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Utagawa KUNISADA (1786-1864)



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A design from a rare set of ten untitled landscapes showing a poet on the seashore contemplating the view: An aizuri landscape with salt water gatherers and the beams of a setting sun. Published by Yamaguchiya Tobei, 1832.

 

Fine impression and colour. Slight centre fold and backing, otherwise very good condition. Signed Kochoro Kunisada ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE II (1829-1869)



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Soshu Shichirigahama, the “Seven Ri Beach” near Kamakura, Kanagawa Prefecture. From the set Shokoku meisho hyakkei, “The One Hundred Views of Famous Places in the Provinces.” From the beach one gets a clear view of Fuji and Enoshima Island – both framed by a giant wave. The set (of which only 80 are known) was published by Uoya Eikichi, 1859-61 (this being 1859). Hiroshige’s foremost pupil. He was called Shigenobu until assuming the name Hiroshige II on Hiroshige’s death. Married his daughter.

 

Very good impression and colour. Very slight stain in cartouche, otherwise very good condition. Sugned Hiroshige ga.

 

Status: Available

 

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Toyohara CHIKANOBU (1838-1912)



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O’ai-no-kata of Okazaki dispatches a man who spied on her while taking a bath. From a set of 50 prints Azuma nishiki chuya kurabe, “Edo Embroidery Pictures.” The series published by Kobayashi Tetsujiro, 1886.

 

Fine impression, colour and condition. Signed Yoshu Chikanobu hitsu.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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Gempei Yashima o-kassen, the great battle of Yashima in 1184. Shows Yoshitsune’s famous “eight-boat leap” (centre), Noritsune (left), and Benkei on the large boat (right). Published by Kawaguchiya Uhei, c. 1839-41.

 

Very good impression and colour. Edge repair top left sheet, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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An extremely rare aiban print showing a shimadai, grouper, (probably Chilodactylus zonatus) and an aji, horse-mackerel, (Caranx trachurus). From a set of eight prints of various fish published c. late 1830s.

 

Fine impression and colour. Slight soil, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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An extremely rare aiban print showing two kochi , bartail flatheads, (Platycephalus indicus) and an abalone, sea-ear, (Haliotus tuberculate). From a set of eight prints of various fish published c. late 1830s. Another impression is illustrated in Japanese Prints IV – Hiroshige and the Utagawa School, Rijksmuseum Amsterdam, 1984, no. 45, p. 35.

 

Fine impression and colour. Slight soil, otherwise very good condition. Signed Hiroshige

 

Status: Available

 

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Toensai KANSHI (Fl. mid-18th century)




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A rare, highly talented and enigmatic painter who produced only a few masterpieces. There is some confusion over his active working life with differing dates from 1748 to 1780, but he was certainly painting in the 1760s. This unusual composition shows a beauty adjusting her hair by obliquely looking in a mirror held by her maid who stares unnervingly straight at the viewer. This painting is well known and is illustrated in Nikuhitsu Ukiyoe, Collection of Ukiyo-e Paintings Classified by Artist and Schools, Vol. 4 (of 10): Katsukawa school, Suzuki Harunobu and Isoda Koryusai, pl. 83, edited and published by Shueisha, 1982. It is also mentioned on page 113 in Ukiyo-e Large Encyclopaedia, Vol. 2, edited by Japan Ukiyo-e Society, published by Taishukan, 1982. Another Kanshi painting showing a beauty collecting bamboo shoots in the snow was exhibited at the Metropolitan Museum of Art, NY, in 2014, in an exhibition: The Flowering of Edo Period Painting: Japanese Masterworks from the Feinberg Collection.

 

Full colour on paper with mica on the mirror, image size 14.5 x 20 in; 37 x 51 cms. In extremely good condition with double box. Painted c 1765.


 

Status: Available

 




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Ichiryusai HIROSHIGE (1797-1858)




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Echikawa from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows the Echi river with a trestle bridge crossing it. In the foreground a laden oxen being led and two peripatetic priests.

 

Fine impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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A triptych of the Ink Wars, Bokusen no zu. Evidently a court pastime during the Nara period (710-794) was to stage ink battles. Courtiers are involved in throwing ink and daubing each other with brushes. Published by San, 1843.

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi giga.

 

Status: Available

 

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Utagawa SADAHIDE (1807-1873)



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An exceptionally rare triptych showing the great battle between Takeda Shingen (left) and Uesugi Kenshin (right) during the fourth (of five) Kawanakajima battles. Kenshin lunges with his sword but is parried by Shingen using his iron war fan (gunbai). These skirmishes took place in the mid. 16th century. I can, at the moment, only locate one damaged impression of this fine design. Published 1846 by Tsujiokaya Bunsuke.

 

Very good impression, colour and condition. Full size. Signed Gyokuransai Sadahide ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Seki and Kameyama from the chuban Muraichi Tokaido. The set of 56 prints published by Muraichi, 1852. Printed two-to-a-sheet uncut and probably from a complete proof set. Double censor’s seals Murata and Kinugasa and date seal 2ic/1852 top right.

 

Fine impressions with strong woodgrain showing. Fine colour. Very small binding holes in right border, otherwise fine condition. Signed Hiroshige ga on each print.

 

Status: Available

 

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Teisai HOKUBA (1771-1844)




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One of the outstanding pupils of Hokusai, his paintings rated next below the master’s, and also one of the earliest, together with Hokkei and Shinsai. Designed some fine surimono, also kyoka books. But best known for his highly accomplished kakemono of bijin, often set against well known places in Edo. This pair of paintings shows, right, a beauty beneath a cherry tree, Sakura; and, left, a beauty on a small jetty beneath a maple tree, Momiji. Beautifully presented with old mounts and box. Full colour on silk. Image sizes 39.75 x 13.5 in; 101 x 34.5 cms. In extremely good condition with beautiful details on the costumes of the two bijin. Each painting signed Teisai with seals Tei Sai. Probably c 1830’s when his finest work is considered to have been made.

 

Status: Available

 




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Katsushika HOKUSAI (1760-1849)



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The Aoigaoka [waterfall] in Edo: Toto Aoigaoka no taki from a set of eight prints with title, Shokoku taki meguri, “A Journey to the Waterfalls of All the Provinces.” A majestic set with a mostly beautiful unifying colour scheme: There is probably no other Hokusai set that has the same impact when viewed complete. Amongst Hokusai’s finest work and much sought after. There are numerous Hiroshige designs based on the same location but they are prosaic in comparison. Eisen, inspired by Hokusai, also produced a set of waterfalls in 1847 which are themselves fine and rare. This particular fall is in fact a spillway for the Tameike reservoir seen above. Aoi Hill near Toranomon Gate to the left. The set published by Eijudo, c. 1832. Rare.

 

Fine impression. Fine, unfaded colour. Minimal soil and slight trimming on left: These designs are martyrs to trimming and many illustrated examples are trimmed, otherwise very good condition. (This raises an interesting problem because most Hokusai landscapes do not have a black border – contrary to Hiroshige’s – which do, making it easy to judge the trimming on the latter.) Signed Zen Hokusai Iitsu hitsu.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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2 vols. complete: Kanjaku tsuizen hanashidori, “The Liberated Birds: A Memorial Book for Kanjaku.” A memorial book for the actor Nakamura Utaemon who died in 1852. He had the literary name of Kanjaku, meaning ”playing with sparrows” and the covers and many illustrations allude to this custom of releasing birds at funerals. Vol. 1: 1st preface , 3pp. giving the biography of Utaemon IV; poem 1p. 3 sheets: calligraphy (in ishizuri), 1p.; illustrations in colour, 5pp. signed on first page Toyokuni (III). Sheets 1-8: 2nd preface, 5pp., remaining pp. text, poems and colour illustrations. Sheets 1-75 with 15 single-page and 62 double-page illustrations in sumi and light colour. Inside back cover: colophon dated Kaei 5 (1852). Vol. 2: 110 sheets of text, poems, and illustrations. 38 single-page and 50 double-page illustrations (many in colour and includes a double-page illustration by Kuniyoshi). Last page, colophon, dated Kaei 5 (1852). Original covers with clouds and sparrows. Some soil and minor damage. One title slip missing and other damaged. Contents extremely good.

 

Status: Available

 




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Katsushika HOKUSAI (1760-1849)




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An original painting showing the back view of a courtesan and her assistant. The poem is by Shokusanjin:
It is all because of you who is blooming,
flowers and the moon in this quarter seem prosperous
Shokusanjin

This appears to have been painted during his Sori period at a banquet held by the geisha house that Hokusai and Shokusanjin attended. In good condition having been recently remounted. Sumi and light colour on paper, 15.25 x 21.5 in; 38.7 x 54.6 cms. Signed Hokusai sekijyo, “Hokusai on this occasion.”

 

Seal unread: This is a seal used by Hokusai during this period as well as in his later years, but has not been deciphered.

 

Status: Available

 




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Kitagawa UTAMARO (1753-1806)



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A benigirai-e (red-avoiding) triptych showing from right to left: A young nobleman with a falcon, a beauty beside him holding his sword and another seated smoking a pipe; the centre panel shows two women and a child holding a small falcon; while the last sheet has two women selecting eggplants from the baskets of an eggplant seller. The backdrop for the whole scene is a majestic Mt. Fuji. The combination of Fuji, falcon and eggplant is known as Ichi-Fuji, Ni-Taka, San-Nasubi (1-Fuji, 2-Falcon, 3-Eggplant) and it is supposed to be good luck to dream of these three in the first dream of the New Year (or, in fact, on the second night, the first being sleepless. The following day is known as hatsuyume). Extremely rare: the only impression I can find is illustrated in Kiyoshi Shibui, Ukiyoe zuten, No. 13, Utamaro, p. 37. (The date given here is 1801, although the late 1790s might be more appropriate as the vogue for benigirai-e [probably as a response to sumptuary edicts] was prevalent around the 1790s.) Published by Murataya Jirobei of Eiyudo. Another triptych by Utamaro of this subject is illustrated in Yoshida, Utamaro zenshu, p. 156. A very fine design.

 

Fine impression. Extremely good colour: these pigments are very susceptible to any light or moisture. Extremely good condition.Signed Utamaro hitsu.

 

Status: Available

 

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Katsushika HOKUSAI (1760–1849)




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One volume complete Ehon Suikoden, “A Picture Book of the Suikoden”, published by Kadomaruya Jinsuke, Bunsei 12, 1829 showing 108 Chinese brigands. Some fine designs. Signed Katsushika Zen Hokusai I-itsu fude.


Fine impressions. Original covers lacking title slip. Some slight foxing and minor marks.



Status: Available




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Utagawa YOSHIIKU (1833-1904)



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An Ichikawa Danjuro memorial portrait showing Kawarazaki Gonjuro I (Danjuro IX, 1838-1903) in the Shibaraku role looking up at his father, Danjuro babaa (Ichikawa Danjuro VII [1791-1859]) who had died the previous year. It was some years before Gonjuro finally adopted the Danjuro name in 1874. Published by Ebisuya, 1860.

 

Fine impression, colour and condition. Signed Yoshiiku ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Tadasugawara no yudachi, “Evening Shower on the bank of the Tadasu River” from the early set Kyoto meisho no uchi, “Famous Views of Kyoto.” The set of ten masterpieces was published by Eisendo, c 1834. Shows figures running in the rain to get to the tea-houses which lined the banks here where the Kamo River and Takamo River joined.

 

Very good impression. The extremely rare first state of this print has the publisher’s seal in red in the upper left margin. This early state has the kiwame seal in left margin. This was removed on later editions and the seal after Hiroshige’s signature has the characters reversed white on red. Very good colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Kikugawa EIZAN (1787-1867)




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A set of six prints: Furyu ukiyo sugata comparing beautiful women to the six poetical geniuses of the 9th/10th centuries. This design interpreting a poem by Fumiya no Yasuhide which speaks of the wild wind of Autumn. The beauty holds a brush with her teeth while she prepares ink to complete a letter. Unidentified publisher, c 1810s.

 

Fine impression and colour. Very good condition. Full size. Signed Kikugawa Eizan hitsu.

 

Status: Available

 

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Katsukawa SHUNSHO (1726-1792)




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A hosoban of the actor Otani Hiroji III in the role of a samurai, one sword drawn with the scabbard lying at his feet. Published c 1776.

 

Fine impression. Very good colour. Fine condition. Signed Shunsho ga.

 

Status: Available

 

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Utagawa TOYOKUNI I (1769-1825)




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Shows a seated lady holding a fan compared to the actor Segawa Senjo ( previously known as Segawa Kikunojo III, inset in fan upper left ). From a series Ukiyo butai-ko Senjo-fu, “Fragrance from the Floating World’s Stage, in the Style of Senjo.” Published by Tsumuraya Saburobei, c 1810.


Fine impression. Light yellow ground. Very good colour and condition. Signed Toyokuni ga with an unidentified collector’s seal.


Status: Available

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Ichiyusai HIROSHIGE II (1829-1869)




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A snow scene: Imadobashi Matsuchiyama, “Imado Bridge and Matsuchi Hill.” From Toto sanjurokkei, “Thirty-six Views of the Eastern [ Edo ] Capital.” The set published by Ai-To between 1861 and 1862 ( this being 8/1862 ). This was also a district that attracted Hiroshige I and he designed a number of prints of the area. One of the six best designs from the set.


Fine impression of the first edition. Fine colour. Trimmed close at bottom, otherwise fine condition. Signed Hiroshige ga.


Status: Available

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Suzuki HARUNOBU (1724-1770)



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A fine chuban from a series parodying the Seven Gods of Good Fortune, this being Daikoku, the god of wealth, seen here attempting to stand on one of his straw bales of rice. The famous waitress Kasamori O-sen (1751-1827) stands holding a battledore on New Year’s Day while her companion balances on Daikoku’s shoulders attempting to retrieve the shuttlecock caught in the kado-matsu decorations using her own battledore. The lantern on the right reads Kagi-ya, which was a tea-house located by the Kasamori Inari Shrine in Yanaka, north of Edo, which was owned by O-sen’s father and where she was the waitress. Considered to be one of “The Three Beauties” of her time. (Given the date of the print, she must have been around 18 when shown here.) The Torii gate is seen on the left. The poem above speaks of a New Year’s fresh gem [O-Sen] and how the trees and grasses bend to her. Published c. 1769.

 

Fine impression: As with many Harunobu, the lines are in relief because of the thick hosho. Exceptional colour: Even the vegetable blue used for the paving stones leading to the temple have not turned except at the extreme left and right. This was a colour used frequently by Harunobu to depict water but is almost always faded to a puce colour. Minimal soil, otherwise a fine example from this period. Signed Harunobu ga.

 

Status: Available

 

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Kikugawa EIZAN (1787-1867)



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Winter from a set Furyu bijin kodakara awase, “Elegant Beauties and Precious Children.” Shows a beauty carrying one child and looking down at another with a large snowball. Published by Matsumura Yahei, c late 1810s.

 

Fine impression. Very good colour. Fine condition: Full size with extra paper. Signed Eizan hitsu.

 

Status: Available

 

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Teisai HOKUBA (1771-1844)



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One of Hokusai’s best pupils. Known for his paintings of beauties but also designed some fine surimono. An original fan painting showing a reclining beauty. Sumi and light red on silvered paper, 7.25 x 17.75 in; 18.5 x 45.2 cms. Removed from a fan, so rib folds and other minor marks. Signed Hokuba ga.

 

Status: Available

 

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UNSEN




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The dates for Unsen are not known but he was working in the early Meiji period. This original hanshita-e shows Imperial troops defeating the rebellion during the Shimabara riot. (The events took place in 1637/8 although contemporary uniforms and artillery are shown. Comments on topical subjects were often “masked” by being set in a different period.)) A well drawn triptych in good condition using pentimenti. Signed Unsen hitsu.


Status: Available

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Tsukioka YOSHITOSHI (1839-1892)




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The battle of Fujikawa from a set of triptychs Toyotomi Shoshinroku published by Yorozumago, c 1869. The set relates Hideyoshi’s (1537-1598) exploits. From humble origins he became the second unifier of Japan who, after 100 years of war, brought stability and peace.

 

Fine impression, colour and condition. Full size with extra paper all around. Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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The warrior Ritchitaisai Genshoji in a boat attacked by grappling-hooks thrown by his adversaries. A design from the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi’Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kagaya Kichiyemon, 1827-30. Robinson S2.53.

 

Fine impression, colour and condition. Full size (unusual as these prints are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Tsukioka YOSHITOSHI (1839-1892)



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Niai-so: Koka nenkan kuruwa no geisha fuzoku, “Looking suitable: the appearance of a brothel geisha of the Koka era” (1844-1848). From the set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. Shows the beauty dressed as a fashionable young man.

 

Very fine impression of the first edition. Very fine colour with blind-printing and burnishing. Gold (brass powder) applied to the peacock design on the costume. This particular design from the set is notorious for having the brass degrade the paper and these areas fall out as well as offsetting onto the opposite print in album sets. Very fine condition. Signed Yoshitoshi ga.

 

Status: Available

 

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Utagawa KUNIMARU (1794-1829)



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An uncut fan print showing a beauty looking into a lacquered hand mirror which she has withdrawn from a lacquered cabinet. Kunimaru produced some exceptional fans, of which this is one. However, his work in other fields is not noteworthy and it does pose the question if there were two artists with the same name ? Published 1827. Of particular interest is the design on the under-garment she is holding which has a Dutch motif of cherubs. Rare.

 

Very fine impression with strong burnishing on the mirror case, cabinet and her hair. Fine colour. Small repaired binding holes, otherwise very good condition. Signed Kunimaru hitsu.

 

Status: Available

 

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Utagawa KUNISADA (1786-1865)



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An uncut fan print showing the actor Sawamura Chojuro V as Ono no Tofu (aka Ono no Michikaze) in the play Ono no Tofu aoyagi suzuri performed at the Ichimura-za Theatre, 3/1850. Shows the character holding a large umbrella. Published by Ibaya Senzaburo, 1850 (who seems to have specialised in fans).

 

Extremely fine impression and colour with extensive burnishing. Minimal soil at bottom, otherwise fine condition. Signed Toyokuni ga.

 

Status: Available

 

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Rantokusai SHUNDO (Active c.1770-1790)



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A hosoban showing the actor Nakamura Sukegoro II as Sasano Sangobei (an otokodate – chivalrous commoner) in part two of the play Iro moyo aoyagi Soga, “Green Willow Soga of Erotic Design.” Performed at the Nakamura Theater 2/1775. Shundo was an early pupil of Shunsho’s and this fine design is comparable to the best that Shunsho produced. The left sheet of a diptych. The complete (faded) design is illustrated in The Actor’s Image, Clark & Ueda, A.I.C., 1994, no. 135, p. 358/9. Rare.

 

Fine impression. Fine, totally unfaded colour. Fine condition. Signed Rantokusai Shundo ga with Hayashi in jar-shaped seal.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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A night scene illuminated by a band of light from a hand-lantern. Shows Ushiwaka-maru (Yoshitsune) battling with the outlaw priest Kumasada Chohan and his band of thieves who were attempting to rob the inn where Yoshitsune was staying. Published by Ibaya Sensaburo, c. 1839-41. A fine design.

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Tsukioka YOSHITOSHI (1839-1892)



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The ghost of Genta Yoshihira, having been executed by Taira no Kiyomori, springs into the air causing a thunderstorm and exacting revenge. The best design from Shingata sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” Published 1889 by Sasaki.

 

Very fine impression, colour and condition. The first edition. Signed Yoshitoshi.

 

Status: Available

 

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Katsukawa SHUN’EI (1762-1819)



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A parading courtesan with her two kamuro. Published c. late 1790s by Murataya Jirobei (Eiyudo). Unsigned, but the manner of drawing the courtesan’s face is typical of Shun’ei. Interestingly, another unsigned print (with spurious Shunsho signature) but by Shun’ei is illustrated in The Actor’s Image, Clark & Ueda, A.I.C., 1994, no. 130, p. 346, and has the same publisher.

 

Very good impression and colour. Some small expertly restored wormage at left edge, otherwise very good condition.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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A one third block (10 x 4.75 in; 25.3 x 12.1 cms) panel showing an oriole – probably a black-naped oriole – on a branch of a flowering apple tree. Published c. early 1830s.

 

Good impression. Very good colour and condition. Signed Hiroshige hitsu.

 

Status: Available

 

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Utagawa YOSHIKAZU (Fl. 1850-1870)



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A triptych showing the battle of Shijo Nawate at Yoshino, Nara. Shows Kusunoki Masatsura of the Southern army in the centre amidst a hail of arrows battling the Northern armies in 1348. He was killed in this fight at the age of 22. Published by Sanoya Tomigoro, 1862.

 

Very good impression and colour. Very slight trimming, otherwise very good condition. Signed Ichikawa Yoshikazu ga.

 

Status: Available

 

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Kikukawa EIZAN (1787-1867)




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A triptych showing a street thronged with people in front of the famous department store Iwaki Masuya, giving a good cross-section of the inhabitants of the city at this time. The store specialised in silk and textiles and was one of the most important in Edo having, at one point, 500 employees in its stores. Hiroshige designed another triptych of this subject in c. 1850.

 

Published by Mikawaya Seiemon, c. 1815. Rare.

 

Fine impression. Extremely fine fresh colour. Fine condition. Full size. Signed Kikukawa Eizan fude.

 

Status: Available

 

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Mori YOSHIYUKI ( 1835-1879 )




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Shows Hido Hachiro holding the decapitated head of an enemy from Honcho buyu kagami, “Mirror of our Country’s Military Elegance.” Yoshiyuki was a pupil of Yoshiume and designed the set A Hundred Views of Osaka. He moved to Tokyo in 1868. Published by Tsutaya, c 1868. Rare: The first time I have catalogued this set.


Fine impression, colour and condition. Signed Yoshiyuki ga.


Status: Available

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