Ichiryusai HIROSHIGE (1797-1858)



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Spring moon at the shore of Tsukudajima. One of a set of chu-tanzaku prints published by Shogendo, c.1837. Tsukudajima was one of two islands at the mouth of the Sumida River. Originally a sandbar, it was reclaimed with earth and rocks and given its name by the first Tokugawa Shogun, Ieyasu, who invited thirty-three fishermen to live there in 1613 in order to provide fish for the rapidly expanding city of Edo. The fishermen came from Tsukudama near Osaka. And it was they who became the proprietors of what would become the Tsukiji fish market. It must have been popular during the late Edo period as a place to visit and view the boats from teahouses on the shore because there are many prints depicting the area, especially under a full moon.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)



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Ishiyama no shugetsu, “Autumn Moon at Ishiyama” from a set of prints Omi hakkei no uchi, “Eight Views in Omi Province.” Shows Lake Biwa with Seta Bridge and Mount Hira in the distance. To the left is the temple where Murasaki Shikibu wrote her famous Tales of Genji. Published by Takenouchi, c. 1834-5. A guarantee label and seal au verso from the now deceased dealer M. Nakazawa.

 

Fine impression: There is a curious feature on this print in that the blue sky block is invariably printed short of the mountain, top left, giving a white gap around the mountain. This is one of the few impressions I have seen where it is barely visible. Fine colour. Slight edge soil, otherwise very good condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)




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Echikawa from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows the Echi river with a trestle bridge crossing it. In the foreground a laden oxen being led and two peripatetic priests.

 

Fine impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)



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An extremely rare aiban print showing two kochi , bartail flatheads, (Platycephalus indicus) and an abalone, sea-ear, (Haliotus tuberculate). From a set of eight prints of various fish published c. late 1830s. Another impression is illustrated in Japanese Prints IV – Hiroshige and the Utagawa School, Rijksmuseum Amsterdam, 1984, no. 45, p. 35.

 

Fine impression and colour. Slight soil, otherwise very good condition. Signed Hiroshige

 

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Ichiryusai HIROSHIGE (1797-1858)



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An extremely rare aiban print showing a shimadai, grouper, (probably Chilodactylus zonatus) and an aji, horse-mackerel, (Caranx trachurus). From a set of eight prints of various fish published c. late 1830s.

 

Fine impression and colour. Slight soil, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Bingo Abumon Kannondo. The temple of Kannon at Abumon, Bingo Province. From the set Rokuju yoshu meisho zue, “Famous Places in the Sixty-odd Provinces.” Published by Koshimuraya Heisuke between 1853-1856 (this being 1853).

 

Fine, early impression. The earliest states have a cloud printed top left (as here). Very good colour. Slight centre fold and trimmed close, otherwise good condition. Signed Hiroshige ga.

 

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Utagawa HIROSHIGE II (1826-1869)



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Shinshu Suwa-ko yatsume akauo wo to (ru). Shinshu (Shinano) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1860). A winter scene showing figures catching lampreys, eels and red rockfish in Lake Suwa. The lake was unusual in having warm currents beneath the ice, even in mid winter.

 

Fine impression of the first edition. Fine colour. Very slight edge soil, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)



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Enshu Akiba enkei Fukuroi tako. Fukuroi, Enshu (Totomi) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows kite flying with a distant view of Mount Akiba. It has been suggested that the release of confetti was to bring good luck for the forthcoming harvest.

 

Very fine impression of the first edition. Fine colour. Very slight soil, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)



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Mino Ochiai-bashi. Mino (Noshu) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1861). An evening rain scene with figures making their way across the torrential Chitose River, famous for its fishing.

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

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Utagawa HIROSHIGE II (1826-1869)



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Kashu Kanazawa Daijo-ji. Kashu (Kaga) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows the famous Zen temple. The mountains behind shrouded in mist, beautifully conveyed by expert wiping of the blocks in Shijo-style. One of my favourite landscape prints.

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

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Ichiryusai HIROSHIGE (1797-1858)



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Tadasugawara no yudachi, “Evening Shower on the bank of the Tadasu River” from the early set Kyoto meisho no uchi, “Famous Views of Kyoto.” The set of ten masterpieces was published by Eisendo, c 1834. Shows figures running in the rain to get to the tea-houses which lined the banks here where the Kamo River and Takamo River joined.

 

Very good impression. The extremely rare first state of this print has the publisher’s seal in red in the upper left margin. This early state has the kiwame seal in left margin. This was removed on later editions and the seal after Hiroshige’s signature has the characters reversed white on red. Very good colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE II (1829-1869)



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Soshu Shichirigahama, the “Seven Ri Beach” near Kamakura, Kanagawa Prefecture. From the set Shokoku meisho hyakkei, “The One Hundred Views of Famous Places in the Provinces.” From the beach one gets a clear view of Fuji and Enoshima Island – both framed by a giant wave. The set (of which only 80 are known) was published by Uoya Eikichi, 1859-61 (this being 1859). Hiroshige’s foremost pupil. He was called Shigenobu until assuming the name Hiroshige II on Hiroshige’s death. Married his daughter.

 

Very good impression and colour. Very slight stain in cartouche, otherwise very good condition. Sugned Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)



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Seki and Kameyama from the chuban Muraichi Tokaido. The set of 56 prints published by Muraichi, 1852. Printed two-to-a-sheet uncut and probably from a complete proof set. Double censor’s seals Murata and Kinugasa and date seal 2ic/1852 top right.

 

Fine impressions with strong woodgrain showing. Fine colour. Very small binding holes in right border, otherwise fine condition. Signed Hiroshige ga on each print.

 

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Ichiyusai HIROSHIGE II (1829-1869)




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A snow scene: Imadobashi Matsuchiyama, “Imado Bridge and Matsuchi Hill.” From Toto sanjurokkei, “Thirty-six Views of the Eastern [ Edo ] Capital.” The set published by Ai-To between 1861 and 1862 ( this being 8/1862 ). This was also a district that attracted Hiroshige I and he designed a number of prints of the area. One of the six best designs from the set.


Fine impression of the first edition. Fine colour. Trimmed close at bottom, otherwise fine condition. Signed Hiroshige ga.


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Ichiryusai HIROSHIGE (1797-1858)




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Fujikawa from the so-called “Upright Tokaido.” One of the two snow scenes from the set. Shows travelers coming and going at the edge of the village. Published by Tsutaya, Hare 7, 1855.

 

Very good impression with wood-grain evident in the sky. Very good colour. Trimmed close, otherwise very good condition. Signed Hiroshige ga.

 

Status: Available

 

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Ichiryusai HIROSHIGE (1797-1858)




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Ichiryusai HIROSHIGE (1797-1858)

A bluebird and a branch of wild rose. A chuban print published c 1835-9. A very similar design with the same poem is in the Museum of Fine Arts, Boston, acquisition number 21.9729 and also a chutanzaku design, acquisition number 21.7997. Rare.

 

Fine impression. Very good colour. Minor marks, otherwise very good condition. Signed Ichiryusai Hiroshige hitsu with Ichiryusai seal.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A Java sparrow on a clematis vine. A sanchogake format (three designs printed on a horizontal sheet and intended to be separated). Published c 1835-9. This is the first edition with the cube-shaped red Hiroshige seal. Two later impressions are in the Museum of Fine Arts, Boston, acquisition numbers 21.9590 and 65.1671. Rare.

 

Fine impression and colour. Minor marks, otherwise very good condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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A half-block, 8.75 x 6.5 in; 22.5 x 16.5 cms, print showing a Japanese crane standing in water with a flowering plant (a variety of Berberis ?). Published c. late 1840s by Tsutaya Kichizo. Unidentified collector’s seal au verso.

 

Very good impression, colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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A third-of-a-block (ko-tanzaku) print, 13.5 x 3 in; 34 x 7.25 cms, showing a sparrow and cherry blossom. Published c. mid 1840s. Unidentified publisher’s seal. These narrow panels are often poorly printed, but not in this case.

 

Very fine impression: beautiful gradation. Fine colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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A one third block (10 x 4.75 in; 25.3 x 12.1 cms) panel showing an oriole – probably a black-naped oriole – on a branch of a flowering apple tree. Published c. early 1830s.

 

Good impression. Very good colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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An uncut fan print: Yoshiwara Naka-no-cho sakura doki, “Cherry Blossom at Naka-no-cho in the Yoshiwara.” Published 7/1852. Exceptionally rare: One other trimmed impression is illustrated in Hiroshige Fan Prints, Rupert Faulkner, Unsodo, 2010, no. 55, p. 45.

 

Fine impression and colour. Extremely good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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An uncut fan print: Ochanomizu no seiran, “Fine Weather but Windy.” From a set Edo hakkei, “Eight Views of Edo.” Published 1847-8 by Ibaya Senzaburo (who specialised in fans). Shows two beauties caught on a blustery day to the north of the Kanda River, the aqueduct lower left and Mt. Fuji in the distance. Exceptionally rare: The V & A museum has a complete (trimmed) set, see Rupert Faulkner, Hiroshige Fan Prints, 2001, nos. 23-30 (this being no. 25). And another impression is illustrated in Ukiyo-e Art, number eighteen, Memorial Exhibition of Hiroshige, 1968, no. 3. These appear to be the only other impressions known.

 

Fine impression. Very good colour. Slight centre fold and soil, but generally very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A shishi cub being taught to scale a vertical cliff. ( Shishi: ‘Chinese Lion’ [ Ch.: Shi-tzu ]. ) it was said that the shishi cast its young from a high rock to test whether it could scale the rock face in which case it became the perfect beast. Published by Sanoki, c 1839-40. Extremely rare: one other impression illustrated in The Art of Hiroshige, Tsuneo Tamba, no.410.


Fine impression and colour. Small areas of expert restoration. Signed Hiroshige ga.



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Ichiryusai HIROSHIGE (1797-1858)



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A tanzaku showing a Japanese finch sitting on a camellia branch. Unidentified collector’s seal au verso.

 

Very fine impression. Fine colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Ai or ayu, river trout, Plecoglossus altivelis. Poem by Haruzono Shizuo. From the first set of fish prints published by Eijudo, c 1832-4. This first series was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market. Due to their popularity this first series was published commercially and a second set was commissioned. The most sought after print in the series and probably the first to be designed.

 

Very good impression, colour and condition. Full size with with no centre fold. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A half- block print showing a small bird (possibly a bush warbler) and plum blossom. . Published by Kawasho (Kawaguchi Shozo) c. mid 1830s. Half-blocks were printed two-to-a-sheet and divided, either vertically or horizontally.

 

Very good impression, colour and condition. Signed Hiroshige ga with Utagawa seal.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A half-block print showing a sparrow and iris. Published by Kawasho (Kawaguchi Shozo) c. mid 1830s. Half-blocks were printed two-to-a-sheet and divided, either vertically or horizontally.

 

Very good impression, colour and condition. Signed Hiroshige ga with Utagawa seal.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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An uncut fan print with title Shinkiro no zu which has a double meaning of being the Yoshiwara in the deep sea and also a chimera or mirage. The scene enclosed in a (dreaming ?) bivalve shows visitors in a watery Yoshiwara, all with fish heads. Of the utmost rarity: This appears to be the only impression known. There are also what appear to be keying marks on three sides that have not been removed. Published by Shinagawaya Kyusuke with censor seal for 1845.

 

Very fine impression. Fine colour and condition. Signed Hiroshige giga hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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A Java sparrow on a clematis vine. A sanchogake format (three designs printed on a horizontal sheet and intended to be separated). Published c 1835-9. Rare.

 

Very good impression, colour and condition. Signed Hiroshige hitsu. (There is an impression with a cube-shaped red Hiroshige seal which is the first state.)

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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An original painting, sumi and light colour on light green-coloured silk, 21.37 x 13.62 in; 51.8 x 34.7 cms. The location is unidentified but shows an inland sea with a promontory and shrine. A beautiful, lyrical landscape probably painted in Kaei era (1848-54). In good condition and has recently been remounted with a futo-maki wooden role. Signed Hiroshige with Ichiryusai seal.

 

Status: Sold

 




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Ichiryusai HIROSHIGE (1797-1858)




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An original painting, sumi on paper, 35 x 11 in; 88.9 x 28 cms. A view of Matsuchiyama from Imadobashi with bands of low lying mist. This area is depicted on many Hiroshige prints. Painted c. 1850. In very good condition. The mounting cloth is wasarasa, Japanese batik, made at about the same time as this painting was made.

 

Signed Hiroshige hitsu with Ichiryusai seal.

 

Status: Sold

 




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Ichiryusai HIROSHIGE (1797-1858)

 

 




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A fine and important painting of the autumn moon at Ishiyama. Ishiyama Temple seen to the left and Seta Bridge to the right with Mount Fuji in the distance. The view is very close to that for the design Ishiyama no shugetsu, from the Omi Hakkei no uchi print set published c 1834 but the viewpoint moved round and slightly closer. The strange rocks which give their name to the temple are given prominence using a spontaneous brush. As with so much in Japan, the Eight Views theme comes from China and is based on the Eight Views of Xiaoxiang. Fine condition. Painted in sumi with light sumi and blue washes on ( the usual ) grey silk. Image size 16.25 x 23 in; 41.25 x 58.5 cms Fine new mount with futo-maki ( thick wooden roll to preserve the painting from damage ). New box. Signed Hiroshige with Ichiryusai seal.

 

Status: Sold

 




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Ichiryusai HIROSHIGE (1797-1858)




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An original painting, sumi and very light blue on silk, 40 x 15.25 in; 101.6 x 38.7 cms. Shows the moon reflected in the Tama river with spring ayu (sweet water fish) swimming beneath Japanese papyrus growing in the water.

 

A beautiful painting. One small foxing mark, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.

 

Status: Sold

 




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Ichiryusai HIROSHIGE (1797-1858)




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An important original Hiroshige painting. Sumi and colour on grey silk, 22.5 x 13.75 inches, 57 x 35 cms. An atmospheric scene showing an evening view at Tamegawa. Villagers hurrying home across a bridge to avoid an approaching thunderstorm. Lightning flashing above. This is a well known painting and has been illustrated in a number of books, including Ukiyo-e Art, Number 18, Memorial Exhibition of Hiroshige, The Japan Ukiyo-e Society, 1968, pl.20. Very good condition; fully mounted with double box and ivory ends. Signed Hiroshige fude with Ichiryusai seal. Hiroshige signature c. 1848- 52.

 

Status: Sold

 




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Ichiryusai HIROSHIGE (1797-1858)




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A fine original painting by Hiroshige I, sumi on silk, image size 38 x 12.5 in; 96.5 x 31.75 cms. Shows an avenue of trees leading to a small bridge beneath a torii; bands of mist, and, in the distance, another torii and a lake or open sea with sails. A beautiful composition. I have not been able to identify the location: It was not unknown for Hiroshige to paint imaginary landscapes or use poetic license.

 

Signed Hiroshige ga with Ichiryusai seal. In very good condition having been recently remounted.

 

Status: Sold

 




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Ichiryusai HIROSHIGE (1797-1858)




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Koi, carp (Cyprinus carpio) from the second series of ten fish prints published by Yamasho, c 1840-42. The first series was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. Poem above by Makuzu. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market. Due to their popularity this first series was published commercially and a second set was commissioned. The best design from the second set. Other examples: Vignier and Inada, Vol. VI, pl. LXIX, no. 265 and Tamba, no. 424.

 

Very good impression. Early state: See Andon 49, Hiroshige: A shoal of red herrings, number 12. This is Kruml c with the b Ichiryusai seal. Fine colour. Slight trimming left and top, otherwise very good condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A newly discovered painting of a three-clawed Kano-style dragon amongst clouds. Although a subject popular with Japanese artists (and especially Chinese artists where the subject derives from), this appears to be the only such painting by Hiroshige extant. He did, however, produce two prints of the subject – a surimono and a large panel, both of around the same date. The signature indicates a date after 1840 and it was most likely painted for the Dragon Year 1844. Blue and brown ink on paper with extensive splashed ink. Image size 34.5 x 10.5 in; 87.7 x 26.7 cm. The mount uses a ryu-mon (dragon pattern) motif to match the subject. Very good condition. Signed Ichiryusai Hiroshige hitsu with Ichiryusai seal.

 

Status: Sold

 




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Ichiryusai HIROSHIGE (1797-1858)




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Tobiuo, flying fish (probably Prognichthys) and ishimochi also called guchi or shiroguchi, white croaker, (probably Argyrosomus argenatus). Together with a single lily. Poem by Toshigaki Maharu. From the second series of ten fish prints published by Yamasho, c1840-42.The first series was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market. Due to their popularity this first series was published commercially and a second set was commissioned.

Fine, early impression with mica on the flying fish. Fine colour and condition. Full size and no centre fold. Signed Hiroshige ga in blue (which I have never seen).

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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An extremely rare uncut fan print: Kominato in Awa Province from Boso meisho, Famous Places in Awa, Kazusa and Shimosa Provinces. Shows beauties viewing the bay. Another impression illustrated in Hiroshige no uchiwae, Hiroshige Fan Prints, Okuda, Atsuko, Unsodo, 2010, no 91, p 68 (plus two others from the set). Five other designs presently known: Hoda Coast; Mount Kiyosumi; Mount Fuji from Kisarazu; Mount Kano, and Kisarazu in Kazusa Province. Published by Tsujiya Yasubei, 12/1852. Certainly one of the few impressions extant.

 

Very fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Mount Haruna in snow, Kozuke Province.One of the best designs from Rokuju yoshu meisho zue, “Famous Places in the Sixty-odd Provinces.” The series published by Koshimuraya Heisuke between 7/1853 and 3/1856 (this being 8/1853).

 

Very good impression and colour. Margins trimmed a little, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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