Ichiryusai HIROSHIGE (1797-1858)




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Masaki yukibare no zu, “Clear Weather After Snow at Masaki” from a Toto Meisho, “Famous Sights of the Eastern Capital” set published by Kikakudo (Sanoki), the seal in red in right margin c 1832-35. There is confusion over how many prints belong to this series: The original set of twenty-one prints seems to have been extended to fifty-five in c 1839-42. The temple, under a deep layer of snow, is shown on the far shore. In the foreground two figures in yellow straw coats navigate the river. This is the best example of this design I have seen since the impression in my Catalogue 7, 1971, no 12.

Very fine impression and colour. Later editions have the black seal of Sanoki in right margin. Fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Kawaguchi no watashi Zenkoji, “Ferryboats to Zenkoji Temple at Kawaguchi” from Meisho Edo hyakkei, the “One Hundred Views of Edo.” The set published between 1856 and 1858 (this being 1857) by Uoya Eikichi. This fine example of a first edition with the extra large margins has never been in an album.


Superb impression of the first edition with beautiful bokashi and mica. Very fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Hasegawa SADANOBU I (1809-1879)



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A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Shijo-bashi yori Nawate-dori Yamato-bashi o nozumo, “View from Shijo Bridge Towards Yamato Bridge at Nawate Street.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the snow scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

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Hasegawa SADANOBU I (1809-1879)



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A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Ryoan-ji yuki [no] akebono, “Snowy Dawn at Ryoan-ji Temple.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the snow scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

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Hasegawa SADANOBU I (1809-1879)



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A chuban landscape from a set of at least 30 prints: Miyako meisho no uchi, “Famous Places in the Capital [Kyoto].” This design, Toganoo monzen uchu, “Temple Entrance at Toganoo in the Rain.” A fine set, inspired by Hiroshige, but not slavish copies and some excellent designs (as the rain scene here). Published by Wataya Kihei-ban, 1858.

 

Fine, early impression. Fine colour and, apart from the usual imperceptible fold, fine condition. Signed Sadanobu ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Mochizuki from Kisokaido rokujukyutsugi no uchi, “The Sixty-nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). Shows travellers on the Uryu Slope between Yawara and Mochizuki. Mount Tateshima to the right. One of the finest designs from the set.

 

Fine early impression with gradation over the moon and woodgrain showing. Fine colour. Very slight centrefold and soil in left margin, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE II (1826-1869)



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A view of Ama-no-hashidate, Tango Province, from Shokoku meisho hyakkei, the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859-1861 (this being 10/1859). The place name can be translated as “Bridge to Heaven” and it’s considered to be one of the most beautiful areas in Japan. Seen here under a full moon.

 

Superb impression of the first edition: One of the earliest pulls from the blocks. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Nichiren struggling up a snow-covered mountain near Tsukahara on the Island of Sado. The best design from Koso goichidai ryakuza, the “Illustrated Abridged Biography of the Founder.” Nichiren being the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei, c 1831. Like many great landscapes, there exist different states which causes confusion over which is the earliest. The basic difference is that the design is known with and without a horizon line and that there is at least one impression where the uninked, blind-printed line can be seen in a raked light (as indeed it can on this impression). It has been asserted that those impressions without are the earliest; however, it seems from this that the sumi block was probably cut initially with the line but the publishers thought that it looked aesthetically better without printing it, and it was subsequently removed. In any case, this is an extremely rare print and most surviving examples appear to be similar in impression. There is a break in the border to the left of the bottom of Kuniyoshi’s signature which could give a guide to the earliest states, but as this is often painted in, it is not reliable. The composition is based on a design in the illustrated book Bumpo sansui gafu by Kawamura Bumpo, published posthumously in 1824. Although not from a landscape set, this is considered one of the great 19th century landscapes.


Fine impression and colour. Beautiful gradation with splashed gofun (oxidised). Slight centre fold, otherwise very good condition. Signed Ichiyusai Kuniyoshi hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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The entrance to the Yoshiwara from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858) and Utagawa KUNISADA (1786-1865)



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A triptych showing Mitsuuji, the romantic hero of the Inaka Genji (“A Rustic Genji”) accompanied by a beauty looking out across a snow-covered garden to where a group of girls are building a giant snow rabbit. Hiroshige and Kunisada collaborated on a number of these Genji triptychs in the 1850s and this is one of the most charming. Published by Moriya Jihei of Kinshodo, 12/1854 (and therefore probably in anticipation of the following year, which was a Year of the Rabbit).

 

Fine impression. The early state with gradation behind the rabbit and bokashi on stream and in the sky. Fine colour. Fine condition. Signed Toyokuni ga on two outside panels and Yuki no kei oju, “Snow landscape by request” Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE ( 1797-1858 )




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Numazu, Shizuoka Prefecture, from the  so-called “Upright Tokaido”, Gojusan tsugi meisho zue. The 12th of the 53 Stations. At its peak in Edo times the town had 1200 buildings. It is now Numazu City. The old adage that familiarity breeds contempt certainly applies to this set, which was reprinted many times. Early printings, as here, enable us to appreciate this underrated series. One of the two snow scenes from the set showing figures crossing one of two trestle bridges. Published by Tsutaya, 1855.


Very good impression, colour and condition. Signed Ichiryusai Hiroshige ga.


Status: Sold

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Ichiryusai HIROSHIGE (1797-1858)




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Fireworks over Ryogoku Bridge from a rare set of fourteen prints, Famous Places of the Eastern Capital, published by Sanoki in 1840-2.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A view of Hara, Yoshiwara and Kanbara from Tokaido gojusan eki (shishuku meisho), “ Famous Views of the Fifty-three Stations of the Tokaido (Four at a Time)” although the set actually varies, showing between three and six per sheet. The set of twelve designs published by Tsuruya Kiemon and Tsutaya Kichizo, c 1835.

 

Very fine impression of the first edition. Fine colour. Some soil on reverse, otherwise very good condition. Signed Ichiyusai Kuniyoshi shuku zu (“Drawn together by Ichiyusai Kuniyoshi”).

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Travellers viewing Mount Asama. Usui-toge yori Asama o miru zu, “A View of Mount Asama from Usui Pass.” From Kuniyoshi’s best landscape set. Of the utmost rarity with most extant impressions differing. This and the impression in the Museum of Fine Arts, Boston, are similar, without the smoke coming from the cone of Asama (the most active volcano on Honshu). Other impressions are in: The British Museum, 1948, 0410, 0. 108, which has gradation up the left side of the mountain; the Metropolitan Museum of Art, JP 1424, with gradation down from the summit; and Worcester Art Museum which is similar to the Mets, 1901.692. Published by Yamaguchiya Tobei, c 1836. I have only had one other impression in over forty-five years of dealing.

 

Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Ichiyusai HIROSHIGE II (1829-1869)




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A view of a smoking Mt Asama, Shinano Province from Shokoku meisho hyakkei, the ‘One Hundred Views of Famous Places in the Provinces’. Published by Uoei, Sheep 9 ( 1859 ).


Very good impression, colour and, apart from one small spot, very good condition. Signed Hiroshige ga.



Status: Sold

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Utagawa HIROSHIGE II (1826-1869)



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The Seven Ri Beach, Sagami Province, Sagami Shichirigahama, from an unfinished set Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces.” Published by Uoya Eikichi between 1859 and 1861 (this being 1859). A popular area during Edo times as one could get a view of both Mount Fuji and Enoshima at the same time. The Ri in the title is an old unit of measurement. This design obviously bears comparison with both Hiroshige’s “wave” from the Thirty-Six Views of Fuji and Hokusai’s “wave” from a series with same title.

 

Superb impression of the first edition. (Extremely rare in this state.) Very fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE II (1826-1869)



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The Dragon’s Maw Mountain, Bizen Province, Bizen tatsu-no-kuchi yama from an unfinished set Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces.” Published by Uoya Eikichi between 1859 and 1861 (this being 1860). Shows a lone figure battling a heavy rainstorm in a steep-sided canyon.

 

Superb impression and colour. The extremely rare first edition with gradation on the figure’s straw cape and bokashi clouds. The best quality red pigment is used and double-printed in the cartouches. Fine condition. A masterpiece in this state. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Suruga Satta no kaijo, “The Sea at Satta, Suruga Province” from the set Fuji sanjurokkei, “The Thirty-Six Views of Fuji.” The series published by Tsutaya Kichizo, 1858. Shows the coast of Oyashirazu at Satta on the west side of Suruga Bay with a large wave about to break on the coast. The spume from the wave is supposed to turn into chidori and they can be seen here flying away. This area is on the Tokaido Road between Edo and Kyoto and, previous to 1655, travellers had to circumvent the cliffs – some of which are 300-400 metres tall – by way of the base, near the sea. However, in that year, to facilitate the journey a pass was cut in the rock above the cliff. The best design from the set. Early impressions of this set were particularly well printed as a tribute to Hiroshige’s life. Late editions have a signature label printed in yellow instead of red.

 

Fine impression and colour. Trimmed close at bottom left, otherwise fine condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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A fine snow scene: Iki Shisaku, “Shisaku in Iki Province” from a set of sixty-nine prints plus title page Rokuju yoshu meisho zue, “Famous Places in the Sixty-Odd Provinces.” Published by Koshimuraya Heisuke, 1853-1856 (this being 1856). This far-flung region of Japan at the southern tip of the main group of islands is evocatively captured here.

 

Superb impression of the very rare first edition with variegated cartouche and bokashi clouds. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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Awa Naruto no fuha, “Angry Seas at Naruto, Awa” from a set of sixty-nine prints plus title page Rokuju yoshu meisho zue, “Famous Places in the Sixty-Odd Provinces.” Published by Koshimuraya Heisuke, 1853-1856 (this being 1855). The most famous design from the set. This area of sea between the islands of Shikoku and Honshu , where the waters of the Inland Sea and Pacific Ocean meet, is famous for its whirlpools. Hiroshige returned to this theme in a triptych setsu-getsu-ka set where the whirlpools represent “Flower.”

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Keisai EISEN (1790-1848)



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Although Eisen produced a considerable number of bijin-e and surimono, his best work was in landscape design and amongst these the finest are this set and a few designs for the Kisokaido. Kirifuri-no-taki, santaki no sono ikkei, “Kirifuri Waterfall – View of One of the Three Falls.” From a set Nikkozan meisho no uchi, “Celebrated Views in the Nikko Mountains.” The set of eight prints published by Yamamotoya Heikichi, c. mid 1840s. The set obviously invites comparison with Hokusai’s earlier waterfall set but they are chunkier, more prosaic and with the movement of the water more defined. Shows travellers admiring the fall. A stone Jizo figure on the right (guardian of travellers). Rare.

 

Fine impression. (There do not appear to be late impressions of this set – presumably it was not popular at the time.) Fine colour. Imperceptible fold, otherwise fine condition. Signed Eisen utsusu.

 

Status: Sold

 

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Keisai EISEN (1790-1848)



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Although Eisen produced a considerable number of bijin-e and surimono, his best work was in landscape design and amongst these the finest are this set and a few designs for the Kisokaido. Somen-no-taki, “Somen Waterfall.” From a set Nikkozan meisho no uchi, “Celebrated Views in the Nikko Mountains.” The set of eight prints published by Yamamotoya Heikichi, c. mid 1840s. The set obviously invites comparison with Hokusai’s earlier waterfall set but they are chunkier, more prosaic and with the movement of the water more defined. Shows travellers at the base of the fall.

 

Fine impression. (There do not appear to be late impressions of this set – presumably it was not popular at the time.) Fine colour. Imperceptible fold, otherwise fine condition. Signed Eisen utsusu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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The finest design from all the Hiroshige/Kunisada collaborations with the superb snowscape designed by Hiroshige, and the figures by Kunisada. From a triptych series Furyu Genji, “Elegant Genji.” The Tale of Genji was written by Shikibu Murasaki and published in 1021 and follows the life of this multi-endowed character. Published in 1858 by Isaya Kanekichi.


Fine impression and colour. Extensive splashed gofun ( oxidised ). Very good condition. Signed Hiroshige ga and Kunisada ga.


Status: Sold

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Keisai EISEN (1790-1848)



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Jakko Nunobiki no taki, “Jakko [Temple] Nunobiki Waterfall” from a set of eight prints Nikkosan meisho no uchi, “Celebrated Views in the Nikko Mountains.” Published by Yamamotoya Heikichi c. 1844. Obviously inspired by Hokusai’s set of waterfalls. See: The Japanese Print: A New Approach, J. Hillier, Bell & Son, 1960, Chapter XVI, where Jack Hillier discusses Eisen and his landscapes and considers this set “… is perhaps the crowning achievement of his career as a designer of landscape-prints.” Extremely rare.

 

Very fine impression. (I have only seen early impressions of this set – perhaps it was not popular at the time.) Fine colour. Extremely slight vertical fold, otherwise fine condition. Signed Keisai Eisen utsusu.

 

Status: Sold

 

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Keisai EISEN (1790-1848)



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Kegon no taki, santaki no sono ikkei, “Kegon Falls, One of the Three Waterfalls” from a set of eight prints Nikkosan meisho no uchi, “Celebrated Views in the Nikko Mountains.” Published by Yamamotoya Heikichi c. 1844. Obviously inspired by Hokusai’s set of waterfalls. See: The Japanese Print: A New Approach, J. Hillier, Bell & Son, 1960, Chapter XVI, where Jack Hillier discusses Eisen and his landscapes and considers this set “… is perhaps the crowning achievement of his career as a designer of landscape-prints.” Extremely rare.

 

Very fine impression. (I have only seen early impressions of this set – perhaps it was not popular at the time.) Fine colour. Extremely slight vertical fold, otherwise fine condition. Signed Keisai Eisen utsusu.

 

Status: Sold

 

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Utagawa KUNISADA II (1823-1880)



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A snow scene showing Prince Genji and attendants on Sugatami Bridge from a set of twelve months: Junikagetsu Genji no Sugatami. This being the eleventh month. Published by Yamashiroya Jinbei, 1867.

 

Fine impression, colour and condition with extensive splashed gofun. Signed Kochoro Kunisada hitsu

 

Status: Sold

 

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Ichiryusai HIROSHIGE II (1829-1869)



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Soshu Shichirigahama, the “Seven Ri Beach” near Kamakura, Kanagawa Prefecture. From the set Shokoku meisho hyakkei, “The One Hundred Views of Famous Places in the Provinces.” From the beach one gets a clear view of Fuji and Enoshima Island – both framed by a giant wave. The set (of which only 80 are known) was published by Uoya Eikichi, 1859-61 (this being 1859). Hiroshige’s foremost pupil. He was called Shigenobu until assuming the name Hiroshige II on Hiroshige’s death. Married his daughter.

 

Very good impression and colour. Very slight stain in cartouche, otherwise very good condition. Sugned Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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Kameido Tenmangu keidai no yuki, “The Compound of the Tenman Shrine at Kameido in Snow.” From a set of twenty-one prints Toto meisho, “Famous Views in the Eastern Capital” published by Sanoya Kihei, c. 1834-5. The series was extended to fifty-five in c.1839-42. One of the most famous places in Edo. Known for its pergola, two drum bridges, koi ponds and the wisteria which flowered in the fifth month. The main shrine is dedicated to the memory of Sugawara no Michizane (Tenjin), the father of Japanese learning and built in 1662. The design comes in various states: Late editions have a black sky and the red publisher’s seal on right margin, is replaced with an abbreviated Sanoki seal in black. Even later editions show a slipping plug becoming evident on the edge of the water, centre left.

 

Very good impression, colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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Numazu, Hikure, “Yellow Dusk” from Tokaido gojusan tsugi, “The Fifty-three Stations of the Tokaido.” The set of fifty-five prints was published jointly by Hoeido and Senkakudo in 1834. Shows travellers about to enter the village of Numazu beneath the huge orb of the moon. On each side are dark pines, and this station is famous for its forest which stretches along the seashore. One of the travellers is carrying a red tengu mask on his back, the mark of a pilgrim to the Shinto shrine of Kompira.

 

Very good impression and colour. Imperceptible centre fold and minor repaired wormage on bottom margin, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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Kozuke, Harunasan setchu, “Kozuke [Province], Mount Haruna Under Snow.” From the set of sixty-nine prints, Rokuju-yoshu meisho zue, “Views of Famous Places in the Sixty-odd Provinces.” Published 1856 by Koshihei, although sealed between 1853-56 (this being 1853). A red bridge spans a gorge with precipitous cliffs and a fast flowing river. Fantastic crags point upwards into the sky. In the distance is Mount Haruna, a sleeping volcano.

 

Fine, early impression. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Sukiya embankment in snow, Toto Sukiya-gashi, from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. The rampart on the inner side of the moat of Edo Castle on the right. Figures cross a bridge leading to Sukiya Gate. In the distance the long outer walls of the main residence of the Nabeshima Clan of Saga. Fuji on the horizon.

 

Fine impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Fulling cloth beneath a full moon. Toi Tama-qawa in Settsu Province from the set Six Tama Rivers. One of the two best designs from the set. Published circa early 1830s.


Fine impression and colour. Minor repair extreme top edge, otherwise fine condition. Signed Hiroshige ga. A beautiful print.



Status: Sold

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Tomikichiro TOKURIKI (1902-2000)




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The original keyblock woodblock for print 20, Distant View of Fuji from Ise Asama Mountain from The Thirty-six Views of Fuji, published by Uchida Bijutsu Shoten, 1939-40. Sold together with the annotated finished print. The reverse of the block has another unidentified image. Block size 11.5 x 16.75 in; 29 x 42.8 cms. Block sold “as is” and the print has some minor damage.


Status: Sold




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Tomikichiro TOKURIKI (1902-2000)




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A complete set of 5 double-sided original woodblocks comprising the keyblock and 9 colour blocks. Sold together with the finished print. Although late, it’s very rare to find complete sets of blocks and shows clearly how the prints were produced. Some of the blocks retain the keyblock proofs glued to them. For print 11, Kameyama Shrine in Kishu from a set of 50 prints of scenes of sacred places and historic landmarks. Published by Uchida Bijutsu Shoten, 1941. The average size of blocks is 11.75 x 17 in; 30 x 43 cms. All blocks sold “as is.” The print is in good condition.


Status: Sold




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Yashima GAKUTEI (1786?-1868)



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A sailing junk caught in stormy seas, driving rain, and under a threatening sky. The masterpiece from a set of six prints issued in album form with title Naniwa meisho, Tempozan shokei ichiran, “A Famous Place in Osaka, Selected Views of Mount Tempo.” Published in Osaka, 1834, by Shioya Kisuke. In the circular cartouche: Osaka Tempozan yudachi no kei, “View of a Storm at Tempozan, Osaka.”Gakutei is best known for his many surimono. He was also a kyoka poet and painter. Unfortunately he produced few landscapes. Other impressions illustrated in Michener, Japanese Prints, no. 198; Mellor sale catalogue, Sotheby, July 1963, pl. XXXI; and Grabhorn, Landscape Prints of Old Japan, pl. 30. SC I/344. One of the great 19th century landscapes.

 

 

Fine impression. Very good colour. Slight trimming at bottom and backed centre fold (as usual as it was published in folding album form), otherwise good condition. Signed Gogaku with seal Go.

 

 

Status: Sold

 

 

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Ichiryusai HIROSHIGE (1797-1858)



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Sukiya embankment in snow, Toto Sukiya-gashi, from Fuji sanjurokkei, the “Thirty-six Views of Fuji.” The set published by Tsutaya Kichizo, 1858. The rampart on the inner side of the moat of Edo Castle on the right. Figures cross a bridge leading to Sukiya Gate. In the distance the long outer walls of the main residence of the Nabeshima Clan of Saga. Fuji on horizon.

 

Fine impression, very good colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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Tadasugawara no yudachi, “Evening Shower on the Bank of the Tadasu River” from the early set Kyoto meisho no uchi, “Famous Views of Kyoto.” The set of ten masterpieces was published by Eisendo, c 1834. Shows figures running in the rain to get to the tea-houses which lined the banks here where the Kamo River and Takamo River joined.

 

Very good impression. The extremely rare first state of this print has the publisher’s seal in red in the upper left margin. This early state has the kiwame seal in the left margin. This was removed on later editions and the seal after Hiroshige’s signature has the characters reversed white on red. Very good colour. Imperceptible centre fold and trimmed close at top, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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The cantilevered Monkey Bridge from Rokujuyoshu meisho zue, “Famous Views in the Sixty-odd Provinces.” Published by Koshimuraya Heisuke 1853-6 (this being 1853). This bridge – one of the three most famous bridges in Japan – is situated in Otsuki and purports to be 1300 years old (albeit rebuilt many times).

 

Fine impression of the first edition. Fine colour. Trimmed close, otherwise very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utagawa HIROSHIGE II (1826-1869)



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Yoroi no watashi, “Yoroi Ferry” from the set Toto sanjurokkei, “Thirty-six Views of Edo.” Published by Ai-To, 1862. Shows the laden ferry crossing in heavy snow. The Koami-cho warehouses on the right.

 

Fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A rare triptych showing fireworks over Ryogoku bridge with numerous pleasure boats negotiating the huge trestles of the bridge. A fine design published 1847 – 50 by Sanoki.


Very fine impression. Pristine colour and condition. Totally untrimmed and with deluxe double-printed red. Signed Hiroshige ga.

Status: Sold

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