Kitao SHIGEMASA (1739-1820)




 Click here to view image full size.

A large panel, 12.5 x 16.75 in; 31.5 x 42.5 cms in two shades of beni, yellow and blue (partially faded). Published by Eijudo c. 1768-72. Title in right panel: Uki-e Kanadehon Chushingura youchi no zu, “The Night Attack from the Storehouse of Loyalty, New Perspectives.” On the left border is written: Furyu Edo goshikizumi ganso, Eijudo Hibino, “ The original of elegant Edo pictures in five colours, Eijudo Hibino [Nishimuraya Yohachi]” This publisher considered himself the inventor of benizuri-e. Shows Act 11 of the Chushingura. This famous story revolves around the suicide of Enya Hangan in 1701. Forced to draw his sword in the Shogun’s palace by the goading of the courtier Moronao, he has no option but to commit seppuku. His retainers become Ronin and vow revenge. This Act shows the night attack by the 47 Ronin led by Yuranosuke on Moronao’s house. He is seen lower left confronted before his assassination. The Chushingura was an 11 act bunraku puppet play written in 1748. Shigemasa had a long career and was founder of the Kitao School. A prolific book illustrator including collaborations with Shunsho. Designed a number of these uki-e, western perspective prints. Extremely rare: One other impression is in the Achenbach Foundation, S.F., acc. no. 54755.84. An early rendition of this famous tale.

 

Very good impression and colour. Some careful restoration with slight soil and fold marks, but given the date and size in very good condition. Signed Kitao Shigemasa dzu.

 

Status: Sold

 

Tags: , ,

 

Kitao SHIGEMASA (1739–1820)




 Click here to view image full size.

A chuban print showing three children. One ( centre ) playing a ko-tsuzumi; to the left a child playing a bamboo flute and on the right a small taiko being beaten. They wear aprons with images of a horse, monkey and cock. The Chinese zodiacal symbols. Possibly one of a set of four. Published c 1800. Ex collection Walter von Scheven, 1878 – 1950, and purchased by him at Altkunst, Berlin in 1929.


Superb impression: The outlines of the figures are heavily blind-printed. Very fine colour and condition. Unsigned.



Status: Sold

Tags: , ,

 

Kitao SHIGEMASA (1739-1820)



 Click here to view image full size.

A hosoban showing the actors Ichikawa Komazo II (above right) in the role of Honcho Tsunagoro and Otani Hiroemon II (below) as Hantoki Kuroemon. The play was the second item (nibanme) on the programme which came after the first play Hatsuakinai omise Soga performed at the Nakamura-za Theatre, Spring 1767. The shop sign behind the actors reads Kinoeneya. Published by Miyaji, 1767.

 

Fine impression. Slight fading, otherwise very good colour and condition. Signed Kitao Shigemasa ga.

 

Status: Sold

 

Tags: , ,

 

Kitao SHIGEMASA (1739-1820) and Katsukawa SHUNSHO (1726-1792)




 Click here to view image full size.

Seiro bijin awase sugata kagami, Mirror of Beautiful Women of the Green Houses, published by Tsutaya Juzaburo, Anei 5, 1776. Complete in three volumes divided into Spring and Summer in volume 1 and Autumn and Winter in volume 2. Considered to be one of the great “choice” colour printed books. Very rare complete.


Lacking title slips. Light sumi affecting 2,5 designs. Minor fading and marks and repaired wormage but generally a very good example of this fine book.



Status: Sold




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.

Tags: , , ,

 

Kitao SHIGEMASA (1739-1820)




 Click here to view image full size.

Kanzashi no seiran, “Clearing Weather of the Hairpin” from a chuban set Jochu tedogu hakkei, “Eight Views of Women’s Utensils.” Published c. 1777. Another from the set published in the Clarence Buckingham Collection of Japanese Prints, Margaret O. Gentles, vol. II, The Art Institute of Chicago, 1965, no. 21, p. 283.


Very good impression, colour and condition. Unsigned.


Status: Sold

Tags: , ,

 

Kitao SHIGEMASA ( 1739-1820 )




 Click here to view image full size.

A chuban print showing silkworm cultivation. No. 4 from Kaiko yashinai gusa, “The Occupation of Silkworm Cultivation.” The set designed with Shunsho ( nos. 1,3,6,8,11,12 ). Shigemasa also collaborated with Shunsho in 1776 on the book A Mirror of Beautiful Women of the Green Houses. No publisher given but published 1772.


Fine impression.Oxidation of the gofun and orange pigment but exceptional colour preservation for a print of this date. Fine condition. Signed Kitao Shigemasa ga.


Status: Sold

Tags: , ,

 

Kitao SHIGEMASA (1739-1820)




 Click here to view image full size.

A chuban print. No. 7 from Kaiko yashinai gusa, the occupation of silk worm cultivation. Shows girls watching the moths laying eggs on a piece of paper. No publisher given but published 1772. Even better known as a book illustrator. Also an accomplished painter.


Fine impression. Very good colour. Fine condition. Signed Shigemasa ga.


Status: Sold

Tags: , ,

 

Selected Reference Titles

Listed here are selected titles of reference books that I refer to most regularly – this is not an exhaustive list!

 

Asano, Shugo and Clark, Timothy, The Passionate Art of Kitagaway Utamaro, Asahi Shimbun, 1995

Forrer, Matthi and Goncourt, Edmond de, Hokusai, Rizzoli International Publications, 1988

Gentles, Margarent O., The Clarence Buckingham Collection of Japanese Prints, Volume 2 Haranobu, Koryusai,Shigemasa, their followers and contemporaries , The Art Institute of Chicago, 1955

Gunsaulus, Helen C., The Clarence Buckingham Collection of Japanese Prints, Volume 1 The Primitives, The Art Institute of Chicago, 1955

Hillier, Jack, The uninhibited brush, Japanese Art in the Shijo Style, Hugh M. Moss Ltd, 1974

Hillier, Jack, The Art of the Japanese Book, 2 volumes, Southeby Publications, 1987

Hirano Chie, Kiyonaga A Study of His Life and Works, Harvard University Press 1939

Keyes, Roger, The Art of Surimono, Privately Published Japanese Woodblock Prints and Books in the Chester Beatty Library, Dublin, Southeby Publications, 1985

Keyes, Roger, The Art of Surimono, two volumes, Southeby Publications, 1985

Koop, Albert J., and Ianda, Hogitaro, Japanese Names and How to Read Them, Routledge & Kegan Paul Ltd., 1923

Lane, Richard, Images from the Floating World, The Japanese Print Including a Dictionary of Ukiyo-e, Oxford University Press, 1978

Mitchell, C.H., The Illustrated Books of Nanga, Maruyama, Shijo and Other Related Schools of Japan, Dawson’s Book Shop, 1972

Robinson, B.W., Kuniyoshi, The Warrior Prints, Phaidon Press, 1982

Schaap, Robert, Heroes & Ghosts, Japanese Prints by Kuniyoshi 1797 – 1861, Hotei Publishing, 1998

Suzuki, Juzo, Utagawa Hiroshige, The Nihon Keizai Shimbun, 1970

Tamba, Tsuneo, The Art of Hiroshige, Asahi Shimbun, 1965

Turk, Frank A., The Prints of Japan, Arco Publications, 1966

Van den Ing, Eric and Schaap, Robert, Beauty & Violence, Japanese Prints by Yoshitoshi 1839 – 1892, Havilland Press, Society for Japanese Arts, 1992

 

Katsukawa SHUNSHO ( 1726-1792 )




 Click here to view image full size.

An extremely important painting by one of the most important artists of his day. One of the great ukiyo-e print designers – especially of actor prints. He lived in Edo and first studied under Katsukawa Shunsui and Ko Sukoku. Little is known of his private life. He had many able pupils including Hokusai. The seal he used had Hayashi on the side of a jar ( tsubo ), hence he was called Tsubo. In 1776, together with Kitao Shigemasa, illustrated the famous book Seiro bijin awase sugata kagami. Also the Ehon butai ogi with Buncho in 1770.


This was one of the paintings chosen to be exhibited at the Isetan Department Store to commemorate the Tokyo Olympics in 1964. The exhibit arranged by The Mainichi Newspapers. A committee consisting of Mr. Seiichiro Takahashi, president of the Japan Art Academy, Mr. Issho Tanaka, director of the Tokyo National Cultural Assets Research Institute, Mr. Seiroku Noma, an historian, Mr. Muneshige Narasaki, chairman of the Ukiyoe Association, Mr. Sadao Kikuchi of the Tokyo National Museum, Mr. Teruji Yoshida, an Ukiyoe connoisseur, Mr. Fusui Kaneko, an Ukiyoe connoisseur, Mr. Yasunosuke Ogiwara, an Ukiyoe connoisseur, and other collectors vetted all the paintings and they represented the best that could be put together at the time.  Full colour on silk including gold leaf. Exquisitly painted. Slightly creased otherwise in good condition. Double box with inscription in gold. Image size 39 x 12.5 in; 99 x 31.75 cms. Painted c 1781-9.


Signed Katsu Shunsho ga with seal. Ex collection Oda Eisaku, a famous art dealer and collector.



Status: Sold




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Artists

( A to Z )

Kyogado ASHIKUNI ( Fl. c. 1807 – 1818 )
Gigado ASHIYUKI ( Fl. c. 1814 – 1833 )



Ki BAITEI ( 1734 – 1810 )
Takizawa BAKIN ( 1767 – 1848 )
Ono BAKUFU ( 1888 – 1976 )
Georges BIGOT ( 1860 – 1927 )
Kawamura BUMPO ( 1779 – 1821 )
Ippitsusai BUNCHO ( Fl. c. 1765 – 1792 )



Toyohara CHIKANOBU ( 1838 – 1912 )
Kishi CHIKUDO ( 1826 – 1897 )
Tsubaki CHINZAN ( 1801 – 1854 )
Eishosai CHOKI ( Fl. c. 1756 – 1808 ). See also SHIKO



Rekisentei EIRI ( Fl. c. 1790 – 1800 )
Keisai EISEN ( 1790 – 1848 )
Hosoda EISHI ( 1756 – 1829 )
Hosoda EISHO ( Fl. c. 1780 – 1800 )
Ichirakutei EISUI ( Fl. c. 1790 – 1823 )
Kikugawa EIZAN ( 1787 – 1867 )


Hirano HAKUHO ( 1879 – 1957 )


Elizabeth KEITH ( 1887 – 1956 )
Imao KEINEN ( 1845 – 1924 )


Yashima GAKUTEI ( 1786 – 1868 )
Ogata GEKKO ( 1859 – 1920 )
Adachi GINKO ( Fl. c. 1847 – 1897 )
Matsumura GOSHUN ( 1752 – 1811 )
GYOSAI. See Kawanabe KYOSAI



Hirano HAKUHO ( 1879 – 1957 )
Suzuki HARUNOBU ( 1724 – 1770 )
Kawase HASUI ( 1883 – 1957 )
Kitagawa HIDEMARO ( Fl. c. early 19th century )
Kinoshita HIRONOBU ( Fl. c. 1851 – 1870 )
Gosotei HIROSADA ( Fl. c. 1847 – 1863 )
Ichiryusai HIROSHIGE ( 1797 – 1858 )
Ichiryusai HIROSHIGE II ( 1826 – 1869 )
Ando HIROSHIGE III ( 1843 – 1894 )
Nakamura HOCHU ( Fl. c. late 18th to early 19th century )
Sakai HOITSU ( 1761 – 1828 )
Totoya HOKKEI ( 1780 – 1850 )
Teisai HOKUBA ( 1771 – 1844 )
Shunkosai HOKUEI (Active 1824-1837)
Katsushika HOKUGA ( Fl. c. 1830 )
Shotei HOKUJU ( Fl. c. 1789 – 1818 )
Katsushika HOKUSAI ( 1760 – 1849 ). Also used numerous other names such as: SORI, SHUNRO, SHINSAI
Shokosai HOKUSHU ( Fl. c. 1808 – 1832 )


KEISAI. See Kitao MASAYOSHI
Suzuki KIITSU ( 1796 – 1858 )
Kitagawa KIKUMARO ( Fl. c. ? – 1830 ). See TSUKIMARO
Kobayashi KIYOCHIKA ( 1847 – 1915 )
Torii KIYOHIRO ( Fl. c. 1737 – 1771 )
Torii KIYOMASA ( Fl. c. 1700 – 1722 )
KIYOMINE. See Torii KIYOMITSU II
Torii KIYOMITSU ( 1735 – 1785 )
Torii KIYOMITSU II ( 1787 – 1868 ). See KIYOMINE
Torii KIYONAGA ( 1752 – 1815 )
Torii KIYONOBU ( 1664 – 1729 )
Torii KIYONOBU II ( 1706 – 1763 )
Torii KIYOTSUNE ( Fl. c. 1757 – 1779 )
Isoda KORYUSAI ( Fl. c. 1767 – 1788 )
Ohara KOSON ( 1877 – 1945 ). See SHOSON
Torii KOTONDO ( 1900 – 1976 )
Toyohara KUNICHIKA ( 1835 – 1900 )
Utagawa KUNIHIRO ( Fl. c. 1815 – 1843 )
Ichiunsai KUNIHISA ( 1832 – 1891 )
Utagawa KUNINAO ( 1793 – 1854 )
Utagawa KUNISADA ( 1786 – 1865 )
Utagawa KUNISADA II ( 1823 – 1880 )
Utagawa KUNISATO ( ? – 1858 )
Utagawa KUNITERU ( 1808 – 1876 )
KUNITERU. See Utagawa SADASHIGE
Utagawa KUNITERU II ( 1829 – 1874 )
Utagawa KUNIYASU ( 1794 – 1832 )
Ichiyusai KUNIYOSHI ( 1797 – 1861 )
Santo KYODEN. See Kitao MASANOBU
Kawanabe KYOSAI ( 1831 – 1889 ). See GYOSAI


Okumura MASANOBU ( 1686 – 1764 )
KitaoMASANOBU ( 1761 – 1816 ). See Santo KYODEN
Kitao MASAYOSHI ( 1764 – 1824 ). See KEISAI
Oishi MATORA ( 1794 – 1833 )
Hishikawa MORONOBU ( Fl. c. 1618 – 1694 )


Nishimura NANTEI ( 1775 – 1834 )
Utagawa NOBUKATSU ( Fl. c. 1830 – 1844 )
Watanabe NOBUKAZU ( Fl. c. late 19th century )


Hishikawa RYUKOKU ( Fl. c. 1808 – 1816 )
Jokei RYUKOSAI ( Fl. 1772 – 1816 )


Gokitei SADAFUSA ( Fl. c. 1825 – 1850 )
Hasegawa SADAHARU ( Fl. c. 1830 – 1844 )
Gokotei SADAKAGE ( Fl. c. 1818 – 1844 )
Utagawa SADAHIDE ( 1807 – 1873 )
Hasegawa SADANOBU ( 1809 – 1879 )
Utagawa SADASHIGE ( Fl. c. mid 19th century ). See KUNITERU
Gofutei SADATORA ( Fl. c. 1825 )
Yamaguchi SHIGEHARU ( 1803 – 1853 )
Kitao SHIGEMASA ( 1739 – 1820 )
Nishimura SHIGENAGA ( 1697 ? – 1756 )
Nishimura SHIGENOBU ( Fl. c. 1724 – 1735 )
SHIKO. See Eishosai CHOKI
Ryuryukyo SHINSAI ( 1764 – 1820 )
Ito SHINSUI ( 1898 – 1972 )
Kojima SHOGETSU ( Fl. c. 1880 – 1890 )
SHOSON. See Ohara KOSON
Takahashi SHOTEI ( 1871 – 1945 )
Yamamoto SHOUN ( 1870 – 1965 )
Yamakawa SHUHO ( 1898 – 1944 )
Katsukawa SHUNCHO ( Fl. c. 1780 – 1795 )
Takehara SHUNCHOSAI ( Fl. c. 1772 – 1801 )
Katsukawa SHUN’EI ( 1762 – 1819 )
Katsukawa SHUNKO ( 1743 – 1812 )
Hishikawa SHUNKYO ( Fl. c. early 19th century )
Kubo SHUNMAN ( 1757 – 1820 )
Katsukawa SHUNSEN ( Fl. c. 1762 – 1830 )
Natori SHUNSEN ( 1886 – 1960 )
Gatoken SHUNSHI ( Fl. c. 1820 – 1828 )
Katsukawa SHUNSHO ( 1726 – 1792 )
Katsukawa SHUNTEI ( 1770 – 1820 )
Katsukawa SHUNZAN ( Fl. c. 1782 – 1798 )
Yamaguchi SOKEN ( 1759 – 1834 )


Ikeno TAIGA ( 1723 – 1776 )
Katsukawa TERUSHIGE ( Fl. c. 1715 – 1725 )
Mori TETSUZAN (1775-1841)
Migita TOSHIHIDE ( 1863 – 1925 )
Mizuno TOSHIKATA ( 1866 – 1908 )
Okumura TOSHINOBU ( Fl. c. 1717 – 1750 )
Utagawa TOYOHARU ( 1735 – 1814 )
Utagawa TOYOHIRO ( 1773 – 1828 )
Utagawa TOYOKUNI ( 1769 – 1825 )
Utagawa TOYOKUNI II ( 1777 – 1835 ). See TOYOSHIGE
Yamamura TOYONARI ( 1885 – 1942 )
Ishikawa TOYONOBU ( 1711 – 1785 )
TOYOSHIGE. See Utagawa TOYOKUNI II
TSUKIMARO. See Kitagawa KIKUMARO
Kitano TSUNETOMI ( 1880 – 1947 )


Toyokawa UMEKUNI ( Fl. c. 1816 – 1826 )
Kitagawa UTAMARO ( 1753 – 1806 )
Kitagawa UTAMARO II ( ? – 1831 )


Inoue YASUJI ( 1864 – 1889 )
Hiroshi YOSHIDA ( 1876 – 1950 )
Ipposai YOSHIFUJI ( 1828 – 1887 )
Utagawa YOSHIIKU ( 1833 – 1904 )
Utagawa YOSHIKATA ( Fl. c. 1841 – 1864 )
Utagawa YOSHIKAZU ( Fl. c. 1850 – 1870 )
Toyokawa YOSHIKUNI ( Fl. c. 1803 – 1840 )
Utagawa YOSHIMUNE ( 1817 – 1880 )
Ichiyosai YOSHITAKI ( 1841 – 1899 )
Utagawa YOSHITORA ( Fl. c. 1850 – 1880 )
Taiso YOSHITOSHI ( 1839 – 1892 )
Utagawa YOSHITSURU ( Fl. c. 1840 – 1850 )
Ichieisai YOSHITSUYA ( 1822 – 1866 )
Mori YOSHIYUKI ( 1835 – 1879 )


Shibata ZESHIN ( 1807 – 1891 )

 

Kitagawa UTAMARO (1753-1806)




 Click here to view image full size.

No. 7 from a set of 12 prints: Joshoku kaiko tewazagusa, showing women engaged in the sericulture (silkworm) industry. This was traditionally the domain of women. The colour scheme is red-avoiding (murasaki-e) using predominantly purple. This stage of the process shows the metamorphosis – the winged moth stage – when silkworms are used to lay eggs. This set is taken verbatim from the Shunsho/Shigemasa set of chuban prints, Kaiko yashinai-gusa. (See elsewhere on this site for a Shunsho example.) Published 1798-1800 by Tsuru-ya Kiemon.


Fine impression. Fine colour, perfectly retained. Very good condition; full size. Signed Utamaro hitsu.

 

Status: Sold

 

Tags: , , ,