waterfall on Mt. Nikko in Shimotsuke [Province].” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Figures gaze up at the back of the waterfall which thunders over the path. It is also known with variant colour schemes. Fine design.
Very fine impression with strong blind-printing on the fall. Fine colour and condition. Full size. Signed Hiroshige ga.
Status: Available
Tsukioka YOSHITOSHI (1839-1892)
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Looking Itchy: the appearance of a kept woman of the Kaei era [1848-1854]. Shows a beauty emerging from a mosquito net that has apparently not been entirely successful. From a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set depicts women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood.
Very fine impression with strong blind-printing on the fall. Fine colour and condition. Full size. Signed Hiroshige ga.
Status: Available
Tsukioka YOSHITOSHI (1839-1892)
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Uesugi Kenshin Nyudo Terutora. Shows Uesugi no Terutora (aka Kenshin) riding into battle through clouds of smoke against his long-standing adversary Takeda Shingen. From a set of 33 prints Yoshitoshi musha burui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi Tetsujiro between 1883 and 1886, this being 1883. A fine design.
Very fine impression of the first edition. (Which should have a three-colour cartouche; two red seals and the publisher’s address in blue in the left margin.) It was reprinted by Tsunajima Kamekichi in 1886 and there are many late printings of the set. Fine colour and condition. Full size with extra paper at left. Signed Taiso Yoshitoshi ga.
Status: Available
Utagawa KUNIYASU (1794-1832)
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Shows a beauty after a bath. The poem above compares her to the young green shoots of the willow tree in spring. Published by Omiya Heihachi, c. 1820.
Very good impression, colour and condition. Signed Kuniyasu ga.
Status: Available
Utagawa KUNIYOSHI (1798-1861)
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Cao Cao (Jap. Shuso) and Pang De (Jap. Hotoku) in the Han river during the battle with Guan Yu. From a set of Chinese warrior prints: Tsuzoku sangokushi eiyu no ichinin, “Heroes of the Popular History of the Three Kingdoms.” Published by Joshuya Kinzo, c. 1836. Robinson S10.8 (although only known as a key-block proof). Rare.
Superb impression. Very fine colour and condition. As the day it was printed. Signed Chooro Kuniyoshi ga.
Status: Available
Toyohara KUNICHIKA (1835-1900)
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A diptych showing the actor Ichikawa Danjuro IX as Kamakura Gongoro Kagemasa in the drama Shibaraku, “Just a moment.” The large sansho (three square) motif was the symbol of the Danjuro clan and is repeated around the border. In the background are peonies, also associated with the Danjuro clan. Published by Tanaka Katsuzo, 1878.
Fine impression, colour and condition. Signed Oju Toyohara Kunchika hitsu.
Status: Available
Isoda KORYUSAI (1735-1790)
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A pillar print, hashira-e, of a beauty after a bath cooling herself with a fan. A cat looks up adoringly from below. Above her is a temple bell wind chime, often hung in the summer. Masanobu laid claim to have invented the pillar print format. Roger Keyes has suggested that, because many large format prints from the 1740s were printed using two blocks of wood, there was a tendency for the blocks to separate during use, giving rise to the hashira-e shape. Probably the most interesting format in that the restrictions often led to creative compositions. And figures sometimes partially exit or enter from the side, giving weight to the theory of separating blocks of wood. Certainly, these prints were hung on pillars in houses, and because of this they often come browned, faded or damaged. Koryusai was the artist par excellence when it comes to pillar prints. Rare.
Very good impression and colour. Slight toning, but in very good condition for such a print. Signed Koryusai ga.
Status: Available
Utagawa YOSHITORA (1836-1887)
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A triptych showing the warrior Inukai Genpachi (the famous character from the Hakkenden) confronting a cat monster which has emanated from a horse on Mount Koshin. Other cat monsters stare in amazement. Published by Kojimaya Jubei, 1850.
Very fine impression. Fine colour. Imperceptible small binding holes, otherwise fine condition. Signed Ichimosai Yoshitora ga.
Status: Available
Tsukioka YOSHITOSHI (1839-1892)
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A triptych from a set Bidan musha hakkei, “Eight Views of Warriors’ Fine Tales.” This design Togakushi no seiran, “Clearing Weather of the Togakushi Mountains.” Princess Sarashina, who is actually a female oni called Momji, “Maple Leaves,” having transformed herself, is seen screaming from behind a giant drum and raising a high wind scattering maple leaves against Taira no Koremori Ason who draws his sword to kill her. Published by Sanoya Tomigoro, 1868.
Extremely fine impression of the earliest state. Fine colour. Slight marks on first sheet, otherwise very good condition. Signed Gekko Yoshitoshi hitsu.
Status: Available
Utagawa KUNISADA (1786-1865)
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An untitled triptych showing two beauties and a maidservant lighting their way with a lantern and carrying a shamisen box. The beam of light from the lantern illuminates the foreground figures and a leaping dog but leaves the background figures in silhouette. Published by Mikawaya Seimon, c. mid 1820s. A fine design.
Fine impression and colour. Imperceptible fold, otherwise very good condition. Signed Gototei Kunisada ga.
Status: Available