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Tsukioka YOSHITOSHI (1839-1892)



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A triptych Taira Kiyomori hi no yamai no zu, “The Fever of Taira no Kiyomori.” Kiyomori’s wife, Niidono, dreams that the King of Hell, Ema, is coming for Kiyomori for his crime of burning the Rushana Buddha. His family gather around him and pray but to no avail. He dies on the 4/2/1181. Shows Niidono and her son beside a convulsed Kiyomori. Behind are visions of hell with Ema and figures who may have been Kiyomori’s victims. Published by Akiyama Buemon, 1883.

 

Fine impression, colour and condition. A lovely copy of this triptych. Signed Yoshitoshi ga.

 

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Shunchosai HOKUSHU (Active 1822-32)




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Onoe Kikugoro III as the ghost of Oiwa in Irohagana yotsuya kaidan, “Ghost Story of Yotsuya.” Performed at the Kado Theatre, 1/1826. Probably the best known Japanese ghost story and has been made into a number of films. Tamiya Iemon, a masterless samurai, murders the wife he has disfigured who comes back to haunt him until he is driven mad and subsequently killed by Oiwa’s brother. Evidently, Kikugoro’s performance was something of a sensation at the time as he gave a bravura performance playing both the ghost of Oiwa and Koheiji who were nailed on opposite sides of a panel dropped into the river. There are at least five states of this print. The first appears to be that illustrated in Roger Keyes, The Theatrical World Of Osaka Prints, Philadelphia Museum Of Art, 1973, no. 34, p. 108 with the engraver and two printers and the writing printed in silver. The example offered here appears to be a second state without the engraver and printers’ seal but with the writing still printed in silver. Other impressions with different seals and lacking the first three lines of writing and the silver are known. See The Tsubouchi Memorial Theatre Museum of Waseda University catalogue, Kamigata Prints in the former period: part 1, nos. 279 and 280. Also BM impression 1962,0210,0.2 which may be the last state.

 

 

Fine impression and colour with calligraphy in silver. Very good condition; full size. Signed Shunchosai Hokushu ga.

 

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing the night attack in pouring rain by the brothers Juro Soga and Goro Soga on their father’s murderer Kudo Suketsune. They had waited 18 years for the opportunity which came in 1193 when there was a hunting party held at the base of Mount Fuji by the Shogun Minamoto no Yoritomo. Soga kyodai chichi no ada-uchi no zu. In the centre is Goro and on the left Juro. Above, the cloth panels with the paulownia crest of the Minamoto clan. Published by Sanoya Kihei, 1851-3.

 

 

Fine impression and colour. Slight trimming at top and residual glue at edge of centre sheet, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Utagawa KUNIYOSHI (1797-1861)



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Kaneko Kugutsune (aka Okane, Kane-jo, and Omi no Okane) from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.5. Known as the Strong Woman of Omi, she is credited with subduing a runaway horse by holding its rein down with her geta. She is shown here with her washtub, the wild horse in the background.

 

 

Superb impression and colour. Very slight crinkling , trimmed close and some small wormage, otherwise fine condition. Signed Cho-o-ro Kuniyoshi ga.

 

 

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Utagawa KUNIYOSHI (1797-1861)




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A fine original sumi drawing (hanshita-e) for an unpublished print for the set Tokaido gojusan tsui, “Fifty-three Parallels for the Tokaido Road.” The set was published by various publishers in 1845-6 and was a collaboration with Kunisada and Hiroshige. Sumi on thin paper. This is a design for the lower half of the oban print, the top half having the title and a panel with the name of the post-station. Shows Yamato Takeru no Mikoto. A legendary prince, son of the Emperor Keiko. Shown here with his retainers.

 

 

In extremely good condition. Provenance: Purchased from me in 21/11/1975. Rare.

 

 

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Toyohara KUNICHIKA (1835-1900)




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A cho-oban (20 x 6.75 inches) print showing beauties fishing. The top figure has caught a crayfish. Each design interprets a haiku poem in red, top right. A set of 6 prints published by Matsui Eikichi, 1893. Rare.

 

 

Fine impression and colour. Slight creasing, otherwise fine condition. Signed Toyohara Kunichika hitsu.

 

 

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Utgawa HIROSHIGE (1797-1858)




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Kurodai, black sea bream (Acantho pagus schlegeli) and akadai, red bream (Pagus tumifrons) together with bamboo shoots and Japanese pepper. Poems by Tomigaki Uchiyasu and Kaoan Hoshi. From the first series of ten plus one prints published by Eijudo, c. 1832-34. The set was issued privately for a poetry group (probably the Shingyoku Circle) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they seldom come onto the market.

 

 

Fine, early impression before the grey block defect on the tail of the black sea bream. Fine colour. Slight centre fold (as usual), otherwise very good condition. Full size. Kruml 10b (Andon 49). Signed Ichiyusai Hiroshige.

 

 

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Ogata GEKKO (1859-1920)




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A triptych showing the last stand of the Kusunoki Clan at the Battle of Shijonawate in 1348. The event took place during the Nanbokucho wars when the Kusunoki Masatsura forces of the Southern Imperial Court were attacked at Yoshino by the Northern forces led by Ko no Moroyasu. Masatsura fought valiantly against a hail of arrows, eventually succumbing and committing suicide. . Published 1883 by Matsuo Danzo (who only appears to have survived one year). There is an earlier triptych version of this by Gekko in 1878. A later and far inferior reprint was published in 1901.

 

 

Superb impression, colour and condition with extensive burnishing. Signed Gekko ga.

 

 

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Kishi GANTAI (1782-1865)




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An extremely large painting, 55.5 x 32 in; 141 x 81.3 cms, sumi and light colour on silk. Shows a pair of Sika deer, their summer coats spotted and white. Gantai was the son and pupil of Ganku, and together with his brother, Renzan, carried on the Kishi school tradition. With his father, worked on the paintings for the new Kanazawa Castle in 1809. A highly accomplished painter, especially of kachoga. This is possibly the largest Gantai painting and it’s interesting to compare with the gajo by him also offered on this update. In very good condition. Framed and glazed. Signed Chikuzennosuke Gantai hitsu with seals Gantai and Kunchin.

 

 

Status: Available

 

 




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Utagawa YOSHITORA (Active c. 1840-1880)




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An oban with title: Furyu saya-e: oiran, “Elegant Sheath-Pictures: Oiran.”A catoptric (mirror as opposed to an oblique) anamorphic print showing a parading courtesan. These prints were meant to be viewed in conical or cylindrical mirrors placed at the bottom of the image. The flat distorted image was then seen undistorted. However, in Japan the image was viewed in the curved surface of a sword sheath. Anamorphosis was known in Europe in the early 15th century and also in China during the Ming Dynasty (1368-1644). Published by Enshuya Matabei, c. 1845. Another impression is illustrated in Edo no asobi-e, Shinichi Inagaki, Tokyo Shoseki, 1988, plate 6. Very rare.

 

 

Fine impression. Very good colour and condition. Signed Ichimosai Yoshitora ga.

 

 

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Ichiunsai KUNIHISA (1832-1891)




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An original painting, full colour on paper with the black waistband heavily lacquered, image size 48 x 11 in; 122 x 28 cms. Shows a young beauty carrying a box. She wears an apron and has a towel slung over her shoulder, so is presumably an assistant in a kitchen or bathhouse or similar establishment. The narrow format enhances her natural elegance. Kunihisa was the pupil and son-in-law of Kunisada. Some repaired wormage, otherwise good condition. Signed Kunihisa ga with two indistinct seals.

 

 

Status: Available

 

 




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Yamamoto FUJINOBU (Active 1750-1770)




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An original painting, full colour on paper, image size 32.25 x 7 in; 82 x 18 cms. Shows a parading courtesan with her kamuro. A painter and print artist whose prints were always published by Yamamoto Fusanobu giving rise to the theory that Fujinobu was a pseudonym of the publisher. Much influenced by Harunobu. His prints are extremely rare. Slight creasing, otherwise good condition. Signed Fujinobu ga with indistinct seal.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE II (1826-1869)



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A view of a smoking Mt Asama, Shinano Province, from Shokoku meisho hyakkei, the “One Hundred Views of Famous Places in the Provinces.” Mt Asama is an active volcano which violently erupted in 1108. Subsequently there was another eruption in 1783 and since then there have been minor tremors. Published by Uoya Eikichi between 1859 and 1861 (this being 1859).

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

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Utagawa KUNIYOSHI (1797-1861)



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A triptych showing Fujiwara no Hidesato being accompanied by a retinue of fish, octopuses and lobsters as he leaves the Dragon King’s Palace with the presents of inexhaustible rice, bolts of cloth, and a bell in gratitude for killing the centipede of Mount Mikami. Ryugujo Tawara Toda Hidesato ni sanshu no tosan o okura. Published by Maruya Kyushiro, 1858.

 

Very good impression. Good colour. Some light toning and soil. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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The best design from a set of half-length otokodate figures: Kuniyoshi moyo shofuda tsuketari genkin otoko, “Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” Here showing Danshichi Kurobei emptying a bucket of water over himself. Danshichi was a fishmonger in the city of Sakai who murdered somebody in the mid-winterof 1697, the body only being discovered when the snow melted. He is often depicted pouring water over his head, although there are also versions where he commits the crime in a swamp. Published by Ibaya Kyubedi, 1845. Poem by Hoshitei.

 

 

Very good impression and colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

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Utagawa KUNISADA (1786-1865)



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A triptych showing the great wrestling match between Matano Goro Kagehisa and Kawazu Saburo Sukeyasu. The match was refereed by Ebina Gempachi and occurred during a hunting expedition organised by the general Minamoto no Yoritomo in 1176 near Mt. Akazawa. Kawazu was the eventual victor after a rematch, throwing Matano by twisting his foot behind him – a throw still known as the kawazu in his honour. Kawazu was later found murdered – his death being avenged by his sons Juro and Goro. Published by Yamaguchiya Tobei, 1838-40. An earlier version was designed by Kunisada as well as there being an excellent example by Kuniyoshi.

 

 

Very good impression and colour. Minor creasing and wear, otherwise good condition. Signed Kochoro Kunisada ga.

 

 

Status: Available

 

 

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Hishikawa MOROSHIGE (FL. 1684-1704)




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An original painting showing a high-ranking samurai household at leisure. Moroshige was the senior pupil of Hishikawa Moronobu, and, it is said, was the father of Furuyama Moromasa. Sumi and full colour with gold additions on paper. 11.5 x 19 in; 29 x 48.25 cms. This is most likely from a handscroll as the height is correct, and the slight vertical striations indicate it has been rolled at some time. Painted c. 1700. Some slight loss of pigments, especially the verdigris and minor marks, but all commensurate with the age of the painting. The details on the costumes of the two main figures are exquisite.

 

 

Status: Available

 

 




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Utagawa TOYOKUNI I (1769-1825)




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An original drawing by the first Toyokuni. An hanshita-e diptych for a published set of triptychs with title: Yakusha juni tsuki, “Actors in the Twelve Months.” Shows the actors (from the left) Bando Mitsugoro III holding a pipe; Iwai Hanshiro V with an open book; Nakamura Utaemon III about to write a poem; and Segawa Roko IV with another pipe. They are compared to the months of the year, in this case July, the month of the Bon Odori festival and are also a parody of the Six Immortal Poets. The print published by Yamashiroya Toemon (active c. 1801-1817). In fact this set was published Spring, Bunka 6 (1809). Sumi on thin paper laid around edges onto another sheet. Some pentimenti and also shows the initial hurried under-drawing and with annotations for the finished print. Sold together with the two published sheets which shows the lanterns removed at top, the brazier bottom centre and other minor changes. In indifferent condition. An illustrated example of this complete triptych is in the Austrian Museum of Applied Arts.

 

 

The print signed Toyokuni ga. Original hanshita-e by Toyokuni I are extremely rare. Sold “as is” with all imperfections.

 

 

 

Status: Available

 

 

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Toba HIROMARU (Active 1804-1818)




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An original painting showing a parading courtesan. Sumi and colour on paper, 45.5 x 11.25 in; 115.5 x 28.5 cms. A rare artist of the Utagawa school. Probably a pupil of Utagawa Toyohiro. His extant paintings show a considerable talent with particularly attenuated faces. Another example is in the MFA, Boston, acc. no. 11.7369 as well as there having been two sold at auction: Christies, NY 16/9/2003, lot 153 and Bonhams NY 18/3/2015, lot 3010. Some minor marks and creasing, but otherwise good condition. Signed Toba Hiromaru hitsu. Seal unread.

 

 

Status: Available

 

 




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Toyohara CHIKANOBU (1838-1912)




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A triptych Ryogoku hanabi zu, “Fireworks at Ryogoku.” Chikanobu designed a number of triptychs on this subject and boating on the Sumida River, but this is the best and rarest. The government in 1733 had a display of fireworks over the bridge called the Ryogoku kawabiraki hanabi, “Ryogoku River-opening Fireworks” as part of a memorial service for the victims of starvation due to crop failures and an epidemic of cholera. This became an annual event.

 

 

Fine impression and colour. Minor marks, otherwise very good condition. Signed Toyohara Chikanobu.

 

 

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Utagawa KUNIYOSHI (1797-1861)




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2 vols. complete: Kanjaku tsuizen hanashidori, “The Liberated Birds: A Memorial Book for Kanjaku.” A memorial book for the actor Nakamura Utaemon who died in 1852. He had the literary name of Kanjaku, meaning ”playing with sparrows” and the covers and many illustrations allude to this custom of releasing birds at funerals. Vol. 1: 1st preface , 3pp. giving the biography of Utaemon IV; poem 1p. 3 sheets: calligraphy (in ishizuri), 1p.; illustrations in colour, 5pp. signed on first page Toyokuni (III). Sheets 1-8: 2nd preface, 5pp., remaining pp. text, poems and colour illustrations. Sheets 1-75 with 15 single-page and 62 double-page illustrations in sumi and light colour. Inside back cover: colophon dated Kaei 5 (1852). Vol. 2: 110 sheets of text, poems, and illustrations. 38 single-page and 50 double-page illustrations (many in colour and includes a double-page illustration by Kuniyoshi). Last page, colophon, dated Kaei 5 (1852). Original covers with clouds and sparrows. Some soil and minor damage. One title slip missing and other damaged. Contents extremely good.

 

 

Status: Available

 

 




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Utagawa KUNIYOSHI (1797-1861)




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An original fan painting, 6.5 x 17.5 in; 16.5 x 44.5 cms. Sumi and colour on treated paper. Shows a kappa appearing from the Sumidagawa and terrifying a man who runs for his life. Kappa were amphibious creatures found in rivers and ponds. Their bodies were covered with a horny carapace like a tortoise, with scaly legs and four frog-like webbed feet. They loved to wrestle and were known to attack humans – especially children, and horses. However, they could be tricked as they were very polite. If you bowed to a kappa he invariably bowed back, and as their source of power lay in a pool of water contained in a depression in the head, this would be spilt and they became immobilized. Laid around the edge onto Japanese board with the ribmarks evident as it has been dismounted from an ogi or folding fan. Signed Ichiyusai Kuniyoshi ga with hand-painted toshidama seal. Good condition.

 

 

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Utagawa KUNIYOSHI (1797-1861)




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Yamamoto Kansuke striding through the snow. “Boar” from a set Mitate junishi, “Selection for the Twelve Signs.” Published by Ibaya Kyubei, c 1845. (Kansuke was famous for killing a giant boar in the snow.) Robinson S38.12.

 

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

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Tsukioka YOSHITOSHI (1839-1892)




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“Flood” from a series Seiu kandankei, “A Barometer of Emotions.” Shows Nakamura Shikan III as Abe Bungo no Kami riding his horse through waves. Published by Okura Magobei 1876-77 (this being 1876). A rare set with some striking designs comparing actors in theatrical roles with meteorological phenomena.

 

 

Fine impression and colour. Slight trimming, otherwise fine condition. Signed Oju Yoshitoshi hitsu.

 

 

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Teisai HOKUBA (1771-1844)



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One of Hokusai’s best pupils. Known for his paintings of beauties but also designed some fine surimono. An original fan painting showing a reclining beauty. Sumi and light red on silvered paper, 7.25 x 17.75 in; 18.5 x 45.2 cms. Removed from a fan, so rib folds and other minor marks. Signed Hokuba ga.

 

 

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Utagawa HIROSHIGE (1797-1858)



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Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of Hiroshige’s most famous designs.

 

 

Very good impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

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Utagawa KUNIYOSHI (1797-1861)



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A view of pilgrims bathing in the Roben waterfall at the Afuri (Shinto) shrine, Oyama in Segami Province. Oyama sekison otaki no zu. This happened during the summer months and was considered a purification ritual. Oyama is a sacred mountain near the Izu peninsula and a short distance from Kamakura and Enoshima. Kuniyoshi designed another oban of this subject as well as two triptychs. Published by Wakasaya Yoichi, 1839-40. It has been suggested that the tattooed figure, on the left, holding a lantern with Kuniyoshi inscribed on it may be Kuniyoshi himself.

 

 

Very good impression and colour. Slight centre fold and expertly repared wormage. Signed Ichiyusai Kuniyoshi ga.

 

 

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Utagawa KUNIYOSHI (1797-1861)



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A triptych showing Shutendoji’s palace on Mount Oyeyama, Oyeyama fukujin shusei. Raiko (Minamoto no Yorimitsu) is charged by the Emperor Murakami with killing the evil Shutendoji who terrorizes the neighbourhood. He and his retainers infiltrate the castle and ply Shutendoji and his ogrish band with sake and dance for them. Eventually Shutendoji is so intoxicated he has to be carried to bed, whereupon Raiko and his followers attack and decapitate him. This is the episode most often depicted with the head flying through the air. Published by Kiya Sojiro, 1853.

 

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

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Toyohara KUNICHIKA (1835-1900)



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A dai-oban print showing the actor Ichikawa Danjuro IX as Minister Kibi in the play Kibi Daijin Shina monogatari, “Minister Kibi, Tale of China.” The play centres on the historical minister Kibi no Makibi who joined a mission to the Tang Court in China in 716. He is supposed to have brought back to Japan the game of go, embroidery, and the secrets of the Chinese almanac. Published by Gusokuya Kahai, 1875.

 

 

Fine impression with gauffrage and extensive burnishing to Kibi’s black garment. Fine colour. Light album backing, otherwise fine condition, untrimmed. Signed Oju Toyohara Kunichika hitsu.

 

 

Status: Available

 

 

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Utagawa TOYOKUNI I (1769-1825)




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The actor Onoe Matsusuke I as the ghost of the wife of Kohada Koheiji in the play Eiri otogi zoshi performed at the Ichimura-za Theatre, 7/1808. In fact, Matsusuke played both the wife and Kohada Koheiji. One of the best plots in Kabuki: Kohada Koheiji was a third-rate kabuki actor who couldn’t find work. His drama teacher, taking pity on him, bribed a director to give him work. On seeing him, the director immediately saw his potential as a yurei (ghost) because of his appearance – white skin, dark, sunken eyes and long hair. And at this he became extremely successful. However, his wife Osoka, was embarrassed by him and took a lover. Together, they planned to kill him which they did by drowning him in a swamp. This gave him his greatest yurei role and he came back to haunt them to death. Published by Tsuruya Kinsuke, 1808.

 

 

Very good impression and colour. Minor creasing, otherwise very good condition. Signed Toyokuni ga.

 

 

Status: Available

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Yamaguchi SOKEN (1759-1818)




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A fine pair of paintings: One showing women of Ohara; a mountain village north of Kyoto. These Oharame collected brushwood and firewood in the fall to sell in Kyoto. They are often depicted and obviously caused a stir when they entered Kyoto to ply their trade. Evidently the custom has been going on since the 12th century. The other painting shows spring tea-leaf picking at Uji. An area located at the southern edge of Kyoto prefecture. Shincha, the new tea of the year, was prized and collected at the beginning of May. Soken was one of Okyo’s ten best pupils, lived in Kyoto, and is known for his fine illustrated books, such as: Yamato jimbutsu gafu, 1800; Yamato jimbutsu gafu kohen, 1804; Soken sansui gafu 1818 and others. Sumi and full colour on paper, each 39 x 13.5 in; 99 x 34.3 cms. Fine, fresh condition and newly mounted. Each signed Mizunoto i Soken, Soken painted in the Boar Year, 1803 with seal Soken.

 

 

Status: Available

 

 




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Ichiryusai HIROSHIGE (1797-1858)




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An original painting showing the old lighthouse at Tempozan, Osaka. To the left is the mount which was formed by earth dredged from the Ajigawa in 1831 to allow easier access for ships. In the foreground masts of moored vessels. There appear to be few images of this lighthouse. It was replaced by a lighthouse designed by the British engineer Richard Henry Brunton, the “Father of Japanese Lighthouses” in 1872. Sumi and light colour on paper, 12.75 x 20.25 in ; 32.4 x 51.4 cms.

 

 

Signed Hiroshige ga with Ichiryusai seal. Very good condition.

 

 

Status: Available

 

 




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Utagawa SADAFUSA (Active 1830s – 1840s)




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An original sumi woodblock for two chuban prints from a Kanadehon Chushingura set. The upper design being Act VII, the tea-house Ichiriki, Kyoto with Yuranosuke; the lower showing Act VIII, the bridal journey with Konami and her daughter Tonase on the Tokaido Road. Sold “as is” with all imperfections.

 

 

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Utagawa YOSHITSUYA (1822-1866)




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A triptych showing Minamoto no Yorimitsu (aka Raiko, 948-1021) trying to capture the notorious thief Hakamadare Yasusuke. Kijutsu Hakamadare o karamen to su. Yorimitsu is seen with his cohorts Urabe Suetake, Hirai Yasumasa, and Watanabe Tsuna. On the right Hakamadare attempts to evade capture by magically conjuring up a battle between a giant snake and a bear. Published 1858 by Tsutaya Kichizo.

 

 

Very good impression, colour and condition. Signed Ichieisai Yoshitsuya.

 

 

Status: Available

 

 

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Utagawa YOSHITSUYA (1822-1866)




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The magician Ryuomaru battling with a giant dragon from a set of fine designs: Honcho musha kagami, “Mirror of Warriors of Our Country.” Published 1856-7 by Tsujiokaya Bunsuke. A good pupil of Kuniyoshi.

 

 

Good impression, colour and condition. Signed Ichieisai Yoshitsuya ga.

 

 

Status: Available

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Katsushika HOKUSAI (1760-1849)




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Volume 11 from the Manga. Front cover with original pink title slip: (Denshin kaishu) Hokusai manga juichihen, (“Transmitted from the Gods.”) “Hokusai’s Sketches, Vol. 11.” Original grey covers with burnished wave and diamond pattern. Inside front cover catalogue of newly published books; 2 pages preface and 29 numbered pages comprising 56 illustrations , 36 single page and 10 double page. 2 pages block-holders catalogue and inside back cover catalogue of newly published books. The extremely rare first edition published by Eirakuya Toshiro, Nagoya, c. 1834. The Manga was eventually completed in 15 volumes (the last two posthumously). The first 10 volumes published by Kadomaruya Jinsuke, Edo and Eirakuya Toshiro, Nagoya, 1814-1819; vols. 11 and 12 by Eirakuya only, c. 1834; vol. 13 by Eirakuya only, c. 1849; vol. 14 by Eirakuya only, c. 1850s; vol. 15 by Eirakuya only, 1878. Initially based on sketches produced on a visit to his friend and pupil Maki Bokusen in Nagoya in 1812. These sketches were collated by Bokusen and Katsushika Hoku’un and published in 1814. Other pupils collected sketches and so the set expanded. The books were enormously influential and popular, not just in Japan, but in the West and were endlessly reprinted giving rise to a plethora of late editions. In 1831, the German Phillip Franz von Siebold, reproduced images from the Manga in lithograph in his Archiv zur Beschreibung von Japon. They were also highly admired by the Impressionists, especially Manet and Bracquemond.

 

 

Fine impressions of the first edition. Some minor defects but otherwise in very good condition.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858)




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Ishiyakushi from an aiban set Tokaido gojusantsugi no uchi, commonly called the Gyosho Tokaido because of the cursive script on title. Shows travellers entering and leaving the village in heavy snow. Published by Ezakiya Kichibei/Yamadaya, c. 1841-2. There are variant states: later editions lack the gradation on the horizon. The first state may have a Hiroshige seal after the signature.

 

 

Very good impression and colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, Nakamura Kamenojo I as the geisha Azuma standing above Kawarasaki Gonjuro I as Yamazakiya Yogoro, Bando Kamezo I as Settanaoshi Chogoro standing above Onoe Kikugoro IV as Kumasaka Ocho, and Onoe Kikugoro IV as Akogi Gennojo standing above Onoe Kikujiro II as Onnadayu Okoyo. The play was Yume musubu cho ni torioi performed at the Ichimura-za theatre 3/1856. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. (This was also most likely a published print by Sanoki as it is from the same group as others offered here.) Signed on two sheets Toyoukuni ga.

 

 

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Utagawa KUNISADA (1786-1864)




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An original hanshita-e (preparatory drawing) for a triptych showing, from the left, the actor Bando Takesaburo I as Nagoya Sanza, Ichimura Uzaemon XIII as the Shinzo (“courtesan’s apprentice”), and Nakamura Fukusuke I as Fuwa Banzaemon. This is actually from the dance Sanpukutsui Kabuki no irodori performed at the Ichimura-za theatre, 5/1855. The publisher was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. Signed Toyokuni ga on the three sheets. Sold “as is” with all imperfections.

 

 

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Utagawa KUNISADA II (1823-1880)




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A triptych showing Prince Genji in a boat with attendant page and a lady watching female awabi (abalone) divers called ama. These women were a great curiosity for the public and seen as rather risqué characters. Prince Genji was the protagonist of Murasaki Shikibu’s Heian-era novel The Tale of Genji. He was the second son of the emperor, and relegated to civilian life. Published 1865 by Maruya Kyushiro.

 

 

Very good impression and colour. Slight edge soil, otherwise very good condition. Signed Kunisada hitsu.

 

 

Status: Available

 

 

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