Mori SOSEN (1747-1821)



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An original painting, sumi and light colour on silk, image size 8 x 10.75 in; 20.5 x 27.5 cms. His life is not well documented but he is known to have studied under the Kano artist Yamamoto Joshunsai (? -1781) before being drawn into Mauyama Okyo’s (1735-1795) artistic circle and his style is more Shijo than anything else. His animal paintings were evidently highly valued by Okyo. He was an immediate favourite with eastern collectors because of his monkey paintings at which he excelled, although he was more versatile than literature implies and highly accomplished at drawing other animals (as here). But his images of monkeys take precedence and he is considered the pre-eminent painter, east or west, on this subject. It is alleged that he lived in the woods for three years eating fruit and nuts to study the monkeys and other animals and is also supposed to have had a cage of monkeys at the back of his house to better observe them.

 

Shows a Japanese Chin. These small dogs are supposed to have been introduced to the Japanese court from China early on but their distinctive features were developed in Japan. Signed Sosen with seals Shusho. In very good condition.

 

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Utagawa KUNIYOSHI (1797-1861)




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A mitate (imaginary) triptych showing, from left to right: Onoe Kikugoro III as Takehara Genpachi; Ichikawa Ebizo V as Omura Gengo; Iwai Tojaku as Fujinami. The actors surrounding a handscroll that is emitting strong bands of light. Published by Edoya Matsugoro, c. late 1830s.

 

 

Fine impression and colour. Album backing and joined sheets, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

 

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Shunkosai HOKUEI (FL. 1829-1837)



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A dramatic diptych showing the actor Iwai Shijaku I as Lady Osuma shining her lantern on the actor Bando Jutaro as Sasaya Hanbei from the play Honobonoto ura no asagiri, “Daybreak Hidden on the Bay by Morning Fog.” A revenge drama performed at the Naka no Shibai, Osaka, 9/1832. Hanbei is an accomplice of the villain in the play, Karahashi Daisuke. The confrontation takes place immediately after he has murdered the fiancée of the play’s hero, Kowari Dennai, by throwing her off a cliff. He makes his escape by throwing shuriken (star-shaped throwing blades) at Osuma.

 

Very fine impression. This is a de-luxe edition of the first state “surimono-style.” The hand-stamped block cutter’s seal “surimono cut by Kasuke” bottom left of second sheet. A later edition missing seal was published by Iden. Fine colour with burnished pattern on Osuma’s costume and the poem above is written in metallic pigment. Fine condition. Signed Shunkosai Hokuei ga with seal fumoto no yuki.

 

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Utagawa TOYOMARU (SHUNRO II) (Act. 1785-1797)



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The actor Onoe Matsusuke, probably in the role of Matsuo-maru in the play Sugawara denju tenarai kagami. Published c 1780s by Igaya Kan’emon (Bunkido).

 
 

Fine impression, colour, and condition. Signed Toyomaru ga.

 
 

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Kawamata TSUNEYUKI (1677-c1744)


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An original painting, full colour on paper, 14.5 x 21 in; 35.5 x 53.5 cms. The founder of the Kawamata School. (A pupil was Kawamata Tsunemasa.) Little is known of his life and there are few paintings: A group were in Christies NY, 27/10/1998, lots 40, 42, 44, 45; and there are examples in the BM, reg. no 1931,1116,0.2, the MET, acc. no 36.100.90, and the National Museum of Asian Art, Smithsonian, acc. no. F1898.118. Shows a courtesan with her attendants outside a teahouse being admired by a passing samurai. Areas of careful restoration, but in generally good condition. Sealed Tsuneyuki.

 
 

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Utagawa HIROSHIGE II (1829-1869)


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An original painting, full colour on silk, 37 x 14 in; 94 x 35.5 cms. The pupil of Hiroshige I who gave him the name Shigenobu. Adopted by Hiroshige in 1845 and married his daughter, Otatsu, on Hiroshige’s death. (Later divorcing her around 1865.) Shows a beauty cooling off on the prow of a boat beneath a full moon and the trestles of a bridge. (Probably the Ohashi over the Sumida River.)

 
 

In very good condition and possibly his best painting. Signed Hiroshige ga, seal unread.

 
 

Status: Available

 
 


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Utagawa HIROSHIGE (1797-1858)



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The extremely rare first, private printing of Bora, the grey mullet (Mugil cephalus) with camellia and Japanese asparagusado. From a set of 10 prints in folding album form, privately commissioned for a poetry club, c 1832-34. Poems by Higaki Kunifune and Toshinoto Haruki. The judges’ names next to the poems. These were removed on the commercial editions. Rare because of the obvious reason that the numbers printed were directly related to the relatively small memberships of poetry groups.

 
 

Fine impression and colour of the earliest printing without kiwame seal and publisher’s seal. With judges’ names and without gradation at top. Centre fold (as always), otherwise very good condition. Signed Ichiyusai Hiroshige ga. Unknown collector’s seal au verso.

 
 

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Utagawa HIROSHIGE (1797-1858)



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Inada, yellowtail or amberjack (Seriola quinqueradiata) and fugu, blowfish or puffer (Fugu pardalis). Together with plum blossom. Poem by Suzugaki. From the second set of 9 prints published by Yamasho, c 1840-42. (Some designs on the reprints have the publisher’s mark Marujin.)

 
 

Extremely early impression before the block defect below the fugu’s tail is evident. Fine colour with extensive mica on the inada. Some slight creasing, otherwise very good condition. Full size. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Katsuo, bonito (Kasuwonus pelamis). Also called ocean bonito, strip-bellied bonito and striped tuna. Together with three sprigs of cherry (sakura). Poems by Toshinoto Haruki and Toshihiro Machikado. From the first commercial edition of the first series published by Eijudo, c 1832-34.

 
 

Early impression with the kiwame and publisher’s seal sharp. Fine colour. Some slight creasing, otherwise very good condition. Full size. Signed Ichiyusai Hiroshige ga.

 
 

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Utagawa HIROSHIGE (1797-1858)



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Kochi, bartail flatheads (Platycephalus indictus). Together with a flowering egg-plant, nasu. Poems by Yoshigaki Toshimochi and Magaki Harutomo. From the first commercial edition of the first series published by Eijudo, c 1832-34.

 
 

Early impression with the kiwame and publisher’s seal sharp. Fine colour. Some slight creasing, otherwise very good condition. Full size. Signed Ichiyusai Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Nihonbashi yukibare, “The Nihon Bridge, Clear Weather After Snow.” From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi. Number 1 from the set and a view of the Sumida River with Mt. Fuji in the distance. This is the starting point for the Tokaido Road.

 
 

Fine, early impression with gradation on the roofs and on Mt. Fuji. Fine colour. Margins trimmed a little, otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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The lumberyard, Fukugawa, from the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi. Shows snow falling on the timber yards lining a river. An umbrella in the foreground is inscribed Uo, “Fish” – a reference to the publisher Uoya Eikichi. A large supply of timber was needed for the world’s largest wooden city. However, in 1641 a fire destroyed not only houses but the lumber which was then stored in a central area forcing the government to move the yards to Fukugawa.

 
 

Very good, early impression. Very good colour. Trimmed close at bottom. Otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Iyo Province, Saijo. From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. A large furled sail in the foreground with Saiju village on the water’s edge. Beyond is Mt. Ishizuchi.

 
 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858)



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Oki Province, Takuhi Shrine. From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The prows of two boats near the island of Nishinoshima. A torii seen at the top of the print indicates the Takuhi Shrine, one of the most important shrines dedicated to the gods of the sea.

 
 

Fine impression and colour. Light album backing, otherwise very good condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE II (1829-1869)



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A snow scene: Imadobashi Matsuchiyama, “Imado Bridge and Matsuchi Hill.” From Toto sanjurokkei, “Thirty-six Views of the Eastern [Edo] Capital.” The set published by Ai-To between 1861-1862 (this being 1862). Hiroshige I also designed a number of prints of the same area. The bridge goes over the Sanya Canal.

 
 

Fine impression, colour and condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE II (1829-1869)



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Nikko Shimofuri no taki, “Shimofuri Waterfall in Nikko” from Shokoku meisho hyakkei, “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1859).

 
 

Fine impression, colour and condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE II (1829-1869)



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Shinshu Suwa-ko yatsume akauo wo to (ru). Shinshu (Shinano) Province from Shokoku meisho hyakkei, “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 1860). A winter scene showing figures catching lampreys, eels and red rockfish in Lake Suwa. The lake was unusual in having warm currents beneath the ice, even in mid winter.

 
 

Fine impression of first edition. Fine colour and condition. Signed Hiroshige ga.

 
 

Status: Available

 
 

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Kawanabe KYOSAI (1831-1889)



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Attempts by various means at making ghouls and demons fit into modern society from Kyosai rakuga, “Kyosai’s Drawings for Pleasure.” A satirical take on current events and mores. Published by Sawamuraya Seikichi in 1874. A set of 15 prints was planned but only 12 are known. This design is particularly rare.

 
 

Fine impression, colour and condition. Signed Seisai Kyosai.

 
 

Status: Available

 
 

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Kawanabe KYOSAI (1831-1889)



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A school for spooks from a set Kyosai rakuga, “Kyosai’s Drawings for Pleasure.” A satirical take on current events and mores. Published by Sawamuraya Seikichi in 1874. A set of 15 prints was planned but only 12 are known. In 1874 a new system of education was introduced in Japan – even for the world of ghouls. Shoki is seen teaching the demons basic hellish terms, and the chief of the kappa instructs the ghouls on the Roman alphabet.

 
 

Fine impression, colour and condition. Signed Seisai Kyosai.
s
 
 

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Kawanabe KYOSAI (1831-1889)



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The enlightenment of Paradise or liberation of the dead from Hell from a set Kyosai rakuga, “Kyosai’s Drawings for Pleasure.” A satirical take on current events and mores. Published by Sawamuraya Seikichi in 1874. A set of 15 prints was planned but only 12 are known. The demons from Hell get new jobs as postmen, rikisha men etc.

 
 

Fine impression, colour and condition. Signed Seisai Kyosai.

 
 

Status: Available

 
 

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Kawanabe KYOSAI (1831-1889)



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The enlightenment of Fudo Myoo – a Buddhist deity who is always depicted seated on a rock engulfed by flames. From a set Kyosai rakuga, “Kyosai’s Drawings for Pleasure.” A satirical take on current events and mores. Published by Sawamuraya Seikichi in 1874. A set of 15 prints was planned but only 12 are known. This satirical image shows him reading a modern newspaper, his attendant Seitaka prepares meat and Kongara hangs a pot of stew in his flames. (Meat eating was being introduced.)

 
 

Fine impression, colour and condition. Signed Seisai Kyosai.

 
 

Status: Available

 
 

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Shunbaisai HOKUEI (Active 1824-1837)



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Shows the actor Arashi Rikan II as the yako Koman holding a shakuhachi and posed within a wooden frame in the play Sugata kurabe deiri no minato, “Comparison of Fighting Figures at the Harbour.” Performed in 1834 at the Naka Theatre, Osaka. A yako was a chivalrous servant, usually of a samurai. Rare: Another impression is in the MIA, acc. no P.75.51.188.

 
 

Fine impression with the woodgrain enhanced on the background. Fine colour and condition. Signed Shunbaisai Hokuei ga with the carver’s seal bottom right Kasuke.

 
 

Status: Available

 
 

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Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1864)



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A triptych from a set: Furyu Genji: Akashi. An evening scene showing Genji’s secret lover Lady Fujitsubo and an attendant watching the departing Prince Genji walking through the reeds of Akashi Bay. Based on the famous Genji monogatari written by the 11th century noblewoman and lady-in-waiting Murasaki Shikibu. Published by Iseya Kanekichi 1853.

 
 

Fine impression. This is the early state with gradation over the moon. Fine colour. Very slight trimming and retains album backing, otherwise very good condition. Signed Hiroshige ga and Toyokuni ga.

 
 

Status: Available

 
 

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Utagawa KUNIYOSHI (1797-1861)



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A triptych showing Ushiwaka Maru (Minamoto no Yoshitsune’s childhood name), attended by Kisanda, practising fencing with the karasu or “crow” tengu in a forest glade on Mt. Kurama, north of Kyoto. His training in martial arts is being supervised by a white-bearded yamabushi tengu, Sojobo, King of the Tengu. (The yamabushi were followers of Shugendo– a shamanistic mountain ascetism.) Yoshitsune (1159-1189) is the best known Japanese warrior and a popular subject for Japanese artists and craftsmen. Famous for exploits such as the battle on Gojo Bridge with Benkei and the battle of Dan-no-ura. Published by Enshuya Hikobei, 1851-2. Robinson T264.

 
 

Fine impression. This is the first state with gradation on the rocks top left. Fine colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.

 
 

Status: Available

 
 

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Tsukioka YOSHITOSHI (1839-1892)



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A triptych showing the priest Iwakura Sogen in a snowy garden. “Snow” from a set of three half-length portraits of actors with title: Setsugekka no uchi, “Snow, Moon, and Flowers.” Sogen was infatuated with the beautiful courtesan Irokotohime. He broke his vow of chastity and was expelled from his temple. Unfortunately, Irokotohime dies and Sogen is left with just his memories. There are other versions of this story and a play with the actor Onoe Baiko V. Published by Akiyama Buemon, 1890.

 
 

Fine impression of the first edition with variegated and unaltered sub-cartouche. Fine colour and condition. Signed Yoshitoshi ga.

 
 

Status: Available

 
 

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Utagawa KUNISADA II (1823-1880)



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A triptych showing the fight on the roof of the Horyukaku Tower of Koga Castle beside the Tone River. A popular scene from the complex novel Nanso Satomi Hakkenden, “The Diary of Eight Dogs” by Takizawa Bakin (1767-1848). The macabre tale revolves around the eight offspring of a supernatural marriage between a princess and her father’s dog and their commitment to restore the fortunes of the samurai house of Satomi. Shows Inuzuka Shino Moritaka defending himself against the chief of police Inukai Kempachi Nobumichi. Published by Tsutaya Kichizo 1854.

 
 

Very good impression, colour and condition. Signed Ichijusai and Baichoro Kunisada ga.

 
 

Status: Available

 
 

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Teisai HOKUBA (1771-1844)



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One of Hokusai’s best pupils. Known for his paintings of beauties but also designed some fine surimono. An original fan painting showing a reclining beauty. Sumi and light red on silvered paper, 7.25 x 17.75 in; 18.5 x 45.2 cms. Removed from a fan, so rib folds and other minor marks. Signed Hokuba ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE II (1826-1869)



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A view of a smoking Mt Asama, Shinano Province, from Shokoku meisho hyakkei, the “One Hundred Views of Famous Places in the Provinces.” Mt Asama is an active volcano which violently erupted in 1108. Subsequently there was another eruption in 1783 and since then there have been minor tremors. Published by Uoya Eikichi between 1859 and 1861 (this being 1859).

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Ogata GEKKO (1859-1920)




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A triptych showing the last stand of the Kusunoki Clan at the Battle of Shijonawate in 1348. The event took place during the Nanbokucho wars when the Kusunoki Masatsura forces of the Southern Imperial Court were attacked at Yoshino by the Northern forces led by Ko no Moroyasu. Masatsura fought valiantly against a hail of arrows, eventually succumbing and committing suicide. . Published 1883 by Matsuo Danzo (who only appears to have survived one year). There is an earlier triptych version of this by Gekko in 1878. A later and far inferior reprint was published in 1901.

 

 

Superb impression, colour and condition with extensive burnishing. Signed Gekko ga.

 

 

Status: Available

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Tsukioka YOSHITOSHI (1839-1892)



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A triptych Taira Kiyomori hi no yamai no zu, “The Fever of Taira no Kiyomori.” Kiyomori’s wife, Niidono, dreams that the King of Hell, Ema, is coming for Kiyomori for his crime of burning the Rushana Buddha. His family gather around him and pray but to no avail. He dies on the 4/2/1181. Shows Niidono and her son beside a convulsed Kiyomori. Behind are visions of hell with Ema and figures who may have been Kiyomori’s victims. Published by Akiyama Buemon, 1883.

 

Fine impression, colour and condition. A lovely copy of this triptych. Signed Yoshitoshi ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)



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Mino, Yoro no taki, “Mino [Province], Yoro Waterfall” from a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1853. The 32 metre fall is 4 metres wide and is located in Yoro Park, near Nagoya.

 

Very fine impression and colour with blind-printing on the fall. Light album backing, otherwise fine condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa KUNIYASU (1794-1832)



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A triptych Soshu Enoshima Benzaiten Iwaya narabi sairei no zu, “Picture of Iwaya, the Main Shrine, Pilgrims to the Display of Benzaiten at Enoshima.” Enoshima island was a popular place to visit with the Iwaya caves and the shrine of the Buddhist goddess Benzaiten (Benten), goddess of the arts, entertainment and wealth, and one of the Seven Gods of Good Fortune. A fascinating print showing a multitude of various visitors. Published by Kawaguchiya Uhei, late 1820s. Rare.

 

Fine impression, colour and condition. Signed Kuniyasu ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)




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Travellers viewing Mount Asama. Usui-toge yori Asama o miru zu, “A View of Mount Asama from Usui Pass.” From Kuniyoshi’s best landscape set. Of the utmost rarity with most extant impressions differing. This and the impression in the Museum of Fine Arts, Boston, are similar, without the smoke coming from the cone of Asama (the most active volcano on Honshu). Other impressions are in: The British Museum, 1948, 0410, 0. 108, which has gradation up the left side of the mountain; the Metropolitan Museum of Art, JP 1424, which has gradation down from the summit; and Worcester Art Museum which is similar to the Mets, 1901. 692. Published by Yamaguchiya Tobei, c. 1836.

 

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Available

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Shotei HOKUJU (Active 1787-1818)



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Kai no kuni Saruhashi no shinsha no zu, “A True View of the Monkey Bridge in the Province of Kai.” An impressive wooden bridge spans a deep chasm. It was called the “Monkey Bridge” because the original rickety plank structure was so precarious that only an agile monkey could cross it. Hokuju produced a number of these westernised landscapes and this is one of the best designs. Published by Nishimuraya Yohachi, c 1815. It is also known with variant colour schemes.

 

Very good impression and colour. Slightly trimmed around and imperceptible centre fold. Signed Shotei Hokuju ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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A triptych showing Shoguntaro Taira Yoshikado (centre), his sister Takiyasha-hime (left), and Yoshikado’s retainer, Iga Jutaro, watching magic toads wrestling. Huge toads loom above them. Shogun Taro Yoshikado mikata wo atsumen ga tame etc. Takiyasha-hime was known for her toad magic which she had gained from a scroll containing their secrets given to her by her brother. Published by Tsuru-ya Kiyemon, 1842-3. Robinson T.89.

 

Fine impression, colour and condition. Signed Ichiyusai and Chooro Kuniyoshi ga.

 

Status: Available

 

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Utagawa KUNIYOSHI (1797-1861)



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Saito Toshimoto nyudo Ryuhon in armour struggling with a Chinese brigand underwater. From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki.” A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the 14th century. But in fact the subject of this set of fifty prints is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.31. One of the best designs in the set.

 

Fine impression and colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Available

 

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Utagawa YOSHIYUKI (Active 1848-1864)




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A triptych showing one of the great combats of the Gempei wars during the battle of Ichi-no-Tani to the west of Kobe in 1184. In the centre the Taira leader Satsuma no Kami Tadanori holds down the Minamoto Okabe Rokuyata Tadazumi. On the left Gennai Saemon Hidekata and on the right Adachi Saburo Munetaka. Tadanori was a renowned warrior and distinguished poet. Published by To c. 1848.

 

 

Fine impression, colour and condition. Signed Ichireisai Yoshiyuki ga.

 

 

Status: Available

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Keisai EISEN (1790-1848)



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An amorous couple beside a screen decorated with a large chrysanthemum. From a set of twelve prints Keisei higo, “Secret Words of a Courtesan” published c 1822-25. Although coming under the heading of shunga, each print is an abuna-e design, without any graphic detail. Shows a courtesan with her client. She turns to tie the iwata-sash which indicates she is pregnant.

 

Fine impression. Very fine colour. Fine condition.

 

Status: Available

 

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Hishikawa MOROSHIGE (Fl. 1684-1704)




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An original painting, sumi and full colour on paper, 24 x 12 in; 61 x 30.5 cms. Shows a beautiful youth (a wakashu) dressed as a girl with his attendant servant. These youths (identified as male by wearing a sword) were arbiters of trend-setting kimono design. They are sometimes referred to as the “third gender,” and were sexually ambiguous being objects of desire to both adult men and women. Moroshige was the senior pupil of Hishikawa Moronobu, and, it is said, was the father of Furuyama Moromasa. Some toning of paper and slight loss of pigment, but all commensurate with a painting of this age. Otherwise good condition. Painted around 1700.

 

 

Signed Hishikawa Moroshige zu with seal Moroshige. A fine and interesting painting.

 

 

Status: Available

 

 




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Hashiguchi GOYO (1880-1921)


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An original pencil drawing on thick paper, 13.5 x 13.75 in; 34.25 x 35 cms, of a nude. Quite probably either Kodaira Tomi or Nakatani Tsuru. Both were his muse and had similar features. On the reverse is another drawing of a nude with the face unfinished. Two small red seals bottom left. One reading Honjo, the other unread. A small amount of foxing on reverse, otherwise in good condition.

 

Status: Available

 


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