Suzuki HARUNOBU (1724-1770)




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A pillar print showing a beauty after a bath walking past a pot of morning glory. Published c. 1768. The morning glory is a precursor of hot summer. Some 40 or 50 years later there was a craze for these plants almost akin to Dutch tulip fever. Other (faded) impressions are in MFA, Boston, Spaulding Collection, nr. 21.4552; Honolulu Museum of Art, nr. 06108; and illustrated in Waterhouse, The Harunobu Decade, 20013, nr. 545. Harunobu produced some of the most sublime Ukiyo-e images and he and his publishers were at the forefront of experimentation in the 1760s using multiple blocks, new pigments and combing pigments to create new hues that were not see again in Ukiyo-e. Unfortunately, the pigments – most often of vegetable origin – were very susceptible to fading and most Harunobu prints are ghosts of their former selves. Harunobu was a master of this hashira-e format: Jacob Pins found 111 to illustrate in The Japanese Pillar Print, 1982. Rare.

 

 

Fine impression. Exceptionally good colour. Minor soil but in very good condition for a print in this format and of this period. (These prints were hung in alcoves or on pillars and they consequently often come browned or faded as well as getting creased by being rolled.) Signed Harunobu ga.

 

 

Status: Sold

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