Katsushika HOKUSAI (1760-1849); Kyokutei BAKIN (1767-1848); Jippensha IKKU (1765-1831)




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An original painting by Hokusai showing the back view of a courtesan. Above are inscriptions by Bakin and Ikku, the two leading writers of the day. ( Bakin is famous for writing Chronicles of the Eight Dog Heroes of the Satomi Clan of Nanso and Ikku for writing the most humorous book in the Japanese language: Shank’s Mare Journey on the Tokaido.) This painting was originally sold at the Tokyo Bijutsu Club, December 3rd, 1928. It is illustrated in Katsushika Hokusai Paintings, Mainich Shimbun, 1975. It is signed Toyo Katsushika Hokusai ga, “Painted by Katsushika Hokusai of Orient” and the seal, Katsushika Hokusai, is the same seal as that used on the pair of hand scrolls, Day and Night, in the Museum of Fine Arts, Boston. Colour and sumi on paper, 11.12 x 11.5 in; 28.2 x 29.2 cms. An intriguing old mount and sold with original sales slip from 1928 and a copy of the 1975 catalogue.

 

The inscriptions translate as:

 

I went out dressed up very lightly just to show off for the sake of cherry blossom viewing party.
However, I ended up catching a cold and all my efforts to enjoy the cherry blossoms went for nothing.

 

Jippensha Ikku

 

Yoshiwara is located in the north of Mount Kinryu, and it is a very grassy place.
Here I live inside the fence of Miuraya,
I am worshiped by so many guests.
Even though I devote myself completely to seek popularity every day,
I am a louse whose heart cannot be stolen by money alone.
This is my mettle as a courtesan.

 

Kyokutei Bakin

 

Status: Sold

 




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Utagawa KUNIYOSHI (1797-1861)




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Inuzaka Keno Tanetomo struggling with four adversaries from Kyokutei-o seicho Hakkenshi zui-ichi, “The One and Only Eight Dog History of Old Kyokutei [Bakin], Best of Refined Authors.” The set of eight prints form diptychs and are based on Bakin’s (1767-1848) famous novel Satomi Hakkenden, “Eight Dogs of the Satomi Clan.” Robinson S5.7.

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1798-1861)




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Satomi Jibu-no-taifu Yoshizane, a daimyo in control of Takita Castle from Satomi Hakkenden, the eight heroes of Bakin’s novel Hakkenden. Published by Mikawa-ya Tetsugoro, c 1849-51. See the Kunichika triptych of the same subject on this current selection.


Very good impression, colour and condition. Signed Ichiryusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1798-1861)




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A complete diptych showing Inuzuka Shino and Inukai Kempachi on the Horyukaku roof from Satomi Hakkenden, the eight heroes of Bakin’s novel Hakkenden. Published by Mikawa-ya Tetsugoro, c 1849-51. See the Kunichika triptych of the same subject on this current selection. Rare complete.


Very good impression, colour and condition. Signed Ichiryusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1798-1861)




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An oban diptych showing the two heroes, Inuyama Dosetsu Tadatomo ( seated ) and Inukawa Sosuke Yoshito. Chapter 22 from Bakin’s famous book of the Eight Dog Warriors. From a yellow-ground set: Honcho kendo ryaku den, “Abridged Stories of Our Country’s Swordsmanship.” Published by Kadzusa-ya Iwazo, c 1845-6. Robinson S37.7 & 9. Rare as the design is seldom found complete.


Very fine impression, fine colour and condition. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Ichiosai KUNICHIKA (1835-1900)




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A triptych showing Inuzuka Shino at bay on the Horyukaku roof against Inukai Gempachi and his men. A famous episode from the Hakkenden written by Takizawa Bakin ( 1767 – 1848 ): Nanso Satomi Hakkenden no uchi Horyukaku no zu. The Daimyo, the Lord of Satomi, ordered Kenpachi to kill Shino – a strong man and great fighter who had killed some twenty retainers of the Lord. The pair fought on the roof only to fall into a boat on the river which broke loose and floated out to sea. The pair were discovered unconscious. Another, earlier triptych was designed by Kuniyoshi c 1836. Published c 1860 by Izutsuya.


Very fine impression, colour and condition. Signed Ichiosai Kunichika ga.


Status: Sold

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Utagawa KUNISADA II (1823-1880)




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The cat witch Ama Myochin. The best design from the set Hakkenden inu no soshi no uchi, biographies of the Eight Dog heroes. She peeps between two bamboo curtains, the silhouette of her true self – large hairy body and huge claws – being revealed through the curtains. Cherry blossom floats down. Published 1852 by Tsutaya Kichizo. The Hakkenden, Bakin’s famous novel, was a popular source for ukiyo-e artists.


Very good impression and colour. Slightly trimmed round. Signed Ichiyosai Kunisada ga.


Status: Sold

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Toyohara KUNICHIKA (1835-1900)




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Suketakaya Takasuke IV as Inuzuka Shino on the roof of the pavilion Horyukaku fighting Kenpachi. A fine set based on Bakin’s Hakkenden, entitled “A Parody of the Hakkenden” published by Fukuda Kumajiro, 1883. A rare series that shows, even at this late date, there are flashes of brilliance.


Very fine impression of the first de-luxe edition with silver and beautiful bokashi. Fine colour and condition. Full size. Signed Yasohachi Kunichika hitsu.



Status: Sold

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Toyohara KUNICHIKA (1835-1900)




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Nakamura Shikan II as Inuyama Dosetsu battling with Inukai Kenpachi. A fine set based on Bakin’s Hakkenden entitled “A Parody of the Hakkenden” published by Fukuda Kumajiro, 1883. A rare series that shows, even at this late date, there are flashes of brilliance.


Very fine impression of the first de-luxe edition with extensive burnishing and silver. Fine colour and condition. Full size. Signed Yasohachi Kunichika hitsu.



Status: Sold

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Utagawa KUNISADA (1786-1865)




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The best design from Toyokuni kigo kijutsu kurabe, “A Contest of Magic Scenes by Toyokuni.” Shows the actor Ichikawa Kodanji IV as Mo’un Kokushi. The story is based on the Takizawa Bakin and Hokusai Chinsetsu yumiharizuki. The magician is seated on a rocky promontory with exploding rocks emanating from behind his head. A stunning design. Published by Hirayano Shinzo, 1863.


Superb impression, colour and condition. The deluxe first edition on thick hosho and every refinement of printing using the finest pigments, burnishing, mica and gofun. Extra paper at left and top. Signed The 79 year old Toyokuni hitsu.



Status: Sold

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Artists

( A to Z )

Kyogado ASHIKUNI ( Fl. c. 1807 – 1818 )
Gigado ASHIYUKI ( Fl. c. 1814 – 1833 )



Ki BAITEI ( 1734 – 1810 )
Takizawa BAKIN ( 1767 – 1848 )
Ono BAKUFU ( 1888 – 1976 )
Georges BIGOT ( 1860 – 1927 )
Kawamura BUMPO ( 1779 – 1821 )
Ippitsusai BUNCHO ( Fl. c. 1765 – 1792 )



Toyohara CHIKANOBU ( 1838 – 1912 )
Kishi CHIKUDO ( 1826 – 1897 )
Tsubaki CHINZAN ( 1801 – 1854 )
Eishosai CHOKI ( Fl. c. 1756 – 1808 ). See also SHIKO



Rekisentei EIRI ( Fl. c. 1790 – 1800 )
Keisai EISEN ( 1790 – 1848 )
Hosoda EISHI ( 1756 – 1829 )
Hosoda EISHO ( Fl. c. 1780 – 1800 )
Ichirakutei EISUI ( Fl. c. 1790 – 1823 )
Kikugawa EIZAN ( 1787 – 1867 )


Hirano HAKUHO ( 1879 – 1957 )


Elizabeth KEITH ( 1887 – 1956 )
Imao KEINEN ( 1845 – 1924 )


Yashima GAKUTEI ( 1786 – 1868 )
Ogata GEKKO ( 1859 – 1920 )
Adachi GINKO ( Fl. c. 1847 – 1897 )
Matsumura GOSHUN ( 1752 – 1811 )
GYOSAI. See Kawanabe KYOSAI



Hirano HAKUHO ( 1879 – 1957 )
Suzuki HARUNOBU ( 1724 – 1770 )
Kawase HASUI ( 1883 – 1957 )
Kitagawa HIDEMARO ( Fl. c. early 19th century )
Kinoshita HIRONOBU ( Fl. c. 1851 – 1870 )
Gosotei HIROSADA ( Fl. c. 1847 – 1863 )
Ichiryusai HIROSHIGE ( 1797 – 1858 )
Ichiryusai HIROSHIGE II ( 1826 – 1869 )
Ando HIROSHIGE III ( 1843 – 1894 )
Nakamura HOCHU ( Fl. c. late 18th to early 19th century )
Sakai HOITSU ( 1761 – 1828 )
Totoya HOKKEI ( 1780 – 1850 )
Teisai HOKUBA ( 1771 – 1844 )
Shunkosai HOKUEI (Active 1824-1837)
Katsushika HOKUGA ( Fl. c. 1830 )
Shotei HOKUJU ( Fl. c. 1789 – 1818 )
Katsushika HOKUSAI ( 1760 – 1849 ). Also used numerous other names such as: SORI, SHUNRO, SHINSAI
Shokosai HOKUSHU ( Fl. c. 1808 – 1832 )


KEISAI. See Kitao MASAYOSHI
Suzuki KIITSU ( 1796 – 1858 )
Kitagawa KIKUMARO ( Fl. c. ? – 1830 ). See TSUKIMARO
Kobayashi KIYOCHIKA ( 1847 – 1915 )
Torii KIYOHIRO ( Fl. c. 1737 – 1771 )
Torii KIYOMASA ( Fl. c. 1700 – 1722 )
KIYOMINE. See Torii KIYOMITSU II
Torii KIYOMITSU ( 1735 – 1785 )
Torii KIYOMITSU II ( 1787 – 1868 ). See KIYOMINE
Torii KIYONAGA ( 1752 – 1815 )
Torii KIYONOBU ( 1664 – 1729 )
Torii KIYONOBU II ( 1706 – 1763 )
Torii KIYOTSUNE ( Fl. c. 1757 – 1779 )
Isoda KORYUSAI ( Fl. c. 1767 – 1788 )
Ohara KOSON ( 1877 – 1945 ). See SHOSON
Torii KOTONDO ( 1900 – 1976 )
Toyohara KUNICHIKA ( 1835 – 1900 )
Utagawa KUNIHIRO ( Fl. c. 1815 – 1843 )
Ichiunsai KUNIHISA ( 1832 – 1891 )
Utagawa KUNINAO ( 1793 – 1854 )
Utagawa KUNISADA ( 1786 – 1865 )
Utagawa KUNISADA II ( 1823 – 1880 )
Utagawa KUNISATO ( ? – 1858 )
Utagawa KUNITERU ( 1808 – 1876 )
KUNITERU. See Utagawa SADASHIGE
Utagawa KUNITERU II ( 1829 – 1874 )
Utagawa KUNIYASU ( 1794 – 1832 )
Ichiyusai KUNIYOSHI ( 1797 – 1861 )
Santo KYODEN. See Kitao MASANOBU
Kawanabe KYOSAI ( 1831 – 1889 ). See GYOSAI


Okumura MASANOBU ( 1686 – 1764 )
KitaoMASANOBU ( 1761 – 1816 ). See Santo KYODEN
Kitao MASAYOSHI ( 1764 – 1824 ). See KEISAI
Oishi MATORA ( 1794 – 1833 )
Hishikawa MORONOBU ( Fl. c. 1618 – 1694 )


Nishimura NANTEI ( 1775 – 1834 )
Utagawa NOBUKATSU ( Fl. c. 1830 – 1844 )
Watanabe NOBUKAZU ( Fl. c. late 19th century )


Hishikawa RYUKOKU ( Fl. c. 1808 – 1816 )
Jokei RYUKOSAI ( Fl. 1772 – 1816 )


Gokitei SADAFUSA ( Fl. c. 1825 – 1850 )
Hasegawa SADAHARU ( Fl. c. 1830 – 1844 )
Gokotei SADAKAGE ( Fl. c. 1818 – 1844 )
Utagawa SADAHIDE ( 1807 – 1873 )
Hasegawa SADANOBU ( 1809 – 1879 )
Utagawa SADASHIGE ( Fl. c. mid 19th century ). See KUNITERU
Gofutei SADATORA ( Fl. c. 1825 )
Yamaguchi SHIGEHARU ( 1803 – 1853 )
Kitao SHIGEMASA ( 1739 – 1820 )
Nishimura SHIGENAGA ( 1697 ? – 1756 )
Nishimura SHIGENOBU ( Fl. c. 1724 – 1735 )
SHIKO. See Eishosai CHOKI
Ryuryukyo SHINSAI ( 1764 – 1820 )
Ito SHINSUI ( 1898 – 1972 )
Kojima SHOGETSU ( Fl. c. 1880 – 1890 )
SHOSON. See Ohara KOSON
Takahashi SHOTEI ( 1871 – 1945 )
Yamamoto SHOUN ( 1870 – 1965 )
Yamakawa SHUHO ( 1898 – 1944 )
Katsukawa SHUNCHO ( Fl. c. 1780 – 1795 )
Takehara SHUNCHOSAI ( Fl. c. 1772 – 1801 )
Katsukawa SHUN’EI ( 1762 – 1819 )
Katsukawa SHUNKO ( 1743 – 1812 )
Hishikawa SHUNKYO ( Fl. c. early 19th century )
Kubo SHUNMAN ( 1757 – 1820 )
Katsukawa SHUNSEN ( Fl. c. 1762 – 1830 )
Natori SHUNSEN ( 1886 – 1960 )
Gatoken SHUNSHI ( Fl. c. 1820 – 1828 )
Katsukawa SHUNSHO ( 1726 – 1792 )
Katsukawa SHUNTEI ( 1770 – 1820 )
Katsukawa SHUNZAN ( Fl. c. 1782 – 1798 )
Yamaguchi SOKEN ( 1759 – 1834 )


Ikeno TAIGA ( 1723 – 1776 )
Katsukawa TERUSHIGE ( Fl. c. 1715 – 1725 )
Mori TETSUZAN (1775-1841)
Migita TOSHIHIDE ( 1863 – 1925 )
Mizuno TOSHIKATA ( 1866 – 1908 )
Okumura TOSHINOBU ( Fl. c. 1717 – 1750 )
Utagawa TOYOHARU ( 1735 – 1814 )
Utagawa TOYOHIRO ( 1773 – 1828 )
Utagawa TOYOKUNI ( 1769 – 1825 )
Utagawa TOYOKUNI II ( 1777 – 1835 ). See TOYOSHIGE
Yamamura TOYONARI ( 1885 – 1942 )
Ishikawa TOYONOBU ( 1711 – 1785 )
TOYOSHIGE. See Utagawa TOYOKUNI II
TSUKIMARO. See Kitagawa KIKUMARO
Kitano TSUNETOMI ( 1880 – 1947 )


Toyokawa UMEKUNI ( Fl. c. 1816 – 1826 )
Kitagawa UTAMARO ( 1753 – 1806 )
Kitagawa UTAMARO II ( ? – 1831 )


Inoue YASUJI ( 1864 – 1889 )
Hiroshi YOSHIDA ( 1876 – 1950 )
Ipposai YOSHIFUJI ( 1828 – 1887 )
Utagawa YOSHIIKU ( 1833 – 1904 )
Utagawa YOSHIKATA ( Fl. c. 1841 – 1864 )
Utagawa YOSHIKAZU ( Fl. c. 1850 – 1870 )
Toyokawa YOSHIKUNI ( Fl. c. 1803 – 1840 )
Utagawa YOSHIMUNE ( 1817 – 1880 )
Ichiyosai YOSHITAKI ( 1841 – 1899 )
Utagawa YOSHITORA ( Fl. c. 1850 – 1880 )
Taiso YOSHITOSHI ( 1839 – 1892 )
Utagawa YOSHITSURU ( Fl. c. 1840 – 1850 )
Ichieisai YOSHITSUYA ( 1822 – 1866 )
Mori YOSHIYUKI ( 1835 – 1879 )


Shibata ZESHIN ( 1807 – 1891 )