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Ichiyusai HIROSHIGE II (1826-1869)




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Suo Iwakuni Kintaibashi, “The Bridge of the Brocade Sash at Iwakuni in Suo Province.” From an uncompleted set: Shokoku meisho hyakkei, “One Hundred Views of the Provinces.” Published by Uoei between 1859 – 1861 (this being 1859). Shows the beautiful five-arch bridge spanning the Nishiki-gawa under heavy snow. The village of Nishikimi in the foreground. The bridge was built in 1673 using massive stone pilings because earlier bridges had been swept away. It was destroyed in 1950 due to a typhoon but rebuilt in 1953. The best print from the set and probably Hiroshige IIs finest design.

 

 

Fine impression of the first edition with mica applied. Fine colour. Minor edge discolouration, otherwise very good condition. Later editions lack the variegated cartouche and the colour-banded publisher’s seal in left margin. Signed Hiroshige ga.

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New Tsukioka YOSHITOSHI (1839-1892)




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A triptych , Shinyo rokkaisen, “Six New Monsters” showing Taira no Kiyomori (1118-1181) and his lover on the engawa of the palace confronted by a multitude of snow covered skulls and skeletons in the garden. Towards the end of his life, Kiyomori, the head of the Taira Clan, was obsessed with and hallucinated that his vanquished enemies – on his quest for power and authority – had come back for retribution. Published by Funazu, 1882.

 

 

Very fine impression. Fine colour. Sheets attached, otherwise fine condition. Signed Oju Yoshitoshi ga.

 

 

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Utagawa SADAHIDE (1807-1873)




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A triptych, Shin Yoshiwara karitaku no zu, “Temporary Lodgings of the New Yoshiwara.” Shows the courtesans Shiratama, Masanagi, and Tamakazura of the Tamaya House before a latticed window overlooking the Ryogoku River. The Tamaya was one of the best known brothels. Their kamuro are listed beside their names. Published c. 1843-7 by Yamaguchiya Tobei. Rare: I cannot locate another impression.

 

 

Very fine impression, colour and condition.Signed Gountei Sadahide ga.

 

 

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Utagawa KUNIMARU (1794-1829)




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An uchiwa-e (fan print) showing summer flowers : hydrangea, peony, iris, chrysanthemum, morning glory, etc against a yellow ground. Of the utmost rarity: possibly the only recorded example. Published by Ibaya Senzaburo with date seal Bunsei 10 (1827). Ex Werner Schindler collection, seal au verso, and illustrated in Masterpieces of ukiyo-e prints from the Schindler collection, Kondo/Suzuki, Tokyo, 1985, pl. 165, p. 140.

 

 

Fine impression; very good colour and condition. Signed Kunimaru hitsu.

 

 

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Santo KYODEN (Kitao MASANOBU) (1761-1816)




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An original painting, full colour on paper, image size 47 x 15.5 in; 119.5 x 39.5 cms. A pupil of Kitao Shigemasa, he was one of the leading authors and illustrators of kibyoshi, ehon and kyoka anthologies. Also produced prints of beauties including the fine set of double-oban prints of courtesans in 1783-4: Yoshiwara keisei shin bijin awase jihitsu kagami. A controversial figure who ran foul of the authorities in 1789; he subsequently ceased using the name Kitao Masanobu and thereafter his paintings are always spontaneous in an abbreviated style, often quite slight and signed Kyoden. The example offered here showing a parading courtesan with her lantern behind her is more finished than most. The calligraphy above by Kyoden. In very good condition with box guaranteed by Tosuke Kimura.

 

 

Signed Kyoden gasan, “Painted and inscribed by Kyoden.” Seals Santo Kyoden, Seishu koji and another.

 

 

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Teisai HOKUBA (1771-1844)




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An original painting on silk in full colour. Image size 36.5 x 13.5 in; 92.75 x 34.25 cms. A fine painting showing beauties from different social strata: A farmer’s wife; a courtesan; an elegant wife; and a Heian period court beauty. Hokuba was one of the earliest and best of Hokusai’s pupils. A printmaker, but only of surimono, book illustrator, and, most importantly, a fine painter. Above is a kyoka poem by Ota Nanpo (1749-1823), a famous poet and fiction writer. Silk slightly browned and minimal loss of some pigment but in otherwise good condition. Old mount: Would benefit from remounting. Painted Bunsei period, c. early 1820s.

 

 

Signed Teisai Hokuba ga with seals Hoku Ba.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858) and Utagawa YOSHITORA (active c. 1850-1880)




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One volume complete Kyoka chakizai gazoshu, “Tea Ceremony Utensils, a Kyoka Collection.” Published Ansei 2, 1855 by Seiryuteizo. Inside front cover artists given as Ichiryusai Hiroshige and Ichimosai Yoshitora. Three pages preface; three pages decorative labels; four pages landscapes by Hiroshige (including the Uji River – a prime tea growing area); twelve pages of portraits by Yoshitora; twenty-one pages kyoka poems. Original covers with a hand inscribed title slip. Ex collection Edmond de Goncourt with his brocade binding and imitation wood slipcase. In very good condition.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858)




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A complete set of Kyoka Edo meisho zue, “Collection of Pictures of the Famous Places of Edo in Kyoka.” Fourteen volumes (sixteen books) dated Ansei 3, 1856. Artist: Ryusai Hiroshige ga, with volumes fifteen and sixteen being by Hiroshige II. Compiler of poems: Tenmei Rojin. Publisher not given. Book 1: 25 sheets, 11 illustrations. Book 2: 24 sheets, 10 illustrations. Book 3: 23 sheets, 10 illustrations. Book 4: 19 sheets, 9 illustrations. Books 5-6: 34 sheets, 15 illustrations. Book 7: 22 sheets, 9 illustrations. Book 8: 21 sheets, 9 illustratins. Book 9: 22 sheets, 9 illustrations. Book 10: 21 sheets, 8 illustrations. Book 11: 14 sheets, 6 illustrations. Book 12: 18 sheets, 7 illustrations. Book 13: 16 sheets, 6 illustrations. Book 14: 16 sheets, 8 illustrations. Books 15-16: 23 sheets, 9 illustrations. The monochrome illustrations show the popular life of Edo as well as the views. Original covers and title slips.

 

 

In very good condition. Rare complete.

 

 

Status: Available

 

 




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Kawamura BUMPO (1779-1821) and Watanabe NANGAKU (1763-1813)




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One volume complete Kaido kyoka awase, “Comparison of Kyoka Poems on the Highway.” Three pages preface signed Bumpo and thirty-six double-page illustrations alternating by Nangaku and Bumpo; last page colophon dated Bunka 8 (1811) with artists Nangaku Tseki and Bumpo Basei. Publishers Kawachiya Kihei, Osaka, and Yoshidaya Shimbei, Kyoto. Original embossed yellow covers with original title slip. Originally published in two volumes with the poems in volume one and almost immediately reissued as a one volume work, as here. Numerous collectors’ seals: Tanido Kyohitsu, Seiyo Kosetsu, and Edmond de Goncourt with his brocade binding and imitation wood slipcase. A beautiful example of this fine Shijo book in very good condition.

 

 

Status: Available

 

 




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Utagawa KUNISADA II (1823-1880)




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An original hanshita-e entitled: Hanayagura, Tenno Matsuri. This famous festival takes place in July in Tsushima, Aichi, with boats floating down the Tenno River. Shows a festival participant with a lion mask. Sumi with touches of red on thin paper with pentimenti to face.

 

 

In good condition. Signed Kunisada ga.

 

 

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Utagawa HIROSHIGE (1797-1858)




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Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travellers coming and going at the edge of the village. Published by Tsutaya, Hare 7 (1855).

 

 

Very good impression and colour. Several small blemishes, otherwise very good condition. Signed Hiroshige ga.

 

 

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Sugimura JIHEI (Acitive c. 1681-1703)




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A shunga print showing a samurai (his swords lying outside the screen) having sexual intercourse with a courtesan from a set of twelve such prints published mid 1680s. Jihei was the most impressive of Moronobu’s followers and seems to have specialised in shunga, often surpassing Moronobu. (Indeed, Jihei’s work was attributed to Moronobu for a long time.) Hand coloured, although probably not from the period but still with considerable age. Extremely rare.

 

 

Fine impression. Very good condition.

 

 

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Utagawa YOSHITORA (Active c. 1850-1880)




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The actor Bando Mitsuguro V as Yushide, a daughter of Shindo Saemon from the play Karukaya doshin tsukushi no iezuto. From an untitled set of prints designed in conjunction with Kunisada. It was intended to represent the culmination of Kunisada’s career using only the finest materials, engravers and printers. Published by Kinshodo between 1860-1864. 150 designs were envisioned but only 72 were published, with 12 being by Yoshitora who joined the project in 1862. The plot concerns the machinations of rival Daimyo to possess a rare gem stone. Yushide is caught up in the shenanigans, the outcome being that she stabs herself in the throat with the white arrow she wears as a hair pin.

 

 

Superb impression. Fine colour and condition. Signed Yoshitora ga.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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A triptych showing Raiko and his four companions conquering the demon of Oe Mountain. Raiko shitenno Oeyama kijin taiji. The story relates how the demon (Shuten-doji) kidnappes young girls and keeps them captive in his lair on Mt. Oe near Kyoto. The great warrior Minamoto no Yorimitsu (Raiko) and four retainers seek out the demon. They inebriate him and cut off his head. However, the beast’s head still takes a bite at Raiko who avoids death by wearing the additional helmets of his followers. Published by Kiya, 1864. An early and very fine design.

 

 

Fine impression and colour with lovely partial oxidation. Slight trimming, otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.

 

 

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Ichiyusai KUNIYOSHI (1797-1861)




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A triptych Fuji no sono Soga kyodai hommo o togeru zu. “Moor at the Foot of Mt. Fuji: Picture of the Soga Brothers Achieving their Avowed Wish.” Soga no Goro Tokimune and Soga no Juro Sukenari avenging the death of their father by killing Kudo Suketsune at his hunting encampment in pouring rain. Juro dies in the battle and Goro is killed later. Published by Yamaguchi Tobei, 1843-7.

 

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

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Utagawa YOSHITSUNA (Active c. 1848-68)




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A triptych Asakusa Okuyama ikiningyo, “Living Dolls of Asakusa’s Okuyama.” These life-size figures were made from papier-mache with bamboo frames by Matsumoto Kisaburo from Kumamoto and were evidently amazingly life-like. The subjects were foreign strangers and Maruyama courtesans. The exhibition was in February 1855 in an area that had many sideshows. Kuniyoshi also produced prints of this and other exhibitions. Published by Murataya Ichigoro, 1855.Extremely rare.

 

 

Fine impression, colour and condition. Signed Yoshitsuna ga.

 

 

Status: Available

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