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Utagawa KUNISADA (1786-1865)
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An original woodblock for printing the centre sheet of a triptych showing Ame no Tajikarao pulling the giant stone away from the Ama-no-Iwato cave where Amaterasu (the Sun Goddess) had ensconced herself thereby depriving the world of light. The block cut by the publisher Moriya Jihei, 6/1857. The block in very good condition. On the reverse side is the yellow block. Sold with a modern pull from the block. Signed Toyokuni ga.
Status: Sold
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Ippitsusai BUNCHO (Fl. c. 1765-1792)
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A hosoban showing the actor Ichikawa Raizo II as Kanesashi Goro Katsuhide in the play Kawaranu hanasakae hachi no ki, “The Ever-Blooming Potted Tree.” Performed at the Nakamura-za Theatre in 11/1769. Extremely rare: Another impression is illustrated in an Exhibition of Ukiyo-e by Ippitsusai Buncho, Riccar Art Museum, 1978, no. 40. Their example is annotated on the top left: Meiwa 6 nen, kaomise, Kanesashi Goro, Ichikawa Raizo. The kaomise production was always in the 11th month and was quite literally the “face showing” of actors for the coming season. There are a considerable number of hosobans annotated in the same hand around this time – obviously by an avid theatre goer. Buncho was the pre-eminent designer of hosobans in the second half of the 18th century. He subsequently became a samurai. He was also a painter and, together with Shunsho, produced the fine three volume book Ehon butai ogi of stage actors in 1770.
Superb impression, colour and condition: As the day it was printed. Signed Ippitsusai Buncho ga with seal Mori uji (offset as on the Riccar impression).
Status: Sold
Utagawa TOYOKUNI (1769-1825)
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Segawa Kikunojo III as the courtesan Kojoro of the Mikuni House (Mikuni Kojoro) and Arashi Sanpachi I as her elder brother Kujuro (Kojoro ani Kujuro) in the play Tomigaoka koi no yamabiraki by Namiki Gohei performed at the Kin-za in the 1st month of 1798. The design shows the evil cormorant fisherman Ugai Kujuro attempting to extract money from his younger sister whom he had previously sold into prostitution. He is eventually murdered by the hero Shimbei who is in love with Kojoro. Published by Nishimuraya Yohachi. Rare: A faded example in B.M. (1906, 1220, 0.391). And another faded impression in the Museum of Fine Arts, Boston, acc. No. 11.13701. One of the great Toyokuni double bust portraits.
Fine impression and colour. Very slight trimming at bottom, otherwise fine condition. Signed Toyokuni ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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A vertical oban triptych showing Onoe Kikugoro V as Okiku’s ghost, above, and Ichikawa Danjuro IX as Asayama Tessan from the play Sarayashiki kesho no sugatami, “Mansion of Plates” performed at the Kabuki-za 1892. A famous ghost story with different versions. The gist is that Okiku was a maid at the mansion of the samurai Aoyama Tessan. He attempts to seduce her without luck and as an act of revenge hides one of ten valuable Dutch plates, claiming that she has stolen one. In remorse, she drowns herself in a neighbour’s well. Her ghost appears every night, sobbing and groaning, eventually causing Aoyama to go insane. Published by Fukuda Kumajiro, 1892.
Superb impression, colour and condition. Signed Toyohara Kunichika hitsu.
Status: Sold
Yurakusai NAGAHIDE (c 1799-1848)
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An hosoban kappazuri (coloured by stencils) print from a set: Gion mikoshi arai nerimono sugata, “Gion Festival Costume Parade.” The set was jointly designed by: Goshichi, Seikoku (Charakusai) and Toyokuni, as well as Nagahide, although he appears to have been responsible for many in the set. A large group is in the MFA, Boston, with another impression of this design being acc. no 11.26554. Published by Yamashiroya Sahei (Yamasa) c 1818. Shows a courtesan, Kisae of Mimasuya, parading in the Gion Matsuri Festival, held in the geisha quarter of Kyoto in July, dressed as Tokiwa Gozen, the mother of Minamoto no Yoshitsune. She is usually depicted fleeing through the snow during the Heiji rebellion cradling her son to her chest. Seal bottom left Kato [Shozo] who was an art dealer/collector in Oxford Street, London and sold prints to the BM in the 1920s.
Very good impression with extensive undamaged mica. Very good colour. Signs of mounting au verso, otherwise very good condition. Signed Nagahide ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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The actor Nakamura Shikan IV as Ishikawa Hachizaemon in the play Chuko musashi no abumi staged at the Nakamura-za Theatre in 4/1869. From a set of at least 22 prints published by Gusokuya Kahei, 1869. Kunichika was a hack artist who nevertheless produced some fine triptychs (horizontal and vertical) and this fine set of actor bust portaits.
Fine impression and colour. Minor edge soil, otherwise very good condition. Signed Kunichika hitsu.
Status: Sold
Utagawa TOYOKUNI I (1769-1825)
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A fascinating triptych: Edo sanshibai yakusha nigao seisha nishiki-e, “Brocade Print of True Copies of Actor Likenesses in the Three Theatres of Edo.” Shows all the actors appearing in the three theatres at that time: Nakamura-za, Ichimura-za, Morita-za, with the roles for which they were famous. For example, jitsuaku, “truly evil” or katakiyaku, “villains.” Below the crests of the three theatres is Kabuki O-iri, “Kabuki Full Houses.” Published between 11/1799 and 1/1801 (Arashi Hinasuke II died in 2/1801).
Fine impression, colour and condition. Signed Utagawa Toyokuni hitsu.
Status: Sold
Katsukawa SHUNSHO (1726-1792)
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An exceptional hosoban showing the actor Nakamura Tomijuro I in the role of a courtesan. Published c. 1771 and the influence of Harunobu can be seen. Probably the centre panel of a triptych.
Superb impression on thick hosho with the outlines of the figure in relief, similar to the best Harunobu prints of a few years earlier. Very fine unfaded colour. Fine condition. Signed Miyagawa Shunsho. (A signature I have not seen before: He did study under Miyagawa Shunsui early on.)
Status: Sold
Rantokusai SHUNDO (Active c.1770-1790)
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A hosoban showing the actor Nakamura Sukegoro II as Sasano Sangobei (an otokodate – chivalrous commoner) in part two of the play Iro moyo aoyagi Soga, “Green Willow Soga of Erotic Design.” Performed at the Nakamura Theater 2/1775. Shundo was an early pupil of Shunsho’s and this fine design is comparable to the best that Shunsho produced. The left sheet of a diptych. The complete (faded) design is illustrated in The Actor’s Image, Clark & Ueda, A.I.C., 1994, no. 135, p. 358/9. Rare.
Fine impression. Fine, totally unfaded colour. Fine condition. Signed Rantokusai Shundo ga with Hayashi in jar-shaped seal.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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A vertical diptych showing the actor Onoe Kikugoro V in the role of Komamonoya Saijiro, “Saijiro of the haberdashery store,” fighting a giant serpent in the play Inaba Kozo ame no yobanashi performed at the Nakamura-za theatre in 11/1887. Published by Fukuda Kumajiro, 1887. Evidently the actor was swallowed whole during this scene ! An extremely rare print.
Fine impression and colour. Extensive mica on the serpent’s head and body. Fine condition with the publication details intact on the left margin. Ample room for joining the two sheets. Signed Oju Toyohara Kunichika hitsu.
Status: Sold
Utagawa TOYOKUNI (1769-1825)
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Shows Ichikawa Danzo IV as Shundo Jiroemon disguised as a beggar and Morita Kan’ya VIII as Takaichi Buemon in the Daianji Zutsumi scene from the play Katakiuchi tsuzure no nishiki, “The Vendetta in Patched-Brocade.” A fine grey-ground print published by Eijudo, 1798. Ichikawa Danzo IV had one of the great Kabuki faces. See the 1799 Toyokuni bust of Danzo as Keyamura Rokusuke in the drama Hikosan Gongen Chikai no Sukedachi.
Fine impression. Very good colour and condition. Signed Toyokuni ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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In heavy rain before a giant waterwheel are two actors: On the right Ichimura Uzaemon XIII as the commoner Doroku confronting Ichikawa Kuzo III as Sanpei from the play Sarayashiki kesho no sugatami, “The Mansion of Plates and the Cursed Makeup Mirror.” Published by Kagiya Shobei, 1863.
Very good impression and colour. Backed, otherwise very good condition. Signed Kunichika ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900); Utagawa KUNISADA (1786-1864); Utagawa KUNISADA II (1823-1880)
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A concertina orihon consisting of 52 prints by the above artists. Various date seals to the early 1860s, the latest being 1865, which is presumably when the album was assembled. Includes the excellent Kunichika 5-sheet: Toto Fuji yuki no hada-ai. Fine impressions and colour. Some edge creasing and partial separation, otherwise very good condition. Untrimmed. The prints lightly adhered along the left edge only. Albums of prints were produced in great numbers and their contents vary: Some are of complete sets, while others cover a specific subject such as wrestler prints or are collections of a specific artist; but many are anything but homogeneous, even having incomplete diptychs, triptychs, etc and are not necessarily contemporaneous.
Status: Sold
Toyohara KUNICHIKA (1835-1900); Utagawa KUNISADA (1786-1864); Utagawa KUNISADA II (1823-1880); Kawanabe KYOSAI (1831-1889)
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A concertina orihon consisting of 64 prints by the above artists. Various date seals to the early 1860s, the latest being 1865, which is presumably when the album was assembled. (Although the album is dated 1864.) Includes the excellent Kunichika 7-sheet tattooed firemen set: Sakari Edo no hanagata. Fine impressions and colour. Minor creasing and partial separation, otherwise very good condition. Untrimmed. The prints lightly adhered along the left edge only. Albums of prints were produced in great numbers and their contents vary: Some are of complete sets, while others cover a specific subject such as wrestler prints or are collections of a specific artist; but many are anything but homogeneous, even having incomplete diptychs, triptychs, etc and are not necessarily contemporaneous.
Status: Sold
Anonymous (c 1770s)
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An uki-e, “perspective print” of a Kabuki theatre: Shinpan uki-e san shibai Kabuki kyogen no zu, “ Newly Published Uki-e Picture of Kabuki Plays from the Three Theatres.” The three theatres were: Nakamura-za, Ichimura-za, Morita-za. The actors have difficult to discern mon but appear to be: Nakamura Denkuro II, Ogawa Zengoro II, Arashi Sangoro II, Segawa Kikujiro III. Published by Iwatoya Genpachi who worked c 1758-82 and published uki-e prints by Utagawa Toyoharu, c 1770s. Toyoharu designed prints, probably based on European engravings which were viewed in stereoscopes. But he was not the first to use Western one-point perspective: Okumura Masanobu produced interiors using the method although Toyoharu introduced exteriors.
Very good impression, colour and condition. Unsigned.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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The actor Ichikawa Sadanji as the monk Raigo Ajari at the Mii-dera temple from Kijutsu junishi no uchi, “Magic in the Twelve Signs of the Zodiac.” This design representing Rat. Raigo transforms into a giant rat because of a grudge against the Emperor Shirakawa and ate the sacred manuscripts in the Enryaku -ji temple. Published by Ueki Rinnosuke, 1877. A fine and little-known set.
Very good impression, colour and condition. Signed Toyohara Kunichika fude.
Status: Sold
Utagawa YOSHITSUYA (1822-1866)
A set of 8 prints showing actors as firefighters: Edo no hana yoru no nigiwai, “Flowers of Edo, Excitement at Night.” It’s generally catalogued as having 8 designs, however the MFA Boston has a design not shown here: acc. no. 11.37798, so it seems there are 9 or 10 in complete set. It looks like there was originally a triptych published with the title showing the actors Ichikawa Kodanji IV (left), Kawarazaki Gonjuro I (centre), Nakamura Shikan IV (right) and then extra sheets were added which can be assembled as desired. Each sheet with hand-splashed gofun (oxidised) in the sky to resemble flying embers or sparks from the fires. Firemen were notorious for their rowdy behaviour and rivalrous nature leading to open hostility with other groups such as sumo wrestlers. Fires were a constant threat due to the building materials used, and firefighters were not above starting fires themselves in order to be the first on the scene (especially if they were in the construction business). Published by Ebiya Rinnosuke, 1860. Exceptional printing and designs on the thick, quilted cotton-soaked firefighters’ jackets (hikeshi-banten).
Fine impressions and colour. Minor marks, otherwise fine condition. Signed Icheisai Yoshitsuya ga on each sheet.
Status: Sold
Utagawa KUNISADA (1786-1865)
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A dai-oban print showing the actor Kawarazaki Gonjuro I (Ichikawa Danjuro IX) in the role of Hanakawado no Sukeroku, an otokodate (chivalrous commoner) in the play Sukeroku yukari no Edo zakura, “Sukeroku, the Flower of Edo.” This play was performed at the Ichimura Theatre, Edo in 3/1862 and this print was published by Ebisuya Shoshichi the previous month to advertise the play. The storyline is based after the exploits of Soga no Goro and was one of the Kabuki juhachiban compiled by Ichikawa Danjuro VII for the family repertoire.
Fine impression with burnishing on the costume. Fine colour. Light album backing, otherwise fine condition. Untrimmed. Signed Ki-o Toyokuni ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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A dai-oban print showing the actor Ichikawa Danjuro IX as Minister Kibi in the play Kibi Daijin Shina monogatari, “Minister Kibi, Tale of China.” The play centres on the historical minister Kibi no Makibi who joined a mission to the Tang Court in China in 716. He is supposed to have brought back to Japan the game of go, embroidery, and the secrets of the Chinese almanac. Published by Gusokuya Kahai, 1875.
Fine impression with gauffrage and extensive burnishing to Kibi’s black garment. Fine colour. Light album backing, otherwise fine condition, untrimmed. Signed Oju Toyohara Kunichika hitsu.
Status: Sold
Torii KIYOMASU II (Fl. c 1720s-1760)
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An outstanding primitive showing the actor Ichikawa Danjuro II as Soga no Goro in a scene from Yanone, “The Arrow Sharpener.” One of the most popular of the Soga Brothers vendetta plays that was later designated one of the Eight Great Kabuki Plays. The role first performed as part of Suehiro eho Soga, “A Fan of the Auspicious Direction for the Soga Brothers” at the Nakamura Theatre, Edo, 1/1729. The forerunner for all the subsequent versions of this scene. This performance was supposed to have been inspired by the New Year’s arrow sharpening ceremony conducted by the official arrow sharpener of the Tokugawa Shogunate in the early Edo period. Shows Danjuro grinding a huge double-headed arrow on a large whetstone. Published by Emiya Kichiemon. Extremely rare: Possibly unrecorded. Ex collection Dr E.F. (1976).
Fine impression. Urushi beni-e with hand-applied colour: tan, blue, yellow, light and dark beni and gold powder. Minor small wormhole, otherwise in exceptional condition for a print of this period. Signed Torii Kiyomasu fude.
Status: Sold
Attrib. to Torii KIYONOBU II (Fl. c 1720s-1760)
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A fine primitive showing the actors Ogino Isaburo (above) and the onnagata actor Tsugawa Kamon below. Published c late 1720s by Emiya Kichiemon. Ex collection Dr E.F. (1970). Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, blue, yellow, light and dark beni, lacquered sumi over an embossed pattern and gold powder. Minor imperfections, but otherwise in exceptional condition for a print of this period.
Status: Sold
Torii KIYOMASU II (Fl. c 1720s-1760)
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An early print showing the onnagata actor Kirinami Onoe (above) and Ichikawa Danjuro II, possibly in the play Yatsumune Taiheiki performed at the Nakamuraza Theatre, 11/1727. If it is this performance, then it’s the first time a trap-door was used. Published by Omiya Kuhei. Ex collection Dr E.F. (1966). Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, lilac, yellow, light and dark beni, lacquered sumi over an embossed pattern and gold powder. Album backing and slight toning, otherwise very good condition. Signed Kiyomasu hitsu.
Status: Sold
Torii KIYOMASU II (Fl. c 1720s-1760)
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An early print showing the actor Sanogawa Ichimatsu. He gained early recognition as a child actor. Published by Urokogata-ya hammoto, c mid 1730s. Ex collection Dr E.F. Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, blue, yellow, orange, light and dark beni and lacquered sumi over an embossed pattern. Album backing and light soil, otherwise good condition. Signed Eishi Torii Kiyomasu hitsu.
Status: Sold
Torii KIYONOBU II (Fl. c 1720s-1760)
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An early print showing the actor Segawa Kikunojo as Oiso no Tora looking down at Kameya Jujiro as Soga no Juro Sukenari who is leaning on a shogi board (Japanese chess). The play Hatsu hikage maizuru Soga was performed at the Nakamura-za Theatre, 1/1737. Published by Nakajima Izaemon. Ex collection Dr E.F. (1978). Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, yellow, light beni, gold powder and lacquered sumi over an embossed pattern. Toned with some fading of colour. Signs of mounting au verso. Signed Torii Kiyonobu hitsu.
Status: Sold
Torii KIYONOBU II (Fl. c 1720s-1760)
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An early print showing the actor Sawamura Harugoro as Soga no Goro. Another impression is in MFA, Boston, acc. no. 21.5656. Published by Hiranoya Kohachi c early 1740s. Ex collection Dr E.F. (1969). Rare.
Very good impression. Urushi beni-e with signs of hand-colouring (faded) and lacquered sumi. Paper toned and signs of mounting au verso. Signed Torii Kiyonobu hitsu.
Status: Sold
Adachi GINKO (Fl. 1874-1897)
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The actor Onoe Kikugoro V in the role of the evil Asao no Tsubone in a story by Murai Teikichi from a set Kodan isseki; yomikiri tsuika, “Storytelling Complete in One; More Stories.” Published by Gusokuya Kahei, 1874. Shows Tsubone encircled by snakes who force her to reveal her true identity – the Fox Spirit. Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. (The open Kodan text is shown top right.) Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and vigilantes.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Oju Ginko hitsu.
Status: Sold
Okumura TOSHINOBU (Active c 1717-1750)
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An hosoban showing a young actor in the role of a peddler of Chinese medicine, an Uiro, in a scene called Uiro-uri. This role is associated with the Danjuro line and Danjuro II did perform it more than once. Published c 1720 by Emiya. Rare.
Good impression. Coloured by hand: mustard yellow, yellow, gold powder and heavy sumi over an embossed pattern. Possibly some fading, otherwise very good condition. Signed Yamato gwako Okumura Toshinobu hitsu.
Status: Sold
Katsukawa SHUNKO (1743-1812)
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An hosoban showing the actors Ichikawa Danzo IV as Doi no Yataro (above) and Ichikawa Raizo II as Kojiro Masahira (below) in the play Kaomise Ama no Iwato, performed at the Nakamura-za theatre 11/1774. A fine design.
Fine impression, colour and condition. Signed Shunko ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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A vertical triptych showing the actor Ichikawa Udanji I as the ghost of Sogo’s wife (Sogo tsuma no rei) carrying off Nakamura Kangoro XII as Yamazumi Goheita in the play Sakura Sogo den performed at the Haruki-za Theatre, 3/1893. Published by Fukuda Kumajiro.
Fine impression and colour. Slight toning and creasing, otherwise very good condition. Signed Osetsu Toyohara Kunichika hitsu.
Status: Sold
Ippitsusai BUNCHO (Active c 1755-1790)
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Little is known of Buncho’s life. With Shunsho, he was the pre-eminent designer of actor hosoban producing them during the short period of 1766-1773. He also collaborated with Shunsho on the fine 3 vol. Ehon butai ogi in 1770. Shows the actor Nakamura Matsue I in an onnagata role holding a child beside a large bell. This is possibly Matsue playing Sakuragi, the wife of Munesada, in the play Kuni no Hana Ono no Itsumoji performed at the Nakamura-za Theatre in 11/1771. Provenance: Ex collection Ernest Le Veel. Sold lot 13, 3rd sale, Ader Picard Tajan, 5/11/1981. Seal au verso. Rare: Not listed in Exhibition Of Ukiyo-e By Ippitsusai Buncho, Riccar Art Museum, 1978.
Fine impression. Very good colour. Fine condition. Signed Ippitsusai Buncho ga with Mori uji seal.
Status: Sold