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Hishikawa MOROSHIGE (Fl. 1684-1704)




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An original painting showing a go game being watched by beautifully attired ladies. Moroshige was the senior pupil of Hishikawa Moronobu, and, it is said, was the father of Furuyama Moromasa. Sumi and full colour with extensive gold on silk; 10.75 x 15 in; 27.5 x 38 cms. Newly remounted with futomaki and box. Provenance: Ex William Sturgis Bigelow collection. He was one of the first Americans to live in Japan and much of his extensive collection went to the Museum of Fine Arts, Boston. His original seal has been affixed to the side of the box.

 

Painted c. 1700. In very good condition. Rare: A fine painting and nice subject.

 

Status: Available

 




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Ichiryusai HIROSHIGE (1797-1858)



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Spring moon at the shore of Tsukudajima. One of a set of chu-tanzaku prints published by Shogendo, c.1837. Tsukudajima was one of two islands at the mouth of the Sumida River. Originally a sandbar, it was reclaimed with earth and rocks and given its name by the first Tokugawa Shogun, Ieyasu, who invited thirty-three fishermen to live there in 1613 in order to provide fish for the rapidly expanding city of Edo. The fishermen came from Tsukudama near Osaka. And it was they who became the proprietors of what would become the Tsukiji fish market. It must have been popular during the late Edo period as a place to visit and view the boats from teahouses on the shore because there are many prints depicting the area, especially under a full moon.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Ishiyama no shugetsu, “Autumn Moon at Ishiyama” from a set of prints Omi hakkei no uchi, “Eight Views in Omi Province.” Shows Lake Biwa with Seta Bridge and Mount Hira in the distance. To the left is the temple where Murasaki Shikibu wrote her famous Tales of Genji. Published by Takenouchi, c. 1834-5. A guarantee label and seal au verso from the now deceased dealer M. Nakazawa.

 

Fine impression: There is a curious feature on this print in that the blue sky block is invariably printed short of the mountain, top left, giving a white gap around the mountain. This is one of the few impressions I have seen where it is barely visible. Fine colour. Slight edge soil, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Cho GESSHO (1772-1832)




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A large original painting of moored junks caught in a violent squall. A fine painter who studied under Tanke Gessen and Matsumura Goshun in Kyoto before moving to Nagoya in 1798 and becoming Nagasawa Rosetsu’s assistant for a short time. Also illustrated some fine ehon. Sumi and colour on silk with the currents of air painted in gold; 55.25 x 26 in; 140.25 x 66 cms. Painted c. 1810s. Provenance: Two previous owners’ seals on the exterior of mount: The Honda family library and the Ueno family. Old box with inscription which states that Gessho wanted to acquire a painting from the Owari district. Although not intrinsically valuable it was esteemed by the local people. He offered to exchange the painting offered here for their painting. There is a dig here in that the inhabitants of Owari were known to be avaricious. Written by Mizutani Okurei (1848-1926). Presumably based on the accounts of the two previous family owners.

 

Signed Gessho with seal: Yukisada, Genkei, Gessho. Obviously an important painting by Gessho and in very good condition.

 

Status: Available

 




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Utagawa KUNIYOSHI (1797-1861)



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An original Kuniyoshi drawing, sumi on thin paper, 6.75 x 9.25 in; 17 x 23.5 cms. Shows a fierce battle between two warriors and a band of brigands. Sold “as is” with imperfections.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Bingo Abumon Kannondo. The temple of Kannon at Abumon, Bingo Province. From the set Rokuju yoshu meisho zue, “Famous Places in the Sixty-odd Provinces.” Published by Koshimuraya Heisuke between 1853-1856 (this being 1853).

 

Fine, early impression. The earliest states have a cloud printed top left (as here). Very good colour. Slight centre fold and trimmed close, otherwise good condition. Signed Hiroshige ga.

 

Status: Available

 

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Katsushika HOKUSAI (1760-1849)



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One sheet from a shunga set of 12 prints Ehon tsuhi no hinagata, “Patterns of Loving Couples.” Published 1814. The series title is a play on words. Tsuhi can be read as “couple” or “male and female pairs” or it can be pronounced tsubi, an old term for vulva.

 

Very good impression and colour. Slight soil and the usual slight centre fold, otherwise very good condition.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)



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Shinshu Suwa-ko yatsume akauo wo to (ru). Shinshu (Shinano) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1860). A winter scene showing figures catching lampreys, eels and red rockfish in Lake Suwa. The lake was unusual in having warm currents beneath the ice, even in mid winter.

 

Fine impression of the first edition. Fine colour. Very slight edge soil, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)



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Enshu Akiba enkei Fukuroi tako. Fukuroi, Enshu (Totomi) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows kite flying with a distant view of Mount Akiba. It has been suggested that the release of confetti was to bring good luck for the forthcoming harvest.

 

Very fine impression of the first edition. Fine colour. Very slight soil, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)



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Mino Ochiai-bashi. Mino (Noshu) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1861). An evening rain scene with figures making their way across the torrential Chitose River, famous for its fishing.

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)



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Kashu Kanazawa Daijo-ji. Kashu (Kaga) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows the famous Zen temple. The mountains behind shrouded in mist, beautifully conveyed by expert wiping of the blocks in Shijo-style. One of my favourite landscape prints.

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Toyohara CHIKANOBU (1838-1912)



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A fine triptych showing the actor Ichikawa Danjuro IX (1838-1903) as the priest Mongaku Shonin. The priest is shown, with Buddhist bell in hand, beneath the freezing waters of the Nachi Waterfall doing penance for inadvertently killing his cousin and lover, Kesa Gozen. Eventually the deity Fudo Myo-o takes pity on him and helps him through the ordeal. Danjuro also played the role of Fudo Myo-o in this performance of the play Hashi kuyo bonji no Mongaku, “The Austerities of Mongaku” at the Ichimuraza Theatre, May 1883. The Danjuro family worshipped the deity Fudo Myo-o. Published by Morimoto Junzaburo, 1883. This must have been a particularly successful performance as there are a number of prints commemorating it and it is listed as one of the great roles of his canon.

 

Fine impression and colour. One careful area of restoration, otherwise very good condition. Signed Yoshu Chikanobu fude.

 

Status: Available

 

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Utagawa TOYOKUNI I (1769-1825)




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An original drawing by the first Toyokuni. An hanshita-e diptych for a published set of triptychs with title: Yakusha juni tsuki, “Actors in the Twelve Months.” Shows the actors (from the left) Bando Mitsugoro III holding a pipe; Iwai Hanshiro V with an open book; Nakamura Utaemon III about to write a poem; and Segawa Roko IV with another pipe. They are compared to the months of the year, in this case July, the month of the Bon Odori festival and are also a parody of the Six Immortal Poets. The print published by Yamashiroya Toemon (active c. 1801-1817). In fact this set was published Spring, Bunka 6 (1809). Sumi on thin paper laid around edges onto another sheet. Some pentimenti and also shows the initial hurried under-drawing and with annotations for the finished print. Sold together with the two published sheets which shows the lanterns removed at top, the brazier bottom centre and other minor changes. In indifferent condition. An illustrated example of this complete triptych is in the Austrian Museum of Applied Arts.

 

The print signed Toyokuni ga. Original hanshita-e by Toyokuni I are extremely rare. Sold “as is” with all imperfections.


 

Status: Available

 

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Keisai MASAYOSHI (1764-1824)




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One volume complete Gyokai ryakugashiki, “Fishes and Shells in the Abbreviated Style of Drawing.” Published in Osaka by Fukusada Tobei, 1813. Originally published in 1802 with alternative title and poems by Ichiyosei Sogai and others. 31 sheets numbered 1-31. Initial page with title and illustrator Kuwagata Keisai (Kitao Masayoshi). Colophon with date Bunka 10 (1813), engravers and publisher.

 

Some minor soil and damage to covers, otherwise good condition. Extensive use of mica on various pages.

 

Status: Available

 




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