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Tsukioka YOSHITOSHI (1839-1892)
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The warrior Jingu Samanosuke Masanaga holding a sword and wearing a mino (straw cape) in heavy rain. From a set Kaidai hyaku, “Yoshitoshi’s Selection of One Hundred Warriors.” Sixty-five prints published by Ohashiya Yashichi between 1868 and 1869, this being 1869. The text in the square cartouches in this set refer to prominent warriors in the internecine wars of the 16th century but in fact the subjects are Shogitai soldiers. (Those that held out against the imperial forces and were massacred at Ueno, 4/7/1868.) An excellent set.
Fine impression and colour. The rain printed in silver. Fine condition. Signed Ikkaisai Yoshitoshi htsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Shows Kon Sosho (Chin. Gongsun Sheng), a famous character from the Chinese popular novel Tales of the Water Margin (Jap. Suikoden). A Taoist sorcerer known as “Dragon in the Clouds” he was able to conjure up wind and rain, as here, where he is seen standing on a rocky promontory summoning up the Storm Dragon from the sea. From the set Wakan hyaku monogatari, “One Hundred Ghost Stories of China and Japan,” published by Daikin, 1865.
Fine impression and colour. Small backed wormhole in top right corner and has original album backing, otherwise very good condition. Signed Ikkaisai Yoshitoshi ga.
Status: Sold
Utagawa KUNISADA (1786-1865)
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Shows Musashibo Benkei carrying the stolen giant Mii Temple bell up Mount Hiei to the Enryaku-ji, the Tendai-sect temple of the San-mon, “Mountain Order.” He is usually depicted dragging the half-ton bell, but here he is shown carrying it with the help of his kanabo, iron war club. Published by Daikokuya, c 1830-39. Another impression is in the British Museum, 1906,1220,0,1054. Rare.
Very good impression, colour and condition. Signed Gototei Kunisada ga.
Status: Sold
Katsukawa SHUN’EI (1762-1819)
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Shows the hirsute samurai Saito Tadanobu about to strike an adversary with a go board. This was a popular story relating to his death: He was attacked while playing go and used the heavy board to fight off his enemies. Published by Wakasaya Yoichi (Jakurindo), c 1810. Rare.
Fine impression, colour and condition. Signed Shun’ei ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The best design from Genji kumo Ukiyoe awase, “Ukiyoe Comparisons of the Cloudy Chapters of Genji.” A set comparing famous warriors to the Chapters of the Genji Monogotari written by Lady Murasaki Shikibu (c 973-1025). This design is for Chapter 22, Tamakatzura. Shows the pearl diver, Tamatori-hime, who has reclaimed the precious pearl stolen by the Dragon King. She is pursued by a host of his aquatic retainers including a giant octopus before finally returning the jewel to her husband Fujiwara no Kamatari, albeit buried in her chest for safety and causing her death. A popular subject with Kuniyoshi who designed a number of other oban prints and triptychs on this subject. The Dragon King’s Palace can be seen beneath the waves in the background. Published by Iseya Ichibei, 1843-5.
Fine impression and colour. Slight crinckling in margins, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Kawanabe KYOSAI (1831-1889)
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Shows the professional swordsman Kaibara Kenkichi travelling in the mountains from a set Kyosai rakuga, “Kyosai’s Drawings for Pleasure.” A satirical take on current events and mores. Generally considered the father of kendo. At the age of 13 he came under the tutelage of Seiichiro Odani to learn the art of swordplay and master its secrets. Became assistant instructor at the Kobusho in 1856. Famous for inventing the yamatozue, a wooden sword, and the ganko ogi, a wooden fan substitute for the wakizashi (short sword) when the decrees abolishing the wearing of swords in public was issued in 1876. Here he is surrounded by wild beasts and a skeleton. Published by Sawamuraya Seikichi in 1874. A set of 15 prints was planned but only 12 are known.
Very fine impression. Fine colour and condition. Signed Kyosai.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Here, the wounded and blood-smeared chief of the Edo otokodate, Banzuin Chobei, is seen drinking water in a bathhouse where he is treacherously murdered by Mizuno Jurozaemon. Various publishers from 1867-68, here Sekiguchi Gyokumeido, 10/1867.
Fine impression. Very good colour. Slight trimming, otherwise very good condtion. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Shows Lady Masao from Osasahara surrounded by curling snakes who force her to reveal her true identity – the Fox Spirit. Various publishers from 1867-68, here Omiya Kyojiro, 11/1867.
Fine impression. Very good colour. Slight trimming, otherwise very good condtion. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Shows Mukokizu Yosa stabbing Komori Yasu (Yasu the Bat); so-called because of the bat-like birthmark on his cheek. A gruesome scene with Yasu covered in blood. Various publishers from 1867-68, here Omiya Kyojiro, 11/1867.
Fine impression. Very good colour. Slight trimming, otherwise very good condtion. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A design from the set Azuma no nishiki ukiyo kodan, “Tales of the Floating World on Eastern Brocade.” Kodan (traditional storytelling) raconteurs narrated Japanese folk stories, sometimes accompanying themselves with wooden blocks clapped together or a fan giving rhythm. The Kodan text is shown above. Having been popular from around 1700 (and known as Koshaku), these performances gained renewed popularity in the 1850s with the classic standards augmented by contemporary stories of heroes and villains. Shows Azekura Jushiro slashing Hinotama no Sangoro who is covered in blood. Various publishers from 1867-68, here Sanoya Tomigoro, 9/1867.
Fine impression. Very good colour. Slight trimming, otherwise very good condtion.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Shows Abe no Hirafu, a governor of Koshi, killing a giant bear in heavy snow. From a set: Dai Nippon meisho kagami, “Mirror of Famous Leaders of Great Japan.” Published by Funazu Chujiro, 1880.
Fine impression, colour and condition. Signed Oju Yoshitoshi hitsu.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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An extremely rare uncut fan print: Spring Moon from a set Three Views of the Moon in the Eastern Capital. Shows two beauties on a restaurant veranda admiring a full moon. The other two designs from this set are illustrated in Hiroshige no uchiwae, Hiroshige Fan Prints, Okuda, Atsuko, Unsodo, 2010, nos 29 and 30, p 28 and 29. Published by Tsujiya Yasubei, c 1849-52. If not unique, then certainly one of the few impressions extant.
Very fine impression and colour. Very slight centre fold, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Ogata GEKKO (1859-1920)
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An uncut fan print showing a great white egret. Rare.
Fine impression, colour and condition. Signed Gekko.
Status: Sold
Honda UNRIN (Active c. late Edo period)
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A surimono of a male and female red-crowned crane (aka Manchurian crane). Behind a huge setting sun. The crane represents good fortune, longevity and fidelity in Japan and is a popular subject for surimono. Unrin, a Nanga/Shijo artist, was a pupil of Tetsuo (1791-1871). Issued c. 1840s.
Fine impression with the birds outlines and plumage beautifully blind-printed. Very good colour. Minimal soil, otherwise very good condition. Signed and sealed Unrin.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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Izumo, taisha Hotohoto no zu, “Izuma [Province], Hotohoto Festival at Izumo Shrine.” Shows pilgrims to the oldest Shinto shrine in Japan. A heavy mist scene with the torii gate seen to the right. Every year from the 11th to the 17th day of the 10th lunar month (usually November) all Shinto’s deities from around Japan supposedly assembled here. It is also the shrine to visit in the hope of finding a partner. From a set of 69 prints [Dai Nihon] Rokujuyoshi meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshimuraya Heisuke between 1853 and 1856, this being 1853.
Very fine impression and colour. Light album backing and very small wormhole at extreme edge of margin, top left, otherwise fine condition. Signed Hiroshige ga.
Status: Sold
Katsushika HOKUSAI (1760-1849)
An original 1815 two-sided woodblock carved from cherry wood (yamazakuro), 16 x 8.75 in; 40.5 x 22.25 cm, for the book: Ehon joruri zekku, “Picture Book with Mixed Verses on Joruri.” Four illustrations for pages 17 and 11. The book pairs scenes from popular puppet and kabuki plays with classical Chinese poetry provided by Hokusai’s pupil Hokutei Bokusen. Sold together with: A) An early edition of the book complete published by Kadomaruya Jinsuke, Edo and Matsuya Zembei, Nagoya, 1815. In good condition with original covers and title-slip. (57 images). B) A later but still Edo period printing copy published by Kadomaruya Jinsuke, Edo and Matsuya Zembei, Nagoya. On thick paper with bad wormage. Missing original covers. (54 images). C) A post 1868 two volume coloured edition published by Kadomaruya Jinsuke, Edo and Matsuya Zembei, Nagoya.
Good condition with original covers and title-slips. (56 images). D) Modern pulls from both sides of the block made by Paul Binney. Block sold “as is” with all imperfections. An excellent study group.
Status:Sold
Katsukawa SHUNTEI (1770-1820)
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A woman playing a koto from the set: Hanagasa-ren Shichifukujin, “Seven Women as the Gods of Good Luck for the Hanagasa Club. Each beauty represents a god, presumably in this case Benten. The series may be a parody of the new year tradition of making a pilgrimage to the seven shrines devoted to each of the Seven Gods of Good Luck. The set of eight prints published c 1820.
Fine impression and colour with silver and gold. Light backing, otherwise very good condition. Signed Shokyuko Shuntei ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing Kato Kiyomasa (Watoni) and his henchmen watching Korean man-eating tigers carrying off their compatriots across a river. Watoni gunko toshu no zu. Hideyoshi sent Kiyomasa to Korea twice in 1592 and 1597. He is often depicted killing a man-eating tiger. Published by Yamaguchi-ya Tobei in 1855.
Very early fine impression with beautiful colour variation on the rocks at right. Fine colour. Slight edge crease near left edge of first sheet and imperceptible centre folds, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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2 vols. complete: Kanjaku tsuizen hanashidori, “The Liberated Birds: A Memorial Book for Kanjaku.” A memorial book for the actor Nakamura Utaemon who died in 1852. He had the literary name of Kanjaku, meaning ”playing with sparrows” and the covers and many illustrations allude to this custom of releasing birds at funerals. Vol. 1: 1st preface , 3pp. giving the biography of Utaemon IV; poem 1p. 3 sheets: calligraphy (in ishizuri), 1p.; illustrations in colour, 5pp. signed on first page Toyokuni (III). Sheets 1-8: 2nd preface, 5pp., remaining pp. text, poems and colour illustrations. Sheets 1-75 with 15 single-page and 62 double-page illustrations in sumi and light colour. Inside back cover: colophon dated Kaei 5 (1852). Vol. 2: 110 sheets of text, poems, and illustrations. 38 single-page and 50 double-page illustrations (many in colour and includes a double-page illustration by Kuniyoshi). Last page, colophon, dated Kaei 5 (1852). Original covers with clouds and sparrows. Some soil and minor damage. One title slip missing and other damaged. Contents extremely good.
Status: Sold
Suzuki HARUNOBU (c 1725-1770)
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Two volumes complete: Ehon haru no nishiki, “Picture Book: The Brocades of Spring.” Vol. 1: 1 page preface dated Kanoto U (1770); single page and 8 double page colour prints. Vol. 2: 1 single page and 8 double page colour prints. 1 page colophon with date, publisher, block-cutter and artist as Suzuki Harunobu with his seal. 2 pages publisher’s announcements. Published by Yamazaki Kimbe, Edo. This is the first edition, Meiwa 8 (1771). Other copies are in the MFA, Boston, acc. no 1997.477.1-2 and Philadelphia Museum of Art, acc. no. 1970-46-1. Provenance: Ex collections H.M.Kaempfer and Hayashi (their seals on the first page of each volume). Original covers and title slips. Covers worn. Some soil and edge restoration. Very good impressions with generally very good colour. Rare in the first edition.
Status: Sold
Utagawa KUNIYOSHI (1797–1861)
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One volume complete Ichiyu gafu, “Drawings by Ichiyu [Kuniyoshi ].” Sumi and light colour. Some fine designs showing heroes and legends. This is the first edition, dated Bunsei 13 ( 1830 ). It was reissued in 1846.
Original covers and title slip. Minor wormage, otherwise fine condition.
Status: Sold
Katsushika HOKUSAI (1760-1849)
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One volume complete: Hokusai soga, “Hokusai’s Free Sketches.” Two versions of this publication are known: Solely printed in sumi and ( as here ) sumi with gradated shading and a pink block. This version also with the colophon. Both are almost certainly contemporaneous. Contain’s some of Hokusai’s best known images and was considered by Jack Hillier to contain “the finest figure prints by Hokusai.” Published 1820 by Eirakuya, Nagoya; Surawaya Mohei and seven others in Edo.
Original light blue burnished covers. Original title slip. Some slight damage to covers, and thumbing on some pages, but overall a very nice copy with fine impressions.
Status: Sold
Yashima GAKUTEI (1786-1868) and Totoya HOKKEI (1780-1850)
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Two vols. kyoka books complete: Ressen retsujo gazoshu, a “Collection of the Portraits of Immortal Men and Women.” Twenty eight portraits of Chinese hermits and twenty one portraits of celebrated women in Japanese history. Being a selection of kyoka presented at the meetimg held at Kawachiya of Yanagibashi Ryogoku in Edo, 1st day of the 9th month, Bunsei 7 ( 1824 ). Published by Shinsenyen. Rare.
Original covers and title slips. Minor marks to covers, otherwise very good condition.
Status: Sold
Onishi CHINNEN (1792-1851)
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One volume complete Azuma no teburi, “Customs of the Eastern Capital”. Published Bunsei 12 (1829). Original covers, light blue-grey with silver stencilled decoration. Original title slip (damaged). Inside front cover title Taihei Uzo (the original title). Artist: Chinnen, and publisher Sonando. 25 double page illustrations showing the inhabitants of the capital going about their daily pursuits. Inside back cover: Colophon, dated Bunsei 12 (1829) and publishers Kobayashi Shimbei and Osakaya Gembei. Slight repared wormage and minor marks, but generally a nice copy of a fine shijo book.
Status: Sold
Maruyama OKYO (1733-1795)
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One volume complete Okyo gafu, “Book of Paintings by Okyo.” Original covers and title slip. A large book, 11.5 x 7.5 in; 28.4 x 19.2 cms folding out to 11.5 x 15 in; 28.4 x 38 cms. Published by Hishiya Magobe. Dated 1833 but first published 1850 (dated Kaei 3 [1850] at end). Twenty-four pages of sumi illustrations based on Okyo’s paintings. Arguably the most important Maruyama-Shijo painter. A tour de force of the block-cutters’ art replicating Okyo’s brush strokes. Minor imperfections but otherwise a very nice example of this work. Mitchell, p.441, example “A.”
A fascinating historical document. Some slight separation in the scrolls, but otherwise in very good condition. Various signatures and seals.
Status: Sold
Utagawa KUNISADA (1786-1864)
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Two volumes complete Yakusha sugao natsu no Fuji, “Portraits of Actors Compared to Fuji in the Summer.” (In other words, without white makeup.) Vol. one: Preface signed Santoan Kyozan. Frontispiece illustration showing Mt. Fuji and nine double-page illustrations of actors and their acolytes in a variety of pursuits offstage. Postscript dated Bunsei 11 (1828). Vol: two: Preface by Tsuruya Namboku IV dated 9/1827. Frontispiece illustration showing a washbowl and fan and nine double-page illustrations of actors from Edo, Kyoto and Osaka. Postscript signed Kochoro Utagawa Kunisada ga with seal Gotokan to tekichoku ko and the publishers: Tsuruya Kiemon; Yamamoto Kyubei; Eijudo (Nishimuraya Yohachi); Kansendo (Izumiya Ichibei); Kinrindo (Moriya Jihei). This fascinating book shows actors in and around their residencies. Replaced title slips and covers. Fine impressions and very good colour. Minor marks and thumbing. Rare.
Status: Sold
Utagawa HIROSHIGE (1797-1858) and Utagawa YOSHITORA (active c. 1850-1880)
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One volume complete Kyoka chakizai gazoshu, “Tea Ceremony Utensils, a Kyoka Collection.” Published Ansei 2, 1855 by Seiryuteizo. Inside front cover artists given as Ichiryusai Hiroshige and Ichimosai Yoshitora. Three pages preface; three pages decorative labels; four pages landscapes by Hiroshige (including the Uji River – a prime tea growing area); twelve pages of portraits by Yoshitora; twenty-one pages kyoka poems. Original covers with a hand inscribed title slip. Ex collection Edmond de Goncourt with his brocade binding and imitation wood slipcase. In very good condition.
Status: Sold
Utagawa HIROSHIGE (1797-1858)
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A complete set of Kyoka Edo meisho zue, “Collection of Pictures of the Famous Places of Edo in Kyoka.” Fourteen volumes (sixteen books) dated Ansei 3, 1856. Artist: Ryusai Hiroshige ga, with volumes fifteen and sixteen being by Hiroshige II. Compiler of poems: Tenmei Rojin. Publisher not given. Book 1: 25 sheets, 11 illustrations. Book 2: 24 sheets, 10 illustrations. Book 3: 23 sheets, 10 illustrations. Book 4: 19 sheets, 9 illustrations. Books 5-6: 34 sheets, 15 illustrations. Book 7: 22 sheets, 9 illustrations. Book 8: 21 sheets, 9 illustratins. Book 9: 22 sheets, 9 illustrations. Book 10: 21 sheets, 8 illustrations. Book 11: 14 sheets, 6 illustrations. Book 12: 18 sheets, 7 illustrations. Book 13: 16 sheets, 6 illustrations. Book 14: 16 sheets, 8 illustrations. Books 15-16: 23 sheets, 9 illustrations. The monochrome illustrations show the popular life of Edo as well as the views. Original covers and title slips.
In very good condition. Rare complete.
Status: Sold
Kawamura BUMPO (1779-1821) and Watanabe NANGAKU (1763-1813)
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One volume complete Kaido kyoka awase, “Comparison of Kyoka Poems on the Highway.” Three pages preface signed Bumpo and thirty-six double-page illustrations alternating by Nangaku and Bumpo; last page colophon dated Bunka 8 (1811) with artists Nangaku Tseki and Bumpo Basei. Publishers Kawachiya Kihei, Osaka, and Yoshidaya Shimbei, Kyoto. Original embossed yellow covers with original title slip. Originally published in two volumes with the poems in volume one and almost immediately reissued as a one volume work, as here. Numerous collectors’ seals: Tanido Kyohitsu, Seiyo Kosetsu, and Edmond de Goncourt with his brocade binding and imitation wood slipcase. A beautiful example of this fine Shijo book in very good condition.
Status: Sold
Utagawa TOYOKUNI (1769-1825)
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One of Toyokuni’s most famous books: 2 volumes bound as one, Yakusha Awase Kagami, “A Mirror of Actors’ Physiognomy.” Published Kyowa 4 (1804) by Bunshundo and Yamadaya Sanshiro. Vol. I, 4pp. preface, undated, 18 single-page half-length portraits of actors below kyoka poems. Vol. II, 15 single-page half-length portraits, followed by single page poem signed Ichikawa Hakuen (Danjuro V), 4pp. postscript, signed Kankoku. Lacking original covers with publisher Toto Banshundo on inside cover of Vol. I. Also lacking 2pp. second postscript by Banshundo and colophon. Very minor soil and three portraits with colour turned, otherwise very fresh impressions. Extremely Rare.
Status: Sold
