Utagawa TOYOKUNI (1769-1825)




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A triptych showing the interior of a mansion. In the centre the head of the household, a young male, surrounded by his female attendants. This most likely shows the Setsubun – a ritual of bean-throwing to clear out the evil from a house on the day before the beginning of spring which was considered New Year’s eve. There are impressions in the MFA Boston (11.13833-5, 21.7798-800) and MET (JP201). Published by Iwatoya Kisaburo. The MET and MFA give a date as c 1791-4 but the signature better fits a date of c 1800.

 

 

Very good impression. Exceptional colour – better even than the other illustrated examples. Small restoration on last sheet, otherwise very good condition with extra paper around. Signed Toyokuni ga. Rare.

 

 

Status: Available

 

 

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Utagawa TOYOKUNI I (1769-1825)



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A beauty climbing stairs, the ninth month from a set of twelve. Published c 1813 by Nishimuraya Yohachi. Beauties ascending stairs was a stock subject for ukiyo-e artists. I’m not sure why.

 

 

Fine impression, colour and condition. Signed Toyokuni ga.

 

 

Status: Available

 

 

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Utagawa TOYOKUNI (1769-1825)



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The elongated figure of the famous oiran Marino Yoyoharu parading with her kamuro Ikeno Yoyoume. Above, on a banner hanging from a tree, is the name and address of the courtesan’s location in the Yoshiwara: Sumimachi, Matsubaya uchi. Published by Tsuraya Juzaburo, c. 1796, Toyokuni’s best period. This courtesan was also depicted by Eisui and Utamaro and others around this date.

 

 

Fine impression and colour. Slight trimming and edge soil, otherwise good condition. Signed Toyokuni ga.

 

 

Status: Available

 

 

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Utagawa TOYOKUNI I (1769-1825)




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Shows a seated lady holding a fan compared to the actor Segawa Senjo ( previously known as Segawa Kikunojo III, inset in fan upper left ). From a series Ukiyo butai-ko Senjo-fu, “Fragrance from the Floating World’s Stage, in the Style of Senjo.” Published by Tsumuraya Saburobei, c 1810.

 

Fine impression. Light yellow ground. Very good colour and condition. Signed Toyokuni ga with an unidentified collector’s seal.

 

Status: Available

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Utagawa TOYOKUNI I (1769-1825)




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An original drawing by the first Toyokuni. An hanshita-e diptych for a published set of triptychs with title: Yakusha juni tsuki, “Actors in the Twelve Months.” Shows the actors (from the left) Bando Mitsugoro III holding a pipe; Iwai Hanshiro V with an open book; Nakamura Utaemon III about to write a poem; and Segawa Roko IV with another pipe. They are compared to the months of the year, in this case July, the month of the Bon Odori festival and are also a parody of the Six Immortal Poets. The print published by Yamashiroya Toemon (active c. 1801-1817). In fact this set was published Spring, Bunka 6 (1809). Sumi on thin paper laid around edges onto another sheet. Some pentimenti and also shows the initial hurried under-drawing and with annotations for the finished print. Sold together with the two published sheets which shows the lanterns removed at top, the brazier bottom centre and other minor changes. In indifferent condition. An illustrated example of this complete triptych is in the Austrian Museum of Applied Arts.

 

The print signed Toyokuni ga. Original hanshita-e by Toyokuni I are extremely rare. Sold “as is” with all imperfections.


 

Status: Available

 

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Utagawa TOYOKUNI I (1769-1825)




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A large surimono which shows Danjuro VII in Shibaraku on a fan on the right. He did, in fact, perform Shibaraku in the 11th month kaomise performance at the Morita-za theatre in 1812 (which fits the style of Toyokuni’s signature). However, the rest of the design appears to be a program for a dance recital with the names of dances and below the names of Nagauta School musicians and Hayashi percussionists. This makes the exact reason for the print difficult to determine. Extremely rare: Possibly the only known impression.

 

 

Very good impression and colour. Slight surface soil and vertical fold (as usual), otherwise very good condition. Signed Toyokuni ga.

 

 

Status: Sold

 

 

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Utagawa TOYOKUNI I (1769-1825)



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A surimono in the form of an ema (literally “picture-horse”) which were votive tablets left at Shinto shrines. The upper right plaque shows an actor in Shibaraku role with characters reading ganshu (temple petitioner) Bunri. Below, ten poems by poets from Edo, Kyoto and Osaka. The poem below the actor is signed Shikan which was the stage name and literary name of Nakamura Shikan I (Utaemon III, 1778-1838) who is most likely the actor portrayed. The text on the top left panel begins with San kudari indicating the 3rd came back, suggesting a return by Utaemon to Edo from acting in Kyoto or Osaka. Issued c 1810s. Very rare.

 

Very good impression, colour and condition. Signed Toyokuni ga.

 

Status: Sold

 

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Utagawa Toyokuni I (1769-1825)




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A pupil of Toyoharu, he is best known for his fine actor prints at the end of the 18th century. He had many pupils. A koban surimono showing Ichikawa Danjuro VII in Shibaraku with the voluminous costume and chikara gami “strength papers” sticking up at the back of his wig. Issued for the New Year 1810 (confirmed by the characters hatsu-ushi [“the first year of the ox”] in the first line of the left-hand poem). Interestingly, Danjuro did perform Shibaraku in the play Misao no hana toba koizuka at the Ichimura-za theatre just a couple of months before (11th month, 1809). The role name being Kaneomaru.

 

Very good impression and colour. Minor toning, otherwise very good condition. Signed Toyokuni ga.

 

Status: Sold

 

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Utagawa TOYOKUNI (1769-1825)




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One of Toyokuni’s most famous books: 2 volumes bound as one, Yakusha Awase Kagami, “A Mirror of Actors’ Physiognomy.” Published Kyowa 4 (1804) by Bunshundo and Yamadaya Sanshiro. Vol. I, 4pp. preface, undated, 18 single-page half-length portraits of actors below kyoka poems. Vol. II, 15 single-page half-length portraits, followed by single page poem signed Ichikawa Hakuen (Danjuro V), 4pp. postscript, signed Kankoku. Lacking original covers with publisher Toto Banshundo on inside cover of Vol. I. Also lacking 2pp. second postscript by Banshundo and colophon. Very minor soil and three portraits with colour turned, otherwise very fresh impressions. Extremely Rare.

 

Status: Sold

 




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Utagawa TOYOKUNI (1769-1825)




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A print from the series Mitate Kofukujin, “ A Parody of Children’s Gods.” Featured are two of the seven gods of good fortune compared to famous heroes. Top left: Bishamonten no mitate, Tawara Toda Hidesato (Tawara Toda Hidesato defeating the giant centipede, compared to the god Bishamon). Bottom right: Daikoku no mitate, Otokonosuke, Hakuen (Ichikawa Hakuen I in the role of Arajishi Otokonosuke, compared to the god Daikoku). Hakuen (formerly Danjuro V) had already retired by this date so this does not depict an actual performance. However, the hero Otokonosuke is famous from the play Meiboku Sendai Hagi. Published 1804 by Nishimuraya Yohachi.

Very good impression and color. Small corner repair and slight edge soil, otherwise good condition. Signed Ichiyosai Toyokuni ga.

 

Status: Sold

 

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Utagawa TOYOKUNI (1769-1825)



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Segawa Kikunojo III as the courtesan Kojoro of the Mikuni House (Mikuni Kojoro) and Arashi Sanpachi I as her elder brother Kujuro (Kojoro ani Kujuro) in the play Tomigaoka koi no yamabiraki by Namiki Gohei performed at the Kin-za in the 1st month of 1798. The design shows the evil cormorant fisherman Ugai Kujuro attempting to extract money from his younger sister whom he had previously sold into prostitution. He is eventually murdered by the hero Shimbei who is in love with Kojoro. Published by Nishimuraya Yohachi. Rare: A faded example in B.M. (1906, 1220, 0.391). And another faded impression in the Museum of Fine Arts, Boston, acc. No. 11.13701. One of the great Toyokuni double bust portraits.

 

Fine impression and colour. Very slight trimming at bottom, otherwise fine condition. Signed Toyokuni ga.

 

Status: Sold

 

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Utagawa TOYOKUNI (1769-1825)



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An actor portrait showing Matsumoto Koshiro V (standing) in the role of Banzui Chobei and Bando Mitsugoro III as Shira Gonpachi next to a kago in Sakurada Jisuke I’s play Banzuin Chobei shojin manaita. Performed at the Nakamura-za 7/8/1803. Published by Nishimuraya Yohachi.

 

Very good impression and condition. Grey ground. Almost perfect colour. Signed Toyokuni ga.

 

Status: Sold

 

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Utagawa TOYOKUNI I (1769-1825)




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An important painting: Nanadaime Danjuro sugata-e, “Portrait of Danjuro VII.” Painted at the end of the Bunka period ( c. 1815 ), it shows the young Danjuro after his succession. He wears the Danjuro mimasugoshi, Danjuro’s triple-plaid kimono pattern. His favourite tobacco pouch with the bat-shaped catch is hanging at his waist. He is looking at two butterflies. An allusion to the famous story of Zhuang Zhou who dreams of being a butterfly, only to wake and wonder if he is, in fact, not a butterfly dreaming of being Zhuang Zhou. The story symbolizing the evanescence of life. A similar painting of Nakamura Utaemon II dated 1812 is in the Museum of Fine Arts, Boston, acc. No. 11.7864. Full colour on silk. Image size 23.25 x 11 inches; 59 x 28 cms. Two repaired wormholes not affecting image, otherwise very good condition. Interesting old embroidered and hand-painted mount. Signed Utagawa Toyokuni ga with seals Ichiyosai and Toyokuni.



Status: Sold




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Utagawa TOYOKUNI I (1769-1825)




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An extremely rare complete pentatych ( each sheet numbered at the bottom ): Shin Yoshiwara sakura no keshiki, “Cherry Blossom in the Yoshiwara.” A panorama of the main Nakanocho street in early April with transplanted cherry trees. The main entrance to the right on the first sheet, the other sheets showing a multitude of courtesans, kamuro, shinzo manservants and customers. A fascinating design with a multiplicity of small vignettes. Cherry blossom was used as a euphemism for the quickly fading beauty of the courtesan. Published c 1810 by Yamatoya Kyubei.


Very good impression; very good colour. Slight horizontal line near bottom edge and slight thinning otherwise very good condition. Signed Toyokuni ga on each sheet.


Status: Sold




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Utagawa TOYOKUNI I (1769-1825)




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Ehon kukuri-zome, “Tie-Dyed Work”. Two volumes complete. Original covers and one title slip. Published by Izumiya Ichibei, 1794. Shows bijin at famous spots around Edo. Some backed wormage on vol. 2 and some damage to covers, but otherwise good condition with exceptional, pristine colour. Extremely rare. Ex Haviland and Duret collections.



Status: Sold




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Utagawa TOYOKUNI I (1769-1825)




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Shows Tamagiku of the House of Tama from the extremely rare set of seven prints Bijin nanakomachi, “Beauties of the Seven Komachi” from Toyokuni’s best period ( c.1793-7 ). A parody of the Noh play Sekidera Komachi showing the courtesan writing a letter to her client. To her left is Komachi’s poem about aging. Ono no Komachi, the beautiful ninth century poetess, was inspiration for many prints. Ex Matsuki collection.


Fine impression and colour with extensive embossing. Yellow ground. Full size. Fine condition. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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Six beauties representing the Six Tama Rivers: Kimuta, Noji, Ide, Chofu, Koya and Noda. They are shown fulling, washing and drying cloth. The streams were noted for their purity – an attribute being bestowed on the girls. A beautiful composition published by Omiya Yohei, c 1804.


Fine impression. Apart from the slight turning of the elusive blue, the colour is extremely well preserved. Very good condition. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI (1769-1825)




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Tsuki, “Moon” from a set of three prints, San bijin, “Three Beauties.” Based on the Snow, Moon, Flower theme. Shows a koto player adjusting the finger picks in order to start playing. Published by Kamaya Matabei, c 1810s.

 

Fine impression and colour. Slight creasing, otherwise very good condition. Full size. Signed Toyokuni ga.

 

Status: Sold

 

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Utagawa TOYOKUNI I (1769-1825)




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Two volumes complete Yakusha sangaikyo, “Amusements of Actors on the Third Floor” (iez the dressing-rooms or green rooms). Published Kansei 13 (1801) by Nishimiya Shinroku and Yorozuya Tajiemon, Edo. An extremely rare and important work showing actors engaged in various private pursuits and not on stage, as is normal. Original covers and title slips. Ex Duret and Gillot collections.


Slight turning of some colours on vol two and some slight thumbing on bottom corners of some sheets, but overall very good and an essential item for any serious collection.



Status: Sold




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Utagawa TOYOKUNI (1769-1825)




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Furyu rokkasen, “Fashionable Six Poets.” One sheet from a set of three that can be viewed separately or as a triptych. Shows the famous Heian period waka poets Ono no Komachi and Ariwara no Narihira together with an attendant. Two famous poems by them above in gold clouds, hinting at the archaising motif. Published by Nishimuraya Yohachi , c 1802. Originally purchased from me in 1976.

 

Fine impression and colour. Very good condition with yellow ground and gold printed at the top. Signed Toyokuni ga.

 

Status: Sold

 

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Utagawa TOYOKUNI I (1769-1825)




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A very fine portrait of the actor Ichikawa Danjuro VI in kumadori make-up and assuming an aragoto stance. The quality, date, style and publisher are the same as for his finest set of Portraits of Actors on Stage published 1794 – 6 although this design appears not to be from the set and I cannot locate another impression. There is a bust of Danjuro, probably in the same role, by Toyokuni in the same year – 1796 in the Achenbach, San Francisco. Published by Senichi.


Extremely fine impression and colour. Grey ground. A seal at bottom which appears on many Toyokuni I and Toyoshige prints and is probably a book and/or print seller ( it gives an address ). Very small binding holes at left edge. Full size. Fine condition. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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Shows Iwai Hanshiro IV as the wet nurse Masaoka and Sawamura Tozo as the evil serving lady Yashio in the play Omiura date nebiki performed at the Nakamura-za, 2/1799. Published by Eijudo. Light grey ground.


Fine impression, and condition. Perfect colour and completely untrimmed. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI (1769-1825)


Utagawa-TOYOKUNI-1769-to-1825-actors20


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A silver mica-ground double bust portrait of Hikosaburo Bando III as Kan Shojo ( Sugawara Michizane ) disgraced and sent to Tsukushi, and Kataoka Nizaemon VII as Hakudayu from the play Sugawara denju tenarai kagami, “Sugawara’s Secrets of Calligraphy.” The play was written for the puppet theatre in 1746 and quickly adapted for Kabuki. Published by Yamaden, Kansei 8 ( 1796 ). Extremely rare. Unidentified collector’s seal au verso.


Fine impression. Perfect colour. Some slight loss of mica ( as per usual ) and a slight centre fold. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI (1769-1825)


Utagawa-TOYOKUNI-1769-to-1825-actors13


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An aiban bust portrait showing Iwai Hanshiro IV in an onnagata role. Published by Yamaguchi Chusuke c 1794. Another aiban okubi-e of the same actor in another onnagata role and of the same date was published by Tsuruya Kiemon. A rare and fine design.


Fine impression. Very good colour. Slight trimming, otherwise very good condition. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI I (1769 – 1825)




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A complete diptych showing Kagekiyo and Mihonoya no Shiro battling. This is an episode from the beginning of Chapter 5, “The Dropped Bow” in book 11 of the Heike Monogatari, “ Tales of the Heike.” This episode, which took place in 1184, has the Genji warrior Mihonoya no Shiro confronting the Heike Kagekiyo on the beach at Yashima. Published c 1815 by Yamamotoya Heikichi.


Fine impression and in exceptional condition. Fine colour with large borders left and top. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI I (1769 – 1825)




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A wonderful design showing the actor Ichikawa Ebizo VI ( Danjuro VIII ) holding a large umbrella with his face reflected in a mirror held by an acolyte. Two poems above by Sakuragawa Jihinari and Jihinari’s son Oya no Omokage. In fact these two writers also composed poems for two other Toyokuni surimono of Danjuro around the same date, c. early 1820s. ( See The Art of Surimono, Roger Keyes, 1985, no. 348, p. 400 and One Hundred Surimono in the collection of Sidney C. Ward, 1976, no. 50, p. 62. ) Extremely rare.


Fine impression. Minor creasing and turning of purple, otherwise very good colour and condition. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI I ( 1769-1825 )




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An elegant triptych showing tofu being prepared and other ladies on an engawa with various fish dishes. The restaurant or inn is beside a stream which is heavily planted with flowers. Published c 1809 by Tsuruya Kinsuke.


Very good impression. Perfectly retained colour. Full size. Perfect condition. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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The actors Otani Tomoemon II as Iwaki Yagenji and Bando Mitsugoro II as Wakato Tomoji in the play Tsuki wa Musashino aki no sewa goto performed at the Kiriza theatre, 7/1797. One of Toyokuni’s best double bust portraits. Published by Moriya Jihei 1797. Ex Hayashi collection ( seal top left ).


Fine impression. Very good colour. Very slight centre fold and one small wormhole. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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A double actor portrait showing Ichikawa Yaozo III in the role of Ume no Yoshibei, and Segawa Kikunojo III as his wife Koume, in the play Zoho Ume no Yoshibei performed at the Ichimura-za Theatre in the 4th month of 1801 ( Kyoho 1 ). Published by Uemura Yohei. Toyokuni was the pupil of Utagawa Toyoharu and went on to produce some of the finest actor prints of the period.

Fine impression, colour and condition. Full size. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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A double actor portrait showing Arashi Hinasuke II in the role of Fuwa Banzaemon, and Segawa Kikunojo III as the lady Okuni Gozen, in the play Jujo Genji Monogusa Taro performed at the Ichimura-za Theatre in the 8th month of 1800 ( Kansei 12 ). Published by Nishimuraya Yohachi. Toyokuni was the pupil of Utagawa Toyoharu and went on to produce some of the finest actor prints of the period.


Fine impression, colour and condition. Full size. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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A fine double actor portrait showing Segawa Kikunojo III as Wakasa no tsubone, and Arashi Sanpachi I as Miura Danjo in the play Utsukushiya yuki no sekai, performed at the Ichimura-za Theatre in the 11th month of 1799 ( Kansei 11 ). Published by Nishimuraya Yohachi. Toyokuni was the pupil of Utagawa Toyoharu and went on to produce some of the finest actor prints of the period.


Fine impression, colour and condition. Full size. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769–1825)




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An extremely fine triptych showing beauties and families outside the famous dry goods store Ebisuya. ( Two roundels with the shop’s symbol Ebisu – one of the Seven Gods of Good Luck – are on either side of the entrance. ) Besides the elegance of the figures, there is an added anthropological perspective as we can view the crowds of customers inside the building. Presumably Ebisuya was the prime motivator in getting this print published. Another impression ( ex Spaulding collection ) is in the Museum of Fine Arts, Boston, accession number: 21.7744. Published by Takasu Soshichi, c 1795. Very rare.


Fine impression with exceptionally well preserved colour. One small area affected by damp, otherwise in remarkably fine condition. Full size. Signed Toyokuni ga.



Status: Sold




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Utagawa TOYOKUNI I (1769–1825)




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The centre sheet of a hosoban triptych possibly showing Danjuro VI as Ashikaga Takauji or Prince Takahiro. Ex collection Walter von Scheven, 1878 – 1950, and purchased by him at Altkunst, Berlin in 1929. A fine design.


Fine impression and colour. Very small repaired binding holes, otherwise fine condition. Unsigned.



Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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The actor Ichikawa Yaozo III as Umeomaru, the loyal retainer of Kan Shojo in the Kuruma biki, “Pulling the Carriage Apart,” scene from the play Sugawara denju tenarai kagami, “ Sugawara’s Secrets of Calligraphy” performed at the Miyako Theatre 7/1796. This is one of the most celebrated scenes in Kabuki, showing the stand-off between the brothers Umeomaru and Sakuramaru and Matsuomaru and Shihei. Of the utmost rarity. Toyokuni also designed prints of Matsuomaru and Shihei ( see this website ) and a triptych of the scene from the same play. One of ukiyoe’s great portraits. Umeomaru ( ume, “plum” ) is shown with the red sugi guma makeup of the impetuous hero, and plum blossom on his costume. Published by Yamaguchiya Tadasuke, 1796.


Fine impression. Mica-ground. Probably trimmed at top or bottom but I cannot, at the moment, locate another impression to compare. Some fading and other minor marks; small edge restoration. The role annotated top left in sumi ( as are other famous designs – possibly by the same collector ). As I cannot locate another impression and it’s unlikely there are more than a few, at best, impressions extant, a certain compromise on condition is necessary. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI I (1769–1825)




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The actor Kataoka Nizaemon VII as the evil Minister of the Left Fujiwara Shihei in the Kuruma biki, “Pulling the Carriage Apart,” scene from the play Sugawara denju tenarai kagami, “ Sugawara’s Secrets of Calligraphy” performed at the Miyako Theatre 7/1796. This is one of the most celebrated scenes in Kabuki, showing the stand-off between the brothers Umeomaru and Sakuramaru and Matsuomaru and Shihei. Of the utmost rarity: Another impression illustrated in Ukiyoe Taikei, vol. 9, no. 19 and also used for the cover of the book and slip-case. Toyokuni also designed mica-ground prints of Matsuomaru and Umeomaru ( see this website ) and a triptych of the scene from the same play – all excessively rare. One of ukiyoe’s great portraits. Published by Yamaguchiya Tadasuke, 1796.


Very good impression. The eyes with brass powder applied. Trimmed heavily top and bottom and very slightly at side. Some fading, soil and other minor marks. The role annotated in sumi top left. Other famous designs are known with these inscriptions ( by the same hand ? ). However, given the rarity and that, at best, there can only be a few impressions extant, a certain compromise is necessary. Signed Toyokuni ga.



Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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A fine late single bust of Matsumoto Koshiro V as Tsurugisawa Danjo Saemon in the “Beneath the Floor” scene of the play Shikisemono Soga no Datezome performed at the Morita-za in the 1st month of 1813. Here the arch villain Danjo, master of the black arts, has just risen on a stage lift in a cloud of smoke, having transformed back into human form from that of a giant sewer rat. His hands are still held in the position of a magic spell as he confronts the loyal warrior Otokonosuke who was standing guard in the cellar beneath his lord’s quarters. This print is one of a pair (not a diptych), the other showing Ichikawa Danjuro VII as Otokonosuke. (See Boston MFA for a much trimmed impression of this design acc. No 11.25348.)


Fine impression. Slight turning of the purple towards the edge. Some uneven trimming also into signature, otherwise good condition. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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A double bust portrait showing Onoe Matsusuke I (above) as the evil lady-in-waiting Iwafuji and Iwai Kumesaburo I as Ohatsu, maidservant to lady-in-waiting Onoe, in the “Inner Garden” scene of the play Kagamiyama Kokyo no Nishiki-e performed at the Ichimura-za in the 3rd month of 1803. In this scene the loyal maid Ohatsu finally avenges the shame brought upon her lady Onoe and her subsequent death, by fighting and killing the evil Iwafuji. The latter is one of Kabuki’s great female villains and the role is often given to an actor of male roles to emphasise her unattractive nature. Another impression was in the Succo collection. Illustrated in Toyokuni, Friedrich Succo, R.Piper & Co, 1913, no 523, p. 80. Published by Nishimuraya Yohachi, 1803.


Fine impression. Some oxidation, otherwise very good colour. Light album backing and very small binding holes. Very good condition. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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The well-muscled bodyguard Narukami Kajinosuke played by Sawamura Sojiro IV in the play Sugata no hana azuma no date-zome performed at the Ichimura-za Theatre, 3/1812. Published by Suzuki Ihei,1812. There is a companion design to this print showing Bando Mitsugoro as Kaminari Tsurunosuke.


Fine impression and colour. Very slightly trimmed at bottom, otherwise good condition. Minimal soil. Signed Toyokuni ga.


Status: Sold

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Artists

( A to Z )

Kyogado ASHIKUNI ( Fl. c. 1807 – 1818 )
Gigado ASHIYUKI ( Fl. c. 1814 – 1833 )



Ki BAITEI ( 1734 – 1810 )
Takizawa BAKIN ( 1767 – 1848 )
Ono BAKUFU ( 1888 – 1976 )
Georges BIGOT ( 1860 – 1927 )
Kawamura BUMPO ( 1779 – 1821 )
Ippitsusai BUNCHO ( Fl. c. 1765 – 1792 )



Toyohara CHIKANOBU ( 1838 – 1912 )
Kishi CHIKUDO ( 1826 – 1897 )
Tsubaki CHINZAN ( 1801 – 1854 )
Eishosai CHOKI ( Fl. c. 1756 – 1808 ). See also SHIKO



Rekisentei EIRI ( Fl. c. 1790 – 1800 )
Keisai EISEN ( 1790 – 1848 )
Hosoda EISHI ( 1756 – 1829 )
Hosoda EISHO ( Fl. c. 1780 – 1800 )
Ichirakutei EISUI ( Fl. c. 1790 – 1823 )
Kikugawa EIZAN ( 1787 – 1867 )


Hirano HAKUHO ( 1879 – 1957 )


Elizabeth KEITH ( 1887 – 1956 )
Imao KEINEN ( 1845 – 1924 )


Yashima GAKUTEI ( 1786 – 1868 )
Ogata GEKKO ( 1859 – 1920 )
Adachi GINKO ( Fl. c. 1847 – 1897 )
Matsumura GOSHUN ( 1752 – 1811 )
GYOSAI. See Kawanabe KYOSAI



Hirano HAKUHO ( 1879 – 1957 )
Suzuki HARUNOBU ( 1724 – 1770 )
Kawase HASUI ( 1883 – 1957 )
Kitagawa HIDEMARO ( Fl. c. early 19th century )
Kinoshita HIRONOBU ( Fl. c. 1851 – 1870 )
Gosotei HIROSADA ( Fl. c. 1847 – 1863 )
Ichiryusai HIROSHIGE ( 1797 – 1858 )
Ichiryusai HIROSHIGE II ( 1826 – 1869 )
Ando HIROSHIGE III ( 1843 – 1894 )
Nakamura HOCHU ( Fl. c. late 18th to early 19th century )
Sakai HOITSU ( 1761 – 1828 )
Totoya HOKKEI ( 1780 – 1850 )
Teisai HOKUBA ( 1771 – 1844 )
Shunkosai HOKUEI (Active 1824-1837)
Katsushika HOKUGA ( Fl. c. 1830 )
Shotei HOKUJU ( Fl. c. 1789 – 1818 )
Katsushika HOKUSAI ( 1760 – 1849 ). Also used numerous other names such as: SORI, SHUNRO, SHINSAI
Shokosai HOKUSHU ( Fl. c. 1808 – 1832 )


KEISAI. See Kitao MASAYOSHI
Suzuki KIITSU ( 1796 – 1858 )
Kitagawa KIKUMARO ( Fl. c. ? – 1830 ). See TSUKIMARO
Kobayashi KIYOCHIKA ( 1847 – 1915 )
Torii KIYOHIRO ( Fl. c. 1737 – 1771 )
Torii KIYOMASA ( Fl. c. 1700 – 1722 )
KIYOMINE. See Torii KIYOMITSU II
Torii KIYOMITSU ( 1735 – 1785 )
Torii KIYOMITSU II ( 1787 – 1868 ). See KIYOMINE
Torii KIYONAGA ( 1752 – 1815 )
Torii KIYONOBU ( 1664 – 1729 )
Torii KIYONOBU II ( 1706 – 1763 )
Torii KIYOTSUNE ( Fl. c. 1757 – 1779 )
Isoda KORYUSAI ( Fl. c. 1767 – 1788 )
Ohara KOSON ( 1877 – 1945 ). See SHOSON
Torii KOTONDO ( 1900 – 1976 )
Toyohara KUNICHIKA ( 1835 – 1900 )
Utagawa KUNIHIRO ( Fl. c. 1815 – 1843 )
Ichiunsai KUNIHISA ( 1832 – 1891 )
Utagawa KUNINAO ( 1793 – 1854 )
Utagawa KUNISADA ( 1786 – 1865 )
Utagawa KUNISADA II ( 1823 – 1880 )
Utagawa KUNISATO ( ? – 1858 )
Utagawa KUNITERU ( 1808 – 1876 )
KUNITERU. See Utagawa SADASHIGE
Utagawa KUNITERU II ( 1829 – 1874 )
Utagawa KUNIYASU ( 1794 – 1832 )
Ichiyusai KUNIYOSHI ( 1797 – 1861 )
Santo KYODEN. See Kitao MASANOBU
Kawanabe KYOSAI ( 1831 – 1889 ). See GYOSAI


Okumura MASANOBU ( 1686 – 1764 )
KitaoMASANOBU ( 1761 – 1816 ). See Santo KYODEN
Kitao MASAYOSHI ( 1764 – 1824 ). See KEISAI
Oishi MATORA ( 1794 – 1833 )
Hishikawa MORONOBU ( Fl. c. 1618 – 1694 )


Nishimura NANTEI ( 1775 – 1834 )
Utagawa NOBUKATSU ( Fl. c. 1830 – 1844 )
Watanabe NOBUKAZU ( Fl. c. late 19th century )


Hishikawa RYUKOKU ( Fl. c. 1808 – 1816 )
Jokei RYUKOSAI ( Fl. 1772 – 1816 )


Gokitei SADAFUSA ( Fl. c. 1825 – 1850 )
Hasegawa SADAHARU ( Fl. c. 1830 – 1844 )
Gokotei SADAKAGE ( Fl. c. 1818 – 1844 )
Utagawa SADAHIDE ( 1807 – 1873 )
Hasegawa SADANOBU ( 1809 – 1879 )
Utagawa SADASHIGE ( Fl. c. mid 19th century ). See KUNITERU
Gofutei SADATORA ( Fl. c. 1825 )
Yamaguchi SHIGEHARU ( 1803 – 1853 )
Kitao SHIGEMASA ( 1739 – 1820 )
Nishimura SHIGENAGA ( 1697 ? – 1756 )
Nishimura SHIGENOBU ( Fl. c. 1724 – 1735 )
SHIKO. See Eishosai CHOKI
Ryuryukyo SHINSAI ( 1764 – 1820 )
Ito SHINSUI ( 1898 – 1972 )
Kojima SHOGETSU ( Fl. c. 1880 – 1890 )
SHOSON. See Ohara KOSON
Takahashi SHOTEI ( 1871 – 1945 )
Yamamoto SHOUN ( 1870 – 1965 )
Yamakawa SHUHO ( 1898 – 1944 )
Katsukawa SHUNCHO ( Fl. c. 1780 – 1795 )
Takehara SHUNCHOSAI ( Fl. c. 1772 – 1801 )
Katsukawa SHUN’EI ( 1762 – 1819 )
Katsukawa SHUNKO ( 1743 – 1812 )
Hishikawa SHUNKYO ( Fl. c. early 19th century )
Kubo SHUNMAN ( 1757 – 1820 )
Katsukawa SHUNSEN ( Fl. c. 1762 – 1830 )
Natori SHUNSEN ( 1886 – 1960 )
Gatoken SHUNSHI ( Fl. c. 1820 – 1828 )
Katsukawa SHUNSHO ( 1726 – 1792 )
Katsukawa SHUNTEI ( 1770 – 1820 )
Katsukawa SHUNZAN ( Fl. c. 1782 – 1798 )
Yamaguchi SOKEN ( 1759 – 1834 )


Ikeno TAIGA ( 1723 – 1776 )
Katsukawa TERUSHIGE ( Fl. c. 1715 – 1725 )
Mori TETSUZAN (1775-1841)
Migita TOSHIHIDE ( 1863 – 1925 )
Mizuno TOSHIKATA ( 1866 – 1908 )
Okumura TOSHINOBU ( Fl. c. 1717 – 1750 )
Utagawa TOYOHARU ( 1735 – 1814 )
Utagawa TOYOHIRO ( 1773 – 1828 )
Utagawa TOYOKUNI ( 1769 – 1825 )
Utagawa TOYOKUNI II ( 1777 – 1835 ). See TOYOSHIGE
Yamamura TOYONARI ( 1885 – 1942 )
Ishikawa TOYONOBU ( 1711 – 1785 )
TOYOSHIGE. See Utagawa TOYOKUNI II
TSUKIMARO. See Kitagawa KIKUMARO
Kitano TSUNETOMI ( 1880 – 1947 )


Toyokawa UMEKUNI ( Fl. c. 1816 – 1826 )
Kitagawa UTAMARO ( 1753 – 1806 )
Kitagawa UTAMARO II ( ? – 1831 )


Inoue YASUJI ( 1864 – 1889 )
Hiroshi YOSHIDA ( 1876 – 1950 )
Ipposai YOSHIFUJI ( 1828 – 1887 )
Utagawa YOSHIIKU ( 1833 – 1904 )
Utagawa YOSHIKATA ( Fl. c. 1841 – 1864 )
Utagawa YOSHIKAZU ( Fl. c. 1850 – 1870 )
Toyokawa YOSHIKUNI ( Fl. c. 1803 – 1840 )
Utagawa YOSHIMUNE ( 1817 – 1880 )
Ichiyosai YOSHITAKI ( 1841 – 1899 )
Utagawa YOSHITORA ( Fl. c. 1850 – 1880 )
Taiso YOSHITOSHI ( 1839 – 1892 )
Utagawa YOSHITSURU ( Fl. c. 1840 – 1850 )
Ichieisai YOSHITSUYA ( 1822 – 1866 )
Mori YOSHIYUKI ( 1835 – 1879 )


Shibata ZESHIN ( 1807 – 1891 )