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Torii KIYONAGA (1752-1815)




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A chuban print showing a woman at a washtub watched by a small child. Another woman is hanging a kimono out to dry. Without any series title but with a scalloped cloud above which may have been intended to have a title. Published c. late 1770s. Rare: Not listed in Hirano, Chie Hirano, Kiyonaga, MFAB, 1939.

 

 

Superb impression, colour and condition. Possibly a proof impression. Signed Kiyonaga ga.

 

 

Status: Available

 

 

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Utagawa KUNISADA (1786-1864)




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The actor Danjuro VIII as the ghost of Seigen from a set of prints Mitate sanjurokkasen no uchi, “An Imaginary Thirty-six Poets” published by Iseya Kanekichi in 1852. The relevant poet in this case is Ariwara no Narihira. The corrupt priest Seigen broke his vows of chastity when he fell in love with Sakurahime. Danjuro played this role in the play Yami no ume yume no tamakura, in the New Year’s programme at the Kawarazaki theatre, Edo, in 1/1853.

 

 

Very fine early impression with glue applied to the eyes. Fine colour and condition. Signed Toyokuni ga.

 

 

Status: Available

 

 

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Katsushika HOKUSAI (1760-1849)




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A design interpreting a poem by the Lady of Ise (c. 875-c. 938) from an unfinished set Hyakunin isshu uba ga etoki, “The Hundred Poems [By the Hundred Poets] as Told by the Nurse.” Published 1835-36 by Eijudo with 27 prints known and 67 outstanding drawings for the set. Shows a mother and daughter or lady and servant at a window overlooking Naniwa Inlet with rice fields in the distance and men working on the roof of the building they are in.

 

 

Fine early impression with woodgrain showing on the roof. Fine colour. Small nick out of right edge, otherwise fine condition. Signed Zen Hokusai manji.

 

 

Status: Available

 

 

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Okumura MASANOBU (1686-1764)




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An hashira-e showing Shoki, the Chinese demon queller, Chung Kwei, about to plunge a sword into an oni. Another pillar print showing Shoki from the same period is illustrated in The Clarence Buckingham Collection of Japanese Prints, The Primitives, Helen C. Gunsaulus, AIC, 1955, no. 103, p. 166. Published c. 1745. Rare.

 

 

Very good impression. A sumi-e, printed in sumi with washes of sumi applied by hand. Slight toning, otherwise very good condition.Pillar prints are often toned because they were hung and, of course, this is especially true of the earlier examples, as here. Signed Hogetsudo
Tanchosai Okumura Bunkaku Masanobu Baio ga with seal Tanchosai.

 

 

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Utagawa KUNISADA (1786-1864)




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A vertical diptych showing the actor Onoe Baiko III in the role of the vengeful and disfigured spirit of Kasane above Sawamura Tossho I as her husband Kinoshitagawa Yoemon. From the play Kuruwa kruwa date no ooyose performed at the Ichimura-za theatre 1836. Published by Kawaguchiya Chozo, 1836. Extremely rare.

 

 

Fine impression and colour. Very good condition. Signed Gototei Kunisada ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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An original painting in sumi with touches of green and pale blue. Image size 50 x 17 in; 127 x 43.2 cms on paper. Shows the Mount Haruna area which also has Mount Myogi and Mount Akagi. Depicts the strange peaks surrounded by swirling mist and cloud. The region was formed more than 300,000 years ago in Gunma, eastern Honshu. Hiroshige designed a snow scene of the same area for the print set Sixty-odd Provinces of Japan published in 1853. Recently remounted and in very good condition. Signed Hiroshige ga with Ichiryusai seal.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858)




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A view of the beautiful peninsula of Izu, Izu no sanchu, “In the Mountains of Izu Province” from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. This area is about 100 km southwest of Tokyo and a popular place to visit.

 

Very fine impression and colour. Trimmed close bottom left, otherwise fine condition. Signed Hiroshige ga.

 

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Utagawa HIROSHIGE (1797-1858)




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Sukiya embankment in snow, Toto Sukiya-gashi, from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. The rampart on the inner side of the moat of Edo Castle on the right. Figures cross a bridge leading to Sukiya Gate. In the distance the long outer walls of the main residence of the Nabeshima Clan of Saga. Fuji on the horizon.

 

Very fine impression and colour. A very small repaired wormhole in top right margin, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)




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Men punting rafts on the Sagami River from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858.This print was included in the background of the famous 1887 portrait of Pere Tanguy by Vincent Van Gogh. The river was sometimes referred to as the Ayu River because of the (then) abundance of sweetwater fish (ayu).

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)




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Shimadai, grouper (probably Chilodactylus zonatus) and ainame, greenling (Hexagrammus otakii) together with red-berried nanten. Poem by Kanshunro Nushibito. Probably the first edition (Kruml 18a). From the second series of fish published by Yamasho c. 1840-42.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)




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Nikko Shimofuri no taki, “Shimofuri Waterfall in Nikko” from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1859).

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)




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Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei. “Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860).

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

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Utagawa KUNISADA (1786-1864)




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An early warrior print showing Rokuson Okeigi (Minamoto no Tsunemoto [894-961]) battling a giant dragon. From a set Honcho komei kagami, “A Mirror of Our Country’s Renown Heroes” published by Joshuya Kinzo, c. 1835.

 

Fine impression and colour. Slight trimming, otherwise very good condition. Signed Kocho Kunisada ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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A print from the set Mitate junishi, “Selection for the Twelve Signs [of the Zodiac].” This being Dog. Shows the wrestler Inuda (Inu, “Dog”) Kobungo umpiring a match between two crabs. Published c. 1845 by Iba-ya Sensaburo. Robinson S38.11.

 

Fine impression and colour. Very slight trimming, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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BUNSEI (Active c. 1830 -1844)




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A complete set of Eight Views of Xiaoxiang, modern Hunan Province, China. These eight views were taken up by Japanese artists such as Hiroshige and transposed to Japan becoming sets like the Eight Views of Omi, etc. Bunsei was a pupil of Tani Buncho. He seems to have made a speciality of this subject and there is a slightly larger version set of the same subject. Published c. 1830s. Provenance: Ex Hayashi with his seal on most of the designs. Rare complete.

 

Very good impressions and colour. Minor edge wormage, othwerwise very good condition. Each signed Bunsei.

 

Status: Available

 




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Taiso YOSHITOSHI (1839-1892)




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Shows Kiyohime changing into a serpent on the edge of the Hidaka River. The monk Anchin fell in love with Kiyohime only to change his mind. He escapes across the river followed by Kiyohime who becomes a serpent and traps him in the bell of the Dojo-ji Temple and kills him. From a set Shingata sanjurokkaisen, “New Forms of Thirty-six Ghosts,” sub-title: Kiyohime Hidakagawa ni jatai to naru zu. The set published by Sasaki between 1889 -1892 (this being 1890). This is the first edition.

 

Very fine impression, colour and condition. Signed Yoshitoshi.

 

Status: Available

 

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Utagawa KUNITERU (Fl. mid-19th c.)




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An original hanshita-e (preparatory drawing) for a triptych showing the ground floor interior of a brothel in the Yoshiwara with courtesans and their assistants. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. He was a pupil of Kunisada, originally calling himself Sadashige, and becoming Kuniteru when Kunisada became Toyokuni III. Sumi and touches of red. Extensive pentimenti. Sold “as is” with all imperfections. Signed on two sheets Kuniteru ga.

 

Status: Available

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, Nakamura Kamenojo I as the geisha Azuma standing above Kawarasaki Gonjuro I as Yamazakiya Yogoro, Bando Kamezo I as Settanaoshi Chogoro standing above Onoe Kikugoro IV as Kumasaka Ocho, and Onoe Kikugoro IV as Akogi Gennojo standing above Onoe Kikujiro II as Onnadayu Okoyo. The play was Yume musubu cho ni torioi performed at the Ichimura-za theatre 3/1856. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. (This was also most likely a published print by Sanoki as it is from the same group as others offered here.) Signed on two sheets Toyoukuni ga.

 

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a published diptych showing, on the left, the actor Onoe Kikujiro II as Tatsuhime – in reality Yawata, the younger sister of Kotoda. On the right is Iwai Kumesaburo III as Kudo Kanaishimaru. The play is Matsu icho Tsurukame Soga performed at the Nakamura-ya theatre, 1/1854. The publisher of the print was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red. Signed Toyokuni ga on both sheets. Sold “as is” with all imperfections.

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, the actor Bando Takesaburo I as Nagoya Sanza, Ichimura Uzaemon XIII as the Shinzo (“courtesan’s apprentice”), and Nakamura Fukusuke I as Fuwa Banzaemon. This is actually from the dance Sanpukutsui Kabuki no irodori performed at the Ichimura-za theatre, 5/1855. The publisher was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. Signed Toyokuni ga on the three sheets. Sold “as is” with all imperfections.

 

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Taiso YOSHITOSHI (1839-1892)




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A triptych Masakiyo sankan taiji no zu, “A Picture of Masakiyo Conquering Korea.” The design purports to show Kato Kiyomasa (1562-1611) invading Korea, but is probably a reference to the English bombardment of Kagoshima harbour in 1863. There is further confusion by the Koreans being dressed in medieval European costumes. Published by Yamaguchiya in 1864. There is a history in ukiyo-e of commenting on current – but sensitive – events, but setting them in the distant past to avoid censorship.

 

Fine early impression with burnishing on boat. Fine colour. Slight creases along right edge of sheets, otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Available

 

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Utagawa YOSHICHIKA (Fl. c. 1850-1868)




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A triptych showing the famous battle at Honno-ji Temple, Nakagyo-ku, Kyoto in 1582. Honno-ji dai gassen no zu. The Daimyo Oda Nobunaga was at the height of his powers but came under attack from his treacherous samurai general Akechi Mitsuhide and the Oda forces. Nobunaga, his wife Noh and his retainers battle valiantly but he is forced to commit suicide. Published by Fujiokaya Keijiro, 1861.

 

Very fine impression, colour and condition. Signed Ikkesisai Yoshichika ga.

 

Status: Available

 

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