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Toyohara KUNICHIKA (1835-1900)
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A vertical diptych showing the actor Onoe Kikugoro V in the role of Komamonoya Saijiro, “Saijiro of the haberdashery store,” fighting a giant serpent in the play Inaba Kozo ame no yobanashi performed at the Nakamura-za theatre in 11/1887. Published by Fukuda Kumajiro, 1887. Evidently the actor was swallowed whole during this scene ! An extremely rare print.
Fine impression and colour. Extensive mica on the serpent’s head and body. Fine condition with the publication details intact on the left margin. Ample room for joining the two sheets. Signed Oju Toyohara Kunichika hitsu.
Status: Sold
Utagawa TOYOKUNI (1769-1825)
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Shows Ichikawa Danzo IV as Shundo Jiroemon disguised as a beggar and Morita Kan’ya VIII as Takaichi Buemon in the Daianji Zutsumi scene from the play Katakiuchi tsuzure no nishiki, “The Vendetta in Patched-Brocade.” A fine grey-ground print published by Eijudo, 1798. Ichikawa Danzo IV had one of the great Kabuki faces. See the 1799 Toyokuni bust of Danzo as Keyamura Rokusuke in the drama Hikosan Gongen Chikai no Sukedachi.
Fine impression. Very good colour and condition. Signed Toyokuni ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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In heavy rain before a giant waterwheel are two actors: On the right Ichimura Uzaemon XIII as the commoner Doroku confronting Ichikawa Kuzo III as Sanpei from the play Sarayashiki kesho no sugatami, “The Mansion of Plates and the Cursed Makeup Mirror.” Published by Kagiya Shobei, 1863.
Very good impression and colour. Backed, otherwise very good condition. Signed Kunichika ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900); Utagawa KUNISADA (1786-1864); Utagawa KUNISADA II (1823-1880)
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A concertina orihon consisting of 52 prints by the above artists. Various date seals to the early 1860s, the latest being 1865, which is presumably when the album was assembled. Includes the excellent Kunichika 5-sheet: Toto Fuji yuki no hada-ai. Fine impressions and colour. Some edge creasing and partial separation, otherwise very good condition. Untrimmed. The prints lightly adhered along the left edge only. Albums of prints were produced in great numbers and their contents vary: Some are of complete sets, while others cover a specific subject such as wrestler prints or are collections of a specific artist; but many are anything but homogeneous, even having incomplete diptychs, triptychs, etc and are not necessarily contemporaneous.
Status: Sold
Toyohara KUNICHIKA (1835-1900); Utagawa KUNISADA (1786-1864); Utagawa KUNISADA II (1823-1880); Kawanabe KYOSAI (1831-1889)
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A concertina orihon consisting of 64 prints by the above artists. Various date seals to the early 1860s, the latest being 1865, which is presumably when the album was assembled. (Although the album is dated 1864.) Includes the excellent Kunichika 7-sheet tattooed firemen set: Sakari Edo no hanagata. Fine impressions and colour. Minor creasing and partial separation, otherwise very good condition. Untrimmed. The prints lightly adhered along the left edge only. Albums of prints were produced in great numbers and their contents vary: Some are of complete sets, while others cover a specific subject such as wrestler prints or are collections of a specific artist; but many are anything but homogeneous, even having incomplete diptychs, triptychs, etc and are not necessarily contemporaneous.
Status: Sold
Anonymous (c 1770s)
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An uki-e, “perspective print” of a Kabuki theatre: Shinpan uki-e san shibai Kabuki kyogen no zu, “ Newly Published Uki-e Picture of Kabuki Plays from the Three Theatres.” The three theatres were: Nakamura-za, Ichimura-za, Morita-za. The actors have difficult to discern mon but appear to be: Nakamura Denkuro II, Ogawa Zengoro II, Arashi Sangoro II, Segawa Kikujiro III. Published by Iwatoya Genpachi who worked c 1758-82 and published uki-e prints by Utagawa Toyoharu, c 1770s. Toyoharu designed prints, probably based on European engravings which were viewed in stereoscopes. But he was not the first to use Western one-point perspective: Okumura Masanobu produced interiors using the method although Toyoharu introduced exteriors.
Very good impression, colour and condition. Unsigned.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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The actor Ichikawa Sadanji as the monk Raigo Ajari at the Mii-dera temple from Kijutsu junishi no uchi, “Magic in the Twelve Signs of the Zodiac.” This design representing Rat. Raigo transforms into a giant rat because of a grudge against the Emperor Shirakawa and ate the sacred manuscripts in the Enryaku -ji temple. Published by Ueki Rinnosuke, 1877. A fine and little-known set.
Very good impression, colour and condition. Signed Toyohara Kunichika fude.
Status: Sold
Utagawa YOSHITSUYA (1822-1866)
A set of 8 prints showing actors as firefighters: Edo no hana yoru no nigiwai, “Flowers of Edo, Excitement at Night.” It’s generally catalogued as having 8 designs, however the MFA Boston has a design not shown here: acc. no. 11.37798, so it seems there are 9 or 10 in complete set. It looks like there was originally a triptych published with the title showing the actors Ichikawa Kodanji IV (left), Kawarazaki Gonjuro I (centre), Nakamura Shikan IV (right) and then extra sheets were added which can be assembled as desired. Each sheet with hand-splashed gofun (oxidised) in the sky to resemble flying embers or sparks from the fires. Firemen were notorious for their rowdy behaviour and rivalrous nature leading to open hostility with other groups such as sumo wrestlers. Fires were a constant threat due to the building materials used, and firefighters were not above starting fires themselves in order to be the first on the scene (especially if they were in the construction business). Published by Ebiya Rinnosuke, 1860. Exceptional printing and designs on the thick, quilted cotton-soaked firefighters’ jackets (hikeshi-banten).
Fine impressions and colour. Minor marks, otherwise fine condition. Signed Icheisai Yoshitsuya ga on each sheet.
Status: Sold
Utagawa KUNISADA (1786-1865)
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A dai-oban print showing the actor Kawarazaki Gonjuro I (Ichikawa Danjuro IX) in the role of Hanakawado no Sukeroku, an otokodate (chivalrous commoner) in the play Sukeroku yukari no Edo zakura, “Sukeroku, the Flower of Edo.” This play was performed at the Ichimura Theatre, Edo in 3/1862 and this print was published by Ebisuya Shoshichi the previous month to advertise the play. The storyline is based after the exploits of Soga no Goro and was one of the Kabuki juhachiban compiled by Ichikawa Danjuro VII for the family repertoire.
Fine impression with burnishing on the costume. Fine colour. Light album backing, otherwise fine condition. Untrimmed. Signed Ki-o Toyokuni ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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A dai-oban print showing the actor Ichikawa Danjuro IX as Minister Kibi in the play Kibi Daijin Shina monogatari, “Minister Kibi, Tale of China.” The play centres on the historical minister Kibi no Makibi who joined a mission to the Tang Court in China in 716. He is supposed to have brought back to Japan the game of go, embroidery, and the secrets of the Chinese almanac. Published by Gusokuya Kahai, 1875.
Fine impression with gauffrage and extensive burnishing to Kibi’s black garment. Fine colour. Light album backing, otherwise fine condition, untrimmed. Signed Oju Toyohara Kunichika hitsu.
Status: Sold
Torii KIYOMASU II (Fl. c 1720s-1760)
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An outstanding primitive showing the actor Ichikawa Danjuro II as Soga no Goro in a scene from Yanone, “The Arrow Sharpener.” One of the most popular of the Soga Brothers vendetta plays that was later designated one of the Eight Great Kabuki Plays. The role first performed as part of Suehiro eho Soga, “A Fan of the Auspicious Direction for the Soga Brothers” at the Nakamura Theatre, Edo, 1/1729. The forerunner for all the subsequent versions of this scene. This performance was supposed to have been inspired by the New Year’s arrow sharpening ceremony conducted by the official arrow sharpener of the Tokugawa Shogunate in the early Edo period. Shows Danjuro grinding a huge double-headed arrow on a large whetstone. Published by Emiya Kichiemon. Extremely rare: Possibly unrecorded. Ex collection Dr E.F. (1976).
Fine impression. Urushi beni-e with hand-applied colour: tan, blue, yellow, light and dark beni and gold powder. Minor small wormhole, otherwise in exceptional condition for a print of this period. Signed Torii Kiyomasu fude.
Status: Sold
Attrib. to Torii KIYONOBU II (Fl. c 1720s-1760)
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A fine primitive showing the actors Ogino Isaburo (above) and the onnagata actor Tsugawa Kamon below. Published c late 1720s by Emiya Kichiemon. Ex collection Dr E.F. (1970). Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, blue, yellow, light and dark beni, lacquered sumi over an embossed pattern and gold powder. Minor imperfections, but otherwise in exceptional condition for a print of this period.
Status: Sold
Torii KIYOMASU II (Fl. c 1720s-1760)
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An early print showing the onnagata actor Kirinami Onoe (above) and Ichikawa Danjuro II, possibly in the play Yatsumune Taiheiki performed at the Nakamuraza Theatre, 11/1727. If it is this performance, then it’s the first time a trap-door was used. Published by Omiya Kuhei. Ex collection Dr E.F. (1966). Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, lilac, yellow, light and dark beni, lacquered sumi over an embossed pattern and gold powder. Album backing and slight toning, otherwise very good condition. Signed Kiyomasu hitsu.
Status: Sold
Torii KIYOMASU II (Fl. c 1720s-1760)
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An early print showing the actor Sanogawa Ichimatsu. He gained early recognition as a child actor. Published by Urokogata-ya hammoto, c mid 1730s. Ex collection Dr E.F. Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, blue, yellow, orange, light and dark beni and lacquered sumi over an embossed pattern. Album backing and light soil, otherwise good condition. Signed Eishi Torii Kiyomasu hitsu.
Status: Sold
Torii KIYONOBU II (Fl. c 1720s-1760)
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An early print showing the actor Segawa Kikunojo as Oiso no Tora looking down at Kameya Jujiro as Soga no Juro Sukenari who is leaning on a shogi board (Japanese chess). The play Hatsu hikage maizuru Soga was performed at the Nakamura-za Theatre, 1/1737. Published by Nakajima Izaemon. Ex collection Dr E.F. (1978). Rare.
Fine impression. Urushi beni-e with hand-applied colour: tan, yellow, light beni, gold powder and lacquered sumi over an embossed pattern. Toned with some fading of colour. Signs of mounting au verso. Signed Torii Kiyonobu hitsu.
Status: Sold
Torii KIYONOBU II (Fl. c 1720s-1760)
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An early print showing the actor Sawamura Harugoro as Soga no Goro. Another impression is in MFA, Boston, acc. no. 21.5656. Published by Hiranoya Kohachi c early 1740s. Ex collection Dr E.F. (1969). Rare.
Very good impression. Urushi beni-e with signs of hand-colouring (faded) and lacquered sumi. Paper toned and signs of mounting au verso. Signed Torii Kiyonobu hitsu.
Status: Sold
Adachi GINKO (Fl. 1874-1897)
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The actor Onoe Kikugoro V in the role of the evil Asao no Tsubone in a story by Murai Teikichi from a set Kodan isseki; yomikiri tsuika, “Storytelling Complete in One; More Stories.” Published by Gusokuya Kahei, 1874. Shows Tsubone encircled by snakes who force her to reveal her true identity – the Fox Spirit. Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. (The open Kodan text is shown top right.) Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and vigilantes.
Very good impression and colour. Minimal trimming, otherwise very good condition. Signed Oju Ginko hitsu.
Status: Sold
Okumura TOSHINOBU (Active c 1717-1750)
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An hosoban showing a young actor in the role of a peddler of Chinese medicine, an Uiro, in a scene called Uiro-uri. This role is associated with the Danjuro line and Danjuro II did perform it more than once. Published c 1720 by Emiya. Rare.
Good impression. Coloured by hand: mustard yellow, yellow, gold powder and heavy sumi over an embossed pattern. Possibly some fading, otherwise very good condition. Signed Yamato gwako Okumura Toshinobu hitsu.
Status: Sold
Katsukawa SHUNKO (1743-1812)
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An hosoban showing the actors Ichikawa Danzo IV as Doi no Yataro (above) and Ichikawa Raizo II as Kojiro Masahira (below) in the play Kaomise Ama no Iwato, performed at the Nakamura-za theatre 11/1774. A fine design.
Fine impression, colour and condition. Signed Shunko ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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A vertical triptych showing the actor Ichikawa Udanji I as the ghost of Sogo’s wife (Sogo tsuma no rei) carrying off Nakamura Kangoro XII as Yamazumi Goheita in the play Sakura Sogo den performed at the Haruki-za Theatre, 3/1893. Published by Fukuda Kumajiro.
Fine impression and colour. Slight toning and creasing, otherwise very good condition. Signed Osetsu Toyohara Kunichika hitsu.
Status: Sold
Ippitsusai BUNCHO (Active c 1755-1790)
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Little is known of Buncho’s life. With Shunsho, he was the pre-eminent designer of actor hosoban producing them during the short period of 1766-1773. He also collaborated with Shunsho on the fine 3 vol. Ehon butai ogi in 1770. Shows the actor Nakamura Matsue I in an onnagata role holding a child beside a large bell. This is possibly Matsue playing Sakuragi, the wife of Munesada, in the play Kuni no Hana Ono no Itsumoji performed at the Nakamura-za Theatre in 11/1771. Provenance: Ex collection Ernest Le Veel. Sold lot 13, 3rd sale, Ader Picard Tajan, 5/11/1981. Seal au verso. Rare: Not listed in Exhibition Of Ukiyo-e By Ippitsusai Buncho, Riccar Art Museum, 1978.
Fine impression. Very good colour. Fine condition. Signed Ippitsusai Buncho ga with Mori uji seal.
Status: Sold
Katsukawa SHUN’EI (1762-1819)
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The actor Segawa Kikunojo III in an unidentified onnagata role adjusting her hair in a mirror. Shun’ei was a gifted pupil of Katsukawa Shunsho. Designed many hosobans but also some fine bust portraits and was possibly the originator of this type of print. Published by Emiya Kichiemon c early 1790s. (This publisher is said to have been the first to exploit the kento mark for keying blocks.) Another impression is in the MFA Boston, 21.5998.
Fine impression and colour. Slight toning, otherwise very good condition. Signed Shun’ei ga.
Status: Sold
Katsukawa SHUNSHO (1726-1792)
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The actor Otani Hiroemon III in an unidentified role leaning forward with a sword in his mouth. Shunsho was a prolific designer of actor prints as well as views of the green room, wrestlers and bijin. He also collaborated with Kitao Shigemasa on the fine Seiro bijin awase sugata kagami of 1776. Published c 1770. Another (partially faded) impression is in the MFA Boston, 21.4148. A fine design.
Very good impression, colour and condition. Signed Shunsho ga with Hayashi/tsubo seal.
Status: Sold
Utagawa KUNISADA (1786-1864)
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An okubi-e showing the actor Arashi Hinasuke I as Fujiwara no Shihei. This was the Minister of the Left, the antagonist, in Sugawara denju tenarai kagami, “Sugawara’s Secrets of Calligraphy.” The set of “surimono-style” prints were published by Ebisuya Shoshichi between 1860 and 1869, the last 12 being by Yoshitora, and only 60 being completed by Kunisada before he died. The set is technically of the highest order and a fitting tribute to his life.
Fine impression with extensive burnishing. Very good colour and condition. Signed Nanajuhassai Toyokuni ga, “At the age of seventy-eight.”
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych showing from left to right the actors: Seki Sanjuro III as Nippon Daemon (above) and Ichimura Uzaemon XIII as Benten Kozo Kikunosuke. Centre: Nakamura Shikan IV as Nango Rikimaru. Right: Iwai Kumesaburo III as Akaboshi Juzaburo (above) and Kawarasaki Gonjuro I as Tadanobu Rihei. The group of five dandy-thieves in Aoto zoshi hana no nishiki-e or Shiranami gonin otoko. A famous play written by Kawatake Mokuami, this being the first performance at the Ichimura-za Theatre in 3/1862. Published 3/1862 by Seibundo (Gifuya Seishichi). An extremely rare and early work: Not listed in Keyes.
Fine impression and colour. Slightly trimmed around, otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Strange Wind from a set of actor prints Seiu kandankei, “A Barometer of Emotions.” A fine set published by Okura Magobei 1876-7. Shows Onoe Kikugoro V as the ghost of the cormorant fisherman Kansaku. He had poached fish from the sacred waters of the Isawa River and was caught and executed. His restless spirit caused Nichiren to pray for him and pacify the ghost. It was the subject of a famous play: Nichiren shonin minori no umi. Kikugoro was a personal friend of Yoshitoshi. One of Yoshitoshi’s best actor prints.
Fine impression, colour and condition. Signed (in kana) Oju Yoshitoshi hitsu.
Status: Sold
Torii KIYOMITSU (1735-1785)
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An hosoban showing two adversaries, the lower figure fighting off his opponent while seated on a fish trap in a stream. The upper figure is the actor Nakamura Sukegoro I as Kenkaya Goroemon and the lower is the actor Nakamura Utayemon I as Nonhyoko Kyubei. Published by Matsumura Yahei, c early 1760s.
Good impression. Some slight browning and fading commensurate with the age of the print. Signed Torii Kiyomitsu ga.
Status: Sold
Toyohara KUNICHIKA (1835-1900)
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The actor Otani Tomoemon V as Danshichi Kurobei, a fishmonger and an Osaka otokodate, in the drama Natsu matsuri Naniwa kagami, “Summer Festival: Mirror of Osaka.” From an untitled set of large-head actor portraits published by Gusokuya Kahei, 1869. Based on actual events, the scene depicted here is from Act VII of the play where the heavily tattooed Danshichi has murdered his wife’s father, the untrustworthy Mikawaya Giheiji, and is pouring water from a bucket over himself to wash off the mud from the murder scene. Probably the best design from the set.
Fine impression and colour. Very good condition. Signed Kunichika hitsu.
Status: Sold
Utagawa KUNISADA (1786-1864)
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The actor Matsumoto Koshiro VI as the otokodate (a roguish yet honourable character) Daikokuya Soroku from a set Rien kyokaku-den, “The Story of a Chivalrous Man of the Theatrical World.” The set published by Hiranoya Shinzo (Hirashin) 1864. Soroku is the owner of a house of assignation called Daikokuya in the Shin-Yoshiwara. This is from the de-luxe edition employing only the finest pigments, block-cutting and printing. (The block-cutter was Ota Komakichi – highly regarded.) There are later editions without the embellishments. Some other late Kunisada sets have the same enrichments, such as the so-called Famous Actors Past and Present set.
Extremely fine impression on thick hosho with burnishing and kimetsubushi (or mokume-zuri) on the wooden box he is carrying. Extremely fine colour. Slight trimming, otherwise fine condition. Signed nanajukyu sai Toyokuni hitsu, “Drawn by the 78 year old Toyokuni.”
Status: Sold
Katsukawa SHUN’EI
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An hosoban showing Iwai Hanshiro IV in a “Shibaraku” role, probably as Akita Jonosuke Yoshikage from the play Mieiko nori no hachi no ki performed at the Kawarazaki Theatre in the 11th month, 1791. The highly stylised and dramatic Shibaraku costume gave rise to some of the best ukiyo-e designs. Originally staged by Ichikawa Danjuro I in 1697, it quickly gained popularity and was included in the kaomise celebrations at Edo theatres. Published by Harimaya Shinshichi. Ex Beres collection, sold Paris 2002, lot 39.
Fine impression, very good colour and condition. Beres seal au verso. Signed Shun’ei ga.
Status: Sold