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Katsushika HOKUSAI (1760-1849)




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An important large brush drawing in red ink showing a full length figure wielding a stave at a cowering adversary. The standing figure has no sword or armour but is obviously a chivalrous man of great probity. The leaning attitude of the upright figure is typical of Hokusai (for example, see Theodore Bowie, Indiana University Press, 1974, The Drawings of Hokusai, no. 108) and gives movement to what otherwise would be a static pose. Red ink was frequently used by Hokusai, not just on the obvious Shoki paintings (see nos. 160-161, pages 254-5, Timothy Clark, Hokusai Beyond The Great Wave, B.M., 2017) but as underdrawing on figures and landscapes (see nos. 178-182, pages 279-283, Timothy Clark, Hokusai Beyond The Great Wave, B.M., 2017). Red ink and wash on thin Japanese paper laid onto european paper, image area 16.5 x 15.5 in; 41.5 x 39.5 cms. An area not pertinent to the design missing top right but otherwise in good condition. Provenance: Ex collection of Peggy and David Rockefeller (inventory number 23.040).

 

 

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Utagawa TOYOKUNI (1769-1825)




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A triptych showing the interior of a mansion. In the centre the head of the household, a young male, surrounded by his female attendants. This most likely shows the Setsubun – a ritual of bean-throwing to clear out the evil from a house on the day before the beginning of spring which was considered New Year’s eve. There are impressions in the MFA Boston (11.13833-5, 21.7798-800) and MET (JP201). Published by Iwatoya Kisaburo. The MET and MFA give a date as c 1791-4 but the signature better fits a date of c 1800.

 

 

Very good impression. Exceptional colour – better even than the other illustrated examples. Small restoration on last sheet, otherwise very good condition with extra paper around. Signed Toyokuni ga. Rare.

 

 

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Utagawa KUNISADA (1786-1864)




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A sheet of original drawings being hanshita-e for an ehon. Shows, above, a seated samurai and a female figure to the right holding a mirror. Below, actors in a garden setting. Sumi with touches of red on thin paper laid onto thicker Japanese paper, 14 x 10 in; 36 x 25 cms. Sold “as is” with all imperfections.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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Abe no Hirafu fighting a giant bear in the snow from a set of 51 prints Dai Nippon meisho kagami, “A Mirror of Famous Commanders of Great Japan.” The set was published by Ebisuya Shoshichi (the first 11 prints) and Funazu Chujiro between 1878-1882. Hirafu was a general for the Empress Saimei. On his return from a mission to the Emishi in northeastern Japan, where he signed a peace agreement , he presented the Empress with two live bears and seventy bear hides. Published by Funazu Chujiro in 1880.

 

 

Fine, early impression with splashed gofun (only on the earliest states). Fine colour. Light album backing, otherwise fine condition. Signed Oju Yoshitoshi hitsu.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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Yatsunada attacking Saohime’s brother’s castle from a set of 51 prints Dai Nippon meisho kagami, “A Mirror of Famous Commanders of Great Japan.” The set was published by Ebisuya Shoshichi (the first 11 prints) and Funazu Chujiro between 1878-1882. Saohime had conspired with her elder brother Saohikoto to murder the emperor but she abandoned their plan at the last moment. She is seen escaping the conflagration. Published by Funazu Chujiro in 1880.

 

 

Fine, early impression. Fine colour. Light album backing, otherwise fine condition. Signed Oju Yoshitoshi hitsu.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)




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The fifteen year old Otani Furuinosuke killing a giant boar with his bare hands. From a set Honcho Suikoden goyu happyakunin no hitori, “One of the Eight Hundred Heroes of the Water Margin of Japan.” Published by Kagaya Kichiemon c 1831. This is the first edition: It was republished by Ibaya Sensaburo in 1845. Robinson S4a.14.

 

 

Fine impression and colour. Slight trimming at left, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)




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Yamamoto Kansuke striding through the snow. “Boar” from a set Mitate junishi, “Selection for the Twelve Signs.” Published by Ibaya Kyubei, c 1845. (Kansuke was famous for killing a giant boar in the snow.) Robinson S38.12.

 

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa SADAFUSA (Active 1830s – 1840s)




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An original sumi woodblock for two chuban prints from a Kanadehon Chushingura set. The upper design being Act VII, the tea-house Ichiriki, Kyoto with Yuranosuke; the lower showing Act VIII, the bridal journey with Konami and her daughter Tonase on the Tokaido Road. Sold “as is” with all imperfections.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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A triptych from a set Buyu setsugekka, “Heroes for the Snow, Moon and Flowers,” this being Gojo no tsuki, “Moon Over Gojo [Bridge].” Published by Isaya Kanekichi c 1867. A popular subject for artists it tells of the battle between the young Yoshitsune and the warrior monk Benkei who had secured the bridge and fought each samurai wanting to cross in order to steal their sword. The 1000th was Yoshitsune who defeats Benkei and secures his loyalty for the ensuing years. Yoshitsune was taught martial arts by tengu in the forests outside Kyoto as a child and they are seen here aiding and abetting him in his duel.

 

 

Fine impression, colour and condition. Full size with added mica at top. Signed Ikkaisai Yoshitoshi hitsu.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing three women washing clothes in a stream from a set Six Tama [Jewel or Crystal] Rivers, this being the Chofu Crystal River (in fact the Tamagawa that flowed into Edo Bay). Musashi no kuni Chofu no Tamagawa. The set published by Sanoya Kihei, c 1847. The complete set is illustrated in The Baur Collection, Matthi Forrer, vol. II, 1994, nos G396-G401 (this being G397).

 

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa YOSHIKAZU (Active c 1849-1867)




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Kato Kiyomasa (aka Masakiyo, 1562-1611) hunting man-eating tigers with his cohorts in Korea. Masakiyo ko toragari no zu. Kiyomasa had two expeditions to Korea in 1592 and 1597. Published by Hiranoya Shinzo, 1861.

 

 

Fine impression, colour and condition. Signed Ichikawa Yoshikazu ga.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych of the night attack on Yoshitsune’s palace on the Hirikawa, Kyoto -hence called the Horikawa Palace – by the troops of Yoshitsune’s brother (Yoritomo) led by Tosaba Shoshun in 1185. Horikawa yo-uchi no zue. Yoshitsune is seen on the raised wooden platform with Benkei. Below is his mistress, Lady Shizuka, with a halberd. Yoshitsune’s brother’s mind was poisoned against him and he was thought of as a threat. Published by Sanoya Kihei, 1851.

 

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa YOSHITSUYA (1822-1866)




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A triptych showing Minamoto no Yorimitsu (aka Raiko, 948-1021) trying to capture the notorious thief Hakamadare Yasusuke. Kijutsu Hakamadare o karamen to su. Yorimitsu is seen with his cohorts Urabe Suetake, Hirai Yasumasa, and Watanabe Tsuna. On the right Hakamadare attempts to evade capture by magically conjuring up a battle between a giant snake and a bear. Published 1858 by Tsutaya Kichizo.

 

 

Very good impression, colour and condition. Signed Ichieisai Yoshitsuya.

 

 

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Utagawa KUNISADA II (1823-1880)




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A triptych showing Prince Genji in a boat with attendant page and a lady watching female awabi (abalone) divers called ama. These women were a great curiosity for the public and seen as rather risqué characters. Prince Genji was the protagonist of Murasaki Shikibu’s Heian-era novel The Tale of Genji. He was the second son of the emperor, and relegated to civilian life. Published 1865 by Maruya Kyushiro.

 

 

Very good impression and colour. Slight edge soil, otherwise very good condition. Signed Kunisada hitsu.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing a figure in the centre painting Otsu-e pictures which float up and materialise as the actual characters. Toki ni Otsu-e kitai no maremono, “Popular Otsu-e Paintings for the Times: A long-awaited Rarity.” In fact, this is a self-portrait of Kuniyoshi. He is shown with one of his many cats watching him and his kiri seal fan to his left. Tantalizingly, Kuniyoshi partially covers his face with a painting. There are few images of Kuniyoshi. Published by Minatoya Kohei, c 1848.

 

 

Very good impression and colour. Slight crinckling of paper, otherwise very good condition. Signed ichiyusai Kuniyoshi ga.

 

 

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Utagawa YOSHIKAZU (Active c 1849-1867)




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A five-sheet original drawing (hanshita-e) showing a parade of beauties before a wicker fence and blossom. Bigyoku imayo hanazoroi, “An Assortment of Modern Beautiful Gems as Flowers.” Nice brushwork on the sumptuous kimonos. Sumi with sumi wash and light touches of red on thin Japanese paper laid onto further thin Japanese paper. Each sheet signed Ichikawa Yoshikazu ga. Sold “as is” with all imperfections, but in good condition.

 

 

Status: Available

 

 

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