Jokei RYUKOSAI (Fl. 1772-1816)




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The most important Osaka artist in the last quarter of the 18th century. His prints are rare and, apart from being an influence on Shunei and possibly Sharaku, he spawned a line of fine pupils. His actor prints are trenchant and full of character. A delightful painting showing a geisha parading and looking askance at a client ( ? ). Full colour on silk, 27 x 13 in., 68 x 32 cms. Good condition. Old mount. Lacquer ends. Signed Ryukosai with kakihan.


Status: Sold




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Jokei RYUKOSAI (Fl. c 1772-1816)




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The most important and influential Osaka artist of the late eighteenth century. An innovator whose style may well have influenced such artists as Shunei and Sharaku. His prints – mostly hosoban – are all of the utmost rarity. Indeed, it is thought they originally formed triptychs but, so far, no complete design has been located. The oban design offered here is even rarer, there being only two other impressions known: Illustrated in colour, pl. 13, in Kamigata Ukiyo-e Nihyaku-nen Ten, “200 Years of Kamigata Ukiyo-e,” Susumu Matsudaira, 1975; and pl. 43, p. 56, catalogue of exhibition Ukiyo-e of the Kamigata Area at the Osaka Museum of History and Yamaguchi Prefectural Hagi Uragami Museum, Kitagawa Hiroko, 2014. Shows five actors. From right to left (rear): Nakamura Kyojuro, Arashi Sangoro III, Kataoka Nizaemon VII and (front): Asao Tamejiro I, Ichikawa Danzo IV. Published c 1790 by Ki.

 

Fine impression. Very good colour. Small areas of contemporary hand colouring to face and costume of Tamejiro. Slight folds and small sumi mark bottom left, otherwise very good condition. Probably full size. Signed Ryukosai ga.

 

Status: Sold

 

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Jokei RYUKOSAI (Fl. c 1772-1816)




 Click here to view image full size.

The most important and influential Osaka artist of the late eighteenth century. An innovator whose style may well have influenced such artists as Shunei and Sharaku. His prints – mostly hosoban – are all of the utmost rarity. Indeed, it is thought, as here, that they originally formed triptychs but, so far, no complete design has been located. The unsigned left panel of a triptych published 1/1793 showing Onoe Shinshichi I (Fujaku) as Isshiki Yukinokami in the play Keisai yanagi sakura. The play involves the rescue of the Ashikaga Shogunate through the efforts of Yukinokami in uncovering a usurper’s plot. The hero stands in a snowy garden holding a fragment of a handscroll he has been found reading. Of the utmost rarity: Only a few impressions are known and there are two states: As here without role above and published by Osakaya Sashichi and with the calligraphy and published by Shiocho.

 

Fine impression, colour and condition.

 

Status: Sold

 

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