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The centre sheet of a hosoban triptych possibly showing Danjuro VI as Ashikaga Takauji or Prince Takahiro. Ex collection Walter von Scheven, 1878 – 1950, and purchased by him at Altkunst, Berlin in 1929. A fine design.

Fine impression and colour. Very small repaired binding holes, otherwise fine condition. Unsigned.

Status: Sold

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The actor Ichikawa Yaozo III as Umeomaru, the loyal retainer of Kan Shojo in the Kuruma biki, “Pulling the Carriage Apart,” scene from the play Sugawara denju tenarai kagami, “ Sugawara’s Secrets of Calligraphy” performed at the Miyako Theatre 7/1796. This is one of the most celebrated scenes in Kabuki, showing the stand-off between the brothers Umeomaru and Sakuramaru and Matsuomaru and Shihei. Of the utmost rarity. Toyokuni also designed prints of Matsuomaru and Shihei ( see this website ) and a triptych of the scene from the same play. One of ukiyoe’s great portraits. Umeomaru ( ume, “plum” ) is shown with the red sugi guma makeup of the impetuous hero, and plum blossom on his costume. Published by Yamaguchiya Tadasuke, 1796.

Fine impression. Mica-ground. Probably trimmed at top or bottom but I cannot, at the moment, locate another impression to compare. Some fading and other minor marks; small edge restoration. The role annotated top left in sumi ( as are other famous designs – possibly by the same collector ). As I cannot locate another impression and it’s unlikely there are more than a few, at best, impressions extant, a certain compromise on condition is necessary. Signed Toyokuni ga.

Status: Sold

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The actor Kataoka Nizaemon VII as the evil Minister of the Left Fujiwara Shihei in the Kuruma biki, “Pulling the Carriage Apart,” scene from the play Sugawara denju tenarai kagami, “ Sugawara’s Secrets of Calligraphy” performed at the Miyako Theatre 7/1796. This is one of the most celebrated scenes in Kabuki, showing the stand-off between the brothers Umeomaru and Sakuramaru and Matsuomaru and Shihei. Of the utmost rarity: Another impression illustrated in Ukiyoe Taikei, vol. 9, no. 19 and also used for the cover of the book and slip-case. Toyokuni also designed mica-ground prints of Matsuomaru and Umeomaru ( see this website ) and a triptych of the scene from the same play – all excessively rare. One of ukiyoe’s great portraits. Published by Yamaguchiya Tadasuke, 1796.

Very good impression. The eyes with brass powder applied. Trimmed heavily top and bottom and very slightly at side. Some fading, soil and other minor marks. The role annotated in sumi top left. Other famous designs are known with these inscriptions ( by the same hand ? ). However, given the rarity and that, at best, there can only be a few impressions extant, a certain compromise is necessary. Signed Toyokuni ga.

Status: Sold