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Katsukawa SHUNTEI (1770-1820)




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A surimono, number two, from a set of three entitled Buyu sanban tsuzuki, “Three Examples of Martial Bravery.” Shows Minamoto no Tametomo (1139-1170). A famed archer and of huge stature, he is shown here with his bow and arrows being offered a coral tree from a representative of a conquered land. Shuntei, a pupil of Katsukawa Shun’ei, produced a number of surimono as well as working in other genres. Issued for the Taikogawa Poetry Club, c late 1810s. Poems above by Wajotei Harunaga and Kasentei. The other two from the set are in the MFA Boston, 53.2733 (the first) and 53.2735 (the third). Another impression of this design is also in MFA Boston, 53.2734. Ex collection Louis Gonse, seal au verso. Rare.

 

 

Fine impression and colour with extensive gold and silver. Fine condition. Signed Shokyuko Shuntei ga.

 

 

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Ichiryusai HIROSHIGE (1797-1858)




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An original drawing showing a beauty with an acolyte. Sumi on thin paper. 14.5 x 10.5 in., 37 x 27.5 cms.



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Ichiryusai HIROSHIGE (1797-1858)




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A large original drawing. Probably for a kakemono-e. Sumi on thin paper. 29.5 x 9.75 in., 73 x 24 cms.



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Ichiryusai HIROSHIGE (1797-1858)




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An original drawing showing a full length study of a woman with details of the pattern on her dress. Sumi and red under-drawing on thin paper. 14.75 x 10.75 in., 37.5 x 27.5 cms.



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Ichiryusai HIROSHIGE (1797-1858)




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An original drawing showing a bust portrait of a Heian beauty holding a fan with a surrounding motif of gourds and leaves. Sumi and red under drawing on thin paper. 18.5 x 12 in., 47 x 31 cms.



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Ichiryusai HIROSHIGE (1797-1858)




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An original drawing showing a full length study of a peasant carrying a box on her head. A small vignette of a samisen player at the bottom left. Sumi on thin paper. 12.75 x 9.5 in., 33 x 24 cms.



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Ichiryusai HIROSHIGE (1797-1858)




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An original drawing showing a study of a seated woman holding a rosary in front of an incense burner. Sumi and pentimenti on thin paper. 13 x 9.5 in., 33 x 24.5 cms.



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Okumura TOSHINOBU (Active c 1717-1750)



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An hosoban showing a young actor in the role of a peddler of Chinese medicine, an Uiro, in a scene called Uiro-uri. This role is associated with the Danjuro line and Danjuro II did perform it more than once. Published c 1720 by Emiya. Rare.

 

Good impression. Coloured by hand: mustard yellow, yellow, gold powder and heavy sumi over an embossed pattern. Possibly some fading, otherwise very good condition. Signed Yamato gwako Okumura Toshinobu hitsu.

 

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Utagawa KUNIYOSHI (1797-1861)




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Three New Year drummers; two with lion (shishi) masks. Sumi and colour on paper, lightly laid onto card. 24.2 x 36.2 cms; 9.5 x 14.25 inches.


In good condition. Unsigned but from a group, one of which bore full signature.



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Shibata ZESHIN (1807-1891)




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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows a group of Japanese poppies. On thin paper laid onto Japanese paper, 7.5 x 10 in; 19 x 25.5 cms.


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Shibata ZESHIN (1807-1891)




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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows a group of daffodills. On thin paper laid onto Japanese paper, 7.5 x 10.5 in; 19 x 26.5 cms.


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Shibata ZESHIN (1807-1891)




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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows the entrance to a shrine with numerous ema hanging under cover and two figures entering. On thin paper laid onto Japanese paper, 7.25 x 9.75 in; 18.5 x 24.5 cms.


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Shibata ZESHIN (1807-1891)




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A fine original drawing in sumi and colour for the series Hana kurabe, “A Comparison of Flowers” published by Shugyokudo between c 1875 – 1890. The set of 120 prints was issued in groups of 12 enclosed in paper wrappers. This design shows an unidentified plant with purple-black berries – possibly a variety of elderberry. On thin paper 7.25 x 10.5 in; 18.5 x 26.5 cms. Signed Zeshin and an indication for where the Shin seal should go. Sold together with the published print. Backed and with centre fold. Signed Zeshin and Shin seal.


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Ichiryusai HIROSHIGE (1797-1858)




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An excessively rare triptych: Onkyoku sekai awase, “Matching the World and Music,” showing 13 dramatic illustrations of the Joruri world ( these being the famous narrated stories ). All episodes are shown against a snowy backdrop. Published 1849-50 by Ibasen.


Fine impression and colour. Some nice oxidation at bottom and very minor soil. Very good condition. Signed Hiroshige giga, “drawn to amuse.”


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Ichiryusai HIROSHIGE (1797-1858)




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‘Evening Snow at Uchikawa’, Uchikawa bosetsu from the early set Kanazawa hakkei, ‘Eight Views in Kanazawa’ published by Koshimuraya Heisuke, c 1835-6. This is an extremely rare and fine set and examples in good condition are very difficult to find. 31-syllable waka poem above. One of Hiroshige’s finest compositions.


Fine impression, colour and condition with large margins. Signed Hiroshige ga.



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Tsukioka YOSHITOSHI (1839-1892)




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“Looking Weighed-down: The Appearance of a Waitress at Fukagawa in the Tempo Era” ( 1830 – 1844 ). From the set: Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The waitress is shown carrying a tray of rice, sashimi and beans.


Very fine impression and colour of the first edition. A mulberry fibre towards top edge, otherwise very fine condition with margins intact. ( These thread-like filaments of the tree sometimes survived the pulping process – either minute pieces of the outer or inner bark and are often seen. ) Signed Yoshitoshi ga.


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