Taiso YOSHITOSHI (1839-1892)



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Yamauba and Kintoki from a set of thirteen prints Ikkai zuihitsu, “A Miscellany by Ikkai,” this being an early name of Yoshitoshi’s. A strange print in more ways than one: Not only is this his most “Westernized” design, but the impression is a puzzle. There is a thought that the design is based on Raphael’s Santa Familia but it could as easily be a Botticelli. Certainly it looks to be after Madonna and child images he has seen. Also, this set has numerous variations in seals. Basically, it seems those with red or black seals in the margin are the earliest. However, this is a fine impression and has no seals. Published by Masadaya Heikichi, 1872.

 

Fine impression and colour (with Kintoki a deeper red than on other impressions). Very good condition. Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)



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Kobayakawa Takakage debating with the tengu on mount Hiko from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.”The set published by Sasaki Toyokichi, 1889-1892 (this being 1892).

 

Very fine first edition. Fine colour and condition. Signed Yoshitoshi.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)



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Shoki appearing in the Chinese emperor Ming Huang’s dream and cleansing him of a fever demon. From the set Shinkei sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set published by Sasaki Toyokichi, 1889 – 1892 (this being 1890).

 

Very fine first edition, fine colour and condition. Signed Yoshitoshi.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)




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A triptych: Shirazunoyabu yawata no jikkai. Shows Otake Taro Mitsukuni, the old servant of Takiyasha, defying the apparitions that haunted her in the ruins of her old home. This is the subject of Kuniyoshi’s famous triptych of the skeleton. Published by Kobayashi, 1881.

 

Very good impression and colour. Minor creasing and edge soil, otherwise very good condition. Signed Oju Taiso Yoshitoshi ga.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)




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Minamoto no Ushiwakamura battling with Kumasaka Chohan. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).

 

Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)




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An original drawing in vigorous sumi and red ink showing fighting samurai. Possibly a preparatory sketch for an illustrated book. Lightly laid at edges onto Japanese paper, otherwise good condition. 6.5 x 10.75 in; 16.5 x 27.3 cms.

 

Status: Available

 

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Taiso YOSHITOSHI (1839-1892)




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An original drawing in vigorous red ink showing fighting samurai. Possibly a preparatory sketch for an illustrated book. Lightly laid at edges onto Japanese paper, otherwise good condition. 7 x 10.5 in; 17.8 x 26.6 cms.

 

Status: Available

 

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Taiso YOSHITOSHI (1839 – 1892)




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Watanabe no Tsuna on horseback in the rain. One of the finest designs from Wakan hyaku monogatari. Published by Daikin, 1865/2.


Fine impression and colour. Minor wormage otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.



Status: Available

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Taiso YOSHITOSHI (1839-1892)



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Shows Kiyohime (Princess Kiyo) who fell passionately in love with the monk Anchin and endeavoured to pursue him across a swollen river to his monastery. Unable to cross she transforms herself into a serpent-like creature to enable her to reach the other side. One of a set of 26 prints with title: Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.

 

Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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Shows the samurai Tawara Toda (“Lord of the Ricebag”) Hidesato slaying the monstrous centipede Mukade on the request of the Dragon King. Elated the king presents him with a bottomless bag of rice. Behind Hidesato is the centipede’s arch-enemy Otohime. One of a set of 26 prints with title: Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.

 

Fine impression with variegated cartouche and mica. Fine colour and condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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Shows Suma Urabe Suetake, one of the retainers of Minamoto Yorimitsu, meeting the apparition of the woman Ubume, who is to place a baby boy in his arms. One of a set of 26 prints with title: Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.

 

Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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The ghost of the wicked Genta Yoshihira attacking his executioner Nanba Jiro at the Nunobiki waterfall from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.”The set published by Sasaki Toyokichi, 1889-1892 (this being 1889). One of the two best designs from the set.

 

Very fine first edition. Fine colour and condition. Signed Yoshitoshi.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839 – 1892)




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The ghost of Genta Yoshihira. The best design from Shingata Sanjurokkaisen, “New Forms of Thirty-Six Ghosts”. Published 1889.


Fine impression, colour and condition. First edition. Signed Yoshitoshi.



Status: Sold

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Taiso YOSHITOSHI (1839-1892)




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Sagaminokami Hojo Takatoki warding off a group of tengu with his fan. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).

 

Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Sano Genzaemon cutting his potted trees to warn Hojo Tokiyori. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).

 

Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Danjo Matsunaga Hisahide preparing to commit suicide. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).

 

Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Kuro Hangan Yoshitsune and Notonokami Noritsune fighting on a ship’s prow. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1886).

 

Fine impression and colour. Light toning, otherwise fine condition. Early edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Roba kiwan o mochisaru from Shingata sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set of thirty-six prints published by Sasaki Toyokichi 1889-1892 (this being 1889). Shows the demon Ibaraki escaping with her severed arm. She had haunted the Rashomon Gate near the Toji Temple in Kyoto. Watanabe no Tsuna is commanded to kill her but only succeeds in cutting an arm off. Knowing she will return he locks it in a box. Subsequently his elderly aunt visits him and asks to see it, whereupon she reverts to her demonic self and seizes the limb. In another version she haunts the Modori bridge, Ichijo, in Kyoto.

 

Very fine impression of the first edition with burnishing. Fine colour. Very slight crease, otherwise fine condition. Signed Yoshitoshi.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Komachizakura no sei from Shingata sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set of thirty-six prints published by Sasaki Toyokichi 1889-1892 (this being 1889). The story relates how Lord Kuronushi is on his way to attempt the overthrow of the Emperor. To make his journey auspicious he stops to build a shrine using an ancient cherry tree. The spirit of the cherry tree appears in the form of Kurozume – a courtesan with magical powers. She extracts the details of the plot and punishes him.

 

Very fine impression of the first edition with burnishing. Fine colour. Very slight crease, otherwise fine condition. Signed Yoshitoshi.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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A vertical diptych: Mongaku shonin aragyo no zu. One of a series of 16 vertical diptychs published in the 1880s. Shows the priest Mongaku atoning for his sins in the icy waters of the Nachi waterfall but being saved just in time by Seitaka doji, one of the two main boy servants of the Buddhist guardian deity Fudo-myoo (shown above). Published by Matsui Eikichi, 1885.

 

Very fine impression. Fine colour. The first edition with the title printed in red at the bottom. On thick deluxe hosho. Slight bleeding of the red seal, otherwise fine condition with the extra paper at left and top. Signed Oju Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Kiyohime assumes a serpent form at Hidaka river as she continues her pursuit of the monk Anchin. From the set Shinkei sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set published by Sasaki Toyokichi, 1889 and 1890.

 

Extremely fine impression of the first edition with three-colour cartouche. Fine colour and condition. Signed Yoshitoshi.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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A design showing Hojo Tokiyori in a snowy landscape from the set Dai Nippon meisho kagami, “Mirror of Famous Commanders of Great Japan.” He was Regent during the Kamakura period (1185-1333) but withdrew to the temple of Saimyoji and subsequently travelled around the country incognito to familiarize himself with the conditions of the populace. Published by Funazu Chujiro, 1878.

 

Fine impression with extensive burnishing. Fine colour. Light backing, otherwise very good condition. Signed Oju Yoshitoshi hitsu.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Takeda Katsuchiyo in his boyhood killing an old badger which had transformed itself into a wooden saddle-horse. From the set Shinkei sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set published by Sasaki Toyokichi, 1889 and 1890.

 

Very fine impression of the first edition with three-colour cartouche. Fine colour. Very good condition. Signed Yoshitoshi.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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Toki Motosada, the retainer of Gamo Sadahide, throwing a red temple guardian to the ground and vanquishing the ghosts on Mount Inohana. From the set Shinkei sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” The set published by Sasaki Toyokichi, 1889 – 1892 (this being 1890). This seems to be the same subject Yoshitoshi used for his set Wakan hyaku monogatari but the names are altered.

 

Very fine first edition, fine colour and condition. Signed Yoshitoshi.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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The famous daimyo Oda Nobunaga throwing an assailant over a terrace while the Honnoji Temple burns behind him. Nobunaga’s branch of the Oda clan held control of central Japan but he was eventually killed by his treacherous vassal Akechi Mitsuhide at this temple in 1582. From a set Dai Nippon meisho kagami, “Mirror of Famous Commanders of Great Japan.” The series of 51 prints published by Kumagai and Funazu Chujiro, c. 1876 – 82. The design here by the latter in 1878.

 

Fine impression, colour and condition. Signed Oju Yoshitoshi hitsu.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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Abe no Hirafu (c. 575 – 674), a governor of Koshi Province, is famous for quelling the indigenous people of northern Japan – the Ainu. He is shown here killing a giant bear in the snow (of either northern Japan or Korea). From a set Dai Nippon meisho kagami, “Mirror of Famous Commanders of Great Japan.” The series of 51 prints published by Kumagai and Funazu Chujiro, c. 1876 – 82. The design here by the latter in 1880.

 

Fine impression, colour and condition. Signed Oju Yoshitoshi hitsu.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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The famous wrestler Shirafuji Genta watching kappa (amphibious half humanoid, half turtle creatures). One of a set of 26 prints with title Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.

 

Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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The famous swordsman Miyamoto Musashi cutting the arm off a tengu. He was taught the short sword technique from his father but then became expert with the long sword, eventually inventing the two-sword style, with the long sword in the right hand, the short in the left. One of a set of 26 prints with title Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.

 

Fine impression. Fine colour and condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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Lord Mashiba Tairyo Hisayoshi defying the thunderstorm on Mount Kobo conjured up by Kobo Daishi. A retribution for ignoring the vow of silence on the mountain. One of a set of 26 prints with title Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.

 

Fine impression with burnishing and mica. Fine colour. Trimmed close on the right, otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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Toki Daishiro, the retainer of Gamo Ujisato, vanquishing the demons in the temple on Mt. Inohana by grappling with the temple guardian. One of a set of 26 prints with title Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865. This appears to be the same subject Yoshitoshi used in his set Shinkei sanjurokkaisen but with altered names.

 

Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi ga.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)



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A triptych entitled Autumn Moon. A famous subject showing the aristocrat Fujiwara no Yasumasa playing his flute on a lonely moor and the bandit Hakamadare Yasusuke creeping up on him. So entranced was Hakamadare by the music that all he could do was to follow Yasumasa home. This is a version of a design published in 1868 with partially new blocks and an uncluttered background. It is regarded as a new design. Published by Katada Chojiro, 1884.

 

Fine impression and colour. Slight edge soil, otherwise very good condition. Signed Yoshitoshi.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Wakashima Gonemon swimming underwater with a large rope attempting to retrieve the ancient dragon-headed bell of the Dragon God. The beams of light indicate its location. In the event, the rope broke and the bell is supposedly still in situ at the bottom of the Sumida river. The best design from Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” The stories retold by Kanagaki Robun (text at top). Published by Masudaya, 11/1867.

 

Very good impression, colour and condition. Full size. Signed Ikkaisai Yoshitoshi hitsu.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Uesugi Kenshin Nyudo Terutora riding into battle. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).

 

Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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A complete set of six chuban prints (two-to-a-sheet) of Neko nezumi kassen, “The War of Cats and Mice.” Shows 1) Cats frightened by a toy dog. Below: A cat setting a mousetrap. 2) Cats tempted by a delicious smell. Below: Mice eating while a cat sleeps. 3) A cat with its head in a bag. Below: Mice attacked by cats. Of the utmost rarity: One other complete set in the Museum of Fine Arts, Boston (accession numbers 11.37779, 11.37780, 11.37781). An extremely early work published when Yoshitoshi was 20 and his first set. Published 1859 by Enshuya Hikobei. Provenance: Purchased from me in the early 1990s.

 

Superb impressions. Very fine colour. Album backing, otherwise fine condition. The best examples extant. Signed Ikkaisai Yoshitoshi gihitsu and Yoshitoshi giga.

 

Status: Sold

 




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Taiso YOSHITOSHI (1839-1892)




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The actor Onoe Kikugoro V as Aoyagi Harunosuke from a fine and rare set of 14 actor prints: Seiu kandankei, “A Barometer of Emotions.” This being Full Tide. The set published by Okura Magobei, 1877. Presumably showing Kikugoro in the play Shianui Monogatari written by Ryukatei Tanekazu; Ryutei Tanehiko II; and Ryusuitei Tanekiyo. The actor was a great friend of Yoshitoshi.

 

Very good impression and colour. Slight soil and creasing, otherwise good condition. Signed Oju Yoshitoshi hitsu.

 

Status: Sold

 

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Taiso YOSHITOSHI (1839-1892)




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Soga no Goro galloping at high speed, whipping the steed with a bamboo branch. He races to the aid of his brother in Oiso. This famous story tells how the brothers avenged the death of their father Sukeyasu by Suketsune who was under the protection of the shogun Yoritomo. The Soga brothers kill Suketsune but Juro is killed in the ensuing fight and Goro is subsequently beheaded. Published 1885 by Fukuda Yasushi. One of the great Yoshitoshi designs and rare.


Fine impression and colour. In exceptional condition. A design invariably trimmed whilst this impression has all margins intact. Signed Oju Yoshitoshi hitsu.


Status: Sold

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Taiso YOSHITOSHI (1839-1892)




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Sumi and colour on silk, 17 x 21.5 in., showing a view of a bay with boats moored in the background. In the foreground figures wading in shallow water looking at fish and getting ready for a picnic. Yoshitoshi paintings are rare and this is an unusual and early subject for him in the style of Kuniyoshi. Signature c 1864-6. The seal was used on various sets ( eg Ikkai zuihitsu and Keisei Suikoden ). Rare.


The painting has been professionally cleaned and mounted but still shows signs of browning. Loss of gofun. Signed Yoshitoshi with seal Go Yoshitoshi.


Status: Sold




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Taiso YOSHITOSHI (1839-1892)




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Koi (‘carp’) swimming beneath hanging wisteria. One of Yoshitoshi’s finest and most popular designs. Published 1889 by Akiyama Buemon.


Very fine early impression, fine colour. Slight trimming at bottom otherwise very good condition. Ample margins for joining. Signed Yoshitoshi ga.



Status: Sold

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Taiso YOSHITOSHI (1839-1892)


Taiso-YOSHITOSHI-1839-to-1892-beauties16


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Noisy. A young woman of the Kansei period playing with a cat from the set Fuzoku sanjuniso, the “Thirty-Two Types of Beauty in Daily Life” published by Tsunashima 1888. One of the most sought after designs from the set. The first edition.


Very fine impression and colour. Full size with the extra paper left and top. Signed Yoshitoshi ga.


Status: Sold

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Taiso YOSHITOSHI (1839-1892)


Taiso-YOSHITOSHI-1839-to-1892-actors4


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An actor as a tattooed fireman from a set of seven prints Isami no Kotobuki. “A Celebration of Gallantry”. Firemen often had elaborate tattoos to show their indifference to pain. The set published by Daikin 8/1865. Rare.


Very fine impression and colour. On thick deluxe hosho. Extensive burnishing. Gofun oxidised (as usual). Slight offsetting of blue pigment, otherwise very good condtion. Signed Gyokuo Yoshitoshi hitsu.



Status: Sold

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