Utagawa TOYOKUNI I (1769-1825)




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A double actor portrait showing Ichikawa Yaozo III in the role of Ume no Yoshibei, and Segawa Kikunojo III as his wife Koume, in the play Zoho Ume no Yoshibei performed at the Ichimura-za Theatre in the 4th month of 1801 ( Kyoho 1 ). Published by Uemura Yohei. Toyokuni was the pupil of Utagawa Toyoharu and went on to produce some of the finest actor prints of the period.

Fine impression, colour and condition. Full size. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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A double actor portrait showing Arashi Hinasuke II in the role of Fuwa Banzaemon, and Segawa Kikunojo III as the lady Okuni Gozen, in the play Jujo Genji Monogusa Taro performed at the Ichimura-za Theatre in the 8th month of 1800 ( Kansei 12 ). Published by Nishimuraya Yohachi. Toyokuni was the pupil of Utagawa Toyoharu and went on to produce some of the finest actor prints of the period.


Fine impression, colour and condition. Full size. Signed Toyokuni ga.


Status: Sold

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Utagawa TOYOKUNI I (1769-1825)




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A fine double actor portrait showing Segawa Kikunojo III as Wakasa no tsubone, and Arashi Sanpachi I as Miura Danjo in the play Utsukushiya yuki no sekai, performed at the Ichimura-za Theatre in the 11th month of 1799 ( Kansei 11 ). Published by Nishimuraya Yohachi. Toyokuni was the pupil of Utagawa Toyoharu and went on to produce some of the finest actor prints of the period.


Fine impression, colour and condition. Full size. Signed Toyokuni ga.


Status: Sold

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Mori KANSAI (1814-1894)




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A highly regarded artist who practised and taught the Shijo style in Kyoto. The pupil and adopted son of Mori Tetsuzan. A fine album ( 15 x 12 in; 38.2 x 30.5 cms ) of twelve Shijo drawings in sumi and light colour on paper. The album is beautifully presented with heavily gold-flecked paper throughout and silk brocade covers, the chitsu also covered in brocade. Some light foxing giving a wabi-sabi spirit to the work. Signed and sealed Kansai on last drawing.



Status: Sold




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Utagawa KUNISADA (1786-1865)




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An early and apparently unrecorded chuban triptych showing, on first sheet, an awabi diver near Enoshima surfacing to supply a party on a balcony, far left. Published c.1810s.


Expert repairs in sky, otherwise good impression, colour and condition. Unsigned.



Status: Sold

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Ichiryusai HIROSHIGE (1797-1858)




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Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei ( Kinjudo ). One of Hiroshige’s most famous designs.


Very good impression. The earliest impressions have gradation on the Kiso range in the background and in the sky. Some versions are also known with splashed gofun. Very slight centre fold. Very good colour. Signed Hiroshige ga.


Status: Sold

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Ichiryusai HIROSHIGE (1797-1858)




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Nagakubo, one of the major designs from Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei ( Kinjudo ). Shows travellers near and on the Wada Bridge over the Yodo River. As with most important compositions from the set, there are numerous states where the printers/publishers experimented with alternative wipings to alter the design: On some impressions the far mountains are not seen; on others they are graded-off to the right. The far rail on the bridge comes and goes and the blue gradation on the river varies. The earliest state appears to omit the mountains and have bokashi around the moon. ( Late editions also omit the mountains. )


Very good early impression with extra bokashi across the moon. Remargined on the two vertical sides, otherwise very good condition. Very good colour. Signed Hiroshige ga.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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An original preparatory drawing ( hanshita-e ) for an unrecorded and unpublished oban set of Twenty-four Paragons of Filial Piety. The stories originated in China where filial piety is considered the first virtue ( being common to almost all religions in China ). This drawing obviously depicts Kokaku ( Chinese: Chiang Ko or Jiang Ge ) who carried his mother on his back to escape civil war in their village. Sumi and light brown under-drawing on thin paper. Sold “as is” with some creasing and wormage. Signed Yoshitoshi ( signature c 1887-91 ). Ex collection Mizuno Toshikata


Status: Sold

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Mizuno TOSHIKATA (1866-1908)




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A collection of approx. 36 drawings by and from the collection of Mizuno Toshikata. (Four pages shown. ) Bound with paper string on thin paper, sumi and red ink. Cover with Toshikata seal. Various historical, domestic and social subjects. An interesting study group by Yoshitoshi’s best pupil ( who later studied with Watanabe Shotei ). Album size: 10 x 13.5 in; 25.5 x 34.25 cms. The drawings in various sizes but no larger than the album. Generally good condition.


Status: Sold




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Ichiryusai HIROSHIGE (1797-1858) ET AL




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Four volumes ( vols 5, 6, 8, 10 ) Ehon miyage, “Souvenirs from Edo.” The series of ten volumes was published between 1850 ( vol 1 ) to 1867 ( vol 10 ). Originally intended to be four volumes, the other books were gradually added. Volume 8 has a preface stating that Hiroshige had passed away but that he had left enough drawings to continue the series. Volume 10 was designed by Hiroshige II. Very clean good impressions with original covers and title slips. One hole on volume 6, otherwise very good condition. Each book also has the original paper slip-cases sewn on ( rare ). These have saved the covers and especially the title slips which are almost mint. Publisher Kinkodo, Kikuya Kozaburo, 1850 – 67.


Status: Sold




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Ogata GEKKO (1859-1920)




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The original preparatory drawing for a triptych published by Matsuki Heikichi, 1898, showing Tadanobu ( one of Yoshitsune’s men ) fighting the priest Yokogawa Kakuhan in Yoshinoyama. Sumi and light red on thin paper, each sheet 15 x 10.5 in; 38 x 26.5 cms. First sheet signed Gekko. Extremely good condition. Ex collection Mizuno Toshikata ( the artist, 1866 – 1908 ).


Status: Sold

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Ogata GEKKO (1859-1920)




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A large cartoon, sumi on thin paper folding out to 25.5 x 42 in; 65 x 106.5 cms. The subject is the Last Stand of the Kusanoki Clan. In fact Gekko designed a triptych of this subject in 1890 which is very similar to this large drawing. Why he made this large version is not known: Perhaps he was intending to make a painting or he just liked the subject. Very good condition. Ex collection Mizuno Toshikata ( the artist, 1866 – 1908 ).


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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Looking Itchy: The Appearance of a Kept Woman of the Kaei Era ( 1848 – 1854 ). From the set: Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. Shows a dishabille beauty emerging from a mosquito net. One of the two or three best designs from the set.


Fine impression of the first edition. Fine colour and condition with the extra paper at left edge and the full handling area showing bottom right. Signed Yoshitoshi ga.


Status: Sold

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Ichiryusai HIROSHIGE (1797-1858)




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Shionada from Kisokaido rokujukyutsugi no uchi, “Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows boatmen and river porters in the early morning waiting for trade on the banks of the Chikuma River. The river was broad here and the ferry did not always cross. The porters would be engaged to take travellers across on platforms or even on their backs.


Fine and extremely early impression. The corner of the publisher’s seal always shows broken off, even on the earliest impressions. Fine colour. Left border trimmed, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Torii KIYOTSUNE (active 1757-1779)




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Little is known of the artist’s life except that he was a pupil of Kiyomitsu. Shows the actor Bando Hikosaburo II as Watanabe no Tsuna and Nakamura Tomijuro as Ibaraki. This famous story recounts how Watanabe no Tsuna cuts off the arm of the demon Ibaraki at the Rashomon Gate, Kyoto in 976. He secretes the arm away in a box. Subsequently he is visited by his wet-nurse ( or aunt – depending on which version you read ) who convinces him to show it to her. Instantly she snatches the arm and flies off revealing herself to be Ibaraki in disguise. The story became the famous no play Ibaraki. Published by Bakuro-cho ichome, Yamashiro han, c. late 1760s.


Fine impression. Pristine condition. The fugitive dyes perfectly retained. In the same condition as the day it was printed. Signed Torii Kiyotsune fude.


Status: Sold

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Utagawa KUNISADA (1786-1864)




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A bust portrait of the famous onnagata actor Iwai Hanshiro V in the machi musume, “town maiden” role of Oshichi. A greengrocer’s daughter, she burned down most of Edo in order to be with her lover Kichisaburo. He first performed the role at the Morita-za Theatre in 3/1809 in Sono mukashi koi no edozome. From Kunisada’s finest set: Oatari kyoden no uchi, “Great Performances.” A set of seven prints of celebrated roles of the previous eight years selected from the Oatari kyogen, “Big Hits.” Sumptuously produced with mica grounds which had not been used for twenty years. The expressive poses hark back to similar prints by Toyokuni I and Kunimasa. Exceedingly rare, on a par with many Sharaku prints. Published by Fukusendo, c 1815. Other impressions in the Rijksmuseum, Amsterdam ( 1956:667 ) and illustrated in Ukiyoe Taikei, vol. 10, no. 146, p. 99.


Fine impression. Completely untrimmed. Very good colour with the purple intact and only slight turning at the edge. Slight loss of mica ( as usual ) and minor soil, otherwise very good condition. Signed Gototei Kunisada ga.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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Looking Itchy: The Appearance of a Kept Woman of the Kaei Era ( 1848-1854 ). From the set Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. Shows a dishabille beauty emerging from a mosquito net. One of the two or three best designs from the set.


Very fine impression, colour and condition. Pristine. The first edition. Signed Yoshitoshi ga.


Status: Sold

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Kitagawa UTAMARO (1753-1806)




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An aiban print: Junidan hana no nishiki, “Twelve Chapters of Floral Brocades” from Seiro Niwaka zensei asobi, “Most Splendid Entertainment of the Niwaka Festival in the Licensed Quarters.” The Festival was held in September in the Edo Yoshiwara district. Shows Minamoto no Yoshitsune visiting Princess Joruri. Not listed in Yoshida or Shibui, Ukiyoe zuten, although another version is in Yoshida, Utamaro zenshu on page 162. Published c 1802 by Yamashiroya Toemon.


Fine impression, colour and condition. Perfect colour. Signed Utamaro hitsu.


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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One volume Shuzo suiko meimei den, Shohen, “ Portraits of the Characters in the Suikoden, First Series.” Original embossed orange covers with yellow title slip. Inside front cover title and signature within a western-style surround. Preface 6 pp. including two double-page colour illustrations, last sheet dated Keio 3 ( 1867 ). And 18 numbered pages with 36 illustrations of Suikoden warriors on yellow grounds. Inside back cover advertisements. Published by Odawaraya Yashichi, Edo. In extremely good condition. Superb engraving ( by Egawa Ichigoro ). Toda gives a third volume but did not know of a second. Rare.


Status: Sold




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Onishi CHINNEN (1792-1851)




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One volume complete: Sonan gafu, “A Book of Drawings by Sonan.” One of the best known Shijo books. Much admired by Jack Hillier who used the double page illustration of Fuji and pines for the covers to his 2 vol. book: The Art of the Japanese Book. Original crimped yellow covers with green medallion design. Original title slip. Preface 6 pp. dated Tempo 3 ( 1832 ); 1 p. table of contents followed by 25 double-page colour illustrations. Last page dated Tempo 3 ( 1832 ), signed Chinnen with seal Onishi Chinnen. Inside back cover: colophon, dated Tempo 5 ( 1834 ). Publishers Kobayashi Shimbei and Osakaya Gembei, Edo. Provenance: Ex collections H.M.Kaempfer and Theodore Duret ( seals on last page ). Covers somewhat worn and some slight thumbing, marks and off-setting throughout. Generally good condition.


Status: Sold




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Yushido SHUNCHO (Fl. C 1780-95)




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A chuban print showing beauties sight-seeing on the Sumida River. From a set of ten prints of views of Koto ( an area of Edo bounded by the Sumidagawa to the west and Arakawa to the east ). Published by Enomoto, c 1790.


Very good impression. Exceptionally well preserved colour: the fugitive pigments intact. Very slight soil, otherwise very good condition. Full size.


Status: Sold

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Kitagawa KIKUMARO (Fl. c. ? – 1830)




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Ryogoku Bridge from a set: Edo meisho mitate ju kei, “A Parody of Ten Famous Places in Edo.” Shows pleasure boats cooling off between the trestles of the bridge. The Ryogoku was often depicted by Hiroshige and other artists, especially with fireworks over the bridge to celebrate the “Opening of the River” on the 28th day of the 5th month. Published by Yamashiroya Tokei (?), c. 1803. Ex Hayashi collection, sealed bottom right.


Very good impression, colour and condition. Signed Kikumaro hitsu. ( Kikumaro signed thus between 1795 – 1805. )


Status: Sold

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Tsukioka YOSHITOSHI (1839-1892)




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Looking Tiresome: The Appearance of a Virgin of the Kansei Era ( 1789 – 1802 ). From the set: Thirty-two Aspects of Women published by Tsunashima Kamekichi, 1888. The young girl strokes a pet cat.


Very fine impression of the first edition with the cat’s fur strongly blind-printed. Fine colour. Miniscule trimming on left, otherwise very good condition. Signed Yoshitoshi ga.


Status: Sold

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Utagawa KUNICHIKA (1835-1900)




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A young girl seated to have her photograph taken, the plate camera with dark cloth draped over, to the right. From a series Kaika ninjo kagami, “A Mirror of Modern Manners and Customs, ” sub-title “Photographs.” Photography took off quickly in Japan and there were a considerable number of photographic studios in Tokyo in the 1870’s. However, there are only a few prints as early as this showing cameras. Published 1878.


Very fine impression with extensive burnishing. Fine colour. Minor trimming and light album backing. Signed Toyohara Kunichika fude.


Status: Sold

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Toyohara KUNICHIKA (1835-1900)




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The actor Ichikawa Sandanji I as Akiyama Kiimori holding a sword amidst a conflagration. Yakiuchi no ba from a set Meijiza Shinkyogen, “New Plays for the Meiji Theatre.” Although the play is unidentified the house in the background has been set on fire in an attempt to capture the hero Kiimori. Kunichika’s best print in this genre. Published by Akiyama Buemon, 1894.


Fine impression and colour. Light album backing, otherwise fine condition. Signed Toyohara Kunichika hitsu.


Status: Sold

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Kitagawa UTAMARO (1753-1806)




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The lovers Miuraya Agemaki and Yorozuya Sukeroku from the set: Jitsu kurabe iro no minakami, “True Feelings Compared: The Founts of Love.” A series of half-length portraits from joruri love-suicide plays with the addition of several other famous couples. This design depicts a scene from the second half of a “Sukeroku” play showing the hero Yorozuya no Sukeroku and the courtesan Agemaki from the Shimabara quarter: Sukeroku kills Ikyu, steals the heirloom sword Tomokiri-maru and the two lovers escape after Sukeroku gets soaked hiding in a water butt, and then being hidden in the voluminous surcoat of Agemaki [ as shown here ]. The set published c 1798-9 by Nishimuraya. Ex collection Adolphe Stoclet, sold Sothebys 2004, lot 239, p. 139. Bought from Murakami 17/6/1908. Other impressions: Vever, Part 1, 1974, lot 197, p. 168 ( trimmed ); Shibui, Zuten, p. 110, no. 8; Yoshida, Utamaro, 1941, no. 365; TNM, vol. 2, no. 1896. Unidentified collector’s seal bottom right.


Very good impression and colour. Slightly trimmed at top and minimally at bottom. Small edge repair. Signed Utamaro hitsu.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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A beauty having taken a bath wears a loose fitting yukata with a tenugui slung over one shoulder. She is about to brush her teeth. From Kuniyoshi’s finest set of fan prints. An untitled series of at least six designs showing young women in a state of dishabille at their toilette in front of mirrors, the corners partly concealed with cloth covers. Published c 1843-5 by Ibaya Sensaburo. For obvious reasons, uncut uchiwa-e are scarce. Indeed, this example might be unique. The other known prints from this rare set are: 1) A beauty powdering her face; 2) A beauty shaving her forehead; 3) A beauty suckling a child; 4) A beauty adjusting her hair with scissors; 5) A beauty playing with a cat.


Very good impression and colour. Slight soil top and bottom right corners, otherwise good condition. Uncut. The rich blue grounds on this series have added mica. Signed Cho-o-ro Kuniyoshi ga.


Status: Sold

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Katsukawa SHUN’EI (1762-1819)




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The actor Matsumoto Koshiro IV. One of a rare series of bust portraits, each with the haigo ( poetic ) name and a fanciful title. Here: Kinko and Koraiya. Koshiro was well known as a haiku poet. Published by Iseya Jisuke, c early 1790s. Originally purchased by me at Sothebys, 13/12/1993, lot 12.


Very good impression. Slight fading, otherwise very good condition. Full size. Signed Shunei ga.


Status: Sold

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Utagawa YOSHIIKU (1833-1904)




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A rare print with title in a fishing net: Mitate nitaka kingyo, “A Parody of Goldfish with Actor’s Expressions.” The public would, of course, have recognised these actors, and Kuniyoshi and several pupils had a penchant for them. Indeed, Yoshiiku went on to be a cartoonist for the Tokyo Eiri Shimbun [ newspaper ]. Published 1863.


Very good impression and colour. Minor soil, otherwise very good condition. Signed Ikkeisai Yoshiiku giga.


Status: Sold

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Katsukawa SHUNSHO (1726-1792)




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The actor Nakamura Nakazo I as Prince Koreakira, younger brother of Emperor Go-Toba, in the play Gohiiki Kanjincho performed at the Nakamura Theatre, 1/11/1773. This scene shows Nakazo as the evil prince about to be confronted by Kumai no Taro ( in this case Ichikawa Danjuro V ) in the Shibaraku scene. Ex collection H.R.W. Kuhne, sold Sothebys 11/6/1993, lot 62. Another impression from the Clarence Buckingham collection, ex Frank Lloyd Wright, is illustrated in the Actor’s Image, Clark & Ueda, 1994, no. 66, p. 196.


Very good impression, colour and condition. An exceptional hosoban with the motif on the white court robes blind printed: An extremely rare effect in the hosoban format. Signed Shunsho ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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A vertical diptych of a salt-water gatherer. These girls are often depicted in ukiyoe and seem to have held a fascination with the public akin to that for ama divers. Published by Jimpachi, c 1840.


Very good impression and colour. Sheets separated. Minor signs of being mounted around edge, otherwise good condition. ( These vertical diptychs of this date and earlier were usually mounted onto inexpensive paper mounts. A poor man’s version of kakemono paintings. ) Signed Cho-o-ro Kuniyoshi ga.



Status: Sold

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Kubo SHUNMAN (1757-1820)




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A rare surimono showing new year festivities before a large screen depicting Mount Fuji at sunset. A versatile and highly talented artist working in various mediums, Shunman produced (and cut and printed) some of the finest surimono. Published c 1810s. I cannot, at the moment, locate another impression.

Fine impression and colour with extensive gold and silver. Fine condition. Sealed Shunman bottom right.


Fine impression and colour with silver and gold. Light backing, otherwise very good condition. Signed Shokyuko Shuntei ga.

 

Status: Sold

 

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Totoya HOKKEI (1780-1850)




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An exceptionally rare surimono showing salt gatherers on a beach, their huts behind them and Mount Fuji towering over the horizon. Published c 1820s. I cannot, at the moment, locate another impression.


Fine impression with gold clouds and Fuji heavily blind-printed. Fine colour. Minimal soil, otherwise very good condition. Si8ned Hokkei.

 

Status: Sold

 

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Kitagawa UTAMARO (1753-1806)




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No. 7 from a set of 12 prints: Joshoku kaiko tewazagusa, showing women engaged in the sericulture (silkworm) industry. This was traditionally the domain of women. The colour scheme is red-avoiding (murasaki-e) using predominantly purple. This stage of the process shows the metamorphosis – the winged moth stage – when silkworms are used to lay eggs. This set is taken verbatim from the Shunsho/Shigemasa set of chuban prints, Kaiko yashinai-gusa. (See elsewhere on this site for a Shunsho example.) Published 1798-1800 by Tsuru-ya Kiemon.


Fine impression. Fine colour, perfectly retained. Very good condition; full size. Signed Utamaro hitsu.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A beauty in sumptuous clothing from a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 3, Tamba, and shows men fishing at night with the aid of flares. The set published 1852 by Sano-ya Kihei.


Very fine impression and colour with strong burnishing on collar. Fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A beauty reading a program while a cat dozes beside her. From a fine set of seventy numbered prints with title: Sankai medetai zu, “Excellences of Mountain and Sea.” The set compares busts of beautiful women with various products and occupations from the provinces of Japan. This is number 19. Catching octopuses, Takasago in Banshu [Harima] Province. The set published 1852 by Sano-ya Kihei.


Very good impression and colour. The cat’s fur blind-printed. Light album backing, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Token Gonbei using a mirror to pluck his forehead (hitai). The style became known as Token hitai. From a set: Kuniyoshi moyo shofuda tsuki genkin otoko, “Men of Ready Money with True Labels Attached, Kuniyoshi Style.” These otokodates (a word that is difficult to translate but was a chivalrous commoner, a fashionable man-about-town, street-wise and ready to assist the oppressed). Gonbei is said to have beaten a barking token (Dutch hunting dog) to death with his bare hands – thus he got his name. Published c 1845 by Iba-ya Kyubei.


Very fine impression. Fine colour. Light album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Sasai Kyuzo Masayasu (Sakai Kyuzo Narashige) enveloped in smoke and disintegrating before a volley of musketry at the battle of the Anegawa (1570). From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this being 12, but not numbered) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.36. The best design from the set.


Fine early impression. Fine colour. Slight nibbling to left edge, otherwise very good condition. Fine impression. Fine colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Katsushika HOKUSAI (1760-1849)




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A poem by Onakatomi no Yoshinobu Ason from Hyakunin isshu uba ga etoki, the “Hundred Poems explained by the Wet Nurse.” Published by Nishimuraya Eijudo and Iseya Eijudo c 1835/6. Although obviously intended to be a set of 100 prints, only 27 are known plus drawings for the others. The poet speaks of his love being like a fire kept by guards at the Imperial Palace: It only burns hot at night. Shows a group of sleepy imperial guards with the fire burning low. The poet and servant are seen on the distant hill.


Very fine early impression. Fine colour and condition. (The small white area without colour top left should appear on every untrimmed genuine impression.) Signed Zen Hokusai manji (the manji seal black).

 

Status: Sold

 

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Katsushika HOKUSAI (1760-1849)




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A poem by Kiyowara no Fukayabu from Hyakunin isshu uba ga etoki, the “Hundred Poems explained by the Wet Nurse.” Published by Nishimuraya Eijudo and Iseya Eijudo c 1835/6. Although obviously intended to be a set of 100 prints, only 27 are known plus drawings for the others. The poet speaks of the shortness of the summer night and asks if the moon is still overhead or hidden by clouds. Shows an evening on the Sumida River with a large pleasure boat accompanied by a smaller craft and a vessel providing food.


Fine early impression. Fine colour. Slight centre fold, otherwise good condition. Signed Zen Hokusai manji (the manji seal black).

 

Status: Sold

 

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