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Utagawa HIROSHIGE (1797-1858)



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Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of Hiroshige’s most famous designs.

 

 

Very good impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)



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A view of pilgrims bathing in the Roben waterfall at the Afuri (Shinto) shrine, Oyama in Segami Province. Oyama sekison otaki no zu. This happened during the summer months and was considered a purification ritual. Oyama is a sacred mountain near the Izu peninsula and a short distance from Kamakura and Enoshima. Kuniyoshi designed another oban of this subject as well as two triptychs. Published by Wakasaya Yoichi, 1839-40. It has been suggested that the tattooed figure, on the left, holding a lantern with Kuniyoshi inscribed on it may be Kuniyoshi himself.

 

 

Very good impression and colour. Slight centre fold and expertly repared wormage. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)



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A triptych showing Shutendoji’s palace on Mount Oyeyama, Oyeyama fukujin shusei. Raiko (Minamoto no Yorimitsu) is charged by the Emperor Murakami with killing the evil Shutendoji who terrorizes the neighbourhood. He and his retainers infiltrate the castle and ply Shutendoji and his ogrish band with sake and dance for them. Eventually Shutendoji is so intoxicated he has to be carried to bed, whereupon Raiko and his followers attack and decapitate him. This is the episode most often depicted with the head flying through the air. Published by Kiya Sojiro, 1853.

 

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa YOSHITORA (Active c 1850-1880)



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A triptych showing Sato Masakiyo, having invaded Shikoku and overthrowing the castle of Shosokabe Motochika, entering deep into the mountains where he battles an army of huge toads, lizards, bats, spiders, cats and dogs. Sato Masakiyo Shikoku seibatsu no toki Shosokabe Motochika no honjo o semeotosu ori kara hakarazu shinzan ni tachiiri kebutsu taiji no zu. Published by Kinseido (Sanoya Tomigoro), 1862.

 

 

Very good impression and colour. Album backing, otherwise good condition. Signed Yoshitora ga.

 

 

Status: Available

 

 

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Kawanabe KYOSAI (1831-1889)




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An important collection of original drawings by Kyosai laid into two accordion albums, opening horizontally, 13.5 x 10 inches. Approx 157 drawings ( one signed and sealed; one signed and dated [ 6th October Meiji 3,1870 ]; and one signed ). After the date is the place: Shinobazu keidai Mikawatei, the garden of a temple ( Bentendo Hall ( ?) at Shinobazu pond, Ueno Park; Mikawatei being a restaurant. And the signature: Seisei Kyosai sui butsu rei hitsu, the drawing of Amida painted when drunk. Some drawings are from life, others seem to be memory drawings of his work, but most are preliminary ideas for books, prints or paintings. Many of Kyosai’s favourite subjects are represented including: skeletons, onis and cats. Drawings on this scale, spontaneous and with no need to impress, give a better insight into the mind of an artist, and on almost every page Kyosai’s humour shines through. Of particular delight are a group of drawings showing men on horseback playing some Japanese variation of polo, and a sheet recording new-born, still blind rats.

Status: Available




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Utagawa KUNIYOSHI (1797-1861)




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A fine original sumi drawing (hanshita-e) of oban size for an unpublished set: Eiyu kumiuchi zu, “Collection of Heroes in Combat.” Has a date seal for 1856. Sumi and light colour with pentimenti on thin paper. Shows the protagonists Satsuma no Kami Tadanori, a famous general of the Taira Clan, in combat with Okabe Rokuyata Tadasumi of the Minamoto Clan during the Genpei wars of 1180-1185.

 

 

In extremely good condition. Signed Ichiyusai Kuniyoshi ga. Rare.

 

 

Status: Available

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Utagawa HIROSHIGE II (1826-1869)



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Mino Ochiai-bashi. Mino (Noshu) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1861). An evening rain scene with figures making their way across the torrential Chitose River, famous for its fishing.

 

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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A snow scene: Yushima Tenjin sakaue chobo, “Hilltop View, Yushima Tenjin Shrine.” The shrine is dedicated to scholars and is near Ueno Park. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.

 

 

Fine impression, colour and condition. Signed Hiroshige hitsu.

 

 

Status: Available

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Utagawa KUNIYOSHI (1797-1861)



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A night scene illuminated by a band of light from a hand-lantern. Shows Ushiwaka-maru (Yoshitsune) battling with the outlaw priest Kumasada Chohan and his band of thieves who were attempting to rob the inn where Yoshitsune was staying. Published by Ibaya Sensaburo, c. 1839-41. A fine design.

 

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing the night attack in pouring rain by the brothers Juro Soga and Goro Soga on their father’s murderer Kudo Suketsune. They had waited 18 years for the opportunity which came in 1193 when there was a hunting party held at the base of Mount Fuji by the Shogun Minamoto no Yoritomo. Soga kyodai chichi no ada-uchi no zu. In the centre is Goro and on the left Juro. Above, the cloth panels with the paulownia crest of the Minamoto clan. Published by Sanoya Kihei, 1851-3.

 

 

Fine impression and colour. Slight trimming at top and residual glue at edge of centre sheet, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)



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Jigoku Dayu, the “Hell Courtesan” from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.3. She was a courtesan who found enlightenment through the Buddhist monk Ikkyu. (The fly-whisk she holds denotes her enlightenment.) Sold to a brothel, she believed her misfortune was due to karma and is always depicted with robes depicting images of hell.

 

 

Very fine impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa YOSHIKAZU (Active c 1849-1867)




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Kato Kiyomasa (aka Masakiyo, 1562-1611) hunting man-eating tigers with his cohorts in Korea. Masakiyo ko toragari no zu. Kiyomasa had two expeditions to Korea in 1592 and 1597. Published by Hiranoya Shinzo, 1861.

 

 

Fine impression, colour and condition. Signed Ichikawa Yoshikazu ga.

 

 

Status: Available

 

 

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Toyohara KUNICHIKA (1835-1900)



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A dai-oban print showing the actor Ichikawa Danjuro IX as Minister Kibi in the play Kibi Daijin Shina monogatari, “Minister Kibi, Tale of China.” The play centres on the historical minister Kibi no Makibi who joined a mission to the Tang Court in China in 716. He is supposed to have brought back to Japan the game of go, embroidery, and the secrets of the Chinese almanac. Published by Gusokuya Kahai, 1875.

 

 

Fine impression with gauffrage and extensive burnishing to Kibi’s black garment. Fine colour. Light album backing, otherwise fine condition, untrimmed. Signed Oju Toyohara Kunichika hitsu.

 

 

Status: Available

 

 

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Utagawa TOYOKUNI I (1769-1825)




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The actor Onoe Matsusuke I as the ghost of the wife of Kohada Koheiji in the play Eiri otogi zoshi performed at the Ichimura-za Theatre, 7/1808. In fact, Matsusuke played both the wife and Kohada Koheiji. One of the best plots in Kabuki: Kohada Koheiji was a third-rate kabuki actor who couldn’t find work. His drama teacher, taking pity on him, bribed a director to give him work. On seeing him, the director immediately saw his potential as a yurei (ghost) because of his appearance – white skin, dark, sunken eyes and long hair. And at this he became extremely successful. However, his wife Osoka, was embarrassed by him and took a lover. Together, they planned to kill him which they did by drowning him in a swamp. This gave him his greatest yurei role and he came back to haunt them to death. Published by Tsuruya Kinsuke, 1808.

 

 

Very good impression and colour. Minor creasing, otherwise very good condition. Signed Toyokuni ga.

 

 

Status: Available

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Utagawa KUNIYOSHI (1797-1861)




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A mitate (imaginary) triptych showing, from left to right: Onoe Kikugoro III as Takehara Genpachi; Ichikawa Ebizo V as Omura Gengo; Iwai Tojaku as Fujinami. The actors surrounding a handscroll that is emitting strong bands of light. Published by Edoya Matsugoro, c. late 1830s.

 

 

Fine impression and colour. Album backing and joined sheets, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

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Kishi GANTAI (1782-1865)




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An extremely large painting, 55.5 x 32 in; 141 x 81.3 cms, sumi and light colour on silk. Shows a pair of Sika deer, their summer coats spotted and white. Gantai was the son and pupil of Ganku, and together with his brother, Renzan, carried on the Kishi school tradition. With his father, worked on the paintings for the new Kanazawa Castle in 1809. A highly accomplished painter, especially of kachoga. This is possibly the largest Gantai painting and it’s interesting to compare with the gajo by him also offered on this update. In very good condition. Framed and glazed. Signed Chikuzennosuke Gantai hitsu with seals Gantai and Kunchin.

 

 

Status: Available

 

 




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Yamaguchi SOKEN (1759-1818)




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A fine pair of paintings: One showing women of Ohara; a mountain village north of Kyoto. These Oharame collected brushwood and firewood in the fall to sell in Kyoto. They are often depicted and obviously caused a stir when they entered Kyoto to ply their trade. Evidently the custom has been going on since the 12th century. The other painting shows spring tea-leaf picking at Uji. An area located at the southern edge of Kyoto prefecture. Shincha, the new tea of the year, was prized and collected at the beginning of May. Soken was one of Okyo’s ten best pupils, lived in Kyoto, and is known for his fine illustrated books, such as: Yamato jimbutsu gafu, 1800; Yamato jimbutsu gafu kohen, 1804; Soken sansui gafu 1818 and others. Sumi and full colour on paper, each 39 x 13.5 in; 99 x 34.3 cms. Fine, fresh condition and newly mounted. Each signed Mizunoto i Soken, Soken painted in the Boar Year, 1803 with seal Soken.

 

 

Status: Available

 

 




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Toyohara KUNICHIKA (1835-1900)




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A cho-oban (20 x 6.75 inches) print showing beauties fishing. The top figure has caught a crayfish. Each design interprets a haiku poem in red, top right. A set of 6 prints published by Matsui Eikichi, 1893. Rare.

 

 

Fine impression and colour. Slight creasing, otherwise fine condition. Signed Toyohara Kunichika hitsu.

 

 

Status: Available

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Kawanabe KYOSAI (1831-1889)




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A triptych, Nanba senki no uchi, “The Battle of Nanba,” showing the Buddhist monk Tenkai (1536-1643) chanting a spell, and Okubo Hikozaemon (1560-1639), both retainers of Tokugawa Ieyasu, at the great battle of Domyoji, Osaka, in 1615. Tokugawa Ieyasu’s army clashed with the Osaka army of Toyotomi Hideyori. This led to the fall of Osaka and the death of Hideyori. On the right is a huge exploding land-mine disintegrating a Buddhist stone statue. Published by Ebisuya Shoshichi, 4/1874. Extremely rare: I have only seen one other impression of this design.

 

 

Fine impression and colour. Trimmed, otherwise very good condition. Signed Seisai Kyosai and Oju Seisai Kyosai.

 

 

Status: Available

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Utagawa HIROSHIGE (1797-1858) and Utagawa YOSHITORA (active c. 1850-1880)




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One volume complete Kyoka chakizai gazoshu, “Tea Ceremony Utensils, a Kyoka Collection.” Published Ansei 2, 1855 by Seiryuteizo. Inside front cover artists given as Ichiryusai Hiroshige and Ichimosai Yoshitora. Three pages preface; three pages decorative labels; four pages landscapes by Hiroshige (including the Uji River – a prime tea growing area); twelve pages of portraits by Yoshitora; twenty-one pages kyoka poems. Original covers with a hand inscribed title slip. Ex collection Edmond de Goncourt with his brocade binding and imitation wood slipcase. In very good condition.

 

 

Status: Available

 

 




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Ichiryusai HIROSHIGE (1797-1858)




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An original painting showing the old lighthouse at Tempozan, Osaka. To the left is the mount which was formed by earth dredged from the Ajigawa in 1831 to allow easier access for ships. In the foreground masts of moored vessels. There appear to be few images of this lighthouse. It was replaced by a lighthouse designed by the British engineer Richard Henry Brunton, the “Father of Japanese Lighthouses” in 1872. Sumi and light colour on paper, 12.75 x 20.25 in ; 32.4 x 51.4 cms.

 

 

Signed Hiroshige ga with Ichiryusai seal. Very good condition.

 

 

Status: Available

 

 




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Utagawa SADAFUSA (Active 1830s – 1840s)




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An original sumi woodblock for two chuban prints from a Kanadehon Chushingura set. The upper design being Act VII, the tea-house Ichiriki, Kyoto with Yuranosuke; the lower showing Act VIII, the bridal journey with Konami and her daughter Tonase on the Tokaido Road. Sold “as is” with all imperfections.

 

 

Status: Available

 

 

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Utagawa YOSHITSUYA (1822-1866)




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A triptych showing Minamoto no Yorimitsu (aka Raiko, 948-1021) trying to capture the notorious thief Hakamadare Yasusuke. Kijutsu Hakamadare o karamen to su. Yorimitsu is seen with his cohorts Urabe Suetake, Hirai Yasumasa, and Watanabe Tsuna. On the right Hakamadare attempts to evade capture by magically conjuring up a battle between a giant snake and a bear. Published 1858 by Tsutaya Kichizo.

 

 

Very good impression, colour and condition. Signed Ichieisai Yoshitsuya.

 

 

Status: Available

 

 

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Utagawa YOSHITSUYA (1822-1866)




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The magician Ryuomaru battling with a giant dragon from a set of fine designs: Honcho musha kagami, “Mirror of Warriors of Our Country.” Published 1856-7 by Tsujiokaya Bunsuke. A good pupil of Kuniyoshi.

 

 

Good impression, colour and condition. Signed Ichieisai Yoshitsuya ga.

 

 

Status: Available

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Katsushika HOKUSAI (1760-1849)




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An original painting showing the back view of a courtesan and her assistant. The poem is by Shokusanjin:
It is all because of you who is blooming,
flowers and the moon in this quarter seem prosperous
Shokusanjin

This appears to have been painted during his Sori period at a banquet held by the geisha house that Hokusai and Shokusanjin attended. In good condition having been recently remounted. Sumi and light colour on paper, 15.25 x 21.5 in; 38.7 x 54.6 cms. Signed Hokusai sekijyo, “Hokusai on this occasion.”

 

 

Seal unread: This is a seal used by Hokusai during this period as well as in his later years, but has not been deciphered.

 

 

Status: Reserved

 

 




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Katsushika HOKUSAI (1760-1849)




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Volume 11 from the Manga. Front cover with original pink title slip: (Denshin kaishu) Hokusai manga juichihen, (“Transmitted from the Gods.”) “Hokusai’s Sketches, Vol. 11.” Original grey covers with burnished wave and diamond pattern. Inside front cover catalogue of newly published books; 2 pages preface and 29 numbered pages comprising 56 illustrations , 36 single page and 10 double page. 2 pages block-holders catalogue and inside back cover catalogue of newly published books. The extremely rare first edition published by Eirakuya Toshiro, Nagoya, c. 1834. The Manga was eventually completed in 15 volumes (the last two posthumously). The first 10 volumes published by Kadomaruya Jinsuke, Edo and Eirakuya Toshiro, Nagoya, 1814-1819; vols. 11 and 12 by Eirakuya only, c. 1834; vol. 13 by Eirakuya only, c. 1849; vol. 14 by Eirakuya only, c. 1850s; vol. 15 by Eirakuya only, 1878. Initially based on sketches produced on a visit to his friend and pupil Maki Bokusen in Nagoya in 1812. These sketches were collated by Bokusen and Katsushika Hoku’un and published in 1814. Other pupils collected sketches and so the set expanded. The books were enormously influential and popular, not just in Japan, but in the West and were endlessly reprinted giving rise to a plethora of late editions. In 1831, the German Phillip Franz von Siebold, reproduced images from the Manga in lithograph in his Archiv zur Beschreibung von Japon. They were also highly admired by the Impressionists, especially Manet and Bracquemond.

 

 

Fine impressions of the first edition. Some minor defects but otherwise in very good condition.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858)




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Ishiyakushi from an aiban set Tokaido gojusantsugi no uchi, commonly called the Gyosho Tokaido because of the cursive script on title. Shows travellers entering and leaving the village in heavy snow. Published by Ezakiya Kichibei/Yamadaya, c. 1841-2. There are variant states: later editions lack the gradation on the horizon. The first state may have a Hiroshige seal after the signature.

 

 

Very good impression and colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, Nakamura Kamenojo I as the geisha Azuma standing above Kawarasaki Gonjuro I as Yamazakiya Yogoro, Bando Kamezo I as Settanaoshi Chogoro standing above Onoe Kikugoro IV as Kumasaka Ocho, and Onoe Kikugoro IV as Akogi Gennojo standing above Onoe Kikujiro II as Onnadayu Okoyo. The play was Yume musubu cho ni torioi performed at the Ichimura-za theatre 3/1856. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. (This was also most likely a published print by Sanoki as it is from the same group as others offered here.) Signed on two sheets Toyoukuni ga.

 

 

Status: Available

 

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, the actor Bando Takesaburo I as Nagoya Sanza, Ichimura Uzaemon XIII as the Shinzo (“courtesan’s apprentice”), and Nakamura Fukusuke I as Fuwa Banzaemon. This is actually from the dance Sanpukutsui Kabuki no irodori performed at the Ichimura-za theatre, 5/1855. The publisher was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. Signed Toyokuni ga on the three sheets. Sold “as is” with all imperfections.

 

 

Status: Available

 

 

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Utagawa KUNISADA II (1823-1880)




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A triptych showing Prince Genji in a boat with attendant page and a lady watching female awabi (abalone) divers called ama. These women were a great curiosity for the public and seen as rather risqué characters. Prince Genji was the protagonist of Murasaki Shikibu’s Heian-era novel The Tale of Genji. He was the second son of the emperor, and relegated to civilian life. Published 1865 by Maruya Kyushiro.

 

 

Very good impression and colour. Slight edge soil, otherwise very good condition. Signed Kunisada hitsu.

 

 

Status: Available

 

 

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Kawamura BUMPO (1779-1821)



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I volume complete Bumpo gafu (Sampen), “Album of Drawings by Bumpo” (3rd Series”). Original light grey covers with burnished pattern. Original title slip. Preface 3 pp., with 18 double-page and 32 single-page illustrations in sumi and light colour numbered 1 – 35. Colophon dated Bunka 10 (1813).(First edition.) Signed Bumpo with publishers Kawachiya Kihei and Yoshidaya Shimbei. Fine impressions. Very good condition with no thumbing to corners.

 

 

Status: Available

 

 




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Ohara HOSON (Aka SHOSON, KOSON) (1877-1945)



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A rooster and weasel. Published by Kawaguchi, c. 1930. The first and only edition. Ex Robert O. Muller collection. Rare.

 

 

Very fine impression, colour and condition. Signed Hoson. Copyright seal in lower right margin; seal of printer, Komatsu, and carver, Maeda, in lower left margin.

 

 

Status: Available

 

 

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Hosoda EISHI (1736-1829)




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An original painting, sumi and colour on silk, 33.25 x 12 in; 84.5 x 30.5 cms. Shows a parading oiran, a high class courtesan, beneath falling cherry blossom. A parade was held every April in the Yoshiwara under the spring cherry blossom. Her costume is decorated with a large golden koi swimming amongst water weeds. An elegant and refined painting of great delicacy typical of this painter who was of unusually high rank for an Ukiyo-e artist. His prints – usually of beauties – are equally elegant. He also had a considerable number of pupils, including Eisho, Eiri and Eisui who produced some exceptional compositions. Probably painted around 1795-1804.

 

 

Mount with some minor damage; painted area in very good condition. Signed Chobunsai Eishi hitsu with Eishi seal.

 

 

Status: Available

 

 




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Kawanabe KYOSAI (1831-1889)




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The lion falling in love from a set Kyosai rakuga, “Kyosai’s Drawings for Pleasure.”A satirical take on current events and mores. A design based on Aesop’s Fables which tells of a lion falling in love with a beautiful girl and asking her to marry him. Her bemused parents set a challenge for him: to have his claws removed and teeth filed. He duly submits only to have the parents then laugh and ask him to do his worst. Published 1874 by Sawamuraya Seikichi. A set of 15 prints was planned but only 12 are known.

 

 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Seisai Kyosai.

 

 

Status: Available

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Toyohara KUNICHIKA (1835-1900)




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The actor Suketakaya Takasuke IV as Sakuramaru from a fine set of prints showing actors glimpsed through their dressing room sliding doors, prior to going on stage. Their figures partly silhouetted as are their assistants, here aiding the actor with his sword. From a set Gakuya nikai kage no hyoban, “Popularity of the Upstairs Dressing Room.” The set published by Takagawa Fusajiro, 1883.

 

 

Fine impression, colour and condition. Full size. Signed Toyohara Kunichika hitsu.

 

 

Status: Available

 

 

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Toyohara KUNICHIKA (1835-1900)




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The actor Onoe Kikugoro V as Hisayoshi from a fine set of prints showing actors glimpsed through their dressing room sliding doors, prior to going on stage. Their figures partly silhouetted as are their assistants, here aiding the actor with his costume. From a set Gakuya nikai kage no hyoban, “Popularity of the Upstairs Dressing Room.” The set published by Takagawa Fusajiro, 1883.

 

 

Fine impression, colour and condition. Full size. Signed Toyohara Kunichika hitsu.

 

 

Status: Available

 

 

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Nagasawa ROSETSU ( 1754-1799 )




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An original painting showing a white mouse and a spiny lobster on a tray. Rosetsu is considered one of the most important artists of the late Edo period but little is known of his short life ( he died at forty-five ) apart from the fact that he studied, and was one of the top disciples, of Maruyama Okyo. He is labelled an “eccentric” painter as he defies easy classification. His brushwork is a tour de force and he is known for his expressive depictions of animals. The Chinese-style inscription above is by Rosetsu’s friend Minagawa Kien who was a painter and scholar of Confucianism. It implies that the lobster and mouse are both signs of good fortune. Ink and light colour on paper. Image size 44.75 x 11.25 in; 113.75 x 28.5 cms.

 

Signed Rosetsu with seal Gyo. Painted 1790s. Inscription signed and sealed Kyosai. Slight foxing, otherwise in very good condition. One of the most copied painters. See Kono, Exhibition of Nagasawa Rosetsu, Chiba City Art Museum, 2000, pl. 42 for identical seals. Tsuji Nobu, Nagasawa Rosetsu: the Fanciful Painter, Miho Museum, 2011, pls. 19, 58-60, 67,87, 90, 91, 93 and 94.

 

Status: Available




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Taiso YOSHITOSHI (1839-1892)



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Kobayakawa Takakage debating with the tengu on mount Hiko from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.”The set published by Sasaki Toyokichi, 1889-1892 (this being 1892).

 

 

Very fine first edition. Fine colour and condition. Signed Yoshitoshi.

 

 

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Kawanabe KYOSAI (GYOSAI) (1831-1889)




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A draughtsman of great dexterity with a wild, often bizarre, imagination. Loved sake, sometimes painting under its influence. At an early age studied under Kuniyoshi, then Maemura Towa and later Kano Tohaku Chinshin before becoming an independent painter at 27. Was famous for his crow paintings but also loved skeletons. This newly discovered painting shows a full-length skeleton humorously hiding its genital area – not with a fig-leaf – but a large lotus leaf. Sumi and light green on silk, 38.75 x 13 in; 98.5 x 33 cms. Interestingly, a very faint under-drawing can be seen where he first thought of placing the figure.

 

 

Many copies of his work. In very good condition. Signed Seisai Kyosai with bell seal.

 

 

Status: Reserved

 

 




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Tsukioka YOSHITOSHI (1839-1892)




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An original preparatory drawing (hanshita-e) for an unpublished set. Shows a busy street scene with a doctor’s surgery on the right. Probably c early 1870s. Signed on a painter’s palette Ikkaisai Yoshitoshi fude. Two small areas of pentimenti. Sumi on thin Japanese paper, image size 13.5 x 9.25 in; 34.5 x 23.5 cms. In good condition.

 

 

Status: Available

 

 

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