Utagawa KUNIYOSHI (1797-1861)




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A bust portrait of the sumo wrestler Nuregami Chogoro holding a pipe from the series Kuniyoshi moyo shofuda tsuketari genkin otoko, “ Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” The title derived from a contemporary kabuki play Shofuda tsuki kongen kusazuri. Poem above by Rosho. Robinson S40.5. Published by Ibaya Kyubei, 1845.


Fine impression and colour. Slight trimming and retains original album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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Sasaki Ganryu standing, in profile, with clenched fist, from Honcho kendo ryaku den, “Abridged Stories of Our Country’s Swordsmanship.” The set published by Kadzusaya Iwazo in c 1845-6.

 

Extremely fine impression, colour and condition. Solid yellow ground. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1798 – 1861)




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Tadatsune killing the monstrous wild boar watched by Yoritomo and his entourage. Published c 1842-3. Robinson T99.


Fine impression and colour. Minor trimming, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.



Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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India from Sangoku yoko zue, “The Magic Fox of the Three Countries [China, India, Japan].” A set with strong western elements. Here showing Kwayo-fujin (the fox) having shot a St. Sebastian-like figure in the eye watched by King Hansoku. Both attired in exotic and archaic western garments and head pieces. Also western influences in the sky, trees and architecture. The set published by Iseya Chusuke and Echizenya Hachiyemon, c 1849-50. Unidentified collector’s seal bottom left. Rare.

 

Fine impression with strong woodgrain. Very good colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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The warrior Hakumenrokun Teitenju in full armour levering a mass of rock with an iron bar. A design from the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kagaya Kichiyemon, 1827-30. Robinson S2.20. There is another version of this design with yellow rocks and the sky a solid blue.

 

Fine impression, colour and condition. Full size (unusual as these prints are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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The warrior Chusenko Teitokuson driving his sword into a huge snake. A design from the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kagaya Kichiyemon, 1827-30. Robinson S2.13. One of the best designs from this impressive set.

 

Fine impression, colour and condition. Full size (unusual as these prints are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1798-1861)




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An early design without series title showing Nikki Gennosuke in pouring rain fending off wild wolves while suddenly observing the apparition of a dead man behind him. Published by Tsuta-ya Kichizo, c 1840. Robinson S1e.2. A fine and rare design.


Very good impression and colour. Slight trimming, otherwise very good condition. Signed Ch-o-ro Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1798-1861)




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An uncut fan print, Funa Benkei, “Benkei in a Boat.” Shows Yoshitsune’s boat fleeing from Kyoto and his brother Minamoto no Yorimoto. The boat encounters the ghosts of the slain Heike clan who rise from the waves. However, Benkei, by praying to the gods, is able to avert disaster and calm the storm. Benkei is seen with his rosary at the prow of the boat. Of the utmost rarity. Seemingly only two other impressions known: One illustrated in Kuniyoshi, Nikkei Inc, 2011, no. 47 and the other in Kuniyoshi, Juzo Suzuki, Heibonsha Ltd, no. 102. (The V. & A. copy.) These impressions also illustrated elsewhere. Published c. 1840.

 

Fine impression and colour. Restored binding holes at left edge and minimal soil at corners. Probably the best example extant. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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An extremely rare diptych, Shoki-san jaki ni sokko, “Shoki-San, Quick-Acting Medicine to Remove Evil Spirits.” Images of Shoki were used to ward off evil spirits and illness, especially during the Boys’ Festival. Published 1858 by Enshuya Hikobei.

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi fude with Yutaka seal.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1798 – 1861)




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Nitta Tadatsune encountering the goddess of Mount Fuji and her dragon in a cavern with numerous stalactites and a fast flowing river and waterfall. Published by Tsuji-ya Yasubei c 1844. Robinson T143.


Very fine impression. Fine colour and condition. Signed Ichiyusai Kuniyoshi ga.



Status: Sold

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Utagawa KUNISADA (1786-1865)



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Narukami Shonin, a wicked priest, from the play Narukami. One of a set Toyokuni kigo kijutsu kurabe, “A Contest of Magic Scenes by Toyokuni.” The series published by Hiranoya Shinzo, 1862. The set is known for its deluxe printing.

 

Superb impression and colour. Fine condition. Signed Kio Toyokuni hitsu (77 year’s old).

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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The Empress Jingo Kogo, sumptuously attired, sitting on a rock with two Imperial Jewels above her. She is supposed to have invaded Korea although there is some debate about this. From a set Meiko hyaku yu den, “Stories of a Hundred Heroes of High Renown.” The series published by Idzumi-ya Ichibei, 1843-44.

 

Very fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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Choko and Cho-Un fighting on a hillside from a set Tsuzoku Sangokushi yeiyu no ichi-nin, “Heroes of the Popular History of the Three Kingdoms, One by One.” Published by Joshuya Kinzo, c. 1836.

 

Fine impression. Slight fading of red. Full size. Slight centre fold, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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Kaidomaru felling a tengu during practise with wooden swords from a set Honcho kendo ryaku den, “Abridged Stories of our Country’s Swordsmanship.” The series published by Kadzusa-ya Iwazo, c. 1845-6.

 

Very fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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An early triptych showing Shutendoji’s palace on Mount Oyeyama, Oyeyama Shotendoji shuzui no zu. Raiko (Minamoto no Yorimitsu) is charged by the Emperor Murakami with killing the evil Shutendoji who terrorizes the neighbourhood. He and his retainers infiltrate the castle and ply Shutendoji and his ogrish band with sake and dance for them. Eventually Shutendoji is so intoxicated he has to be carried to bed, whereupon Raiko and his followers attack and decapitate Shutendoji. This is the episode most depicted with the head flying through the air. Published by Daikokuya Heikichi, c. 1832. Robinson T21. Rare.

 

Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A bust portrait of Teranishi Kanshin holding a fan from the series Kuniyoshi moyo shofuda tsuketari genkin otoko, “ Men of Ready Money with True Labels Attached, Kuniyoshi Fashion.” The title derived from a contemporary kabuki play Shofuda tsuki kongen kusazuri. Poem above by Gosonoya of Ise. Robinson S40.7. Published by Ibaya Kyubei, 1845.


Fine impression and colour. Slight trimming and retains original album backing, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)



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Princess Chujo (Chujo-hime) from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.17. Abandoned by her stepmother, she is rescued by the nuns of Taima-dera, becomes a nun, and is credited with the invention of embroidery. She is shown here with a spinning wheel (forming a mandela around her head) and looking out at a landscape with a rainbow.

 

Very fine impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Cho-o-ro Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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Fujiwara no Yasumasa from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.11. A renowned poet and flautist, he escapes being attacked by the robber Hakamadare Yasusuke who is mesmerized by the music.

 

Superb impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Cho-o-ro Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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The sculptor Hidari Jingoro from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.2. Although possibly fictitious, there are nevertheless many sculptures around Japan attributed to him. So accomplished was he that his pieces often came to life, as here, where a dragon and two lions chase the pursuers of his Lord’s wife.

 

Superb impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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Shidzuka-gozen or Lady Shidzuka from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.12. She was a renowned 12th century shirabyoshi (court) dancer who achieved fame after 100 Buddhist monks and 99 other dancers failed to bring much needed rain.

 

Superb impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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Chinzei Hachiro Tametomo (aka Minamoto no Tametomo) from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.15. He was a renowned archer who was banished to Oshima in Izu and is shown here holding a huge bow made from a tree branch and looking down at a fisherwoman. A large anchor behind.

 

Superb impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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The poetess Kikaku from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon or Enshuya Matabei (this design) 1845. Robinson S35.6. Shows the Tokugawa poetess sheltering beneath an umbrella in heavy rain in a boat floating under a bridge. A fine design.

 

Superb impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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The samurai Yamamoto Kansuke from the set Chuko meiyo kijin den, “Stories of Remarkable Persons of Loyalty and High Reputation.” Published by Iseya Ichiemon (this design) or Enshuya Matabei 1845. Robinson S35.16. One of Takeda Shingen’s most trusted 24 Generals. He is shown fighting a wild boar in deep snow. A fine design.

 

Very fine impression and colour. Very slight crinkling and trimmed close, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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A complete diptych showing Inuyama Dosetsu Tadatomo with smoke curling around him and his hand on one of his swords facing Inugawa Sosuke Yoshito on one knee grasping his sword beside a wood fire from which the billowing smoke is emanating. Two of the heroes from Kyokutei Bakin’s famous book, Nanso Satomi hakkenden, “The Chronicles of the Eight Dog Heroes of the Satomi Clan of Nanso.” From a set of prints Kendo ryaku den “Abridged Stories of Our Country’s Swordsmamship.” Published by Kadzusa-ya Iwazo, c. 1845-6. The complete diptych is rare. Robinson S37.9.7.

 

 

Very fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Sold

 

 

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Utagawa KUNIYOSHI (1797-1861)



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Chinzei Hachiro Tametomo battling a large wild boar in the snowy mountains of Mashiki in the province of Higo, watched from above by Takama Harutsugu. A rare print from a rare unfinished (?) series Buyu hyaku den, “A Hundred Stories of Military Valour.” Published by Fujioka-ya Hikotaro, c. 1836.

 

Fine impression and colour. Slight fold, otherwise fine condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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The priest Mongaku Shonin doing thirty-seven days’penance under the freezing Nachi waterfall near Kyoto. He is helped by Fudo Myo-o’s two attendants Seitaki and Kongara seen here top right. This act of self-mortification is because he accidentally killed his beloved cousin Kesa. Published by Uoya Eikichi, 1860. A fine design.

 

Very good impression, colour and condition. Signed Cho-o-ro Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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The ghost of Hayano Kampei Tsuneyo lunging forward with his spear. From the set Seichu gishi den, “Biographies of Loyal and Righteous Samurai” in other words, The forty-Seven Ronin. Published by Ebiya Rinnosuke, c 1847-8. Robinson S53.47.

 

Very good impression, colour and condition. This design is beautifully printed, the blue and sumi graded off to indicate the ghostly status of Tsuneyo. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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Soshiko Raio (Chinese: Lei Heng) gripping the throat of Lady Hakushuyei and about to strike her. A design from the fine set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi’Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kagaya Kichiyemon, 1827-30. Robinson S2.67.

 

Fine impression and colour. Full size (unusual as these prints are overlarge obans and usually trimmed down to the common denominator in albums). Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)



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The priest Mongaku Shonin doing thirty-seven days penance under the freezing Nachi waterfall near Kyoto. He is helped by Fudo Myo-o’s two attendants Seitaka and Kongara seen here top right. This act of self-mortification is because he accidentally killed his beloved cousin Kesa. Published by Uoya Eikichi, 1860. A fine design.

 

Superb impression of the first state with splashed gofun over Mongaku’s head. Fine colour. Lightly backed and imperceptible centrefold, otherwise fine condition. Signed Chooro Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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I no Hayata Hironao killing the nue from a set Honcho Suikoden goyu happyakunin no hitori, “One of the Eight Hundred Heroes of the Water Margin of Japan.” In the year 1154 the Emperor Konoe was having trouble sleeping due to weird shrieks and scratchings coming from the roof of his castle. He called for the famed archer Minamoto no Yorimasa (1106-80) to solve the problem. Yorimasa shoots an arrow at a black cloud surrounding the roof and the beast nue falls to earth being finished off by his servant I no Hayata Hironao. The composit creature was said to have the head of a monkey, back of a badger, legs of a tiger, scales of a dragon, and tail of a snake, but accounts vary. Published by Kagaya Kichiemon c 1831. One of the great early designs. Robinson S4a.6. Rare.

 

 

Fine impression and colour. In exceptional condition with extra paper on three sides which is extremely unusual. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Sold

 

 

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Utagawa KUNIYOSHI (1797-1861)




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Wada Heita Tanenaga (1182-1213) battling a giant python (uwabami) near a waterfall.He was a renowned archer and retainer of Minamoto no Yoriie. Various stories tell how he came across the python in a cave or saved a village from its carnivorous attacks. A popular subject that gave rise to some excellent designs by Kuniyoshi and his pupils. From an untitled early set published by Yamaguchiya Tobei, c 1834-5. Robinson S1c.10.

 

 

Fine impression and colour.Slightly trimmed at top, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

 

Status: Sold

 

 

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Utagawa KUNIYOSHI (1797-1861)




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The warrior Kojoso Jisen in a tree by moonlight shining his lantern towards the ground. From the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Published by Kagaya Kichiyemon, 1827-30. Robinson S2. 33.

 

Fine impression and colour. Fine condition. Full size (unusual as this set are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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The warrior Hitentaisei Rikon in armour, holding a long-handled axe and scanning the horizon from a craggy outcrop. From the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Published by Kagaya Kichiyemon, 1827-30. Robinson S2. 21.

 

Extremely fine impression and colour. Fine condition. Full size (unusual as this set are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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The ronin Nakamura Kansuke Masatatsu dodging a brazier of hot ash. The best design from a fine set of twelve half length portraits of the forty-seven ronin: Seicho gishi shozo, “Portraits of Faithful Samurai of True Loyalty.” The depictions borrow strongly from western portraiture including imitation western script in the green border of the title cartouche. It is not necessary to repeat the story here as it is the best known Japanese tale. Published by Sumiyoshiya Masagoro, 12/1852.


Fine impression, colour and condition. Full size. The printing on this set is exceptional with details such as the sword blades and title cartouches burnished. Signed Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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A famous triptych: The ghosts of the Taira warriors attacking Yoshitsune’s ship in Daimotsu bay. Shows Minamoto no Yoshitsune (1159-89) aboard his ship Tsukimaru sailing along the coast of Settsu Province at Daimotsu. It was here that the Minamoto and Taira clans clashed and many Taira warriors perished. It is the ghosts of these that rise from the waves to attack Yoshitsune. His men struggle to lower the sail while Yoshitsune’s loyal retainer, Benkei, rubs his prayer beads and offers prayers to the gods of the sea and to Kannon, the Bodhisattva of mercy and the storm abates. Published 1849-51 by Enshuya Hikobei.

 

A very nice example of this rare print: A number of states exist, the earliest having white lines in the waves lower right. The main differences are with the ghosts. The horns and eyes are removed but the printing and gradation of these varies as well. This impression has the lines but the eyes and horns removed so seems to be an intermediate state between first and second editions. There is no great variation in impression between these states. Very good impression and colour. Slightly trimmed. otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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Tsukudajima from the series Toto meisho, “Famous Places in Edo.” Shows two women and a boatman being rowed beneath Eitai bridge. In the distance is Tsukudajima Island. It was here that large vessels would anchor at the mouth of the Sumida river to transfer their cargos to smaller boats. Devotional prayer slips float down during the Bon Odori festival, 13-15 July, commemorating those that have drowned in the river. A set of ten prints with western influences published by Kagaya Kichiemon, c 1832-3. Ex Kessler collection. Rare.

 

Very good impression: Early states have a grey tone on the bottom of the bridge supports (as here). A late edition has recut clouds. Slight fading and centre fold, otherwise good condition. The green border intact (so often trimmed off). Signed Ichiyusai Kuniyshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing Kato Kiyomasa (Watoni) and his henchmen watching Korean man-eating tigers carrying off their compatriots across a river. Watoni gunko toshu no zu. Hideyoshi sent Kiyomasa to Korea twice in 1592 and 1597. He is often depicted killing a man-eating tiger. Published by Yamaguchi-ya Tobei in 1855.


Very early fine impression with beautiful colour variation on the rocks at right. Fine colour. Slight edge crease near left edge of first sheet and imperceptible centre folds, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.

 

Status: Sold

 

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Utagawa KUNIYOSHI (1797-1861)




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An extremely rare diptych showing Princess Wakana (left) played by Bando Shuka I and the warriors Genkai Nadaemon played by Arashi Rikan III; Washizu Rokuro played by Arashi Rikaku II; Wachizu Shichoro played by Bando Takesaburo I. The play Shiranui monogatari, “The Tale of the White Embroiderer” was performed at the Kawarazaki Theatre, 2/1853. The story (from a late Edo novel) tells of the feud between Wakana and the Kikuchi clan who killed her family. She is rescued by a spider who gives her the power of spider magic which, with the aid of a spider scroll, enables her to conjure up a giant spider to assist her. Published by Kakumoto-ya Kinjiro. This is the only complete impression I have seen and I can only find one other recorded example (listed in the Kuniyoshi Project).


Fine impression and colour. Small edge binding holes, otherwise fine condition Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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Nanke yushi Shijo-nawate nite uchijini. The last stand of the Kusunoki clan at Shijo-nawate in 1348. Kusunoki Masatsura, shown on the far left propped against his fallen horse under a rain of arrows, continues his father’s struggle against the Ashikaga forces. Wada Shinbochi (Genshu) leads the way holding enemy heads followed by Masatomo with a battle standard. Their blue complexions anticipate their imminent demise. Published by Fujioka-ya Keijiro, 1851-2. Robinson T271.


Fine impression. One small backed wormhole on title, otherwise very good condition. Full size. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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Utagawa KUNIYOSHI (1797-1861)




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A triptych showing Ushiwaka Maru (Minamoto no Yoshitsune’s childhood name), attended by Kisanda, practising fencing with the karasu or “crow” tengu in a forest glade on Mt Kurama, north of Kyoto. His training in martial arts is being supervised by a white-bearded yamabushi tengu, Sojobo, King of the Tengu. (The yamabushi were followers of Shugendo – a shamanistic mountain ascetism.) Yoshitsune (1159-1189) is the best known Japanese warrior and a popular subject for Japanese artists and craftsmen. Famous for exploits such as the battle on Gojo Bridge with Benkei and the battle of Dan-no-ura. Published by Enshuya Hikobei, 1851-2. Robinson T264.


Fine impression. This is the first state with gradation on the rocks top left. Fine colour. Very good condition. Signed Ichiyusai Kuniyoshi ga.


Status: Sold

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