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Utgawa HIROSHIGE (1797-1858)
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A beauty from a set: Edo meisho gosho, “Five Elements of Famous Places in Edo.” This design representing Water of Kameido, Kameido no mizu, and Metal of Ueno, Uenoji no kane. A rare set published by Kikakudo, c. 1847-52.
Very fine impression, colour and condition. Signed Hiroshige ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Urusa-so: Kansei nenkan shojo no fuzoku, “Looking Tiresome: The Appearance of a Virgin of the Kansei Era [1789-1801]” Shows a young woman playing with her cat from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set shows women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. One of the three best designs from the set.
Very fine impression of the first edition with blind printing on the cat. Fine colour and condition with the extra border left and top. Signed Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Kayu-so: Kaei nenken kakoi-mono no fuzoku, “Looking Itchy: The Appearance of a Kept Woman of the Kaei era [1848-1854]. Shows a bare-breasted beauty emerging from a mosquito net from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set shows women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood. One of the three best designs from the set.
Very fine impression of the first edition. Fine colour and condition with the extra border left and top. Signed Yoshitoshi ga.
Status: Sold
Isoda KORYUSAI (1735-1790)
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An oiran, Meizan (or Nayama) of the Chojiya House in the Shin-Yoshiwara with her two kamuro. From a large series – the total not known – with title: Hinagata wakana no hatsu moyo, “New Designs as Fresh as Young Leaves.” Published in the late 1770s by Eijudo with some designs by Juzaburo. A wonderful set. Another impression in MFA, 11.14622.
Fine impression. Exceptionally good colour. Very slight thinning down two sides, otherwise fine condition. Signed Koryu ga with printed kakihan.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych: Mitate gogyo: Mizu, Ukifune, “Comparisons of the Five Elements: Water,” Ukifune. Shows Prince Genji in a boat with his attendants feeding ducks during the winter. Ukifune was the nickname of a princess in The Tale of Genji. An unrecognised daughter of the Eighth Prince in the 51st Chapter of the story. Ukifune also means: “A boat set adrift.” Published by Sanoki (Sanoya Kihei), 1851-52.
Superb impression, colour and condition. Signed Ichiyusai
Status: Sold
Torii KIYONAGA (1752-1815)
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A chuban print showing a woman at a washtub watched by a small child. Another woman is hanging a kimono out to dry. Without any series title but with a scalloped cloud above which may have been intended to have a title. Published c. late 1770s. Rare: Not listed in Hirano, Chie Hirano, Kiyonaga, MFAB, 1939.
Superb impression, colour and condition. Possibly a proof impression. Signed Kiyonaga ga.
Status: Sold
Isoda KORYUSAI (1735-1790)
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Manjiya uchi Manshiu, “Manshiu of the Manjiya [Brothel or House]” from a set: Hinagata wakana no hatsu moyo, “New Year Designs as Fresh as Young Leaves.” One of the great 18th century sets comprising at least 140 prints of consistent quality throughout. Shows the oiran with her two kamuro. Published in the late 1770s by Eijudo with some designs by Juzaburo.
Fine impression and colour. Slight creasing, otherwise very good condition. On heavy hosho. Signed Koryusai ga.
Status: Sold
Kitao SHIGEMASA (1739-1820)
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Kanzashi no seiran, “Clearing Weather of the Hairpin” from a chuban set Jochu tedogu hakkei, “Eight Views of Women’s Utensils.” Published c. 1777. Another from the set published in the Clarence Buckingham Collection of Japanese Prints, Margaret O. Gentles, vol. II, The Art Institute of Chicago, 1965, no. 21, p. 283.
Very good impression, colour and condition. Unsigned.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The poetess Ome Shushiki (1668-1725) looking at a poem attached to a tree at Ueno. A chu-tanzaku set of eight prints: Kenjo hakkei, “Eight Views of Accomplished Women.” The set published by Ibaya Sensaburo, c 1843-5. Based on the famous Chinese Eight Views, Japanese artists designed many sets using the Eight Views of Omi as their starting point. Here, Vesper Bell at Ueno [Miidera].
Very good impression and colour. Minor trimming (usual, as they were printed two-to-a-sheet), otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Kogo no Tsubone (1157 – ?) on a balcony after being banished from court. A chu-tanzaku set of eight prints: Kenjo hakkei, “Eight Views of Accomplished Women.” The set published by Ibaya Sensaburo, c 1843-5. Based on the famous Chinese Eight Views, Japanese artists designed many sets taking the Eight Views of Omi as their starting point. Here, Autumn Moon over Saga Moor [Ishiyama].
Very good impression and colour. Minor trimming (usual, as they were printed two-to-a-sheet), otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The faithful wife of Mama walking on a hillside with falling maple leaves. A chu-tanzaku set of eight prints: Kenjo hakkei, “Eight Views of Accomplished Women.” The set published by Ibaya Sensaburo, c 1843-5. Based on the famous Chinese Eight Views, Japanese artists designed many sets using the Eight Views of Omi as their starting point. Here, Clearing Weather at Mama [Awazu].
Very good impression and colour. Minor trimming (usual, as they were printed two-to-a-sheet), otherwise very good condition. Signed Cho-o-ro Kuniyoshi ga.
Status: Sold
Attributed to KATSUNO (Fl. c 1807)
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A hosoban kappazuri (stencil) print of the beauty Kuruharu (or Yukiharu) of the Naraya brothel/tea house holding a teacup. Published by Kashiwaya Soshichi, a Kyoto publisher in c 1807. He is known to have produced prints for Nagahide as well. The artist Katsuno is only known by a few stencil prints around this date; some, as here, unsigned, and it may well be the only impression extant.
Good impression (they are never fine), very good colour and condition. Unsigned.
Status: Sold
Utagawa KUNISADA (1786-1864)
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A triptych showing a party of women and a child running in rain towards the entrance of the Mimeguri Shrine. Mimeguri no yudachi, “An Evening Shower at Mimeguri.” This famous shrine was on the bank of the Sumida at Mukojima and a short ferry ride from Asakusa. The shrine is also associated with prayers for rain. Kunisada was the most prolific 19th century artist, but amongst his vast output are real masterpieces. Published c 1830. A fine design.
Fine impression, colour and condition. Signed Kochoro Kunisada ga.
Status: Sold
Kochoro KUNISADA (1786-1864)
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Shows a trainee courtesan applying rouge to her eyes. Odori shisho, “The Dancing Girl” from a set Tosei bijin awase, “A Collection of Modern Beauties.” The set published by Moritaya Hanzo, c. 1826. Above, in the fan-shaped label are the accoutrements of her trade: a wig stand, a pair of clappers to keep time, and the libretto of a song.
Fine impression. Very good colour and condition. Signed Kochoro Kunisada ga.
Status: Sold
Suzuki HARUNOBU (1724-1770)
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The left sheet of a rare diptych which was originally produced as an egoyomi (picture calendar) in 1766. A mitate (parody) of Chapter 4, Yugao, from the Genji Monogatari, “Tale of Genji.” This chapter relates how a mysterious beauty living in a mansion covered in vines with flowering yugao blossom (shown here covering the fence) enraptures Genji and they consummate their passion in a remote villa. However, one of Genji’s former lovers discovers the tryst and takes the life of “Yugao.” The right sheet shows a fashionably dressed young wakashu and a boy holding a miniature ox cart cricket cage. Other impressions in: Margaret O. Gentles, The Clarence Buckingham Collection, volume II, AIC, 1965, p. 26, no. 44; Tokyo National Museum, acc. no. A-10569_1274 (diptych) (inv. No. 10-5006); David Waterhouse, The Harunobu Decade, Museum of Fine Arts, Boston, 2013, vol. 1, pp. 88-89, cat. No. 100, acc. nos. 54.348-9 (diptych) and 21.4969 (left sheet); and Ukiyo-e Shuka, vol. 8, 1980, listed p. 116, no. 114. Rare.
Fine impression with the woodgrain showing strongly in the background as though it were blind-printed. Very good colour and condition.
Status: Sold
Chokosai EISHO (Active 1780-1800)
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The courtesans Hinazuru, Origiku and Misayama of the Chojiya House. The most prolific of Eishi’s pupils who produced some outstanding bust portraits. Published by Yamaguchiya Chusuke, c late 1790’s. Another impression is in the Chazen Museum of Art, Madison, acc. no. 1984.215.
Very good impression and colour. There is a variant impression with different colours. Slight soil, otherwise good condition. Signed Eisho ga.
Status: Sold
Shosai GINKO (FL. 1874-1897)
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A charming print showing a Japanese lady elegantly attired, western-style, standing beside a river with steamboats and foreign buildings in the background. She wears a full length coat, lace-trimmed, with colour-coordinated brolly, belt, cuffs and bow at the neck. On her head a stylish bonnet tied below the chin. From a set: Kokin meifu kagami, “A Mirror of Famous Women in Old and Modern Times.” This design shows Kosome, the daughter of Kuniya Sohei. During a boat trip around Japan in 1859 her vessel was hit by a storm and drifted until eventually arriving in Hawaii. Rescued by an American, she went on to study and become a teacher in America. The view behind her shown here obviously represents America.
Fine impression and colour with mica on the water. Light album backing and slight offsetting at top, otherwise good condition. Signed Shosai Ginko.
Status: Sold
Kochoro KUNISADA (1786-1865)
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Tumekiri yoshi, “A Good Day to Trim One’s Nails” from Hanagoyami kichijitsu sugata “Beauties on Auspicious Days of the Flower Calendar.” A beauty in a bathrobe with scissors about to trim her toenails. The scissors have a small bell which is usually seen around the necks of cats. Published 1844.
Fine impression and colour. Superb cutting and printing of the aizuri design on the bathrobe. Very slight trimming. Retains original album backing. Signed Kunisada aratame nidaime Toyokuni ga, “Kunisada changing his name to the second of the name Toyokuni drew.”
Status: Sold
Kochoro KUNISADA (1786-1865)
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The colour white from Ukiyo goshoku awase, “Matching with Five Colours of the Floating World.” A beauty before a mirror holding another mirror behind her to enable her to apply white make-up to the nape of her neck. A highly erogenous area to the Japanese. Published by Sanoya Kihei, 1845.
Very good impression and colour. Slight trimming and retains original album backing. Signed Kunisada aratame nidaime Toyokuni ga, “Kunisada changing his name to the second of the name Toyokuni drew.”
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Megasame-so: Koka nenkan musume no fuzoku, “Looking as if She is Waking Up: The Appearance of a Maiden of the Koka Era [1844-1848].” Shows a beauty cleaning her teeth from a set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The set depicts women of different backgrounds and occupations from the Kansei era through to the Meiji era with punning allusions to their situation or mood.
Very fine impression of the true first edition. Fine colour and condition. Signed Yoshitoshi ga.
ga.
Status: Sold
Kitagawa UTAMARO (1753-1806)
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A beautiful aiban showing Fuku and Kame from a series Seiro Niwaka, “The Niwaka Festival in the Yoshiwara.” Sub-title Tsuki no Katsurao (Katsura Otoko). The “pleasure district” of Edo hosted the Niwaka Festival in the eighth month of each year where courtesans performed dances and there were entertainers. Published by Tsuruya Kiemon, c 1794-5. Rare: Apparently not listed in the standard Utamaro books.
Fine impression. Very well retained colour, the fugitive blue on the umbrella intact. Small repaired wormhole, otherwise very good condition. Full size. Signed Utamaro fude.
Status: Sold
Keisai Eisen (1790-1848)
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Yoshiwara from the set: “Bijin Tokaido” comparing beauties to the 53 Stations. Published by Tsutaya c 1830’s. A fine design.
Very fine impression, colour and, apart from minor trimming, fine condition. Signed Keisai Eisen ga
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Niai-so: Koka nenkan kuruwa no geisha fuzoku, “Looking Suitable: The Appearance of a Brothel Geisha of the Koka Era [1844-1848].” From the set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. Shows the beauty dressed as a fashionable young man.
Very fine impression of the first edition. Very fine colour with blind-printing and burnishing. Gold (brass-powder) applied to the peacock design on the costume. This particular design from the set is notorious for having the brass degrade the paper and these areas fall out as well as offsetting onto the opposite print in album sets. Very fine condition. Signed Yoshitoshi ga.
Status: Sold
Utagawa TOYOKUNI I (1769-1825)
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A fanciful version of the Yoshino River scene in Act III from the play Imoseyama onna teikin, “The Teachings for Women.” Two families own estates on opposite sides of the Yoshino River. The son of one, Koganosuke, falls in love with the daughter, Hinadori, of the other oblivious of the fact that the two families are bitter enemies. The couple rather commit suicide than be separated. In fact, the play was performed at the Kawarasaki-za Theatre, 7/1801, although this does not depict the actual performance. Interestingly, the publisher’s seal is omitted which is exactly the same as two other impressions in MFA, Boston, acc. no 21.7783-5 and the Salt and Tobacco Museum in Japan.
Very good impression. Extremely good colour. Very good condition. Signed Toyokuni ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing beauties carrying brine in yoked buckets to be made into salt. From a set Mu Tamagawa, Mutsu no kuni chidori no Tamagawa, “Six Jewel Rivers, Plover Jewel River in Mutsu Province.” Also known as the Noda Jewel River. Above, a flock of chidori. The Mu Tamagawa theme was popular in Japanese art. Published by Sanoya Kihei, 1847-8.
Very good impression. Slight fading, otherwise good colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Kitao SHIGEMASA ( 1739-1820 )
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A chuban print showing silkworm cultivation. No. 4 from Kaiko yashinai gusa, “The Occupation of Silkworm Cultivation.” The set designed with Shunsho ( nos. 1,3,6,8,11,12 ). Shigemasa also collaborated with Shunsho in 1776 on the book A Mirror of Beautiful Women of the Green Houses. No publisher given but published 1772.
Fine impression.Oxidation of the gofun and orange pigment but exceptional colour preservation for a print of this date. Fine condition. Signed Kitao Shigemasa ga.
Status: Sold
Kikugawa EIZAN (1787-1864)
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A triptych with title: Furyu nuno zarashi, “Elegant Drying Clothes.” Shows six beauties washing, pounding and fulling cloth in one of the Crystal rivers. A connotation to draw from the six figures would seem to indicate the Six Tama Rivers – a popular subject in Ukiyo-e. The public seemed particularly curious about these beauties who washed clothing in streams, as well as the women and girls, oharame, who went into Kyoto to sell firewood and charcoal, also awabi divers. Nunozarashi was also the name of a dance that involved streamers of cloth being swirled around. There was a history of painting the Tamagawa rivers going back to at least the mid 17th century, and it was also a popular subject for poets. These “crystal” rivers or streams were indeed clear and unpolluted at this time and there would have been an abundance of fish as well. Published by Izumiya Ichibei, c.1811-18. Rare.
Superb impression, colour and condition. On heavy de-luxe hosho. Signed Kikugawa Eizan hitsu.
Status: Sold
Kitagawa UTAMARO (1753-1806)
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A scene in the licensed quarter: Tora no koku, “Hour of the Tiger [4am]” from a set Seiro juni toki tsuzuki, “Series: The Twelve Hours in Yoshiwara.” Shows two courtesans chatting and seated before a brazier. Until 1873, the day was divided into twelve equal intervals (of 120 minutes), so ushi no tora was from 3am to 5am. Published by Tsutaya Juzaburo, c. 1794. Rare.
Fine impression. Very good colour; yellow ground. Loss of brass filings, otherwise very good condition. Signed Utamaro hitsu.
Status: Sold
Yurakusai NAGAHIDE (fl. c. 1804-1848)
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An excessively rare pillar print showing a beauty holding a fan beneath flowering wisteria. There are another four pillar prints known by him. The only other impression I can locate of this print is illustrated in Jacob Pins, The Japanese Pillar Print: Hashira-e, 1982, no. 1002, p. 349. Provenance: Ex Samuel Tuke collection (a large part of his collection was sold at Sothebys in 1911).
Very good impression and colour. Slight edge soil, otherwise very good condition. Signed Nagahide ga.
Status: Sold
Suzuki HARUNOBU (1724-1770)
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Two couples in a brothel. The young man near the entrance seems in need of a lot of encouragement. The name written on the left of the entrance is Sumiyoshi. A chuban yokoe design published c 1769-70. Another impression is in ROM, 926.18.121.
Very good impression and colour. Minimal soil, otherwise good condition. Signed Suzuki Harunobu ga on the rear screen.
Status: Sold
Keisai EISEN (1790-1848)
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The courtesan Nanakoshi of Sano Matsu-ya. Station Kusatsu from a series parodying Yoshiwara courtesans with the 53 Stations of the Tokaido; the set seen as a sugoroku game, the winner gaining the lover. The set published by Tsutaya Kichizo, c late 1830s.
Fine impression and colour. Small stain lower left corner and minor marks, but otherwise very good condition. Signed Keisai Eisen ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Noisy. A young woman of the Kansei period playing with a cat from the set Fuzoku sanjuniso, the “Thirty-Two Types of Beauty in Daily Life” published by Tsunashima 1888. One of the most sought after designs from the set. The first edition.
Very fine impression and colour. Full size with the extra paper left and top. Signed Yoshitoshi ga.
Status: Sold
Kitagawa TSUKIMARO (FI.?-1830)
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A bijin adjusting her hair before a mirror from a set: Hana no kazari no fuzei, “Elegance of the Flower Decoration”. Published by Tsuru Kin c1810’s.
Very good impression and colour. Minor marks: slight edge nibbling and the paper laid-lines evident top and bottom, but otherwise very good. Signed Tsukimaro hitsu.
Status: Sold
Keisai EISEN (1790-1848)
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A triptych entitled Fuzoku shi-nho-ko sho, “The Customs of Different Classes, Samurai, Farmers, Artisans and Tradesmen”. Published by Kawaguchiya Uhei c.1820s.
Very good impression, perfect colour. Original album backing. Fine condition. Signed Keisai Eisen ga.
Status: Sold
Isoda KORYUSAI (Fl.c.1764-1788)
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The courtesan Chozan of Choji-ya from the series: Hinagata Wakana no hatsu-moyo, “Models for Fashions: New Designs as Fresh as Young Leaves”. The set published c.1782. Printed on heavy hosho.
Fine impression. Exceptional colour for a print of this series and date. Expert edge repair at centre left and slight signs of mounting au verso around edge, but otherwise a fine example. Signed Koryusai ga.
Status: Sold
Ichirakutei EISUI (active 1789-1804)
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Excessively rare bust portrait of the courtesan Hanahito of the Ogi-ya. The Doll Festival from a set of the Five Seasonal Festivals published by Maru-ya Bun’emon, c.1798. The British Museum impression of this print is illustrated in Ukiyo-e Masterpieces in European Collections, no.205.
Very good impression and colour. Slight soil and creasing but overall a nice example of this uncommon artist’s work. Signed Ichirakutei Eisui ga.
Status: Sold
Utagawa KUNISATO (?-1858)
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Female figures and a child against a backdrop of the Sumida River and the Ryogoku Bridge. Azuma meisho Ryogokubashi yugeshiki. Published by Maru-ya Kiyojiro, Hare 2 (1855).
Very good impression and colour. Minor soil and wormage, otherwise very good condition. Signed Ritsusensai Kunisato ga.
Status: Sold
Nishikawa SUKENOBU (1671-1751)
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A client taking leave from his paramour, her assistant stands back holding small presents. Sukenobu was born, lived and died in Kyoto. Apart from some paintings and prints, his extensive output was in the form of illustrated books, and albums. The example here is from one of these albums. Always in sumi, without colour.
Very good impression. Some expertly repaired wormage and centre fold (as usual).
Status: Sold
Kitagawa HIDEMARO (active circa early 19th century)
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A pupil of Utamaro who produced some fine work at the turn of the century. An aiban double bust portrait of the courtesan Sodenoura of the Tamaya House and her kamuro. Published c1810s.
Fine impression and colour. Minor creases and several small backed wormholes, but overall lovely, fresh design. Full size. Signed Hidemaro ga.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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A chuban triptych showing three beauties relaxing at Takanawa from a set of Eight Views of Edo. Published by Joshuya Kinzo c.1849-50. (Tamba no.146.)
Very good impression, colour and condition. Signed Hiroshige ga.
Status: Sold