Utagawa SADAHIDE (1807-1873)
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A snow scene: Act IX of the famous revenge drama, Kanadehon Chushingura, “The Treasury of Loyal Retainers.” Actually based on events of 1701-3. Shows Honzo appearing at Yuranosuke’s villa at Yamashina disguised as a komuso (a Japanese mendicant monk of the Fuke school of Zen Buddhism). Published by Kawaguchi-ya Uhei, c early 1840s.
Superb impression. Very fine colour and condition. Signed Sadahide ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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The ronin Okuda Sadaemon Fujiwara Yukitaka ( number 42 ) from Seichu gishinden, “Tales of True Loyalty.” From a rare uncompleted set of the 47 Ronin published 6/1868 by Masudaya. Thirteen designs extant. It has been suggested that the set was completed but that the others are not known based on the fact that two of the prints are numbered 3 and 46. An error as artists did not commence and progress from number 1. Artists chose at random which numbers from a set to start with. Well known examples being Hiroshige’s Tokaido and Kisokaido.
Very good impression and colour. Light album backing. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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“Goat” from a set Mitate junishi, “Selection for the Twelve Signs.” Shows the beauty Okoma looking through a curtain. Briefly the story relates how she is to be married off to a rich man by her mother but Okoma is in love with another man called Chushichi. A visiting barber cuts Chushichi’s hair and concocts a scheme with him to have her kidnaped and for Chushichi to rescue her. Published by Kojima c 1845. Robinson S38.8.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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“Hare” from a set Mitate junishi, “Selection for the Twelve Signs.” Shows Yama-uba with a rattle and a dancing white hare on Mount Ashigora. She is famous for bringing up Kintaro who played with the mountain animals. Published by Yenshuya Matabei, c 1845. Robinson S38.4.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing the night attack in pouring rain by the brothers Juro Soga and Goro Soga on their father’s murderer Kudo Suketsune. They had waited 18 years for the opportunity which came in 1193 when there was a hunting party held at the base of Mount Fuji by the Shogun Minamoto no Yoritomo. Soga kyodai chichi no ada-uchi no zu. In the centre is Goro and on the left Juro. Above, the cloth panels with the paulownia crest of the Minamoto clan. Published by Sanoya Kihei, 1851-3.
Fine impression and colour. Slight trimming at top and residual glue at edge of centre sheet, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Available
Utagawa YOSHIIKU (1833-1904)
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The warrior Torii Matasuke from a set Eimei nijuhasshuku, “Twenty Eight Famous Murders with Verse.” The set jointly designed by Yoshitoshi and Yoshiiku and depicts legendary and historical characters engaged in violent crimes. Matasuke is seen swimming in the Hime River gripping the topknot of a severed head between his teeth. Published by Kinseido, 1867.
Fine impression and colour. Lightly backed, otherwise very good condition. Signed Ikkeisai Yoshiiku ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Saito Toshimoto nyudo Ryuhon (actually Saito Toshimitsu nyudo Ryuhon) in armour struggling with a Chinese brigand underwater. From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki.” A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the 14th century. But in fact the subject of this set of fifty prints (this numbered 48) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. There are a number of different states of this design, the preferable one, as here, has a light blue printed over the whole image to better depict the water. One of the best designs from the set.
Fine impression and colour. Slight centre fold and slight trimming at bottom. Light album backing. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A poem by the celebrated poet Gonchunagon Sadayori from the series Hyakunin isshu no uchi, “One Hundred Poems for One Hundred Poets” which was compiled in 1235 by Fujiwara Teiki (1162-1241). Shows a fisherman catching fish in a fish trap. One of the best designs from the set with fine chiaroscuro printing of the background. Published by Ebisuya Shoshichi, Ebine, 1840-42. Only 58 of the 100 prints are known. Various translations of the poem exist, here is one:
In the early dawn
When the mists on Uji River
Slowly lift and clear
From the shallows to the deep
The stakes of fishing nets appear
Very fine impression. Fine colour. Slight nibbling of top right margin, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Katsukawa SHUNTEI (1770-1820)
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A diptych showing the warrior Nitta no Shiro Tadatsune (1167-1203) in the Hitoana Cave in Mt. Fuji brandishing a firebrand to illuminate the Sengen Bodhisattva, the Deity of Mount Fuji. He is sent on this mission by the Shogun Yoriie and discovers a pitch black cavern filled with bats and snakes. The Deity guides him through the Six Realms of Hell. Published by Yamamotoya Heikichi, c 1810s.
Very good impression, colour and condition. Signed Shuntei ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych showing Saigo Takamori about to commit seppuku in a boat. Next to him are Murata Shinhachito and Kirino Yoshiaki. Saigo Takamori seppuku no zu. The “last true samurai,” he was instrumental in overthrowing the Tokugawa Shogunate. However, he had a falling out with the new Meiji government and returned to his native Satsuma in 1877 and led the so-called Satsuma Rebellion. This failed after seven months and the three in the boat were the last survivors of the rebellion. Published by Okura Magohei, 1877.
Very fine impression. Fine colour. Original album backing, otherwise good condition. Signed Oju Taiso Yoshitoshi.
Status: Sold
Utagawa YOSHITORA (Active c 1850-1880)
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A triptych showing Sato Masakiyo, having invaded Shikoku and overthrowing the castle of Shosokabe Motochika, entered deep into the mountains where he battles an army of huge toads, lizards, bats, spiders, cats and dogs. Sato Masakiyo Shikoku seibatsu no toki Shosokabe Motochika no honjo o semeotosu ori kara hakarazu shinzan ni tachiiri kebutsu taiji no zu. Published by Kinseido, 1862.
Very good impression and colour. Album backing, otherwise good condition. Signed Yoshitora ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Uesugi Kenshin Nyudo Terutora riding into battle. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).
Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.
Status: Sold
Utagawa YOSHITSUYA (1822-1866)
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The magician Ryuomaru battling with a giant dragon from a set of fine designs: Honcho musha kagami, “Mirror of Warriors of Our Country.” Published 1856-7 by Tsujiokaya Bunsuke. A good pupil of Kuniyoshi.
Good impression, colour and condition. Signed Ichieisai Yoshitsuya ga.
Status: Sold
Kawanabe KYOSAI (1831-1889)
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A triptych, Nanba senki no uchi, “The Battle of Nanba,” showing the Buddhist monk Tenkai (1536-1643) chanting a spell, and Okubo Hikozaemon (1560-1639), both retainers of Tokugawa Ieyasu, at the great battle of Domyoji, Osaka, in 1615. Tokugawa Ieyasu’s army clashed with the Osaka army of Toyotomi Hideyori. This led to the fall of Osaka and the death of Hideyori. On the right is a huge exploding land-mine disintegrating a Buddhist stone statue. Published by Ebisuya Shoshichi, 4/1874. Extremely rare: I have only seen one other impression of this design.
Fine impression and colour. Trimmed, otherwise very good condition. Signed Seisai Kyosai and Oju Seisai Kyosai.
Status: Sold
Ogata GEKKO (1859-1920)
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A triptych showing the last stand of the Kusunoki Clan at the Battle of Shijonawate in 1348. The event took place during the Nanbokucho wars when the Kusunoki Masatsura forces of the Southern Imperial Court were attacked at Yoshino by the Northern forces led by Ko no Moroyasu. Masatsura fought valiantly against a hail of arrows, eventually succumbing and committing suicide. . Published 1883 by Matsuo Danzo (who only appears to have survived one year). There is an earlier triptych version of this by Gekko in 1878. A later and far inferior reprint was published in 1901.
Superb impression, colour and condition with extensive burnishing. Signed Gekko ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A print from the set Mitate junishi, “Selection for the Twelve Signs [of the Zodiac].” This being Dog. Shows the wrestler Inuda (Inu, “Dog”) Kobungo umpiring a match between two crabs. Published c. 1845 by Iba-ya Sensaburo. Robinson S38.11.
Fine impression and colour. Very slight trimming, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych showing Yamauba on the left and Kintaro about to wield a large axe to break a large Kaga mimochi, mirror rice cake. This is a traditional Shinto rite in January. January 11th is also the day the wealthy opened their storehouses to air their precious possessions (Kurabiraki). Published by Akiyama Buemon 1891.
Very fine impression with extensive burnishing. Fine colour and condition. Signed Yoshitoshi.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Oho ( Wang P’ou ) visiting his mother’s tomb to comfort her during a thunderstorm. Shows peasants fleeing the zigzag lightning bolts. From a set of fourteen prints: Nijushi-ko doji kagami, “Mirror of the Twenty-Four Paragons of Filial Piety.” Published by Wakasa-ya Yoichi, c 1840. Each print shows an example of a child’s exemplary behaviour in looking after their aged parents There is a strong western influence in this set. Robinson S13.14.
Very good impression and colour. Slight centre fold, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Haso no tsuki, “Moon Through a Crumbling Window” from the set Tsuki hyakushi, the “Hundred Phases of the Moon.” The set published between 1885 and 1892 (this being 1886) by Akiyama Buemon. Shows Bodhidharma (Jap: Daruma), founder of Zen Buddhism, meditating in a cave for nine years after being refused entry to the Shaolin Monastery. He cut off his eyelids in anger after falling asleep two years into the meditation, and tea plants grew where they fell.
Fine impression with strong woodgrain showing in the sky and wall. The set was popular and many editions were printed and many late impressions exist. Great care was taken with the cutting of the blocks on this set and only early impressions do them justice. Fine colour and condition. An impression that has not been in an album. Full margins. Signed Yoshitoshi.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Faith in the Third-day Moon from the set Tsuki hyakushi, the “Hundred Phases of the Moon.” The set published between 1885 and 1892 (this being 1886) by Akiyama Buemon. Shows the standing figure of the samurai Yamanaka Shikanosuke Yukimori. The moon appears both as a half crescent on his helmet, and also on his kamayari, “sickle spear.” The crescent moon was considered a lucky emblem (mikazuki) and Yukimori believed it would bring him good luck in battle
Very fine impression of the earliest printing with beautiful gradation around the figure – often missing on late editions. The set was popular and many editions were printed and many late impressions exist. Great care was taken with the cutting of the blocks on this set and only early impressions do them justice. Fine colour. Light backing and slight trimming at left, otherwise fine condition. Signed Yoshitoshi.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Saito no Oniwakamuru from the set Ikkai zuihitsu, “A Miscellany by Ikkai.” (This being an early name of Yoshitoshi’s.) The young Saito Musashibo Benkei was given the moniker Oniwakamuru “Devil Child” because of his feats of strength and general behaviour. The episode depicted here, which was a popular theme for artists, shows the young Oniwakamaru battling a giant carp at the Bishamon Waterfall, where he has gone looking for his mother, Ohaya. On killing the carp, he discovers it has eaten his mother. A set published by Masadaya Heikichi, 1872-3 (this being 1872). Even amongst Yoshitoshi’s best work, this is an outstanding design.
Very fine impression of the first edition. Fine colour and condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Shows the famous Heron Maiden. There are different versions of this story but the most common tells how a young man finds an injured heron. He nurses it back to health and releases it. Some time later a beautiful young woman appears in his village. He falls in love and they marry. She makes fine brocade which they sell, but she does not allow him to see her making it. Tempted , he secretly views her only to discover she is the heron. This is the end of their marriage and the heron flies away. From the set Shingata sanjurokkaisen, “New Forms of Thirty-six Ghosts,” subtitle: Sagi-musume. The set published by Sasaki between 1889-1892 (this being 1889). This is the first edition.
Very fine impression, colour and condition. Signed Yoshitoshi.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Musashino no tsuki, “The Moon on Musashi Plain” from the set Tsuki hyakushi, the “Hundred Phases of the Moon.” The set published between 1885 and 1892 (this being 1892) by Akiyama Buemon. One of the three best designs from the set and one that relies most on the printer’s art – using extensive bokashi. The fox was capable of transmogrifying into human form and vice versa and was popular in Japanese folklore.
Very fine impression with beautiful gradation of the earliest printings on the grasses around the fox. (See Beauty & Violence, 1992, 54.97, p. 75 for an example of the more prosaic later printing.) The set was popular and many editions were printed and many late impressions exist. Great care was taken with the cutting of the blocks on this set and only early impressions do them justice. Fine colour and condition. An impression that has not been in an album. Full margins. Signed Yoshitoshi.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A fox priest from the set Tsuki hyakushi, the “Hundred Phases of the Moon.” The set published between 1885 and 1892 (this being 1886) by Akiyama Buemon. Based on the Kyogen farce Konkai, “A Foxe’s Cry” which tells of a hunter who is lectured on trapping foxes by his uncle, a priest. On his way home his uncle turns into his true form, a fox, and is snared in a trap. Yoshitoshi’s design shows the uncle transmogrifying into a fox. One of the best designs from the set.
Fine impression and colour from an early printing. The set was popular and many editions were printed and many late impressions exist. Great care was taken with the cutting of the blocks on this set and only early impressions do them justice. Fine colour and condition. An impression that has not been in an album. Full margins. Signed Yoshitoshi.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Saginoike Heikuro from Honcho Suikoden goyu happyaku-nin no hitori, “Eight Hundred Heroes of our Country’s Suikoden, One by One.” Shows the brigand wrestling with a huge serpent at the Lake of Sayama (or Hazama) at Tondabayashi in the Province of Kawachi. Published by Ibaya Sensaburo, c 1845. (First issued by Kaga-ya Kichiyemon, c 1831, his seal just visible lower right corner.) Robinson S4b.4. A fine design.
Very good impression and colour. Full size. Slightly soiled bottom left, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Kyusempo Sakucho (Chin: Suo Chao) at the battle of Peking from Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi’Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Shows the warrior wielding a huge axe and plunging through deep snow on his horse. He was renowned for being seven chi tall (just over seven and a half feet) and impetuous in battle, often charging ahead of his men – hence his nickname “Impatient Vanguard.” Published by Kaga-ya Kichiyemon, c 1827-30. Provenance: Ex B.W. Robinson collection. Robinson S2.44.
Fine impression, colour and condition. Full size (rare with designs from this set). Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The warrior Hitentaisei Rikon (Chin: Li Gun) in armour and holding a hand spear (nage-yari) the use of which he excelled at. He scans the horizon from a craggy outcrop. From the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi’Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kaga-ya Kichiyemon, c 1827-30. Robinson S2.21.
Fine impression, colour and condition. Full size (rare with designs from this set). Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Shows the warrior Chinsanzan Koshin (Chin: Huang Xin) holding the “Sword of Death.” His nickname was the “Guardian of the Three Mountains” because of his boast that he could easily eradicate the bandits from the three mountains in the Qingzhou region. . From the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi’Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kaga-ya Kichiyemon, c 1827-30. Robinson S2.10.
Fine impression, colour and condition. Full size (rare with designs from this set). Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Shows the fearsome female warrior, Fujinoye, defending Takadachi Castle in 1189. In a rain of arrows she attacks Yemoto Juro and Nagasawa Uyemon-taro on the castle steps. From the set Honcho Suikoden goyu happyaku-nin no hitori, “Eight Hundred Heroes of our Country’s Suikoden, One by One.” Published by Kaga-ya Kichiyemon, c 1831. Robinson S4a.1.
Fine impression and colour. Slight trimming at bottom, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Shows Sasaki Saburo Moritsuna, holding a dirk in his mouth, and strangling the fisherman Fujidayu. From an untitled set published by Kawaguchi-ya Uhei, c 1825-30. The story revolves around Moritsuna bribing the fisherman to reveal the whereabouts of the shallows at Fujito, a strait separating Kojima from the mainland, and being 500 yards wide impossible for the troops to cross without boats to attack the Taira forces. The version depicted here shows Fujidayu being killed, rather than just bribed. Robinson Sia.6.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych Gikeiki Gojobashi no zu, “Gojo Bridge in the Chronicles of Yoshitsune.” Shows Musashi-bo Benkei of herculean strength subdued by the young Onzoshi Ushiwaka Maru (Yoshitsune) on Gojo Bridge.The story relates how Benkei (1155-1189) wandered around Kyoto with the intention of relieving 1000 samurai of their swords. One night, with one more sword to go, he saw Yoshitsune playing a flute and wearing a golden sword at the Gojotenjin Shrine. They agreed to fight on Gojo Bridge in southern Kyoto. However, Yoshitsune was too agile for Benkei and had been educated in the secrets of fighting by the tengu. Following Yoshitsune’s victory Benkei became Yoshitsune’s retainer. Published by Morimoto Junzaburo, 1881. One of Yoshitoshi’s best designs.
Very good impression and colour. Later editions lack the black outline around the moon and have clouds added. (Interestingly, a feature usually found on the earliest states of prints, but in this case the reverse.) Very good condition. Signed Taiso Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych showing the Japanese Buddhist deity Fudo Myo-o, one of the five “Kings of Wisdom,” above the novitiate priest Yuten Shonin (1637-1718) about to consume the sword of wisdom thereby gaining supernatural wisdom and enlightenment. (Often miscatalogued as threatening him.) On the right is the goddess of mercy, Kannon. The scene is set in the Zojoji Temple where Shonin goes on to become the Abbot. Published by Akiyama Buemon, 1885.
Fine impression with the publisher’s details intact in the left border of last sheet – often trimmed off. Fine colour and condition. Signed Yoshitoshi.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The best design from a set of half-length otokodate figures: Kuniyoshi moyo shofuda tsuketari genkin otoko, “Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” Here showing Danshichi Kurobei emptying a bucket of water over himself. Danshichi was a fishmonger in the city of Sakai who murdered somebody in the mid-winterof 1697, the body only being discovered when the snow melted. He is often depicted pouring water over his head, although there are also versions where he commits the crime in a swamp. Published by Ibaya Kyubedi, 1845. Poem by Hoshitei.
Very good impression and colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Tamiya Boutaro from a set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Shows the spirit of the tengu helping Tamiya Boutaro Munechika avenge his father’s death. The set published by Tsuda Genshichi 1881-87 (this being 1881).
Fine impression: This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing. Fine colour and condition. Signed Oju Yoshitoshi ga.
Status: Sold
An original BLOCK (c. 1715)
An original double-sided wood block, c. 1715. This is the earliest block I have catalogued or indeed seen. Shows warriors in combat on one side and on the reverse a samurai and attendant approaching a beauty on a balcony. Sold “as is” with all imperfections. Rare.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The priest Nichiren standing on a rocky promontory at Reizen in Kamakura and having his prayers for rain answered. The event occurred in 1271. His disciples surround him and protect him from the deluge with a large umbrella. Bunei hachi Kamakura Reizan-ga-saki uki. The second best design from Koso [Nichiren] goichidai ryakuza, “Illustrated Abridged Biography of the Founder.” Nichiren (1222-1282) was the founder of the Buddhist Nichiren sect (Nichiren shu – Kuniyoshi being a follower) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei c. 1831.
Fine impression. This example has an orange-red colour used on Nichiren’s robe and umbrella rather than the brighter red of other impressions. Very good colour and condition. Full size with ample room on top border for the umbrella which protrudes beyond the border and is notorious for being trimmed. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Kobayashi KIYOCHIKA (1847-1915)
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A triptych, Akechi Samanosuke Mitsuhara kosui joho Karasaki matsu no zu. Shows Akechi Samanosuke Mitsuhara swimming with his horse and with his kikyo (Chinese bell flower) standard tied to his back across Lake Biwa to his cousin’s house at Sakamoto where he kills Mitsuhide’s wife and children to prevent them being captured. The Karasaki pine can be seen in the background. The event takes place in 1582. One of Kiyochika’s best designs. Published 1899.
Very fine impression. Fine colour and condition. Signed Kiyochika hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A vertical diptych Shunkan sozu Kikaigashima ni oite tamatama Yasuyori no shamen sembo kito no zu. Shows Shunkan watching a boat sail away from Kikai Island with his pardoned compatriots. Shunkan, the abbot of the Zen temple Hoshoji in Kyoto, was exiled to the barren island of Kikaigashima together with two confederates in 1177 for conspiring against Taira no Kiyomori. The following year Kiyomori pardons political prisoners but omits Shunkan. He is seen here beseeching the boat with his two conspirators to return. Published by Matsui 1886.
Fine impression of first state. Fine colour with splashed gofun and blind-printing. Fine condition with ample room for joining the two sheets. Signed Yoshitoshi.
Status: Sold
Utagawa KUNISADA (1786-1865)
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A very early and extremely rare diptych showing Hakamadare Yasusuke and Hirai no Yasumasa. A famous story depicted many times by other artists during the following century. The story relates how Yasumasa, an accomplished flautist, is playing his flute one evening on Ichihara moor. Unknown to him, the villain Hakamadare Yasusuke is creeping up to steal his sumptuous robe. At the last minute Yasusuke is so captivated by the beauty of the music that he abandons his plan. It turns out he is Yasumasa’s brother and is given a fine set of robes. Published by Iseya Rihei (Kinjudo) c. 1815.
Very good impression and colour. Trimmed round. Signed Gototei Kunisada ga.
Status: Sold
Suzuki HARUNOBU (1724-1770)
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A pillar print showing a young dandy holding an Odawara lantern on entering a Shinto shrine. One leg of the Torii is in the background behind a hinoki tree. Another impression is illustrated in The Japanese Pillar Print, Hashira-e, Jacob Pins, Robert G. Sawers publishing, 1982, 184a, p. 118 which also shows a variant impression with a night sky, 184b.
Very good impression. Good colour for a pillar print: This format is notorious for fading and browning. Very good condition. Signed Suzuki Harunobu ga.
Status: Sold