Click here to view image full size.

The Monkey King: One of the best designs from the set Tsuki hyakushi, the “Hundred Phases of the Moon.” The set published between 1885 and 1892 (this being 1886) by Akiyama Buemon. Based on the Chinese fable, the Monkey King achieved immortality by stealing peaches from the Garden of Immortal Peaches. He is seen with his fighting stave and the Jade Hare that lived on the moon and was constantly pounding herbs for immortals.

Fine impression from a very early edition. The set was popular and many editions were printed and many late impressions exist. . Great care was taken with the cutting of the blocks on this set and only early impressions do them justice. Fine colour and condition. An impression that has not been in an album. Full margins. Signed Yoshitoshi.

Status: Sold

Click here to view image full size.

A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Here, the wounded and blood-smeared chief of the Edo otokodate, Banzuin Chobei, is seen drinking water in a bathhouse where he is treacherously murdered by Mizuno Jurozaemon. Various publishers from 1867-68, here Sekiguchi Gyokumeido, 10/1867.

Fine impression. Very good colour. Slight trimming, otherwise very good condtion. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

A vertical diptych showing Cho Jun, the white stripe in the waves, wrestling in the river with Ri Ki, the black whirlwind. Ronhakucho Chojun kokusempu Riki kochu ni tatakau no zu. The story concerns the river pirate, Ri Ki, who is caught stealing fish by Cho Jun and the ensuing underwater battle. Initially, Ri Ki has the upper hand but Cho Jun challenges him again and they fight until Ri Ki’s compatriots stop the engagement and invite Cho Jun to join their gang. Published by Matsui Eikichi, 1887. This is the extremely rare first state before the publisher and date in left margin. See my blog.

Very fine impression. Fine colour. Slight discolouration to top margins, otherwise fine condition. Full margins all round with ample room for joining. Signed Oju Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

The best design from the set Tsuki hyakushi, the “Hundred Phases of the Moon”. The set published between 1885 and 1892 ( this being 1886 ) by Akiyama Buemon. Benkei against a full moon. In 1185 Yoshitsune attacked by his half-brother Minamoto no Yoritomo, was forced to flee to northern Japan by ship. Sailing along the Inland Sea off the coast of Harima Province not far from Kyoto, the ship was struck by a storm in Daimotsu Bay caused by the vengeful ghosts of the Taira warriors Yoshitsune and his men had slain. Benkei pacified the spirits in the prow of the boat by holding up his string of prayer beads.

Fine impression, colour and condition. (A good guide to the quality of the impression is to look at the outline of Benkei’s face: This fine line started to break down early on.) An impression that has not been in an album: Full margins with very extensive mica. Signed Yoshitoshi.

Status: Sold

 Click here to view image full size.

Taira no Masakado ( 901-940 ) from an extremely rare and early set: Honcho hyaku yuden, “One Hundred Warriors of Japan.” Masakado was an interloper who attempted to set up a rival court at Ishii in Shimosa to that of Regent Tadahira in Kyoto. He was subsequently killed by Hidesato on the orders of the Regent. Masakado was guarded by a number of ghostly doubles who impersonated him making killing him difficult. These ghostly doppelgangers are seen here in the background. Published 1862 by Enshu-ya Hikobei although it is not known how many prints there are in the set and Keys  ( Courage and Silence, Yoshitoshi, 1982 ) only knew of the set from the Netto list.

Very fine impression. Fine colour and condition. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

Arguably Yoshitoshi’s masterpiece in the triptych format. Shows Mongaku ( Endo Morito, c.1120-1200 ) subjecting himself to three year’s penance as a Buddhist monk beneath the waterfall of Mount Nachi in Kii Province. Morito inflicted this punishment on himself because he had inadvertently cut off the head of Kesa Gozen, the wife of the palace guard Watanabe Wataru, with whom he was in love. Published 1859 ( centre sheet ) and 1860 ( outside panels ) by Kadokin. Extremely rare: Another impression in the Baur collection, Geneve, Switzerland.

Fine impression, very good colour. Minor soil bottom left corners of last two sheets, otherwise very good condition. Extensive splashed gofun. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

Shows the crucifiction of Torii Tsuneemon Katsutaka. The finest design from Kaidai hyaku senso, “Yoshitoshi’s Selection of One Hundred Warriors.” The set depicts warriors from the sixteenth century although based on Yoshitoshi’s record of the battle of Ueno in 1868. Torii Tsuneemon was a retainer of Okudaira Sadamasa and a member of the Nagashino Castle garrison when it came under siege by Takeda Katsuyori in 1575. He bravely volunteered to sneak through enemy lines to get help. However, he was captured on his return and ordered to shout to his compatriots that no help was coming. Instead he shouted encouragement and was crucified. Published by Ohashi, 1868.

Fine impression with mica and gum applied to spear. Fine colour. Slight soil at bottom, otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.

Status: Sold

 Click here to view image full size.

The ghost of Genta Yoshihira, having been executed by Taira no Kiyomori, springs into the air causing a thunderstorm and exacting revenge. The best design from Shingata sanjurokkaisen, “New Forms of Thirty-six Ghosts.” Published 1889 by Sasaki.

Very fine impression, colour and condition. The first edition. Signed Yoshitoshi.

Status: Sold

 Click here to view image full size.

Saito Oniwakamaru, “Young Devil Child” ( Benkei ) fighting the giant carp in the waterfall of Bishamon ga taki. The best design from a fine set: Ikkai zuihitsu, “Essays by Yoshitoshi.” A set of 13 prints published by Masadaya in 1872. There are numerous variations in seals in this fine set but, as yet, no research has been done into their significance. However, this appears to be the first edition. There are versions with publisher’s seals right margin in red and in black and missing altogether. The earliest impressions, as here, have no gradation below the top two currents. Also, the slightly later editions use stronger aniline colours. One of Yoshitoshi’s great designs.

Fine impression with strong woodgrain. Fine colour. Retains original album backing. Slight trimming top margin. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

A vertical diptych of Kato Kiyomasa ( 1562-1611 ). A famous general best known for his participation in the invasion of Korea. Shows him seated before his personal banner inscribed Nan myo no rengekyo, “Hail Lotus Sutra.” On his breast is his mon, a large ring. Published by Maruya Jimpachi, 1867. Rare.

Fine impression and colour. Slight offsetting of blue on banner, otherwise extremely good condition. Full size so that the two sheets fit perfectly. Signed Oju kaisai Yoshitoshi.

Status: Sold

 Click here to view image full size.

Shows a scene during the siege of Nagashino Castle by Takeda Katsuyori. Torii Suneemon Katsutaka was sent to get help and managed to evade the guards. He insists on returning to his comrades but meanwhile Takeda had fastened bells to the cables on the castle’s exit which gave the alarm and frightens a flock of herons. Katsutaka was captured and died a samurai’s death shouting hold fast to his comrades. Takeda’s troops were subsequently massacred. Published by Kinseido, 1862. From a series Bidan musha hakkei, “Eight Views from Fine Tales of Warriors.”

Fine impression and colour. The rain burnished and the birds’ plumage gauffraged. Slight edge restoration, otherwise very good condition. Signed Tsukioka Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

Roba kiwan o mochisaru zu from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.” The best design from the set published by Sasaki Toyokichi, 1889. This famous story recounts how Watanabe no Tsuna cuts off the arm of the demon Ibaraki at the Rashomon Gate, Kyoto in 976. He secretes the arm away in a box. Subsequently he is visited by his wet-nurse ( or aunt – depending on which version you read ) who convinces him to show it to her. Instantly she snatches the arm and flies off revealing herself to be Ibaraki in disguise. The story became the famous no play Ibaraki. Ex John Stevenson collection.

Fine impression and colour. The first edition. Slight edge crease on left border, otherwise very good condition. Signed Yoshitoshi.

Status: Sold

 Click here to view image full size.

The best design from the set Tsuki hyakushi, the “Hundred Phases of the Moon”. The set published between 1885 and 1892 ( this being 1886 ) by Akiyama Buemon. Benkei against a full moon. In 1185 Yoshitsune attacked by his half-brother Minamoto no Yoritomo, was forced to flee to northern Japan by ship. Sailing along the Inland Sea off the coast of Harima Province not far from Kyoto, the ship was struck by a storm in Daimotsu Bay caused by the vengeful ghosts of the Taira warriors Yoshitsune and his men had slain. Benkei pacified the spirits in the prow of the boat.

Fine impression, colour and condition. An impression that has not been in an album: Full margins with very extensive mica. Signed Yoshitoshi.

Status: Sold

 Click here to view image full size.

The old hag of the Lonely House. A gruesome subject: The evil witch is intent on cutting open the pregnant woman’s belly to get at the unborn child whose blood she needs for a magic potion. From Ikkai zuihitsu, “Essays by Yoshitoshi.” A set of 13 prints published by Masadaya in 1872. There are numerous variations in seals in this fine set but, as yet, no research has been done into their significance.

Very fine impression and colour. Trimmed close on the left but retaining black border. Retains original album backing. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

Yamauba and Kaidomaru from Ikkai zuihitsu, “Essays by Yoshitoshi.” A set of 13 prints published by Masadaya in 1872 ( this design being 1873 ). Shows the mother and son ( also known as Kintaro ). He of the enormous strength is often shown acting as umpire at a wrestling match between a hare and a monkey. The Madonna-like figure here is one of the few Yoshitoshi designs to borrow heavily from western art. There are numerous variations in seals in this fine set but, as yet, no research has been done into their significance.

Very fine impression and colour. There is an alternate version of this print with Kintaro printed in a light brown. Trimmed close on the left but retaining black border. Retains original album backing. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

The monkey of phenomenal powers Sun Wukong battles Kinkaku Daio on a sea cliff. From a fine, rare and early set of at least 21 designs: Tsuzoku saiyuki, “Journey to the West” published by Fukuta between 10/1864 and 8/1865, this being 12/1864. The story covers the journey of Son Goku ( Chin. Sun Wukong ) a.k.a. The Monkey King to India, accompanying Xuanzang, to retrieve the Buddhist sutras. Sun Wukong, born from a stone, had supernatural powers; possessed enormous strength; could transform himself into other people and objects, and cover large distances in a single flip. The story covers 100 chapters and there are a multitude of characters and events. A fine design.

Fine impression. Minimal soil and fading. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

The monkey of phenomenal powers Sun Wukong battles a warrior ( Rakijo ? ) on a precipitous cliff over a choppy sea. From a fine, rare and early set of at least 21 designs: Tsuzoku saiyuki, “Journey to the West” published by Fukuta between 10/1864 and 8/1865, this being 12/1864. The story covers the journey of Son Goku ( Chin. Sun Wukong ) a.k.a. The Monkey King to India, accompanying Xuanzang, to retrieve the Buddhist sutras. Sun Wukong, born from a stone, had supernatural powers; possessed enormous strength; could transform himself into other people and objects, and cover large distances in a single flip. The story covers 100 chapters and there are a multitude of characters and events. A fine design.

Fine impression. Minimal soil and fading. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

The monkey of phenomenal powers Sun Wukong battles Kofuo, the wind demon who had captured Genjosanzo. From a fine, rare and early set of at least 21 designs: Tsuzoku saiyuki, “Journey to the West” published by Fukuta between 10/1864 and 8/1865, this being 12/1864. The story covers the journey of Son Goku ( Chin. Sun Wukong ) a.k.a. The Monkey King to India, accompanying Xuanzang, to retrieve the Buddhist sutras. Sun Wukong, born from a stone, had supernatural powers; possessed enormous strength; could transform himself into other people and objects, and cover large distances in a single flip. The story covers 100 chapters and there are a multitude of characters and events. A fine design.

Fine impression. Minimal soil and fading. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

The monkey of phenomenal powers Sun Wukong battles an enormous polka dot shishi lion. Shidado no roma. From a fine, rare and early set of at least 21 designs: Tsuzoku saiyuki, “Journey to the West” published by Fukuta between 10/1864 and 8/1865, this being 12/1864. The story covers the journey of Son Goku ( Chin. Sun Wukong ) a.k.a. The Monkey King to India, accompanying Xuanzang, to retrieve the Buddhist sutras. Sun Wukong, born from a stone, had supernatural powers; possessed enormous strength; could transform himself into other people and objects, and cover large distances in a single flip. The story covers 100 chapters and there are a multitude of characters and events. A fine design.

Fine impression. Minimal soil and fading. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

A rare triptych Toyotomi shoshinroku, “A Record of the Advancement of Toyotomi Hideyoshi.” Shows the young Hideyoshi ( 1537 – 1598 ) demanding an apology from Hachisuka Koroku on Yahagi Bridge. Published c. 1869 by Yorozumago.

Fine impression and colour. Gauffrage and extensive burnishing. The paulownia border intact which is often trimmed. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

Arguably Yoshitoshi’s masterpiece in the triptych format. Shows Mongaku ( Endo Morito, c.1120-1200 ) subjecting himself to three years penance as a Buddhist monk beneath the waterfall of Mount Nachi in Kii Province. Morito inflicted this punishment on himself because he had inadvertently cut off the head of Kesa Gozen, the wife of the palace guard Watanabe Wataru, with whom he was in love. Published 1859 ( centre sheet ) and 1860 ( outside panels ) by Kadokin. Extremely rare: Another impression in the Baur collection, Geneve, Switzerland.

Fine impression, very good colour. Minor marks and small expertly restored wormage. Slight trimming. Extensive splashed gofun. Signed Ikkaisai Yoshitoshi hitsu.

Status: Sold

 Click here to view image full size.

A fox priest from Tsuki hyakushi, “One Hundred Phases of the Moon.” Based on the Kyogen farce Konkai, “A Fox’s Cry” which tells of a hunter who is lectured on trapping foxes by his uncle, a priest. On his way home his uncle turns into his true form, a fox, and is snared in a trap. Yoshitoshi’s design shows the uncle transmogrifying into a fox. The set published by Akiyama Buemon between 1885 – 92, this design issued 1/1886. One of the best designs from the set.

Very good impression and colour. Retains original light album backing. Signed Yoshitoshi

Status: Sold

 Click here to view image full size.

Mariko from the Fifty-Three Stations of the Tokaido Road. The set designed by several artists and various publishers to commemorate the journey of the Shogun from Edo to Kyoto in 2/1863. The best Yoshitoshi design from this set. Shows a battle fleet outside Mariko. Published by Yamaguchi 5/1865.

Very good impression and colour. Small fibre loss at extreme left edge. Very good condition. Signed Yoshitoshi fude.

Status: Sold

 Click here to view image full size.

Abe no Hirafu slaying a giant bear from Dai Nippon meisho kagami, “Mirror of Famous Generals of Japan.” A set of 51 prints published between 1876 and 1882 by Funazu Chujiro. ( This being 1880. ) Probably the best design from the set.

Very good impression, colour and condition. Full size. Signed Oju Yoshitoshi ga.

Status: Sold