Hishikawa MOROSHIGE (Fl. 1684-1704)




Click here to view image full size.

An original painting, sumi and full colour on paper, 24 x 12 in; 61 x 30.5 cms. Shows a beautiful youth (a wakashu) dressed as a girl with his attendant servant. These youths (identified as male by wearing a sword) were arbiters of trend-setting kimono design. They are sometimes referred to as the “third gender,” and were sexually ambiguous being objects of desire to both adult men and women. Moroshige was the senior pupil of Hishikawa Moronobu, and, it is said, was the father of Furuyama Moromasa. Some toning of paper and slight loss of pigment, but all commensurate with a painting of this age. Otherwise good condition. Painted around 1700.

 

 

Signed Hishikawa Moroshige zu with seal Moroshige. A fine and interesting painting.

 

 

Status: Available

 

 




Click here to view image full size.

Tags: , ,

 

Kawanabe KYOSAI (1831-1889)




Click here to view image full size.

The lion falling in love from a set Kyosai rakuga, “Kyosai’s Drawings for Pleasure.”A satirical take on current events and mores. A design based on Aesop’s Fables which tells of a lion falling in love with a beautiful girl and asking her to marry him. Her bemused parents set a challenge for him: to have his claws removed and teeth filed. He duly submits only to have the parents then laugh and ask him to do his worst. Published 1874 by Sawamuraya Seikichi. A set of 15 prints was planned but only 12 are known.

 

 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Seisai Kyosai.

 

 

Status: Available

Tags: , ,

 

Kawanabe KYOSAI (1831-1889)




Click here to view image full size.

The enlightenment of Fudo Myoo – a Buddhist deity who is always depicted seated on a rock engulfed by flames. From a set Kyosai rakuga, “Kyosai’s Drawings for Pleasure.” A satirical take on current events and mores. This satirical image shows him reading a modern newspaper, his attendant Seitaka prepares meat and Kongara hangs a pot of stew in his flames. (Meat eating was being introduced.) Published 1874 by Sawamuraya Seikichi. A set of 15 prints was planned but only 12 are known.

 

 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Seisai Kyosai.

 

 

Status: Available

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




Click here to view image full size.

A fine original sumi drawing (hanshita-e) of oban size for an unpublished set: Eiyu kumiuchi zu, “Collection of Heroes in Combat.” Has a date seal for 1856. Sumi and light colour with pentimenti on thin paper. Shows the protagonists Satsuma no Kami Tadanori, a famous general of the Taira Clan, in combat with Okabe Rokuyata Tadasumi of the Minamoto Clan during the Genpei wars of 1180-1185.

 

 

In extremely good condition. Signed Ichiyusai Kuniyoshi ga. Rare.

 

 

Status: Available

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




Click here to view image full size.

A fine original sumi drawing (hanshita-e) of oban size for an unpublished set, c. 1856. Sumi and light colour with extensive pentimenti on thin paper. Shows two samurai in combat. In extremely good condition.

 

 

Signed Ichiyusai Kuniyoshi ga. Rare.

 

 

Status: Available

Tags: , ,

 

Utagawa KUNISADA (1786-1864)




Click here to view image full size.

An original preliminary oban sumi drawing for an unpublished set. Shows a young woman teaching a child to play the shamisen and how to use the plectrum (bachi). With intended series title: Osana musume keiko awase, “Teaching the Arts to a Young Girl.” And sub-title: Imouto e oshieru no zu, “Picture of Teaching a Younger Sister.” A particularly interesting drawing as it shows the spontaneity of the initial concept. Kunisada may have made a further more detailed sketch but a final very detailed drawing was needed for the block-cutter to follow accurately and this would have been given to a pupil to undertake. For obvious reasons, these drawings did not survive.

 

 

In very good condition.

 

 

Status: Available

Tags: , ,

 

Taiso YOSHITOSHI (1839-1892)




Click here to view image full size.

Shows Abe no Hirafu, a governor of Koshi, killing a giant bear in heavy snow. From a set: Dai Nippon meisho kagami, “Mirror of Famous Leaders of Great Japan.” Published by Funazu Chujiro, 1880.

 

 

Fine impression, colour and condition. Signed Oju Yoshitoshi hitsu.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




Click here to view image full size.

A print from the set Mitate junishi, “Selection for the Twelve Signs [of the Zodiac].” This being Dog. Shows the wrestler Inuda (Inu, “Dog”) Kobungo umpiring a match between two crabs. Published c. 1845 by Iba-ya Sensaburo. Robinson S38.11.

 

 

Fine impression and colour. Very slight trimming, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

Tags: , ,

 

Okumura MASANOBU (1686-1764)




Click here to view image full size.

An hashira-e showing Shoki, the Chinese demon queller, Chung Kwei, about to plunge a sword into an oni. Another pillar print showing Shoki from the same period is illustrated in The Clarence Buckingham Collection of Japanese Prints, The Primitives, Helen C. Gunsaulus, AIC, 1955, no. 103, p. 166. Published c. 1745. Rare.

 

 

Very good impression. A sumi-e, printed in sumi with washes of sumi applied by hand. Slight toning, otherwise very good condition.Pillar prints are often toned because they were hung and, of course, this is especially true of the earlier examples, as here. Signed Hogetsudo
Tanchosai Okumura Bunkaku Masanobu Baio ga with seal Tanchosai.

 

 

Status: Available

 

 

Tags: , ,

 

Toyohara KUNICHIKA (1835-1900)




Click here to view image full size.

The actor Suketakaya Takasuke IV as Sakuramaru from a fine set of prints showing actors glimpsed through their dressing room sliding doors, prior to going on stage. Their figures partly silhouetted as are their assistants, here aiding the actor with his sword. From a set Gakuya nikai kage no hyoban, “Popularity of the Upstairs Dressing Room.” The set published by Takagawa Fusajiro, 1883.

 

 

Fine impression, colour and condition. Full size. Signed Toyohara Kunichika hitsu.

 

 

Status: Available

 

 

Tags: , ,

 

Toyohara KUNICHIKA (1835-1900)




Click here to view image full size.

The actor Onoe Kikugoro V as Hisayoshi from a fine set of prints showing actors glimpsed through their dressing room sliding doors, prior to going on stage. Their figures partly silhouetted as are their assistants, here aiding the actor with his costume. From a set Gakuya nikai kage no hyoban, “Popularity of the Upstairs Dressing Room.” The set published by Takagawa Fusajiro, 1883.

 

 

Fine impression, colour and condition. Full size. Signed Toyohara Kunichika hitsu.

 

 

Status: Available

 

 

Tags: , ,

 

Nagasawa ROSETSU ( 1754-1799 )




Click here to view image full size.

An original painting showing a white mouse and a spiny lobster on a tray. Rosetsu is considered one of the most important artists of the late Edo period but little is known of his short life ( he died at forty-five ) apart from the fact that he studied, and was one of the top disciples, of Maruyama Okyo. He is labelled an “eccentric” painter as he defies easy classification. His brushwork is a tour de force and he is known for his expressive depictions of animals. The Chinese-style inscription above is by Rosetsu’s friend Minagawa Kien who was a painter and scholar of Confucianism. It implies that the lobster and mouse are both signs of good fortune. Ink and light colour on paper. Image size 44.75 x 11.25 in; 113.75 x 28.5 cms.

 

Signed Rosetsu with seal Gyo. Painted 1790s. Inscription signed and sealed Kyosai. Slight foxing, otherwise in very good condition. One of the most copied painters. See Kono, Exhibition of Nagasawa Rosetsu, Chiba City Art Museum, 2000, pl. 42 for identical seals. Tsuji Nobu, Nagasawa Rosetsu: the Fanciful Painter, Miho Museum, 2011, pls. 19, 58-60, 67,87, 90, 91, 93 and 94.

 

Status: Available




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Taiso YOSHITOSHI (1839-1892)




Click here to view image full size.

Minamoto no Ushiwakamura battling with Kumasaka Chohan. From the fine set Yoshitoshi mushaburui, “Yoshitoshi’s Courageous Warriors.” Published by Kobayashi, 1883-1886 (this being 1883).

 

 

Fine impression and colour. Light toning, otherwise fine condition. This is the first edition. There are a number of later states and the set was republished by Tsunajima in 1886.

 

 

Status: Available

 

 

Tags: , ,

 

Taiso YOSHITOSHI (1839-1892)



Click here to view image full size.

Kobayakawa Takakage debating with the tengu on mount Hiko from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.”The set published by Sasaki Toyokichi, 1889-1892 (this being 1892).

 

 

Very fine first edition. Fine colour and condition. Signed Yoshitoshi.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)



Click here to view image full size.

A complete diptych showing Inukai Kempachi wielding an iron truncheon against Inudzuka Shino who stands, sword drawn, with one foot on a fallen follower of Kempachi during the fight on the Horyukaku roof of Koga Castle. A well-known episode from Kyokutei Bakin’s famous book, Nanso Satomi hakkenden, “The Chronicles of the Eight Dog Heroes of the Satomi Clan of Nanso.” From a set of prints Kendo ryaku den “Abridged Stories of Our Country’s Swordsmamship.” Published by Kadzusa-ya Iwazo, c. 1845-6. Robinson S37.6.5. The complete diptych is rare.

 

 

Very fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

Tags: , ,

 

Kawanabe KYOSAI (GYOSAI) (1831-1889)




Click here to view image full size.

A draughtsman of great dexterity with a wild, often bizarre, imagination. Loved sake, sometimes painting under its influence. At an early age studied under Kuniyoshi, then Maemura Towa and later Kano Tohaku Chinshin before becoming an independent painter at 27. Was famous for his crow paintings but also loved skeletons. This newly discovered painting shows a full-length skeleton humorously hiding its genital area – not with a fig-leaf – but a large lotus leaf. Sumi and light green on silk, 38.75 x 13 in; 98.5 x 33 cms. Interestingly, a very faint under-drawing can be seen where he first thought of placing the figure.

 

 

Many copies of his work. In very good condition. Signed Seisai Kyosai with bell seal.

 

 

Status: Reserved

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , , ,

 

Utagawa KUNIYOSHI (1797-1861)




Click here to view image full size.

An original fan painting, 6.5 x 17.5 in; 16.5 x 44.5 cms. Sumi and colour on treated paper. Shows a kappa appearing from the Sumidagawa and terrifying a man who runs for his life. Kappa were amphibious creatures found in rivers and ponds. Their bodies were covered with a horny carapace like a tortoise, with scaly legs and four frog-like webbed feet. They loved to wrestle and were known to attack humans – especially children, and horses. However, they could be tricked as they were very polite. If you bowed to a kappa he invariably bowed back, and as their source of power lay in a pool of water contained in a depression in the head, this would be spilt and they became immobilized. Laid around the edge onto Japanese board with the ribmarks evident as it has been dismounted from an ogi or folding fan. Signed Ichiyusai Kuniyoshi ga with hand-painted toshidama seal. Good condition.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




Click here to view image full size.

“Goat” from a set Mitate junishi, “Selection for the Twelve Signs.” Shows the beauty Okoma looking through a curtain. Briefly the story relates how she is to be married off to a rich man by her mother but Okoma is in love with another man called Chushichi. A visiting barber cuts Chushichi’s hair and concocts a scheme with him to have her kidnaped and for Chushichi to rescue her. Published by Kojima c 1845. Robinson S38.8.

 

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

Tags: , ,

 

Tsukioka YOSHITOSHI (1839-1892)




Click here to view image full size.

An original preparatory drawing (hanshita-e) for an unpublished set. Shows a busy street scene with a doctor’s surgery on the right. Probably c early 1870s. Signed on a painter’s palette Ikkaisai Yoshitoshi fude. Two small areas of pentimenti. Sumi on thin Japanese paper, image size 13.5 x 9.25 in; 34.5 x 23.5 cms. In good condition.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa YOSHIKAZU (Active c 1849-1867)




Click here to view image full size.




Click here to view image full size.

A five-sheet original drawing (hanshita-e) showing a parade of beauties before a wicker fence and blossom. Bigyoku imayo hanazoroi, “An Assortment of Modern Beautiful Gems as Flowers.” Nice brushwork on the sumptuous kimonos. Sumi with sumi wash and light touches of red on thin Japanese paper laid onto further thin Japanese paper. Each sheet signed Ichikawa Yoshikazu ga. Sold “as is” with all imperfections, but in good condition.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

A complete Tokaido set of 56 prints printed four-to-a-sheet on fourteen sheets, uncut. Each sheet has an indication of where it is to be cut. Published by Aritaya Seiemon, 1845. Extremely rare complete.

 

 

Fine impressions and colour. Centre folds and some soil at bottom on some sheets. One sheet restored, but overall in good condition. Each design signed Hiroshige ga.

 

 

Status: Available

 

 




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Utagawa KUNISADA (1786-1864)




Click here to view image full size.

A sheet of original drawings being hanshita-e for an ehon. Shows, above, a seated samurai and a female figure to the right holding a mirror. Below, actors in a garden setting. Sumi with touches of red on thin paper laid onto thicker Japanese paper, 14 x 10 in; 36 x 25 cms. Sold “as is” with all imperfections.

 

 

Status: Available

 

 

Tags: , ,

 

Tsukioka YOSHITOSHI (1839-1892)




Click here to view image full size.

Abe no Hirafu fighting a giant bear in the snow from a set of 51 prints Dai Nippon meisho kagami, “A Mirror of Famous Commanders of Great Japan.” The set was published by Ebisuya Shoshichi (the first 11 prints) and Funazu Chujiro between 1878-1882. Hirafu was a general for the Empress Saimei. On his return from a mission to the Emishi in northeastern Japan, where he signed a peace agreement , he presented the Empress with two live bears and seventy bear hides. Published by Funazu Chujiro in 1880.

 

 

Fine, early impression with splashed gofun (only on the earliest states). Fine colour. Light album backing, otherwise fine condition. Signed Oju Yoshitoshi hitsu.

 

 

Status: Available

 

 

Tags: , ,

 

Tsukioka YOSHITOSHI (1839-1892)




Click here to view image full size.

Yatsunada attacking Saohime’s brother’s castle from a set of 51 prints Dai Nippon meisho kagami, “A Mirror of Famous Commanders of Great Japan.” The set was published by Ebisuya Shoshichi (the first 11 prints) and Funazu Chujiro between 1878-1882. Saohime had conspired with her elder brother Saohikoto to murder the emperor but she abandoned their plan at the last moment. She is seen escaping the conflagration. Published by Funazu Chujiro in 1880.

 

 

Fine, early impression. Fine colour. Light album backing, otherwise fine condition. Signed Oju Yoshitoshi hitsu.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




Click here to view image full size.

Yamamoto Kansuke striding through the snow. “Boar” from a set Mitate junishi, “Selection for the Twelve Signs.” Published by Ibaya Kyubei, c 1845. (Kansuke was famous for killing a giant boar in the snow.) Robinson S38.12.

 

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa HIROSHIGE II (1826-1869)



Click here to view image full size.

Enshu Akiba enkei Fukuroi tako. Fukuroi, Enshu (Totomi) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows kite flying with a distant view of Mount Akiba. It has been suggested that the release of confetti was to bring good luck for the forthcoming harvest.

 

 

Very fine impression of the first edition. Fine colour. Very slight soil, otherwise fine condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

Tags: , ,

 

Hishikawa MOROSHIGE (FL. 1684-1704)




Click here to view image full size.

An original painting showing a high-ranking samurai household at leisure. Moroshige was the senior pupil of Hishikawa Moronobu, and, it is said, was the father of Furuyama Moromasa. Sumi and full colour with gold additions on paper. 11.5 x 19 in; 29 x 48.25 cms. This is most likely from a handscroll as the height is correct, and the slight vertical striations indicate it has been rolled at some time. Painted c. 1700. Some slight loss of pigments, especially the verdigris and minor marks, but all commensurate with the age of the painting. The details on the costumes of the two main figures are exquisite.

 

 

Status: Available

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)



Click here to view image full size.

A vertical oban diptych showing the poetess Kagano Chiyo (1703-1775). The story relates how Chiyo goes to her well to draw water only to find that a morning-glory vine has overgrown her bucket. Rather than disturb it, she goes to a neighbour for water. This is the subject of a famous poem by Chiyo. Published by Izumiya Ichibei mid 1840s.

 

 

Very good impression and colour. Paper slightly toned and one light crease. Ample room for joining. Signed Chooro Kuniyoshi ga.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa TOYOKUNI I (1769-1825)



Click here to view image full size.

A beauty climbing stairs, the ninth month from a set of twelve. Published c 1813 by Nishimuraya Yohachi. Beauties ascending stairs was a stock subject for ukiyo-e artists. I’m not sure why.

 

 

Fine impression, colour and condition. Signed Toyokuni ga.

 

 

Status: Available

 

 

Tags: , ,

 

Nishiyama KAN’EI (1834-1897)




Click here to view image full size.

A gajo (album) of 21 original paintings by Nishiyama Kan’ei, the son and pupil of Nishiyama Hoen. They both worked in Osaka and Kan’ei carried on the Shijo school tradition. Relatively few paintings and drawings by Kan’ei survive but based on these and his fine Kan’ei gafu, published in 1886, it is evident he was an accomplished artist. The postscript to the album is an authentication by Takebe Hakuoh (1871-1927) stating that they are original works by the master. He studied under Kan’ei. Comes with the original box. The album and box in excellent condition. Sumi and light colour on paper mounted on gold-flecked boards. All paintings sealed Kan’ei.

 

 

Status: Available

 

 




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Ittosai MASANOBU (active c1849-1853)




Click here to view image full size.

The actor Kataoka Gado II as Honchomaru Tsunagoro in the play Honcho itoya no musume performed at the Chikugo theatre in 8/1849. From the set: Date kurabe kyokaku den, “A Comparison of the Stylishness of Famous Gallants”.

 

Fine deluxe surimono-style impression and colour. Margin trimmed to black line at left, otherwise fine condition on deluxe hosho. Signed Kunimasa monjin Masuharu ga ( “Masanobu pupil of Kunimasu” ).

Status: Available

Tags: , ,

 

MASUHARU (active c1840-1850)




Click here to view image full size.

The actor Arashi Rikan III as Ukiyo Tohei in the kabuki play Sendai Hagi performed at the Onishi theatre in 3/1848. From the set: Date kurabe kyokaku den, “A Comparison of the Stylishness of Famous Gallants”.

 

Fine deluxe surimono-style impression and colour. Margin trimmed a little at top, otherwise fine condition on deluxe hosho. Signed Kunimasa monjin Masuharu ga ( “Masuharu pupil of Kunimasu” )

Status: Available

Tags: , ,

 

Utagawa KUNIYOSHI (1797-1861)




Click here to view image full size.

Oho ( Wang P’ou ) visiting his mother’s tomb to comfort her during a thunderstorm. Shows peasants fleeing the zigzag lightning bolts. From a set of fourteen prints: Nijushi-ko doji kagami, “Mirror of the Twenty-Four Paragons of Filial Piety.” Published by Wakasa-ya Yoichi, c 1840. Each print shows an example of a child’s exemplary behaviour in looking after their aged parents There is a strong western influence in this set. Robinson S13.14.

 

Very good impression and colour. Slight centre fold, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.

Status: Available

Tags: , ,

 

Taiso YOSHITOSHI (1839 – 1892)




Click here to view image full size.

Watanabe no Tsuna on horseback in the rain. One of the finest designs from Wakan hyaku monogatari. Published by Daikin, 1865/2.

 

Fine impression and colour. Minor wormage otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.

Status: Available

Tags: , ,

 

Utagawa HIROSHIGE II (1826-1869)




Click here to view image full size.

Gathering iwatake, rock tripe or rock mushrooms in Kii Province. The common name for various edible lichens that grow on cliffs. The gatherers used precarious baskets that were hauled up and down the cliff face to collect them. Kishu Kumano iwatake tori from Shokoku meisho hyakkei. “Hundred Views of Famous Places in the Provinces.” Published by Uoyei 1859-1861 (this being 1860).

 

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

Tags: , ,

 

BUNSEI (Active c. 1830 -1844)




Click here to view image full size.

A complete set of Eight Views of Xiaoxiang, modern Hunan Province, China. These eight views were taken up by Japanese artists such as Hiroshige and transposed to Japan becoming sets like the Eight Views of Omi, etc. Bunsei was a pupil of Tani Buncho. He seems to have made a speciality of this subject and there is a slightly larger version set of the same subject. Published c. 1830s. Provenance: Ex Hayashi with his seal on most of the designs. Rare complete.

 

 

Very good impressions and colour. Minor edge wormage, othwerwise very good condition. Each signed Bunsei.

 

 

Status: Available

 

 




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Utagawa KUNITERU (Fl. mid-19th c.)




Click here to view image full size.

An original hanshita-e (preparatory drawing) for a triptych showing the ground floor interior of a brothel in the Yoshiwara with courtesans and their assistants. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. He was a pupil of Kunisada, originally calling himself Sadashige, and becoming Kuniteru when Kunisada became Toyokuni III. Sumi and touches of red. Extensive pentimenti. Sold “as is” with all imperfections. Signed on two sheets Kuniteru ga.

 

 

Status: Available

 

 

Tags: , ,

 

Utagawa KUNISADA (1786-1864)




Click here to view image full size.

An original hanshita-e (preparatory drawing) for a published diptych showing, on the left, the actor Onoe Kikujiro II as Tatsuhime – in reality Yawata, the younger sister of Kotoda. On the right is Iwai Kumesaburo III as Kudo Kanaishimaru. The play is Matsu icho Tsurukame Soga performed at the Nakamura-ya theatre, 1/1854. The publisher of the print was Sanoki. These first drafts by the artist themselves survive because a more detailed drawing was needed by the blockcutter, and this was normally given to an assistant to execute. Or the drawing was never taken up by the publisher, for whatever reason. Sumi and touches of red. Signed Toyokuni ga on both sheets. Sold “as is” with all imperfections.

 

 

Status: Available

 

 

Tags: , ,

 

Kikukawa EIZAN (1787-1867)




Click here to view image full size.

A triptych showing a street thronged with people in front of the famous department store Iwaki Masuya, giving a good cross-section of the inhabitants of the city at this time. The store specialised in silk and textiles and was one of the most important in Edo having, at one point, 500 employees in its stores. Hiroshige designed another triptych of this subject in c. 1850.

 

 

Published by Mikawaya Seiemon, c. 1815. Rare.

 

 

Fine impression. Extremely fine fresh colour. Fine condition. Full size. Signed Kikukawa Eizan fude.

 

 

Status: Available

 

 

Tags: , ,

 

Kawabata GYOKUSHO (1842-1913)




Click here to view image full size.

An original painted fan. On one side a bird amongst flowers and the reverse also with flowers. A leading figure in Tokyo art circles and the last great representative of the Shijo school. In exceptional condition with extensive gold leaf. Signed Gyokusho with seals Shibun on both sides.

 

 

Full colour on silk, each panel 39.75 x 25 in; 101 x 63.5 cms. Extremely good condition. Signed Kinzaburo Yoshitoshi ga with blurred seal but reading Go Kaisai. Extremely rare.

 

 

Status: Available

 

 




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.




here to view image full size.

Tags: , , ,