Imao KEINEN (1845-1924)




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An original painting, sumi on paper, image size 54 x 19.5 in; 137 x 49.5 cms. A pupil of Umegawa Tokyo and Suzuki Hyakunen. Keinen was an important figure in Kyoto art circles and considered the pre-eminent kachoga (bird and flower) artist at the end of the 19th century winning many prizes at home and abroad. Best known for his 4 volume Keinen kacho gafu, “Album of Bird and Flower Pictures by Keinen” published 1891-2. Shows two peacocks standing on a rocky outcrop. Peacocks were a popular subject for artists who could display their prowess at painting, the results often being sumptuously rendered. However, Keinen opts for a freer style in sumi only. Keinen was also known as a keen horticulturist and a bonsai expert. Original kiri wood box inscribed by him on the inside of the lid and guaranteeing the painting as being genuine. Outer lacquer box. In very good condition. Signed Keinen with seal.

 

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    Utagawa YOSHITORA (Active c. 1840-1880)




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    An oban with title: Furyu saya-e: oiran, “Elegant Sheath-Pictures: Oiran.”A catoptric (mirror as opposed to an oblique) anamorphic print showing a parading courtesan. These prints were meant to be viewed in conical or cylindrical mirrors placed at the bottom of the image. The flat distorted image was then seen undistorted. However, in Japan the image was viewed in the curved surface of a sword sheath. Anamorphosis was known in Europe in the early 15th century and also in China during the Ming Dynasty (1368-1644). Published by Enshuya Matabei, c. 1845. Another impression is illustrated in Edo no asobi-e, Shinichi Inagaki, Tokyo Shoseki, 1988, plate 6. Very rare.

     

     

    Fine impression. Very good colour and condition. Signed Ichimosai Yoshitora ga.

     

     

    Status: Available

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      Ichiunsai KUNIHISA (1832-1891)




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      An original painting, full colour on paper with the black waistband heavily lacquered, image size 48 x 11 in; 122 x 28 cms. Shows a young beauty carrying a box. She wears an apron and has a towel slung over her shoulder, so is presumably an assistant in a kitchen or bathhouse or similar establishment. The narrow format enhances her natural elegance. Kunihisa was the pupil and son-in-law of Kunisada. Some repaired wormage, otherwise good condition. Signed Kunihisa ga with two indistinct seals.

       

       

      Status: Available

       

       




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        Yamamoto FUJINOBU (Active 1750-1770)




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        An original painting, full colour on paper, image size 32.25 x 7 in; 82 x 18 cms. Shows a parading courtesan with her kamuro. A painter and print artist whose prints were always published by Yamamoto Fusanobu giving rise to the theory that Fujinobu was a pseudonym of the publisher. Much influenced by Harunobu. His prints are extremely rare. Slight creasing, otherwise good condition. Signed Fujinobu ga with indistinct seal.

         

         

        Status: Available

         

         




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          Utagawa TOYOKUNI I (1769-1825)




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          An original drawing by the first Toyokuni. An hanshita-e diptych for a published set of triptychs with title: Yakusha juni tsuki, “Actors in the Twelve Months.” Shows the actors (from the left) Bando Mitsugoro III holding a pipe; Iwai Hanshiro V with an open book; Nakamura Utaemon III about to write a poem; and Segawa Roko IV with another pipe. They are compared to the months of the year, in this case July, the month of the Bon Odori festival and are also a parody of the Six Immortal Poets. The print published by Yamashiroya Toemon (active c. 1801-1817). In fact this set was published Spring, Bunka 6 (1809). Sumi on thin paper laid around edges onto another sheet. Some pentimenti and also shows the initial hurried under-drawing and with annotations for the finished print. Sold together with the two published sheets which shows the lanterns removed at top, the brazier bottom centre and other minor changes. In indifferent condition. An illustrated example of this complete triptych is in the Austrian Museum of Applied Arts.

           

           

          The print signed Toyokuni ga. Original hanshita-e by Toyokuni I are extremely rare. Sold “as is” with all imperfections.

           

           

           

          Status: Available

           

           

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            Toba HIROMARU (Active 1804-1818)




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            An original painting showing a parading courtesan. Sumi and colour on paper, 45.5 x 11.25 in; 115.5 x 28.5 cms. A rare artist of the Utagawa school. Probably a pupil of Utagawa Toyohiro. His extant paintings show a considerable talent with particularly attenuated faces. Another example is in the MFA, Boston, acc. no. 11.7369 as well as there having been two sold at auction: Christies, NY 16/9/2003, lot 153 and Bonhams NY 18/3/2015, lot 3010. Some minor marks and creasing, but otherwise good condition. Signed Toba Hiromaru hitsu. Seal unread.

             

             

            Status: Available

             

             




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              Utagawa KUNIYOSHI (1797-1861)




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              2 vols. complete: Kanjaku tsuizen hanashidori, “The Liberated Birds: A Memorial Book for Kanjaku.” A memorial book for the actor Nakamura Utaemon who died in 1852. He had the literary name of Kanjaku, meaning ”playing with sparrows” and the covers and many illustrations allude to this custom of releasing birds at funerals. Vol. 1: 1st preface , 3pp. giving the biography of Utaemon IV; poem 1p. 3 sheets: calligraphy (in ishizuri), 1p.; illustrations in colour, 5pp. signed on first page Toyokuni (III). Sheets 1-8: 2nd preface, 5pp., remaining pp. text, poems and colour illustrations. Sheets 1-75 with 15 single-page and 62 double-page illustrations in sumi and light colour. Inside back cover: colophon dated Kaei 5 (1852). Vol. 2: 110 sheets of text, poems, and illustrations. 38 single-page and 50 double-page illustrations (many in colour and includes a double-page illustration by Kuniyoshi). Last page, colophon, dated Kaei 5 (1852). Original covers with clouds and sparrows. Some soil and minor damage. One title slip missing and other damaged. Contents extremely good.

               

               

              Status: Available

               

               




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                Utagawa HIROSHIGE (1797-1858)



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                Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of Hiroshige’s most famous designs.

                 

                 

                Very good impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

                 

                 

                Status: Available

                 

                 

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                  Utagawa KUNISADA II (1823-1880)




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                  A triptych showing Prince Genji in a boat with attendant page and a lady watching female awabi (abalone) divers called ama. These women were a great curiosity for the public and seen as rather risqué characters. Prince Genji was the protagonist of Murasaki Shikibu’s Heian-era novel The Tale of Genji. He was the second son of the emperor, and relegated to civilian life. Published 1865 by Maruya Kyushiro.

                   

                   

                  Very good impression and colour. Slight edge soil, otherwise very good condition. Signed Kunisada hitsu.

                   

                   

                  Status: Available

                   

                   

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                    Utagawa SADAFUSA (Active 1830s – 1840s)




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                    An original sumi woodblock for two chuban prints from a Kanadehon Chushingura set. The upper design being Act VII, the tea-house Ichiriki, Kyoto with Yuranosuke; the lower showing Act VIII, the bridal journey with Konami and her daughter Tonase on the Tokaido Road. Sold “as is” with all imperfections.

                     

                     

                    Status: Available

                     

                     

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                      Katsushika HOKUSAI (1760-1849)




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                      Volume 11 from the Manga. Front cover with original pink title slip: (Denshin kaishu) Hokusai manga juichihen, (“Transmitted from the Gods.”) “Hokusai’s Sketches, Vol. 11.” Original grey covers with burnished wave and diamond pattern. Inside front cover catalogue of newly published books; 2 pages preface and 29 numbered pages comprising 56 illustrations , 36 single page and 10 double page. 2 pages block-holders catalogue and inside back cover catalogue of newly published books. The extremely rare first edition published by Eirakuya Toshiro, Nagoya, c. 1834. The Manga was eventually completed in 15 volumes (the last two posthumously). The first 10 volumes published by Kadomaruya Jinsuke, Edo and Eirakuya Toshiro, Nagoya, 1814-1819; vols. 11 and 12 by Eirakuya only, c. 1834; vol. 13 by Eirakuya only, c. 1849; vol. 14 by Eirakuya only, c. 1850s; vol. 15 by Eirakuya only, 1878. Initially based on sketches produced on a visit to his friend and pupil Maki Bokusen in Nagoya in 1812. These sketches were collated by Bokusen and Katsushika Hoku’un and published in 1814. Other pupils collected sketches and so the set expanded. The books were enormously influential and popular, not just in Japan, but in the West and were endlessly reprinted giving rise to a plethora of late editions. In 1831, the German Phillip Franz von Siebold, reproduced images from the Manga in lithograph in his Archiv zur Beschreibung von Japon. They were also highly admired by the Impressionists, especially Manet and Bracquemond.

                       

                       

                      Fine impressions of the first edition. Some minor defects but otherwise in very good condition.

                       

                       

                      Status: Available

                       

                       




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                        Utagawa KUNISADA (1786-1864)




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                        An original hanshita-e (preparatory drawing) for a triptych showing, from the left, Nakamura Kamenojo I as the geisha Azuma standing above Kawarasaki Gonjuro I as Yamazakiya Yogoro, Bando Kamezo I as Settanaoshi Chogoro standing above Onoe Kikugoro IV as Kumasaka Ocho, and Onoe Kikugoro IV as Akogi Gennojo standing above Onoe Kikujiro II as Onnadayu Okoyo. The play was Yume musubu cho ni torioi performed at the Ichimura-za theatre 3/1856. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red with some pentimenti. (This was also most likely a published print by Sanoki as it is from the same group as others offered here.) Signed on two sheets Toyoukuni ga.

                         

                         

                        Status: Available

                         

                         

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                          Kawamura BUMPO (1779-1821)



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                          I volume complete Bumpo gafu (Sampen), “Album of Drawings by Bumpo” (3rd Series”). Original light grey covers with burnished pattern. Original title slip. Preface 3 pp., with 18 double-page and 32 single-page illustrations in sumi and light colour numbered 1 – 35. Colophon dated Bunka 10 (1813).(First edition.) Signed Bumpo with publishers Kawachiya Kihei and Yoshidaya Shimbei. Fine impressions. Very good condition with no thumbing to corners.

                           

                           

                          Status: Available

                           

                           




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                            Hosoda EISHI (1736-1829)




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                            An original painting, sumi and colour on silk, 33.25 x 12 in; 84.5 x 30.5 cms. Shows a parading oiran, a high class courtesan, beneath falling cherry blossom. A parade was held every April in the Yoshiwara under the spring cherry blossom. Her costume is decorated with a large golden koi swimming amongst water weeds. An elegant and refined painting of great delicacy typical of this painter who was of unusually high rank for an Ukiyo-e artist. His prints – usually of beauties – are equally elegant. He also had a considerable number of pupils, including Eisho, Eiri and Eisui who produced some exceptional compositions. Probably painted around 1795-1804.

                             

                             

                            Mount with some minor damage; painted area in very good condition. Signed Chobunsai Eishi hitsu with Eishi seal.

                             

                             

                            Status: Available

                             

                             




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                              Toyohara KUNICHIKA (1835-1900)




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                              The actor Suketakaya Takasuke IV as Sakuramaru from a fine set of prints showing actors glimpsed through their dressing room sliding doors, prior to going on stage. Their figures partly silhouetted as are their assistants, here aiding the actor with his sword. From a set Gakuya nikai kage no hyoban, “Popularity of the Upstairs Dressing Room.” The set published by Takagawa Fusajiro, 1883.

                               

                               

                              Fine impression, colour and condition. Full size. Signed Toyohara Kunichika hitsu.

                               

                               

                              Status: Available

                               

                               

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                                Toyohara KUNICHIKA (1835-1900)




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                                The actor Onoe Kikugoro V as Hisayoshi from a fine set of prints showing actors glimpsed through their dressing room sliding doors, prior to going on stage. Their figures partly silhouetted as are their assistants, here aiding the actor with his costume. From a set Gakuya nikai kage no hyoban, “Popularity of the Upstairs Dressing Room.” The set published by Takagawa Fusajiro, 1883.

                                 

                                 

                                Fine impression, colour and condition. Full size. Signed Toyohara Kunichika hitsu.

                                 

                                 

                                Status: Available

                                 

                                 

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                                  Utagawa KUNITERU (Fl. mid-19th c.)




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                                  An original hanshita-e (preparatory drawing) for a triptych showing the ground floor interior of a brothel in the Yoshiwara with courtesans and their assistants. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. He was a pupil of Kunisada, originally calling himself Sadashige, and becoming Kuniteru when Kunisada became Toyokuni III. Sumi and touches of red. Extensive pentimenti. Sold “as is” with all imperfections. Signed on two sheets Kuniteru ga.

                                   

                                   

                                  Status: Available

                                   

                                   

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                                    Utagawa KUNISADA (1786-1864)




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                                    An original hanshita-e (preparatory drawing) for a published diptych showing, on the left, the actor Onoe Kikujiro II as Tatsuhime – in reality Yawata, the younger sister of Kotoda. On the right is Iwai Kumesaburo III as Kudo Kanaishimaru. The play is Matsu icho Tsurukame Soga performed at the Nakamura-ya theatre, 1/1854. The publisher of the print was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red. Signed Toyokuni ga on both sheets. Sold “as is” with all imperfections.

                                     

                                     

                                    Status: Available

                                     

                                     

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                                      Kawabata GYOKUSHO (1842-1913)




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                                      An original painted fan. On one side a bird amongst flowers and the reverse also with flowers. A leading figure in Tokyo art circles and the last great representative of the Shijo school. In exceptional condition with extensive gold leaf. Signed Gyokusho with seals Shibun on both sides.

                                       

                                       

                                      Full colour on silk, each panel 39.75 x 25 in; 101 x 63.5 cms. Extremely good condition. Signed Kinzaburo Yoshitoshi ga with blurred seal but reading Go Kaisai. Extremely rare.

                                       

                                       

                                      Status: Available

                                       

                                       




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                                        Cho GESSHO (1772-1832)



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                                        A large original painting of moored junks caught in a violent squall. A fine painter who studied under Tanke Gessen and Matsumura Goshun in Kyoto before moving to Nagoya in 1798 and becoming Nagasawa Rosetsu’s assistant for a short time. Also illustrated some fine ehon. Sumi and colour on silk with the currents of air painted in gold; 55.25 x 26 in; 140.25 x 66 cms. Painted c. 1810s. Provenance: Two previous owners’ seals on the exterior of mount: The Honda family library and the Ueno family. Old box with inscription which states that Gessho wanted to acquire a painting from the Owari district. Although not intrinsically valuable it was esteemed by the local people. He offered to exchange the painting offered here for their painting. There is a dig here in that the inhabitants of Owari were known to be avaricious. Written by Mizutani Okurei (1848-1926). Presumably based on the accounts of the two previous family owners.

                                         

                                        Signed Gessho with seal: Yukisada, Genkei, Gessho. Obviously an important painting by Gessho and in very good condition.

                                         

                                        Status: Available

                                         



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                                          Utagawa KUNIYOSHI (1797-1861)


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                                          Gempei Yashima o-kassen, the great battle of Yashima in 1184. Shows Yoshitsune’s famous “eight-boat leap” (centre), Noritsune (left), and Benkei on the large boat (right). Published by Kawaguchiya Uhei, c. 1839-41.

                                           

                                          Very good impression and colour. Edge repair top left sheet, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

                                           

                                          Status: Available

                                           

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                                            Onishi CHINNEN (1792-1851)



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                                            One volume complete Azuma no teburi, “Customs of the Eastern Capital”. Published Bunsei 12 (1829). Original covers, light blue-grey with silver stencilled decoration. Original title slip (damaged). Inside front cover title Taihei Uzo (the original title). Artist: Chinnen, and publisher Sonando. 25 double page illustrations showing the inhabitants of the capital going about their daily pursuits. Inside back cover: Colophon, dated Bunsei 12 (1829) and publishers Kobayashi Shimbei and Osakaya Gembei. Slight repared wormage and minor marks, but generally a nice copy of a fine shijo book.

                                             

                                            Status: Available

                                             



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                                              Matsumura KEIBUN (1779-1843)



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                                              A shijo brush drawing of a seabream and a lumpfish (?). One of Kyoto’s leading artists. Noted for his painting from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10 x 14.75 in; 25.4 x 37.4 cms.

                                               

                                              In good condition. Signed and sealed Keibun.

                                               

                                              Status: Available

                                               

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                                                Matsumura KEIBUN (1779-1843)



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                                                A shijo brush drawing of a white horsehead and an acropomatidae (?). One of Kyoto’s leading artists. Noted for his painting from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10.5 x 15 in; 26.7 x 38.1 cms.

                                                 

                                                In good condition. Signed and sealed Keibun.

                                                 

                                                Status: Available

                                                 

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                                                  Matsumura KEIBUN (1779-1843)



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                                                  A shijo brush drawing of a red seabream. One of Kyoto’s leading artists. Noted for his paintings from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10.5 x 17 in; 26.7 x 43.2 cms.

                                                   

                                                  In good condition. Signed and sealed Keibun.

                                                   

                                                  Status: Available

                                                   

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                                                    Matsumura KEIBUN (1779-1843)



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                                                    A shijo brush drawing of a gurnard and a snapper (?). One of Kyoto’s leading artists. Noted for his painting from nature. He studied with his older brother Matsumura Goshun as well as Maruyama Okyo. Sumi and light colour on paper, 10.5 x 17.75 in; 26.7 x 45.1 cms.

                                                     

                                                    In good condition. Signed and sealed Keibun.

                                                     

                                                    Status: Available

                                                     

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                                                      Nishiyama HOEN (1804-1867)



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                                                      An original painting showing the oiran Eguchi on a white elephant. The origins of this story seem to go back to a recorded conversation the poet-monk Saigyo (1118-1190) had with a prostitute named Eguchi giving rise to numerous legends. Eguchi is shown as a manifestation of the Budhisattva Fugen whose usual vehicle is a large white elephant. Hoen, one of the best shijo painters of his time, lived in Osaka and was a pupil of Keibun. Full colour on silk, 36.5 x 13 in; 92.7 x 33 cms. Mount showing signs of wear but image in good condition. Signed Hoen with seal (?) – Seisho.

                                                       

                                                      Status: Available

                                                       



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                                                        Yanagawa SHIGENOBU (1787-1833)



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                                                        An original painting by this artist who was the pupil and then son-in-law of Hokusai. He was given the name Yanagawa (from his residence in the Honjo district of Edo) to distinguish him from other Shigenobu artists. A good book illustrator and surimono designer. He designed the first square surimono in Osaka in 1822, inspiring others to follow. His paintings are rare. Shows a portrait of the Japanese scholar and writer Ishikawa Masamochi (1754-1830). The fifth son of Ishikawa Toyonobu, he was a renowned kyoka poet and Gesaku writer (playful, mocking works), including The Magical Carpenter of Japan. An important figure in kyoka/surimono circles. Known as Rokujuen (Yadao no Meshimori). His family crest is seen on his kimono and he sits before a low desk ready to write. A high quality painting, sumi and colour on silk, 29 x 12.5 in.; 73.6 x 31.8 cms. Several small backed wormholes at bottom, otherwise very good condition. Would benefit from being remounted.

                                                         

                                                        Signed Shigenobu with seal Yanagawa.

                                                         

                                                        Status: Available

                                                         




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                                                          Toyohara KUNICHIKA (1835-1900)



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                                                          The actor Onoe Taganojo II from a fine set of prints showing actors glimpsed through their dressing room sliding doors, prior to going on stage. Their figures partly silhouetted as are their assistants, here aiding the actor with his headpiece. From a set Gakuya nikai kage no hyoban, “Popularity of the Upstairs Dressing Room.” The set published by Takagawa Fusajiro, 1883.

                                                           

                                                          Fine impression, colour and condition. Full size. Signed Toyohara Kunichika hitsu.

                                                           

                                                          Status: Available

                                                           

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                                                            ANONYMOUS (Late 18th century)



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                                                            An Uki-e, “floating picture” painting showing an interior with a puppet performance taking place. A puppeteer manipulates a female puppet in the centre, behind him two gidayu narrators and a shamisen player. A male puppet is being held behind a screen. Ladies behind a screen at right enjoy the drama. In fact, a male individual at the back seems overcome by emotion with a hanky to his face. The architecture is represented using one-point perspective, a style which made its way to Japan in the 1740’s from the West via China. (Interestingly the artist has got the perspective wrong on the screen at right.) This genre of painting – invariably unsigned – always shows interior or semi-interior views with banquets or, as here, puppet performances. Full colour on paper, 17 x 23 in; 43.2 x 58.5 cms. Minor marks, although good condition for this kind of painting.

                                                             

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                                                              Tsukioka SETTEI (1710-1786)



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                                                              An original painting, sumi and light blue on silk. Image size 38.75 x 14.25 in; 98.4 x 36.2 cms. Shows a carp leaping a waterfall. This was a favourite subject for Japanese artists being a symbol of achievement against adversity. Carp were bred for their colour in Japan and, interestingly, Koi that are returned to the wild revert back to their grey colour. They are known to live for up to a hundred years or more. Settei produced many illustrated books but after around 1765 turned to painting beauties, courtesans and geishas. They are of the utmost refinement – the faces and limbs picked out in red, their costumes with areas of gold, and invariably have the wide lantern-locks (toro-bin) hairstyle. Signed Hogen Tsukioka Sessai jinen rokuju-nana (painted aged sixty-seven, hence 1777). Seal Masanobu no in. In good condition with splashed gofun.

                                                               

                                                              Status: Available

                                                               




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                                                                Ohara HOSON (Aka SHOSON, KOSON) (1877-1945)



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                                                                A rooster and weasel. Published by Kawaguchi, c. 1930. The first and only edition. Ex Robert O. Muller collection. Rare.

                                                                Very fine impression, colour and condition. Signed Hoson. Copyright seal in lower right margin; seal of printer, Komatsu, and carver, Maeda, in lower left margin.

                                                                Status: Sold

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                                                                  Utagawa HIROSHIGE (1797-1858)



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                                                                  The extremely rare first, private printing of Bora, the grey mullet (Mugil cephalus) with camellia and Japanese asparagusado. From a set of 10 prints in folding album form, privately commissioned for a poetry club, c 1832-34. Poems by Higaki Kunifune and Toshinoto Haruki. The judges’ names next to the poems. These were removed on the commercial editions. Rare because of the obvious reason that the numbers printed were directly related to the relatively small memberships of poetry groups.

                                                                  Fine impression and colour of the earliest printing without kiwame seal and publisher’s seal. With judges’ names and without gradation at top. Centre fold (as always), otherwise very good condition. Signed Ichiyusai Hiroshige ga. Unknown collector’s seal au verso.

                                                                  Status: Sold

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                                                                    Utagawa HIROSHIGE (1797-1858)



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                                                                    A vertical diptych showing a multitude of cranes flying up from a cresting wave to a large red sun. In fact this diptych was used by an Edo publisher as end sheets to albums – usually sets of Hiroshige landscapes. Rare: Invariably it is impossible to match the two sheets as the bottom design is always graded blue at the top. Another matching impression is illustrated pl. 143 in Four Hundred Ukiyoe Woodblock Prints From The Museum Of Art, Rhode Island School Of Design, Abby Aldrich Rockefeller Collection Of Japanese Prints, 1990. Another impression is known with a large red seal at a slight angle bottom right. (This may be the first state but rather spoils the design.) Published 5/1858.

                                                                    Fine impression and colour. Small expertly repaired binding holes, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.

                                                                    Status: Sold

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                                                                      Utagawa HIROSHIGE (1797-1858)



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                                                                      A chuban print showing two house swallows and wisteria. Although Hiroshige is recognised as one of the pre-eminent landscape artists, many of his most beautiful designs are in the uchiwa-e format and kachoga.

                                                                      Fine impression and colour. Several expertly repaired wormholes, otherwise very good condition. Signed Hiroshige hitsu.

                                                                      Status: Sold

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                                                                        Utagawa SADAHIDE (1807-1873)



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                                                                        An aizuri fan print. Shows two travellers admiring the view of the Tama River and Mt. Koya in Kii Province. Published c 1849. Sadahide produced a considerable number of fan prints and it seems to have been a speciality of his. Rare.

                                                                        Very good impression and colour. Minor edge soil, otherwise very good condition. Uncut. Signed Gountei Sadahide ga.

                                                                        Status: Sold

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                                                                          Utagawa SADAHIDE (1807-1873)



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                                                                          An aizuri fan print. Shows travellers arriving at Inba Marsh in Shimosa Province. This is now an important wetland habitat for wild birds. Published c 1849. Sadahide produced a considerable number of fan prints and it seems to have been a speciality of his. Rare.

                                                                          Very good impression and colour. Minor edge soil, otherwise very good condition. Uncut. Signed Gountei Sadahide ga.

                                                                          Status: Sold

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                                                                            Utagawa SADAHIDE (1807-1873)



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                                                                            An uncut fan print showing Otsu-e pictures. (These were cheaply and quickly produced folk images, beginning in the 17th century, sold at an important road junction at Otsu, a port on Lake Biwa. Hence the nomenclature.) Published by Ibaya Senzaburo, c 1849. . Sadahide produced a considerable number of fan prints and it seems to have been a speciality of his. Rare.

                                                                            Very good impression and colour. Slight edge soil, otherwise very good condition. Uncut. Signed Sadahide ga (on three of the Otsu-e).

                                                                            Status: Sold

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                                                                              Utagawa HIROSHIGE (1797-1858)




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                                                                              A tanzaku showing a rooster and hydrangea. Published by Kawaguchi Shozo, c. 1830s. Another impression is illustrated in Four Hundred Ukiyoe Woodblock Prints From The Museum Of Art, Rhode Island School Of Design, 1990, no. 121, p. 54. Hiroshige is best known for his landscapes, but he produced almost as many bird and flower prints.

                                                                               

                                                                               

                                                                              Very good impression, colour and condition. Signed Hiroshige hitsu.

                                                                               

                                                                               

                                                                              Status: Sold

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                                                                                Tsukioka SETTEI (1710-1786)



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                                                                                An interesting large painting, full colour on paper mounted on a wooden frame, 25.5 in; 62cms in diameter showing a bust portrait of a beauty with elaborate coiffure and holding a hat for a street festival. Although not signed, the attribution is unquestionable, painted between 1767-1773 in Osaka. It appears to have been commissioned to hang in a hairdresser’s or cosmetic shop and has metal eyes at the top. The oxidised silver leaf background was meant to resemble a mirror and the idea of busts reflected in mirrors and silver grounds was later employed by Utamaro and Sharaku. Besides silver, gum and raised painting is applied. Such signboards appear in an illustrated book by Hasegawa Mitsunobu published in Osaka in 1752. This new discovery has been written about by Dr. Yamamoto Yukari in vol.27 of Minzoku Geijutsu (Ethno-Arts) in 2011. Minor surface marks all over but astonishingly good condition given their age and use. Extremely rare.

                                                                                Status: Available




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