/category/archive/page/3/

 

Kawamata TSUNEMASA (Fl. 1716-1751)


Click here to view image full size.

An original painting, sumi and full colour on paper, 27 x 10.5 in; 68.5 x 26.75 cms. Shows a parading courtesan with her kamuro. Tsunemasa’s small corpus of work shows him primarily painting portraits of beauties as well as mitate works alluding to classical themes. His delicate figures may have been an influence on Harunobu. Painted c 1745. In very good general condition. Signed Tsunamasa hitsu with Tsunemasa seal.

 

Status: Sold

 


Click here to view image full size.

Tags: , ,

 

Kitagawa UTAMARO II (Fl. c 1807-1830s)




Click here to view image full size.

An original painting, sumi and full colour on silk, 40.25 x 15.25 in; 102.25 x 38.75 cms. Shows a geisha reading a book and holding a shamisen likened to Manjusri (Japan: Monju), the bodhisattva of wisdom in Mahayana Buddhism. Often depicted riding or astride a lion representing the use of wisdom to tame the mind. As here where she straddles a large almost human-looking Shishi lion. Very few paintings by Utamaro II exist. See Bonhams auction, London 11/11/2010, lot 357. Also three bijin in Boston illustrated by Tsuji Nobuo in Nikuhitsu ukiyoe, Ukiyo-paintings: Museum of Fine Arts, Boston, Kodansha 2000, pl. nos. 6, 8, & 9. And a standing courtesan (yujo risshi zu) in the Tokyo National Museum, Japan. Viewing the paintings it’s evident Utamaro II was highly competent, not something we are aware of when comparing his prints to the work of Utamaro I, which are generally poor in comparison. Comes with a double-box, the second box inscribed “Painted by Utamaro II. A picture of a high-class geisha reading likened to Monju.” Inside the lid a guarantee from Kimura Suetsuke (a dealer and Ukiyo-e expert) dated 1979 (June of the sixth year of the sheep in the Showa period). Some slight loss of gofun but in good general condition. Signed Utamaro fude with two unread seals.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Watanabe SEITEI ( 1852-1918 )



 Click here to view image full size.

Seitei ( Shotei ) specialised in kachoga; was famous in this area, and regarded as the leading exponent. Technically brilliant. Shows two tancho ( “red crest” ) Japanese cranes flying down to a field suffused with the yellow of ripening rice. This crane ( Grus japonensis ) is the second rarest crane in the world, migrating to East Asia in the fall to spend the winter. There is also a resident flock in Hokkaido. Much loved by the Japanese, the crane was a symbol of luck, longevity and fidelity.Full colour on silk, 46 x 19.5 in; 117 x 49.5 cms. One small spot and minor loss of gofun on the rice, otherwise very good condition.

Signed and sealed Seitei.  A beautiful composition.

Status: Sold




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Katsukawa SHUNSHO ( 1726-1792 )



 Click here to view image full size.

An extremely important painting by one of the most important artists of his day. One of the great ukiyo-e print designers – especially of actor prints. He lived in Edo and first studied under Katsukawa Shunsui and Ko Sukoku. Little is known of his private life. He had many able pupils including Hokusai. The seal he used had Hayashi on the side of a jar ( tsubo ), hence he was called Tsubo. In 1776, together with Kitao Shigemasa, illustrated the famous book Seiro bijin awase sugata kagami. Also the Ehon butai ogi with Buncho in 1770.

This was one of the paintings chosen to be exhibited at the Isetan Department Store to commemorate the Tokyo Olympics in 1964. The exhibit arranged by The Mainichi Newspapers. A committee consisting of Mr. Seiichiro Takahashi, president of the Japan Art Academy, Mr. Issho Tanaka, director of the Tokyo National Cultural Assets Research Institute, Mr. Seiroku Noma, an historian, Mr. Muneshige Narasaki, chairman of the Ukiyoe Association, Mr. Sadao Kikuchi of the Tokyo National Museum, Mr. Teruji Yoshida, an Ukiyoe connoisseur, Mr. Fusui Kaneko, an Ukiyoe connoisseur, Mr. Yasunosuke Ogiwara, an Ukiyoe connoisseur, and other collectors vetted all the paintings and they represented the best that could be put together at the time.  Full colour on silk including gold leaf. Exquisitly painted. Slightly creased otherwise in good condition. Double box with inscription in gold. Image size 39 x 12.5 in; 99 x 31.75 cms. Painted c 1781-9.

Signed Katsu Shunsho ga with seal. Ex collection Oda Eisaku, a famous art dealer and collector.

Status: Sold




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Kawamura BUMPO (1779-1821)




Click here to view image full size.

A pair of paintings, shosha and gyosha, a wood-chopper and fisherman in a mountainous landscape. Sumi on paper, image size 42.25 x 10.9 in; 108.3 x 27.7 cms. A highly talented Shijo painter and haiku poet who studied under Kishi Ganku and was much influenced by Chinese painting before developing his own individual style. Illustrated numerous ehon including Bumpo gafu, vols 1-3, 1807-13 (see following item); Kaido kyoka awase, 1811; Bumpo sansui gafu, 1824. Minor flaws but generally good condition. Each signed Bumpo with Nanzanju seal.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Katsushika HOKUSAI (1760-1849)




Click here to view image full size.

An original painting showing the back view of a courtesan and her assistant. The poem is by Shokusanjin:
It is all because of you who is blooming,
flowers and the moon in this quarter seem prosperous
Shokusanjin

This appears to have been painted during his Sori period at a banquet held by the geisha house that Hokusai and Shokusanjin attended. In good condition having been recently remounted. Sumi and light colour on paper, 15.25 x 21.5 in; 38.7 x 54.6 cms. Signed Hokusai sekijyo, “Hokusai on this occasion.”

 

 

Seal unread: This is a seal used by Hokusai during this period as well as in his later years, but has not been deciphered.

 

 

Status: Sold

Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)



 Click here to view image full size.

An original painting, sumi on paper, 35 x 11 in; 88.9 x 28 cms. A view of Matsuchiyama from Imadobashi with bands of low lying mist. This area is depicted on many Hiroshige prints. Painted c. 1850. In very good condition. The mounting cloth is wasarasa, Japanese batik, made at about the same time as this painting was made.

 

Signed Hiroshige hitsu with Ichiryusai seal.

 

Status: Sold

 




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Manjiro HOKUGA (Fl. early to mid 19th century)




Click here to view image full size.

A large original painting, full colour on silk, 11.5 x 34.5 in; 29.2 x 87.7 cms. Shows Tametomo, a famed archer of extraordinary strength who was exiled to Oshima by the Emperor. During his sojourn Tametomo discovered Onigashima, an island inhabited by devils who he subordinated. News of this reached the Emperor who sent a fleet of vessels to capture him. On sighting the nearest boat Tametomo fires an arrow and sinks the ship and three hundred men. There is a famous version of this subject painted by Hokusai in the BM (see Ukiyo-e Paintings in the British Museum, Timothy Clark, 1992, no. 96, p. 146). Hokuga, a pupil of Hokusai, specialised in surimono. Probably Hokuga’s masterpiece.

 

 

Silk slightly darkened, otherwise very good condition. Recently remounted. Signed Manjiro Hokuga with seals Hoku Ga.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Katsushika HOKUSAI (1760-1849)




Click here to view image full size.

An original painting showing Hotei, the God of happiness and one of the Seven Gods of Good Luck (Shichi-fuku-jin). The corpulent Hotei reclines contentedly smoking a long pipe. Beside him is his huge bag (hotei literally means “cloth bag”) which contained the treasures and food he dispersed. Sumi and light colour on paper, 15.25 x 9 in; 38.5 x 23 cms. Presumably from a hand scroll. A spurious Hokusai seal to the right. Paper browned and soiled. Sold “as is” with all imperfections.

 

 

Status: Sold

 

 

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

An original painting in sumi with touches of green and pale blue. Image size 50 x 17 in; 127 x 43.2 cms on paper. Shows the Mount Haruna area which also has Mount Myogi and Mount Akagi. Depicts the strange peaks surrounded by swirling mist and cloud. The region was formed more than 300,000 years ago in Gunma, eastern Honshu. Hiroshige designed a snow scene of the same area for the print set Sixty-odd Provinces of Japan published in 1853. Recently remounted and in very good condition. Signed Hiroshige ga with Ichiryusai seal.

 

 

Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)

 

 



 Click here to view image full size.

A fine and important painting of the autumn moon at Ishiyama. Ishiyama Temple seen to the left and Seta Bridge to the right with Mount Fuji in the distance. The view is very close to that for the design Ishiyama no shugetsu, from the Omi Hakkei no uchi print set published c 1834 but the viewpoint moved round and slightly closer. The strange rocks which give their name to the temple are given prominence using a spontaneous brush. As with so much in Japan, the Eight Views theme comes from China and is based on the Eight Views of Xiaoxiang. Fine condition. Painted in sumi with light sumi and blue washes on ( the usual ) grey silk. Image size 16.25 x 23 in; 41.25 x 58.5 cms Fine new mount with futo-maki ( thick wooden roll to preserve the painting from damage ). New box. Signed Hiroshige with Ichiryusai seal.

 

Status: Sold

 




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)



 Click here to view image full size.

An original painting, sumi and very light blue on silk, 40 x 15.25 in; 101.6 x 38.7 cms. Shows the moon reflected in the Tama river with spring ayu (sweet water fish) swimming beneath Japanese papyrus growing in the water.

 

A beautiful painting. One small foxing mark, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.

 

Status: Sold

 




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Shibata GITO (1780-1819)



 Click here to view image full size.

A fine Shijo handscroll, sumi and light colour on paper, 11.13 x 423.5 in; 28.26 cm x 10.76 metres. Gito was an early pupil of Goshun who, although he died young, produced enough work to show him to be a highly gifted artist with great ability in landscape, figure and kacho-e. Shows various Kyoto activities and festival preparations. Signed Gito utsusu with hand-drawn seals. There is also a dedication signed and dated, Bunka 8 (1811) February, by Kamono Suetaka (1754-1841) a scholar of Japanese philology and philosophy (Kokugakusha) and also a poet who lived in Kyoto and was presumably a friend of Gito.

 

Light edge stains, otherwise very good condition. These early quality handscrolls are now very difficult to find.

 

Status: Sold




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




here to view image full size.

Tags: , ,

 

Kubo SHUNMAN (1757-1820)



 Click here to view image full size.

An original painting showing a sparrow taunting a horned owl. Shunman, a man of great sophistication, produced few prints (indeed, as Jack Hillier pointed out [The Japanese Print: A New Approach, pp. 102-104]: “Probably no artist except Choki has achieved so high a reputation on such a small number of prints.”); but is known for his fine surimono. Also excelled at writing, light verse, book illustration and painting of mainly bijin, making the subject matter here rare for him. However, the subject was also used for a surimono by him showing an owl on a flowering magnolia branch. Sumi and the characteristically light and subtle use of colour on silk, 36 x 11.5 in; 91.5 x 29.2 cms. Inscription above by Rosanjin. In very good condition having been remounted. Signed and sealed Shunman.

Status: Sold




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Shibata ZESHIN (1807-1891)



 Click here to view image full size.

An original painting of a somewhat benign Raijin, the god of thunder and lightening. His geta are on a shelf and a cat watches him. There appears to be a cloth-covered mirror at the extreme left. This could almost be some sort of green room view. Zeshin was the greatest lacquerer of the 19th century. Also a highly skilled painter, often using lacquer on his paintings. Sumi on creped silk, 32.25 x 6 in; 81.9 x 15.2 cms. A diagonal joining of two pieces of the silk make up the length. In good condition. Signed Zeshin with largeTairyukyo seal. Painted c. 1885.

 

Status: Sold

 




 Click here to view image full size.

Tags: , ,

 

Kishi GANTAI (1782-1865)



 Click here to view image full size.

A superb large gajo (11 x 8 in; 28 x 20.4 cms) of tour de force paintings folding out to comprise: 30 two-sheet designs; 14 four-sheet designs; 2 six-sheet designs; 1 eight-sheet design, making a total of 136 sheets in sumi and light colour on paper. Gantai was the son and pupil of Ganku, and together with his brother, Renzan, carried on the Kishi school tradition. With his father, worked on the paintings for the new Kanazawa Castle in 1809. A highly accomplished painter, especially of kachoga. A variety of subjects are covered in this album, many of them the standard repertoire required of such artists to show their skill. In extremely good condition with high quality boards and gold end papers. Signed Chikuzennosuke Gantai with seals Gantai and Kunchin. See also the large deer painting on this update.

 

Status: Sold

 



 Click here to view image full size.



 Click here to view image full size.



 Click here to view image full size.



 Click here to view image full size.



 Click here to view image full size.



 Click here to view image full size.



 Click here to view image full size.



 Click here to view image full size.



 Click here to view image full size.

Tags: , ,

 

Numata GESSAI (UTAMASA) (1787-1864)



 Click here to view image full size.

An original painting showing a geisha looking back over her shoulder as though surprised. The kimono is beautifully painted with waves and cherry blossom in gofun. Full colour on paper, 50 x 20.25 in; 127 x 51.4 cms. He first studied under Maki Bokusen, then Hokusai during his stay in Nagoya. In the 1840s he was a pupil of Cho Gessho finishing by studying the nanga manner under Yamamoto Baiitsu. Another example is in the MFA, acc no. 11.7340, ex William Sturgis Bigelow collection. In very good condition and newly mounted. Signed Gessai with seal Utamasa.

 

Status: Sold

 




 Click here to view image full size.

Tags: , , ,

 

Nagasawa ROSETSU (1754-1799)


Click here to view image full size.

An original painting, 47.25 x 16 in; 120 x 40.5 cms. Sumi and touches of very light colour on paper. Shows cranes flying in a mountainous landscape. Rosetsu is considered one of the most important artists of the late Edo period but little is known of his short life – he died at forty-five – apart from the fact that he studied and was one of the top disciples of Maruyama Okyo. He is labelled an “eccentric” painter as he defies easy classification. His brushwork is a tour de force and he is known for his expressive depictions of animals. Signed Rosetsu sha with large Gyo seal with the top right corner broken indicating being painted after May 1792-94. In good condition.

 

Status: Sold

 


Click here to view image full size.

Tags: , ,

 

Imao KEINEN (1845-1924)



 Click here to view image full size.

Probably the best known artist of his time and famous for his realistic depictions of birds and flowers. Two koi or carp swim beneath a rock with an overhanging white mountain rose. Ink, colour, gofun and gold on silk. Original mount with ivory rollers. A double kiri-wood box inscribed by Keinen’s son Keisho with date Showa 13, 1938 and a guarantee of authenticity. He entitles the painting Nobara yuri, “Koi playing under a wild rose.” Image size: 44.5 x 14.5 in; 113 x 36.5 cms. Slight crease, otherwise good condition. Signed Keinen.

Status: Sold




 Click here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Watanabe NANGAKU (1767-1813)


Click here to view image full size.

A large original painting, full colour on silk, image size 46 x 21.75 in; 116.8 x 55.2 cms. This impressive painting shows two courtesans of the Shimbara (red-light) district of Kyoto and their attendants. Nangaku was one of Maruyama Okyo’s best pupils showing great dexterity in impromptu sketches (sekijo) as well as producing paintings of bijin which show ukiyo-e influences. He was responsible for the introduction of the Maruyama style to Edo where he lived for approximately three years late in his career before moving back to Kyoto where he died. He was included in the first exhibition in Edo of contemporary calligraphies and paintings organised by Sawara Kikuu in 1804. A comparable painting is in the Art Gallery of New South Wales, Australia, acc. no. 121.1980. (See Jack Hillier, The uninhibited brush, Hugh M. Moss, 1974, pp. 93-99.) In very good condition with double box. Signed Nangaku with seals Genzan and Iseki.

 

Status: Sold

 


Click here to view image full size.

Tags: , ,

 

Teisai HOKUBA (1771-1844)


Click here to view image full size.

An original painting, full colour on silk, image size 37.5 x 12.75in; 95.2 x 32.3 cms. One of Hokusai’s earliest and best pupils. Produced a few surimono, also illustrated books, but is best known for his paintings of bijin, often shown promenading along the Sumida River, as here. Above is flowering cherry blossom setting the scene in late March or early April. The background is in Kano ink-wash showing boats on the river and below a ferry landing stage which she is presumably making her way towards. A similar painting is in the BM, illustrated in Ukiyo-e Paintings in the British Museum, Timothy Clark, 1992, p. 120, p. 169. Painted c 1830-44. In good condition. Signed Teisai with seal Hokuba gain.

 

Status: Sold

 


Click here to view image full size.

Tags: , ,

 

Mori SOSEN (1747-1821)


Click here to view image full size.

An original painting, sumi and light colour on silk, image size 32 x 11.5 in; 81.3 x 29.2 cms. His life is not well documented but he is known to have studied under the Kano artist Yamamoto Joshunsai (? -1781) before being drawn into Mauyama Okyo’s (1735-1795) artistic circle and his style is more Shijo than anything else. His animal paintings were evidently highly valued by Okyo. He was an immediate favourite with eastern collectors because of his monkey paintings at which he excelled, although he was more versatile than literature implies and highly accomplished at drawing other animals. But his images of monkeys take precedence and he is considered the pre-eminent painter, east or west, on this subject. It is alleged that he lived in the woods for three years eating fruit and nuts to study the monkeys and other animals and is also supposed to have had a cage of monkeys at the back of his house to better observe them. Shows two Japanese macaque monkeys, known as the snow monkeys, eating chestnuts. Signed Sosen hitsu with seal Shusho. Minor cracks, otherwise very good condition.

 

Status: Sold

 


Click here to view image full size.

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)



 Click here to view image full size.

An important original Hiroshige painting. Sumi and colour on grey silk, 22.5 x 13.75 inches, 57 x 35 cms. An atmospheric scene showing an evening view at Tamegawa. Villagers hurrying home across a bridge to avoid an approaching thunderstorm. Lightning flashing above. This is a well known painting and has been illustrated in a number of books, including Ukiyo-e Art, Number 18, Memorial Exhibition of Hiroshige, The Japan Ukiyo-e Society, 1968, pl.20. Very good condition; fully mounted with double box and ivory ends. Signed Hiroshige fude with Ichiryusai seal. Hiroshige signature c. 1848- 52.

 

Status: Sold

 




 Click here to view image full size.




 Click here to view image full size.




 Click here to view image full size.




here to view image full size.

Tags: , ,

 

Kawanabe KYOSAI (1831-1889)



 Click here to view image full size.

A fine painting, sumi on paper, showing three crows on the boughs of a willow tree. Crows were one of Kyosai’s favourite subjects and, apart from paintings, he used them in various formats: fan prints, oban and dai-oban prints. There are also numerous copies of his crow paintings. Signed Kyosai ga. 51 x 18.5 inches, 129.5 x 47 cms. Very good condition with original mount and rollers.

Status: Sold




 Click here to view image full size.




 Click here to view image full size.

Tags: , , ,

 

Maki BOKUSEN (1736-1814)



 Click here to view image full size.

A fine original painting, full colour on silk, 40.5 x 12.5 in; 102.9 x 31.7 cms showing a beauty reading a long (love ?) letter. Her maid on the floor beside her. Bokusen was a pupil of both Utamaro and Hokusai although he had an independent style with Hokusai elements in his painting. He was not only a painter but printmaker and book illustrator with such books as: Bokusen gafu (1809), Hitoyo banashi (1810) etc. Painted c1810s.

 

Very good condition. Signed and sealed Bokusen. See my Blog on this update.

 

Status: Sold

 




 Click here to view image full size.




 Click here to view image full size.




here to view image full size.




 Click here to view image full size.

Tags: , ,

 

Matsui KEICHU (Active 1785-1819)




Click here to view image full size.

A wonderful original painting, full colour on silk, image size 35 x 12.75 in; 89 x 32.5 cms. Shows three of the leading actors around 1800: Segawa Kikunojo III (above); Iwai Kumesaburo I (below left); Ichikawa Hakuen I (below right). The first two onnagata dressed in female attire. Kikunojo is the subject of the famous bust portrait by Sharaku showing him as Oshizu, the wife of Tanabe Bunzo. Hakuen (Ichikawa Danjuro V) was one of the most famous and popular actors of his time. He is having tea served to him from a teapot by Kumesaburo watched by Kikunojo. Keichu, a Nagasaki painter, is known for his famous painting of a tiger cleaning its paw in the Minneapolis Institute of Art. A highly accomplished painting in very good condition. Sealed Matsui Keichu.
Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Katsushika TAITO II (Active c. 1810-1853)



Click here to view image full size.

An original fan painting, sumi and light colour on prepared paper, 7.5 x 21.5 in; 19 x 54.5 cms. Shows a badger disguised as a priest. This is the same story as is illustrated in Yoshitoshi’s Shingata sanjurokkaisen, “Thirty-six Supernatural Beings in New Forms” showing the badger at Morinji Temple that could turn itself into a teakettle. Taito II was given the go of Taito by Hokusai, whose pupil he was, in 1820. The fan has the original rib marks and has minor wear, but is in generally good condition. The paper treated with mica. Signed Taito hitsu with Hyaku seal.

 

Status: Sold

 

Tags: , ,

 

Tsukioka YOSHITOSHI (1839-1892)




Click here to view image full size.

A fine and large original painting, sumi and light colour on silk. Image size 45.5 x 20.25 in; 115.5 x 51.5 cms. Shows Kato Toranosuke (1562-1611) and Yamaji Shogen (1546-1583) locked in combat having fallen over a cliff into a river. A full moon above. Toranosuke (Kiyomasa), a bodyguard of Toyotomi Hideyoshi, was one of the “Seven Spears of Shizugatake,” Shizugatake no shichi-hon-yan. His adversary is Yamaji Shogen of Katsuie Shibata’s army. (In fact, he defected to Katsuie from Hideyoshi during the battle and was killed there – presumably by Toranosuke .) The battle of Shizugatake was in 1583.

 

 

Signed Ikkaisai Yoshitoshi hitsu. Signature of c. mid 1860s. Recently remounted and in fine condition. The detail on the armour and accoutrements is exceptional.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Ishikawa TOYONOBU (1711-1785)




Click here to view image full size.

A very fine original painting, sumi and colour on paper with extensive laquer and a large emossed gold floral pattern on the bijin’s kimono; other areas in gold. Image size 35.25 x 17.75 in; 89.5 x 45 cms. Shows an elegant beauty holding up an haori to slip it over the shoulders of a seated nobleman. There is a great feeling of tenderness between the couple in this beautiful painting. In fact Toyonobu produced a print of this exact subject but showing the actors Nakamura Kiyosaburo I as Okiku and Ichimura Kamezo I as Kosuke, a pair of lovers, who were in the play Fujito nikki in 7/1751. Toyonobu must have liked the design and produced this painting but of just the protagonists. See this link in google
for the published print.

Toyonobu was a pupil of Nishimura Shigenaga and his style is also indebted to Okumura Masanobu. Produced some of the most exquisite kakemono-e, hashira-e and large obans of this period which, when they come onto the market, fetch considerable sums of money. (See, for example, Christies auction, N.Y., 18/9/2002, lot 6, ex Vever collection.) For a fine collection of his work, see The Clarence Buckingham Collection of Japanese Prints. The Primitives, 1955, A.I.C., pp. 199 – 229, nos. 1 – 58. Signed Ishikawa Shuha Toyonobu zu with seals Ishikawa uji and Toyonobu. Illustrated in colour in the exhibition catalogue of the Fuchu Art Museum, Artists of the Three Capitals-Learning About Edo Through Kyoto and Osaka, Kaneko, Nobuhisa, Oto, Yumiko, 2012, No. 67, p. 92. The cataloguing gives the play as Hiyoku no kagamon but this is most likely a dance that served as the finale. Hiyoku can mean “wings abreast” and hiyoku no tori, the “hiyoku birds” were a mythical couple who shared a single pair of wings, i.e. two lovers. In fine condition, especially given the age. Painted c. 1751.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Utagawa KUNITSUGU (1800-1861)




Click here to view image full size.

An original painting, sumi and colour on silk with extensive splashed and applied gofun. Image size 29.25 x 13.25 in; 74.25 x 33.75 cms. A rare pupil of Toyokuni. Another fine painting by him is in the Minneapolis Institute of Art showing Lady Tokiwa fleeing with her children in the snow. Gift of the Clark Center for Japanese Art and Culture, 2013.29.170. Shows an eloping (?) couple standing in heavy snow shielded by his umbrella. Signed Kunitsugu fude. Seal unread. Very good condition.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

An original painting, sumi and light colour on paper, image size 13.5 x 20 in; 34.3 x 50.8 cms. Shows the Shiraito no Taki waterfall at Hakone. The water, originating from Mount Fuji, flows over the edge of a 20 meter high cliff in thin white streams reminiscent of silk threads (hence the name Shiraito). Sold with the lid of a previous box which has a guarantee by Kazuo Inoue (a well known expert on Ukiyo-e [1889-1946] dated 1943 which gives the painting as having been done 1845-1848). In very good condition. Signed Hiroshige with Ichiryusai seal.

 

Status: Sold

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Kawanabe KYOSAI (1831-1889)




Click here to view image full size.

An original painting, sumi on paper, image size 36.75 x 12 in; 93.3 x 31.7 cms. A draughtsman of great dexterity with a wild, often bizzare, imagination. Loved sake, sometimes painting under its influence. At an early stage studied under Kuniyoshi, then Maemura Towa and later Kao Chinshin before becoming an independent painter at 27. Adept at highly finished paintings but also produced a large corpus of spontaneous paintings. Shows a crow perched on a branch with a singing sparrow below. This was the subject he was most famous for and there were many copies.

 

In very good condition, remounted and with futomaki. Signed Joku Kyosai zu with seal Bankoku tobu, “Flying in, or to, many lands.”

 

Status: Sold

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Nishiyama KAN’EI (1834-1897)




Click here to view image full size.

A gajo (album) of 21 original paintings by Nishiyama Kan’ei, the son and pupil of Nishiyama Hoen. They both worked in Osaka and Kan’ei carried on the Shijo school tradition. Relatively few paintings and drawings by Kan’ei survive but based on these and his fine Kan’ei gafu, published in 1886, it is evident he was an accomplished artist. The postscript to the album is an authentication by Takebe Hakuoh (1871-1927) stating that they are original works by the master. He studied under Kan’ei. Comes with the original box. The album and box in excellent condition. Sumi and light colour on paper mounted on gold-flecked boards. All paintings sealed Kan’ei.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

Katsukawa SHUNSHO (1726?-1792)




Click here to view image full size.

An original painting, sumi and full colour on silk, 32.25 x 10 in; 82 x 25.5 cms. An important print artist and his paintings being considered one of the glories of Ukiyo-e. Produced a considerable number of hosoban actor prints from the late 1760s on as well as collaborating on the Ehon butai ogi illustrated book with Buncho in 1770 and Seiro bijin awase sugata kagami with Kitao Shigemasa in 1776. He had many pupils including Shunko, Shun’ei and Hokusai. Shows a court beauty reclining and reading a book. The painting of the face, hair and the lacquer stand holding the cloth screen are exceptional. Painted c. 1789. In very good condition.

 

 

Signed Katsu Shunsho ga with seal Jui.

 

 

Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Utagawa HIROSHIGE (1797-1858)




Click here to view image full size.

An original painting, sumi and light colour on silk, 13.5 x 20.5 in; 34.5 x 52 cms. Shows the renowned Husband and Wife rocks, Meoto Iwa, “Married Couple Stones,” off Futami, Mie, Japan. At this time – c. late 1840s – many thin ropes were used to tie the couple together. They are now joined by a single large shimenawa – a rope of rice straw. The larger (male) rock called Izanagi has a small torii at the top. The smaller (female) rock is called Izanami. They are sacred to the Shinto religion and worshippers flock to the neighbouring Futami Okitama Shrine, which is dedicated to the food goddess Miketsu. The ancient Shinto custom of worshipping stones is called Iwakura. A fine Hiroshige painting.

 

 

Signed Hiroshige ga with large Ichiryusai seal. In good condition with interesting old mount.

 

 

Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Ichiryusai HIROSHIGE (1797-1858)




Click here to view image full size.

A charming small painting in shijo style obviously from a gajo of such sketches. Shows a flowering plum branch loosely tied to another branch. Sumi and light colour on paper, 5.5 x 8 in; 14 x 20.25 cms. Signed Hiroshige ga with Ichiryusai seal. Slight centre fold (of course) otherwise good condition. Old mount with bamboo ends.

 

 

Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Santo KYODEN (Kitao MASANOBU) (1761-1816)




Click here to view image full size.

An original painting, full colour on paper, image size 47 x 15.5 in; 119.5 x 39.5 cms. A pupil of Kitao Shigemasa, he was one of the leading authors and illustrators of kibyoshi, ehon and kyoka anthologies. Also produced prints of beauties including the fine set of double-oban prints of courtesans in 1783-4: Yoshiwara keisei shin bijin awase jihitsu kagami. A controversial figure who ran foul of the authorities in 1789; he subsequently ceased using the name Kitao Masanobu and thereafter his paintings are always spontaneous in an abbreviated style, often quite slight and signed Kyoden. The example offered here showing a parading courtesan with her lantern behind her is more finished than most. The calligraphy above by Kyoden. In very good condition with box guaranteed by Tosuke Kimura.

 

 

Signed Kyoden gasan, “Painted and inscribed by Kyoden.” Seals Santo Kyoden, Seishu koji and another.

 

 

Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , , ,

 

Utgawa HIROSHIGE (1797-1858)




Click here to view image full size.

An original drawing, being a preparatory sketch for a painting, sumi and red under-drawing on paper, mounted as a kakemono. Image size 10.5 x 13 in; 26.5 x 33 cms. An unusual view of the Husband and Wife rocks, Meoto Iwa, “Married Couple Stones,” off Futami, Mie, Japan. They are sacred to the Shinto religion and worshippers flock to the neighbouring Futami Okitama Shrine, which is dedicated to the food goddess Miketsu. In this drawing the emphasis is on the worshippers and travellers seen here in the centre and right.

 

 

In very good condition. A spurious signature and seal bottom right. There are others drawings with the same signature and seal on otherwise perfectly genuine works.

 

 

Status: Sold

 

 




Click here to view image full size.

Tags: , ,

 

Hosoda EISHI (1756-1829)




Click here to view image full size.

An original painting, full colour on silk, 32.5 x 10 in; 82.5 x 25.5 cms. Shows a promenading courtesan under a full moon – presumably on the way to an assignation. She wears a vivid red over-garment decorated with iris and the under-garment has heavy mica applied. Eishi was of unusually high rank for an Ukiyo-e artist and is noted for his refined beauties – both painted and in woodblock form. They often have ink-wash backgrounds in the Edo-Kano technique learned as a pupil of Kano Eisen’in Michinobu (1730-90). His corpus is extensive and there are also many copies of his work. He had around thirty pupils including Eisho, Eiri and Eisui. Minor flaking of mica but in otherwise good condition. Signed Chobunsai Eishi hitsu with Eishi seal.
Status: Sold

 

 




Click here to view image full size.




Click here to view image full size.

Tags: , ,

 

KAIGETSUDO School




Click here to view image full size.

An original painting, full colour on paper, 39.75 x 15.25 in; 101 x 38.75 cms. Shows a beauty erotically biting a cloth. The kimono is decorated with a strong motif of flowering plants. The school was founded by Kaigetsudo Ando (1671-1743). He had a tight-knit atelier of artists who followed his style of large single standing beauties with bold drapery and small faces. There are many copies of the leading Kaigetsudo artists and it’s refreshing to have an unquestionably authentic painting of the period, c early 1710s. Minor imperfections but all in line with the age of the painting, otherwise good condition.
Status: Sold

 

 




Click here to view image full size.

Tags: , ,