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Utagawa HIROSHIGE (1797-1858)

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An original painting, sumi and light colour on paper, 34.25 x 11.5 in; 87 x 29 cm. Shows a seated courtesan, her summer robe with a water wheel and wave motif. A beautiful poem above which has been translated by Joel Earle:
TITLE The title of the painting is 蓴 (jun, nunawa), the aquatic plant Brasenia schreberi, commonly known as watershield. TRANSCRIPTION 中々尓夢路耳河者ゝ袖飛きてい者まほし幾尓あ那ら聲尓天 Naka naka ni / yumeji ni kawamono wa / sode hikite / iwama hoshiki ni / anara koe nite TRANSLATION Ah, how vexing! In the path of dreams where I travel towards you, you draw near like a flowing river and tug at my sleeve. I long to speak—but your alluring voice leaves me breathless. COMMENTARY Title The painting’s title, nunawa, is a metaphor for a courtesan, kawaramono who inhabits in the Floating World of Water, referring to the lively, impermanent realm of riverside quarters, performers, and night-time entertainment. Text 中々に naka naka ni. Conveys a sense of frustration, of “things not going as one wishes”, especially in love. 夢路に yumeji ni. “On the path of dreams”. Not just “in a dream” but on the classical path in which one travels to meet a beloved in dreams, and by extension, the road to the pleasure quarters. 河者ゝ kawamono ya. This term is tricky and layered. It literally evokes a river’s flow, something that comes toward you, but in Edo usage, 河者 kawamono or 河原者 kawaramono could be a derogatory term for performers, kabuki actors, entertainers, etc.—people who “flow in and out” of the pleasure world. 袖ひきて sode hikite. A classic gesture: pulling the sleeve to invite or entice. 言はまほしきに iwama hoshiki ni. A clear wish or desire: “I want to speak (to you)”. あなら聲にて anara koe nite. A seductive, alluring voice, indicating softness and charm.
The painting is in the Shijo style which employs the rapid and dexterous use of a brush loaded with pigment to achieve tonality without initial drawing or outline. While the results can be detailed, they often capture the essence of a subject in an abbreviated manner.
Signed Hiroshige with Ichiryusai seal. Rare. See my Hiroshige painting blog. Recently cleaned and remounted with futomaki and new box.
Status: Available
Price: £14,500

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Shibata ZESHIN (1807-1891)
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Signed Zeshin on last sheet with Zeshin seal. Other sheets with seals Koman and Shin. Comes with original paulownia box. In very good condition.
Status: Available
Price: £4,500
Suzuki HARUNOBU (1724-1770)

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An hosoban mizue, “water print” showing the poet Ariwara no Narihira (825-880) in a boat with his companions gazing at a pair of miyakodori birds inspiring his poem (shown in the poem-slip top right) asking the birds if his lover is safe. From a set Mukashi otoku, “Once There Was a Man,” illustrating episodes from the Ise monogatari. Mizue prints were produced in almost translucent washes without a black outline and had a vogue around 1762-1764 bridging the gap between two and three colour printing and full polychrome printing pioneered by Harunobu. This is only one of two designs surviving from the set. For another impression see The Harunobu Decade, David Waterhouse, Hotei publishing, 2013, no. 24, p. 54 (where the birds are not visible, but Waterhouse surmises [correctly] that they are there). Unidentified publisher’s seal c 1762-64. Rare.
Very good impression. Possibly the waves and other small areas were printed using the dayflower which was notorious for rapidly fading to a puce colour when exposed to light and moisture. In fact, there are very few mizue prints extant where the fugitive pigment is still visible. Otherwise very good colour and condition. Signed Harunobu ga.
Status: Available
Price: £2,800
Katsushika HOKUSAI (1760-1849)
An original 1815 two-sided woodblock carved from cherry wood (yamazakuro), 16 x 8.75 in; 40.5 x 22.25 cm, for the book: Ehon joruri zekku, “Picture Book with Mixed Verses on Joruri.” Four illustrations for pages 17 and 11. The book pairs scenes from popular puppet and kabuki plays with classical Chinese poetry provided by Hokusai’s pupil Hokutei Bokusen. Sold together with: A) An early edition of the book complete published by Kadomaruya Jinsuke, Edo and Matsuya Zembei, Nagoya, 1815. In good condition with original covers and title-slip. (57 images). B) A later but still Edo period printing copy published by Kadomaruya Jinsuke, Edo and Matsuya Zembei, Nagoya. On thick paper with bad wormage. Missing original covers. (54 images). C) A post 1868 two volume coloured edition published by Kadomaruya Jinsuke, Edo and Matsuya Zembei, Nagoya.
Good condition with original covers and title-slips. (56 images). D) Modern pulls from both sides of the block made by Paul Binney. Block sold “as is” with all imperfections. An excellent study group.
Status:Available
Price: £4,800
Katsukawa SHUNSHO (1726-1792)

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Very good impression and colour. Minor creasing and soil, otherwise very good condition. Signed Shunsho ga.
Status: Available
Price: £2,800
Tsukioka YOSHITOSHI (1839-1892)

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Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Available
Price:£900
Tsukioka YOSHITOSHI (1839-1892)

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Fine impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Available
Price: £850
Utagawa HIROSHIGE (1797-1858)

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Very fine early impression. Fine colour. Minimal soil bottom right margin. Large margins. Fine condition. Signed Hiroshige ga.
Status: Available
Price: £8,800
Utagawa HIROSHIGE (1797-1858)

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Fine impression and colour, the rain printed with gofun. Very light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Price: £5,800
Utagawa HIROSHIGE (1797-1858)

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Fine impression and colour. Minor soil, otherwise very good condition. Signed Hiroshige ga.
Status: Available
Price: £8,800
Utagawa HIROSHIGE (1797-1858)

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Fine impression and colour. This is the first edition with variegated cartouche. Slight centre fold and very small marks in top margin, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Price: £2,800
Utagawa HIROSHIGE (1797-1858)

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Fine impression and colour. This is the first edition with variegated cartouche. Slight centre fold, otherwise fine condition. Signed Hiroshige ga.
Status: Available
Price: £2,800
Utagawa HIROSHIGE (1797-1858)

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Fine impression with strong blind-printing on the fall. Slight fading and toning in margins, otherwise very good condition. Very large borders. Signed Hiroshige ga.
Status: Available
Price: £2,800
Utagawa TOYOKUNI II (TOYOSHIGE) (1777-1835)

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Fine impression. Fine colour with the title cartouche still retaining some purple which is famous for fading to a puce colour. Slight centre fold, otherwise very good condition. Signed Toyokuni hitsu.
Status: Available
Price: £18,000
Utagawa TOYOKUNI II (TOYOSHIGE) (1777-1835)

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Fine impression and colour with colour in title cartouche perfectly retained. Fine condition. Signed Toyokuni hitsu.
Status: Available
Price: £3,800
Utagawa TOYOKUNI II (TOYOSHIGE) (1777-1835)

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Fine impression and colour with colour in title cartouche well retained. Fine condition. Signed Toyokuni hitsu.
Status: Available
Price: £4,200
Utagawa TOYOKUNI II (TOYOSHIGE) (1777-1835)

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Fine impression and colour with colour in title cartouche well retained. Fine condition. Signed Toyokuni hitsu.
Status: Available
Price: £6,800
Utagawa TOYOKUNI II (TOYOSHIGE) (1777-1835)

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Fine impression and colour with colour in title cartouche well retained. Fine condition. Signed Toyokuni hitsu.
Status: Available
Price: £5,500
Tsukioka YOSHITOSHI (1839-1892)

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Very fine impression, colour and condition. Signed Oju Yoshitoshi hitsu.
Status: Available
Price: £1,580
Utagawa KUNISADA (1786-1864)

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Extremely fine de-luxe impression with splashed gofun. (There is a later edition lacking all the refinements.) Very fine colour. Fine condition. Signed Nanajuhassai Toyokuni hitsu, “Seventy-eight-year-old Toyokuni drew.”
Status: Available
Price: £1,280
Utagawa KUNISADA (1786-1864)

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Extremely fine de-luxe impression with mokume-zuri on the bucket. (There is a later edition lacking all the refinements.) Very fine colour. Fine condition. Signed Nanajuhassai Toyokuni hitsu, “Seventy-eight-year-old Toyokuni drew.”
Status: Available
Price: £1,280
Utagawa KUNISADA (1786-1864)

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Extremely fine de-luxe impression. (There is a later edition lacking all the refinements.) Very fine colour. Fine condition. Signed Nanajuhassai Toyokuni hitsu, “Seventy-eight-year-old Toyokuni drew.”
Status: Available
Price: £1,280
Utagawa KUNISADA (1786-1864)

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Chivalrous Man in the Theatrical World.” Kabuki actors playing legendary chivalrous outlaws – otokodate. Shows Tobei having murdered his blind stepbrother in a thunderstorm. He was famous for his incredible strength and was supposedly the son of the great warrior Asahina Yoshihide. This and some other Kunisada sets around this date represent the ultimate in block cutting and precision keying with sophisticated printing techniques employing every embellishment: blind-printing, splashed pigment, burnishing, refined bokashi and mokume-zuri, while using the best quality pigments and paper. Published by Yorozucho Hiranoya (Akindo), 1863.
Extremely fine de-luxe impression. (There is a later edition lacking all the refinements.) Very fine colour. Fine condition. Signed Nanajuhassai Toyokuni hitsu, “Seventy-eight-year-old Toyokuni drew.”
Status: Available
Price: £980
Utagawa KUNISADA (1786-1864)

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Extremely fine de-luxe impression with fine blind-printing on the hair. (There is a later edition lacking all the refinements.) Very fine colour. Slight soil on the hair, otherwise fine condition. Signed Nanajuhassai Toyokuni hitsu, “Seventy-eight-year-old Toyokuni drew.”
Status: Available
Price: £980
Kitagawa UTAMARO II (?-1831)

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Very good impression. Slight fading and minor soil and creasing, otherwise good condition. Full size. Signed Utamaro hitsu.
Status: Available
Price: £3,500
Kikugawa EIZAN (1787-1867)

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Fine impression. Very good colour. Slight creasing and signs of mounting au verso, otherwise good condition. Signed Eizan hitsu.
Status: Available
Price: £1,480
Utagawa YOSHITORA (Fl. c 1850-1880)

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Very good impression, colour and condition. Signed Ichimosai Yoshitora ga.
Status: Available
Price: £3,200
Utagawa TOYOKUNI I (1769-1825)

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Very good impression and colour. Album backing and several very small backed pin holes. Signed Toyokuni ga.
Status: Available
Price: £3,800
Utagawa KUNINAO (1793-1854)

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Fine impression and colour. Lightly toned. Extremely large margins. Signed Kuninao ga.
Status: Available
Price: £2,000
Toyohara KUNICHIKA (1835-1900)

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Very fine impression, colour, and condition. Signed Kunichika ga.
Status: Available
Price: £3,800
Okumura MASANOBU (1686-1764)

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One of the most influential and innovative print designers, publishers and painters. He is also credited with inventing the hashira-e as well as being the first to use multiple-block printing. A wide hashira-e (habahiro hashira-e, 24 x 6 in; 61 x 15 cms) showing the actor Sanogawa Ichimatsu I. Masanobu designed a number of prints showing this popular actor who started the fashion for the hisobi pattern on his costume which is now called the Ichimatsu moyo. Published by Masanobu c 1741. Rare.
Fine impression. Hand-applied colour: yellow, light red and light orange. Slight fading, otherwise very good condition. Signed Hogetsudo shomei Okumura Bunkaku Masanobu shohitsu, “Truly published by Hogetsudo and true brush by Okumura Masanobu” with seal Tanchosai.
Status: Available
Price: On request
Shotei HOKUJU (Active 1787-1818)

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Kai no kuni Saruhashi no shinsha no zu, “A True View of the Monkey Bridge in the Province of Kai.” An impressive wooden bridge spans a deep chasm. It was called the “Monkey Bridge” because the original rickety plank structure was so precarious that only an agile monkey could cross it. Hokuju produced a number of these westernised landscapes and this is one of the best designs. Published by Nishimuraya Yohachi, c 1815. It is also known with variant colour schemes.
Very good impression and colour. Slightly trimmed around and imperceptible centre fold. Signed Shotei Hokuju ga.
Status: Available
Price: £5,800
Utagawa YOSHIFUSA (Act. 1837-1860)

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A triptych showing the vengeful spirit of Akugenta Yoshihira in a giant ball of fire sending a lightning bolt down on Nanba Jiro. Retaliation for having been defeated and beheaded during the Heiji rebellion. (There are other explanations for Yoshihira’s revenge, but this is the most common.) The revenge takes place at the Nunobiki Waterfall near Kobe. The scene watched by Taira no Kiyomori. Published by Omiya Kyujiro (Kinkyu) 1856.
Fine impression. Very good colour although extensive oxidation. Edge crease on centre panel, otherwise very good condition. Signed Ipposai Yoshifusa Ga.
Status: Available
Price: £3,800
Attributed to Suzuki HARUSHIGE (Shiba KOKAN 1747-1818)

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A winter scene with a young courtesan on an engawa gazing at an upturned ladle resting in a water basin formed from a hollow tree trunk. Behind her a young beauty peers out through the shoji. The scene calls to mind the Bell of Damnation (Muken no kane) act in the play Hiragana Seisuiki where Umegae strikes the water basin with a ladle to produce gold coins. Harushige was the ukiyo-e go of Shiba Kokan, the first artist to try copper plate engraving and who studied oil painting and etching from books he saw in Nagasaki. For a time a pupil of Harunobu whose style his prints resemble. Extremely rare: I cannot, at the moment, locate another impression. Published c early 1770s.
Fine impression. Extremely good colour, the orange pigment partly oxidised. Possibly slightly trimmed left and bottom, otherwise very good condition.
Status: Available
Price: £12,000
Utagawa TOYOKUNI I (1769-1825)
An original drawing by the first Toyokuni. An hanshita-e diptych for a published set of triptychs with title: Yakusha juni tsuki, “Actors in the Twelve Months.” Shows the actors (from the left) Bando Mitsugoro III holding a pipe; Iwai Hanshiro V with an open book; Nakamura Utaemon III about to write a poem; and Segawa Roko IV with another pipe. They are compared to the months of the year, in this case July, the month of the Bon Odori festival and are also a parody of the Six Immortal Poets. The print published by Yamashiroya Toemon (active c. 1801-1817). In fact this set was published Spring, Bunka 6 (1809). Sumi on thin paper laid around edges onto another sheet. Some pentimenti and also shows the initial hurried under-drawing and with annotations for the finished print. Sold together with the two published sheets which shows the lanterns removed at top, the brazier bottom centre and other minor changes. In indifferent condition. An illustrated example of this complete triptych is in the Austrian Museum of Applied Arts.
The print signed Toyokuni ga. Original hanshita-e by Toyokuni I are extremely rare. Sold “as is” with all imperfections.
Status: Available
Price: £2,500
Hishikawa SORI (Active 1797-1813)

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An original painting, full colour on silk, 43.25 x 14 in; 109.8 x 35.6 cms. An early pupil of Hokusai (who gave him his name Hishikawa Sori in 1798, it previously being Tawaraya). Generally referred to as Sori III. Produced a considerable number of small surimono – some of which can be confused with Hokusai’s work. Shows a beauty with a monkey at her feet. There is a print closely following the painting published in 1906. Illustrated in Nihon ukiyoe hakubutsukan, ed., Nikuhitsu ukiyoe senshu gekan (Selected Painting of Ukiyo-e, second vol.) Tokyo: Gakushu kenkyusha, 1985, plate 193.
In very good condition. Signed Hyakurin Sori ga with seal Sori.
Status: Available
Price: £9,000
Ichiryusai HIROSHIGE (1797-1858)

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Seki and Kameyama from the chuban Muraichi Tokaido. The set of 56 prints published by Muraichi, 1852. Printed two-to-a-sheet uncut and probably from a complete proof set. Double censor’s seals Murata and Kinugasa and date seal 2ic/1852 top right.
Fine impressions with strong woodgrain showing. Fine colour. Very small binding holes in right border, otherwise fine condition. Signed Hiroshige ga on each print.
Status: Available
Price: £800
Utagawa KUNIYOSHI (1798-1861)

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Cao Cao (Jap. Shuso) and Pang De (Jap. Hotoku) in the Han river during the battle with Guan Yu. From a set of Chinese warrior prints: Tsuzoku sangokushi eiyu no ichinin, “Heroes of the Popular History of the Three Kingdoms.” Published by Joshuya Kinzo, c. 1836. Robinson S10.8 (although only known as a key-block proof). Rare.
Superb impression. Very fine colour and condition. As the day it was printed. Signed Chooro Kuniyoshi ga.
Status: Available
Price: £3,800
Kikugawa EIZAN (1787-1867)

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An early complete 5-sheet (pentaptych) design being a mitate-e of a daimyo’s procession along Kugenuma beach with Enoshima island and Mt. Fuji in the background. Harugasumi hana iki retsu, “Journey in the Spring Mist.” The regional feudal lords (daimyo) were required every alternative year to travel to the capital of Edo. This was a deliberately costly affair and secured their loyalty as they had to leave their families in Edo. In this design young women replace the daimyo’s retinue. Published by Kawaguchiya Uhei, 1811-14. Its rare to find 5 or 6-sheet prints complete.
Fine impression and colour. Light album backing, otherwise very good condition. Signed Kikugawa Eizan hitsu.
Status: Available
Price: £8,000
Matsumura KEIBUN (1779-1843)

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An original painting, sumi and very light colour on paper, 52.5 x 20 in; 133.5 x 51 cms. Keibun studied with his older half-brother Matsumura Goshun as well as Maruyama Okyo. At his best, the equal of Goshun. Noted for his kachoga, as here, showing a bird on a flowering branch and a gourd vine.
In good condition. Signed and sealed Keibun.
Status: Available
Price: £2,200

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