Utagawa HIROSHIGE (1797-1858)
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Shimotsuke Nikkosan urami no taki, “Back-viewed Waterfall on Mt. Nikko in Shimotsuke [Province}.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. Figures gaze up at the back of the waterfall which thunders over the path. It is also known with variant colour schemes. A fine design.
Very fine impression with strong blind-printing on the fall. Very fine colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE II (1826-1869)
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Bikunibashi setchu, “Bikuni Bridge in Snow.” From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1858). Bikuni Bridge was known for its cheap restaurants. On the right is a sign advertising that imo are roasted whole. (Yakimono were roasted sweet potatoes.) On the left is another sign advertising yama kujiri, “mountain whale.” (In fact wild boar meat. Whale was considered a fish and therefore not forbidden.)
Superb impression of the rare first edition.Very fine colour. Imperceptible centre fold, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Musashi, Sumidagawa, yuki no ashita, “Musashi [Province], Sumida River, Morning after Snow.” From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by b Koshimuraya Heisuke between 1853 and 1856, this being 1853.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Tosa, kaijo katsuo tsuri, “Tosa [Province], Bonito Fishing at Sea.” Fishermen used fishing rods, rather than nets, to reduce the stress on the fish and maximise taste. Tosa, located on the southern coast of the island of Shikoku, was famous for its bonito. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by b Koshimuraya Heisuke between 1853 and 1856, this being 1855.
Very fine impression and colour. Light album backing, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Tsuchiyama, haru no ame, “Tsuchiyama, Spring Rain.” Number 49 from the famous Tokaido gojusan tsugi no uchi, “The Fifty-three Stations of the Tokaido.” Published by Hoeido, c. 1833-4. Hiroshige travelled the length of the Tokaido as part of an official delegation in 1832 making sketches along the way. On his return he started work on the set eventually producing 55 prints. The first of the designs were published jointly by Hoeido and Senkakudo, but then Hoeido took over the production. Shows a daimyo’s cortege crossing the Tamura River. Tsuchiyama flourished because of its location at the entrance to the Suzuka Pass. However, in Meiji times, the town was bypassed by the railway because of the steep gradients here. This is the rare first edition.
Fine impression. Slight fading of seals, slight centre fold and minimal soil to left edge, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Ishiyakushi, number 44 from the Tokaido showing figures entering the village with others working in the fields. Ishiyakushi-ji Temple was seen on entering the village. From the famous Tokaido gojusan tsugi no uchi, “The Fifty-three Stations of the Tokaido.” Published by Hoeido, c. 1833-4. Hiroshige travelled the length of the Tokaido as part of an official delegation in 1832 making sketches along the way. On his return he started work on the set eventually producing 55 prints. The first of the designs were published jointly by Hoeido and Senkakudo, but then Hoeido took over the production. This is the rare first edition.
Fine impression. Slight fading of seals, slight centre fold and minimal soil to left edge, otherwise very good condition. Signed Hiroshige ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A surimono from a series: Fuzoku onna Suikoden hyakuhachiban no uchi, “Modern Women as the One Hundred and Eight Heroes of the Suikoden.” Shows a beauty leaning on a fulling block beside a stream. She gazes at a flowering cherry tree with a village in the distance beneath a full moon. Each design is based on one of the characters from the Suikoden; in this case Shinkigunshi Shubu (Zhu Wu), the “Resourceful Strategist.” The series was inspired by a new translation of the 12th century Chinese novel Shui huchuan, “All Men are Brothers” which relates the deeds of a group of outlaws. Commissioned by the Hisakatayaren Club for the New Dragon Year 1832. Surimono were usually issued by these poetry clubs or for specific occasions, although individuals also commissioned them. They could employ every artifice available to the printers and engravers: metal powders, mica, blind-printing and burnishing, and were printed on the best, thick hosho. They were not issued in large numbers as conventional Ukiyo-e and are usually of a smaller format. Presumably ambitiously planned as 108 prints but never completed. Rare.
Very fine impression and colour with silver and gold. Slightly trimmed top and bottom, otherwise very god condition. Signed Ichiyusai Kuniyoshi ga with the red seal of the printer Suriko Shinzo (which is removed on some impressions).
Status: Sold
ANONYMOUS
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An unusual and rare surimono showing a matsutake, pine mushroom, and an akagai, red clam. Obvious sexual connotations due to their similarity to the human anatomy. The inscription is enigmatically signed Master In-The-Clouds or Humourously related by the Master who is relaxing and drinking while living in the clouds. With a reference to the Chinese immortal sage Yunzhongzi. Surimono were usually issued by poetry clubs or for specific occasions, although individuals also commissioned them. They could employ every artifice available to the printers and engravers: metal powders, mica, blind-printing and burnishing, and were printed on the best, thick hosho. They were not issued in large numbers as conventional Ukiyo-e and are usually of a smaller format.
Very good impression and colour. Slight soil, otherwise very good condition.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A night scene illuminated by a band of light from a hand-lantern. Shows Ushiwaka-maru (Yoshitsune) battling with the outlaw priest Kumasada Chohan and his band of thieves who were attempting to rob the inn where Yoshitsune was staying. Published by Ibaya Sensaburo, c. 1839-41. A fine design.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing the night attack in pouring rain by the brothers Juro Soga and Goro Soga on their father’s murderer Kudo Suketsune. They had waited 18 years for the opportunity which came in 1193 when there was a hunting party held at the base of Mount Fuji by the Shogun Minamoto no Yoritomo. Soga kyodai chichi no ada-uchi no zu. In the centre is Goro and on the left Juro. Above, the cloth panels with the paulownia crest of the Minamoto clan. Published by Sanoya Kihei, 1851-3.
Fine impression and colour. Slight trimming at top and residual glue at edge of centre sheet, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Available
Utagawa YOSHITSUYA (1822-1866)
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The magician Ryuomaru battling with a giant dragon from a set of fine designs: Honcho musha kagami, “Mirror of Warriors of Our Country.” Published 1856-7 by Tsujiokaya Bunsuke. A good pupil of Kuniyoshi.
Good impression, colour and condition. Signed Ichieisai Yoshitsuya ga.
Status: Sold
Kawanabe KYOSAI (1831-1889)
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A triptych, Nanba senki no uchi, “The Battle of Nanba,” showing the Buddhist monk Tenkai (1536-1643) chanting a spell, and Okubo Hikozaemon (1560-1639), both retainers of Tokugawa Ieyasu, at the great battle of Domyoji, Osaka, in 1615. Tokugawa Ieyasu’s army clashed with the Osaka army of Toyotomi Hideyori. This led to the fall of Osaka and the death of Hideyori. On the right is a huge exploding land-mine disintegrating a Buddhist stone statue. Published by Ebisuya Shoshichi, 4/1874. Extremely rare: I have only seen one other impression of this design.
Fine impression and colour. Trimmed, otherwise very good condition. Signed Seisai Kyosai and Oju Seisai Kyosai.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych showing Yamauba on the left and Kintaro about to wield a large axe to break a large Kaga mimochi, mirror rice cake. This is a traditional Shinto rite in January. January 11th is also the day the wealthy opened their storehouses to air their precious possessions (Kurabiraki). Published by Akiyama Buemon 1891.
Very fine impression with extensive burnishing. Fine colour and condition. Signed Yoshitoshi.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Oho ( Wang P’ou ) visiting his mother’s tomb to comfort her during a thunderstorm. Shows peasants fleeing the zigzag lightning bolts. From a set of fourteen prints: Nijushi-ko doji kagami, “Mirror of the Twenty-Four Paragons of Filial Piety.” Published by Wakasa-ya Yoichi, c 1840. Each print shows an example of a child’s exemplary behaviour in looking after their aged parents There is a strong western influence in this set. Robinson S13.14.
Very good impression and colour. Slight centre fold, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Shows the fearsome female warrior, Fujinoye, defending Takadachi Castle in 1189. In a rain of arrows she attacks Yemoto Juro and Nagasawa Uyemon-taro on the castle steps. From the set Honcho Suikoden goyu happyaku-nin no hitori, “Eight Hundred Heroes of our Country’s Suikoden, One by One.” Published by Kaga-ya Kichiyemon, c 1831. Robinson S4a.1.
Fine impression and colour. Slight trimming at bottom, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The best design from a set of half-length otokodate figures: Kuniyoshi moyo shofuda tsuketari genkin otoko, “Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” Here showing Danshichi Kurobei emptying a bucket of water over himself. Danshichi was a fishmonger in the city of Sakai who murdered somebody in the mid-winterof 1697, the body only being discovered when the snow melted. He is often depicted pouring water over his head, although there are also versions where he commits the crime in a swamp. Published by Ibaya Kyubedi, 1845. Poem by Hoshitei.
Very good impression and colour. Slight trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Kobayakawa Takakage debating with the tengu on mount Hiko from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.”The set published by Sasaki Toyokichi, 1889-1892 (this being 1892).
Very fine first edition. Fine colour and condition. Signed Yoshitoshi.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Yodo-no-Kimi (aka Yodogimi), the concubine and second wife of the daimyo Toyotomi Hideyoshi, readies herself for seppuku: Hideyoshi, having died, she and her son are thought to pose a threat to Tokugawa Ieyasu who had become a guardian of Hideyoshi’s son. They hold up in Osaka castle where they commit suicide, rather than be captured. From the set Ikkai zuihitsu, “Essays by Yoshitoshi.” (Ikkai was an early name of Yoshitoshi’s.) A set of thirteen prints published by Masadaya Heikichi 1872/3. A fine set.
Extremely fine impression and colour from the first edition. Most designs from the set have red seals in the margin and red seals over the signature. These were removed on later editions. Margins trimmed a little, otherwise fine condition. Signed Ikkaisai Yoshitoshi hitsu. d on later editions. Trimmed on black border at left, otherwise fine condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Kaneko Kugutsune (aka Okane, Kane-jo, and Omi no Okane) from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.5. Known as the Strong Woman of Omi, she is credited with subduing a runaway horse by holding its rein down with her geta. She is shown here with her washtub, the wild horse in the background.
Superb impression and colour. Very slight crinkling , trimmed close and some small wormage, otherwise fine condition. Signed Cho-o-ro Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The death of the Daimyo Imagawa Yoshimoto (1519-60) by Oda Nobunaga during the battle of Okehazama which was fought at night during an intense downpour and was the culmination of the feud between the Imagawa and Oda clans. The battlefield is now a park and a national historical site. The best design from a set Yobu hakkei, “Military Brilliance of the Eight Views.” Each print relates to the famous Eight Views theme, in this case Narumi yau, “Night Rain at Narumi.” Published by Enshuya Hikobei, 1852.
Fine impression, colour and condition. Full size with extra paper left and top, which is unusual as these prints are normally trimmed from albums. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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“Flood” from a series Seiu kandankei, “A Barometer of Emotions.” Shows Nakamura Shikan III as Abe Bungo no Kami riding his horse through waves. Published by Okura Magobei 1876-77 (this being 1876). A rare set with some striking designs comparing actors in theatrical roles with meteorological phenomena.
Fine impression and colour. Slight trimming, otherwise fine condition. Signed Oju Yoshitoshi hitsu.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Yamamoto Kansuke striding through the snow. “Boar” from a set Mitate junishi, “Selection for the Twelve Signs.” Published by Ibaya Kyubei, c 1845. (Kansuke was famous for killing a giant boar in the snow.) Robinson S38.12.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The fifteen year old Otani Furuinosuke killing a giant boar with his bare hands. From a set Honcho Suikoden goyu happyakunin no hitori, “One of the Eight Hundred Heroes of the Water Margin of Japan.” Published by Kagaya Kichiemon c 1831. This is the first edition: It was republished by Ibaya Sensaburo in 1845. Robinson S4a.14.
Fine impression and colour. Slight trimming at left, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Jigoku Dayu, the “Hell Courtesan” from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.3. She was a courtesan who found enlightenment through the Buddhist monk Ikkyu. (The fly-whisk she holds denotes her enlightenment.) Sold to a brothel, she believed her misfortune was due to karma and is always depicted with robes depicting images of hell.
Very fine impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNISADA (1786-1865)
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A triptych showing the great wrestling match between Matano Goro Kagehisa and Kawazu Saburo Sukeyasu. The match was refereed by Ebina Gempachi and occurred during a hunting expedition organised by the general Minamoto no Yoritomo in 1176 near Mt. Akazawa. Kawazu was the eventual victor after a rematch, throwing Matano by twisting his foot behind him – a throw still known as the kawazu in his honour. Kawazu was later found murdered – his death being avenged by his sons Juro and Goro. Published by Yamaguchiya Tobei, 1838-40. An earlier version was designed by Kunisada as well as there being an excellent example by Kuniyoshi.
Very good impression and colour. Minor creasing and wear, otherwise good condition. Signed Kochoro Kunisada ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing Shutendoji’s palace on Mount Oyeyama, Oyeyama fukujin shusei. Raiko (Minamoto no Yorimitsu) is charged by the Emperor Murakami with killing the evil Shutendoji who terrorizes the neighbourhood. He and his retainers infiltrate the castle and ply Shutendoji and his ogrish band with sake and dance for them. Eventually Shutendoji is so intoxicated he has to be carried to bed, whereupon Raiko and his followers attack and decapitate him. This is the episode most often depicted with the head flying through the air. Published by Kiya Sojiro, 1853.
Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1812-1866)
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The actor Ichikawa Kodanji IV as Torii Matasuke clenching a sword between his teeth in pouring rain. From the play Kagamiyama gonichi no Iwafuji performed at the Ichimura Theatre, 3/1860. The plot centres around Lord Taga who is disloyal to his wife Lady Ume with Oryu. One of Taga’s retainers, Motome, advises him against his actions and is dismissed. Meanwhile Oryu and her husband plan to take over Taga’s domain so a plot is hatched to kill her. However, Motome’s faithful servant, Matasuke, murders Lady Ume by mistake. The design shows Matasuke just prior to his mistake. Published by Kaku-Kin (Kakumotoya Kinjiro), 1860.
Fine impression and colour. Some minute restored binding holes and very slight trimming on right, otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.
Status: Sold
Utagawa YOSHIKAZU (Active c 1849-1867)
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Kato Kiyomasa (aka Masakiyo, 1562-1611) hunting man-eating tigers with his cohorts in Korea. Masakiyo ko toragari no zu. Kiyomasa had two expeditions to Korea in 1592 and 1597. Published by Hiranoya Shinzo, 1861.
Fine impression, colour and condition. Signed Ichikawa Yoshikazu ga.
Status: Sold
Utagawa YOSHITSUYA (1822-1866)
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A triptych showing Minamoto no Yorimitsu (aka Raiko, 948-1021) trying to capture the notorious thief Hakamadare Yasusuke. Kijutsu Hakamadare o karamen to su. Yorimitsu is seen with his cohorts Urabe Suetake, Hirai Yasumasa, and Watanabe Tsuna. On the right Hakamadare attempts to evade capture by magically conjuring up a battle between a giant snake and a bear. Published 1858 by Tsutaya Kichizo.
Very good impression, colour and condition. Signed Ichieisai Yoshitsuya.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The best design from Genji kumo Ukiyoe awase, “Ukiyoe Comparisons of the Cloudy Chapters of Genji.” A set comparing famous warriors to the Chapters of the Genji Monogotari written by Lady Murasaki Shikibu (c 973-1025). This design is for Chapter 22, Tamakatzura. Shows the pearl diver, Tamatori-hime, who has reclaimed the precious pearl stolen by the Dragon King. She is pursued by a host of his aquatic retainers including a giant octopus before finally returning the jewel to her husband Fujiwara no Kamatari, albeit buried in her chest for safety and causing her death. A popular subject with Kuniyoshi who designed a number of other oban prints and triptychs on this subject. The Dragon King’s Palace can be seen beneath the waves in the background. Published by Iseya Ichibei, 1843-5.
Fine impression and colour. Slight crinckling in margins, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Shows Lady Masao from Osasahara surrounded by curling snakes who force her to reveal her true identity – the Fox Spirit. Various publishers from 1867-68, here Omiya Kyojiro, 11/1867.
Fine impression. Very good colour. Slight trimming, otherwise very good condtion. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Shows Mukokizu Yosa stabbing Komori Yasu (Yasu the Bat); so-called because of the bat-like birthmark on his cheek. A gruesome scene with Yasu covered in blood. Various publishers from 1867-68, here Omiya Kyojiro, 11/1867.
Fine impression. Very good colour. Slight trimming, otherwise very good condtion. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Shows Azekura Jushiro slashing Hinotama no Sangoro who is covered in blood. Various publishers from 1867-68, here Sanoya Tomigoro, 9/1867.
Fine impression. Very good colour. Slight trimming, otherwise very good condtion.
Status: Sold
Katsushika HOKUSAI (1760-1849)
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One volume complete: Hokusai soga, “Hokusai’s Free Sketches.” Two versions of this publication are known: Solely printed in sumi and ( as here ) sumi with gradated shading and a pink block. This version also with the colophon. Both are almost certainly contemporaneous. Contain’s some of Hokusai’s best known images and was considered by Jack Hillier to contain “the finest figure prints by Hokusai.” Published 1820 by Eirakuya, Nagoya; Surawaya Mohei and seven others in Edo.
Original light blue burnished covers. Original title slip. Some slight damage to covers, and thumbing on some pages, but overall a very nice copy with fine impressions.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a beauty with an acolyte. Sumi on thin paper. 14.5 x 10.5 in., 37 x 27.5 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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A large original drawing. Probably for a kakemono-e. Sumi on thin paper. 29.5 x 9.75 in., 73 x 24 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a woman with details of the pattern on her dress. Sumi and red under-drawing on thin paper. 14.75 x 10.75 in., 37.5 x 27.5 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a bust portrait of a Heian beauty holding a fan with a surrounding motif of gourds and leaves. Sumi and red under drawing on thin paper. 18.5 x 12 in., 47 x 31 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a full length study of a peasant carrying a box on her head. A small vignette of a samisen player at the bottom left. Sumi on thin paper. 12.75 x 9.5 in., 33 x 24 cms.
Status: Available
Ichiryusai HIROSHIGE (1797-1858)
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An original drawing showing a study of a seated woman holding a rosary in front of an incense burner. Sumi and pentimenti on thin paper. 13 x 9.5 in., 33 x 24.5 cms.
Status: Available