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Mori TETSUZAN (1775-1841)




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A makimono with six paintings of Japanese Akita pups, sumi and light colour on paper. Painted area measures 73 x 11.5 in; 185.4 x 29.4 cms. Testsuzan, a highly talented but quirky artist with a penchant for animals, was adopted by his uncle, the celebrated painter Mori Sosen. One of Okyo’s ten best pupils, he moved to Edo from Kyoto bringing the Maruyama style to the Kanto region. In very good condition, remounted in recent years with fine outer silk cover and gold-flecked paper fore and aft. Rosewood rollers. Signed Tetsuzan with his seal at the end.


Status: Sold




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Mori KANSAI (1814-1894)




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A highly regarded artist who practised and taught the Shijo style in Kyoto. The pupil and adopted son of Mori Tetsuzan. A fine album ( 15 x 12 in; 38.2 x 30.5 cms ) of twelve Shijo drawings in sumi and light colour on paper. The album is beautifully presented with heavily gold-flecked paper throughout and silk brocade covers, the chitsu also covered in brocade. Some light foxing giving a wabi-sabi spirit to the work. Signed and sealed Kansai on last drawing.



Status: Sold




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Tsukioka YOSHITOSHI (1839-1892)




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An important two-fold screen, Yamatotakeruno mikoto at Mount Azuma. Yamatotakeru was the beautiful but fiery tempered third son of the Emperor Keikou (71B.C.-130 A.D.) He also had magical powers given to him by his aunt. His father decided to send him to the Eastern Provinces to subdue the barbarians. On the way aboard a boat, they encountered a violent storm. His wife, Ota-tachibana, threw herself in the sea to appease the Gods and drowned. Yamatotakeru continues his journey and reaches a rocky landscape. He gazes south east and in memory of his wife repeats three times “Azuma haya” (My wife, alas). Thus the mountain and area became known as Azuma. This is the scene Yoshitoshi depicts with Yamatotakeru surrounded by his entourage, gazing ahead, his long hair flowing. (He was able to pass as a woman in disguise, evidently.) Yoshitoshi had a jagged style of drawing and painting and the multitude of craggy outcrops allow him to fully indulge himself.

Full colour on silk, each panel 39.75 x 25 in; 101 x 63.5 cms. Extremely good condition. Signed Kinzaburo Yoshitoshi ga with blurred seal but reading Go Kaisai. Extremely rare.


Status: Sold




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Tsukioka YOSHITOSHI (1839-1892)




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An original painting, Hokosorori zu, showing Sorori Shinzaemon (at bottom) and Toyotomi Hideyoshi (1536-1598). Sororai was a sword sheath maker and otogishu to Hideyoshi (storyteller to attending provincial lords). “Sorori” means smooth and quiet, the name given to him because any sword fit his sheaths so perfectly. The episode depicted concerns Hideyoshi lamenting the fact that his face looked like a monkey. Sorori cleverly tells him that he is lucky that monkeys respect him to such a degree that they try to look like him. Hideyoshi enjoys the reply and inquires what he would like as a reward. Sorori asks him for a grain of rice to be doubled-up every day for one hundred days. After this period Hideyoshi realises his mistake and demands that Sorori change the reward.


Full colour on silk, image size 34.75 x 11.5 in; 88.2 x 29.2 cms. In very good condition. Beautiful mount. Signed Yoshitoshi with Taiso seal.


Status: Sold




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