/category/shunga/
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e from a shunga set of twelve published c 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto beside an engawa with a bird cage. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printer and illustrator.
Very good impression. Minor marks, otherwise good condition.
Status: Available
Price: £1,800
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e from a shunga set of twelve published c 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printer and illustrator.
Very good impression. Minor marks, otherwise good condition.
Status: Available
Price: £1,800
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e from a shunga set of twelve published c 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printer and illustrator.
Very good impression. Minor marks, otherwise good condition.
Status: Available
Price: £1,800
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e from a shunga set of twelve published c 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printer and illustrator.
Very good impression. Minor marks, otherwise good condition.
Status: Available
Price: £1,800
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e from a shunga set of twelve published c 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printer and illustrator.
Very good impression. Minor marks, otherwise good condition.
Status: Available
Price: £1,800
Utagawa KUNISADA (1786-1865)
Click here to view image full size.
A fine original shunga drawing showing a couple copulating. Probably a preliminary design for an obon illustrated book. Sumi on thin Japanese paper, 7.5 x 10.5 in, 19 x 26.5 cms. A nice example unlike the many poor unattributed examples available.
Status: Available
Price £580
Utagawa KUNISADA (1786-1865)
Click here to view image full size.
An original Kunisada shunga drawing showing a couple having sexual congress. Most likely a preliminary design for a koban print. Sumi on thin Japanese paper lightly attached at edges to an album leaf, 5.25 x 7.25 in, 13.5 x 18.5 cms. Probably intended to be printed four-to-a-sheet. A very good quality drawing, unlike the many poor unattributed examples available.
Status: Available
Price: £580
Utagawa KUNISADA (1786-1865)
Click here to view image full size.
An original Kunisada shunga drawing showing an old man ravishing a young woman. Most likely a preliminary design for a koban print. Sumi on thin Japanese paper lightly attached at edges to an album leaf, 5.25 x 7.25 in, 13.5 x 18.5 cms. Probably intended to be printed four-to-a-sheet. A very good quality drawing, unlike the many poor unattributed examples available.
Status: Available
Price: £380
Attributed to Sugimura JIHEI (Active c. 1681-1703)
Click here to view image full size.
A large-size hand-coloured print showing a couple in flagrante delicto from an untitled set of twelve prints published by Hangiya Chojiro, c. 1685. (There were in fact two alternative designs added making a total of fourteen sheets.) Most reference works give this set to Moronobu. However, Timothy Clark, in the British Museum exhibition catalogue: Shunga, sex and pleasure in Japanese art, 2013, pp. 128-131 attributes the set to Jihei stating that “…this group of prints is one of the most glorious to have survived from the early period of ukiyo-e.”
Very good impression. Fine hand-colouring. Minor imperfections and signs of mounting au verso, but all compatible with the age of the print.
Status: Available
Price: £5,800
Attributed to Sugimura JIHEI (Active c. 1681-1703)
Click here to view image full size.
A large-size hand-coloured print showing a couple in flagrante delicto from an untitled set of twelve prints published by Hangiya Chojiro, c. 1685. (There were in fact two alternative designs added making a total of fourteen sheets.) Most reference works give this set to Moronobu. However, Timothy Clark, in the British Museum exhibition catalogue: Shunga, sex and pleasure in Japanese art, 2013, pp. 128-131 attributes the set to Jihei stating that “…this group of prints is one of the most glorious to have survived from the early period of ukiyo-e.”
Very good impression. Fine hand-colouring. Minor imperfections and signs of mounting au verso, but all compatible with the age of the print.
Status: Available
Price: £5,800
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e print from a shunga set of twelve published c. 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto beside a tiger and bamboo screen. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printmaker and illustrator.
Good impression. Minor marks, otherwise good condition.
Status: Available
Price: £1,800
Hishikawa MORONOBU (?-1694
Click here to view image full size.
A large sumizuri-e print from a shunga set of twelve published c. 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto, the women disturbed while threading a needle. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printmaker and illustrator.
Very good impression. Slight stains at top, otherwise very good condition.
Status: Available
Price: £1,800
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e print from a shunga set of twelve published c. 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printmaker and illustrator.
Very good impression. A small wormhole and slight stain, otherwise very good condition.
Status: Available
Price: £1,800
Hishikawa MORONOBU (?-1694)
Click here to view image full size.
A large sumizuri-e print from a shunga set of twelve published c. 1680s. In each case the couples are enclosed in a Chinese-style fan border. A couple in flagrante delicto. Moronobu was possibly the single most influential artist and pioneered the ukiyo-e school. A painter, printmaker and illustrator.
Very good impression. A small wormhole and slight stain, otherwise very good condition.
Status: Available
Price: £1,800
Utagawa KUNISADA (1786-1865)
Click here to view image full size.
An original Kunisada shunga drawing showing an old man ravishing a young woman. Most likely a preliminary design for a koban print. Sumi on thin Japanese paper lightly attached at edges to an album leaf, 5.25 x 7.25 in, 13.5 x 18.5 cms. Probably intended to be printed four-to-a-sheet. A very good quality drawing, unlike the many poor unattributed examples available.
Status: Available
Price: £380
Utagawa KUNISADA (1786-1865)
Click here to view image full size.
An original Kunisada shunga drawing showing an old man ravishing a young woman. Most likely a preliminary design for a koban print. Sumi on thin Japanese paper lightly attached at edges to an album leaf, 5.25 x 7.25 in, 13.5 x 18.5 cms. Probably intended to be printed four-to-a-sheet A very good quality drawing, unlike the many poor unattributed examples available.
Status: Available
Price: £380
Yanagawa SHIGENOBU (1787-1832)
Click here to view image full size.
A European couple in flagrante from a set Yanagi no arashi, “Storm of Willows” published c 1832. This highly unusual shunga print with chiaroscuro modelling is obviously based on imported woodcuts and engravings from Europe. There also exist several other shunga prints showing Dutchmen. See Shunga sex and pleasure in Japanese art, Timothy Clark et al, BM, 2013, no 120, p. 402.
Very good impression, colour and condition. Mica applied to the vulva. The set is unsigned but generally accepted as being by Shigenobu.
Status: Sold
Terasawa MASATSUGU (active c 1760-1790)
Click here to view image full size.
Click here to view image full size.
An original two-sided sumi block for printing pages 21, 22, 23, and 24 for the shunga book Aya no odamaki, “A Twist of Figured Cloth.” (See Sex and the Floating World, Timoin Screech, BM, 1999, p. 32-33.) The book was published in 1776. Also illustrated and described in Eiri Shunga Ehon Mokuroku, Tokyo 2007, p. 79. Extremely rare. Sold “as is” with imperfections (mostly wormage). See my blog.
Status: Sold
Terasawa MASATSUGU (active c 1760-1790)
Click here to view image full size.
Click here to view image full size.
An original two-sided sumi block for printing pages 9, 20, 18, and 19 for the shunga book Aya no odamaki, “A Twist of Figured Cloth.” (See Sex and the Floating World, Timoin Screech, BM, 1999, p. 32-33.) The book was published in 1776. Also illustrated and described in Eiri Shunga Ehon Mokuroku, Tokyo 2007, p. 79. Extremely rare. Sold “as is” with imperfections (mostly wormage). See my blog.
Status: Sold
Terasawa MASATSUGU (active c 1760-1790)
Click here to view image full size.
Click here to view image full size.
An original two-sided sumi block for printing pages 14, 15, 16, and 17 for the shunga book Aya no odamaki, “A Twist of Figured Cloth.” (See Sex and the Floating World, Timoin Screech, BM, 1999, p. 32-33.) The book was published in 1776. Also illustrated and described in Eiri Shunga Ehon Mokuroku, Tokyo 2007, p. 79. Extremely rare. Sold “as is” with imperfections (mostly wormage). See my blog.
Status: Sold
Terasawa MASATSUGU (active c 1760-1790)
Click here to view image full size.
Click here to view image full size.
An original two-sided sumi block for printing pages 10, 11, 12 and 13 for the shunga book Aya no odamaki, “A Twist of Figured Cloth.” (See Sex and the Floating World, Timoin Screech, BM, 1999, p. 32-33.) The book was published in 1776. Also illustrated and described in Eiri Shunga Ehon Mokuroku, Tokyo 2007, p. 79. Extremely rare. Sold “as is” with imperfections (mostly wormage). See my blog.
Status: Sold
Terasawa MASATSUGU (active c 1760-1790)
Click here to view image full size.
Click here to view image full size.
An original two-sided sumi block for printing pages 5, 6, 7, and 8 for the shunga book Aya no odamaki, “A Twist of Figured Cloth.” (See Sex and the Floating World, Timoin Screech, BM, 1999, p. 32-33.) The book was published in 1776. Also illustrated and described in Eiri Shunga Ehon Mokuroku, Tokyo 2007, p. 79. Extremely rare. Sold “as is” with imperfections (mostly wormage). See my blog.
Status: Sold
Terasawa MASATSUGU (active c 1760-1790)
Click here to view image full size.
Click here to view image full size.
An original two-sided sumi block for printing pages 1, 2, 3, and 4 for the shunga book Aya no odamaki, “A Twist of Figured Cloth.” (See Sex and the Floating World, Timoin Screech, BM, 1999, p. 32-33.) The book was published in 1776. Also illustrated and described in Eiri Shunga Ehon Mokuroku, Tokyo 2007, p. 79. Extremely rare. Sold “as is” with imperfections (mostly wormage). See my blog.
Status: Sold
Suzuki HARUNOBU (1724-1770)
Click here to view image full size.
A wonderful chuban shunga print showing a young suitor leaning across an engawa and interrupting a beauty playing a shamisen by partially lifting her robe. They are surrounded by flowering bushes and a meandering stream. A rare design I cannot, at the moment, locate being illustrated. Published c. late 1760s.
Very fine impression on thick hosho. Extremely fine colour. Slight oxidation, otherwise fine condition.
Status: Sold
Katsushika HOKUSAI (1760-1849)
Click here to view image full size.
A matron with lover. A shunga sheet from the extremely rare de-luxe edition of the Fukujuso, “The Adonis Plant.” The blocks were re-carved, the text deleted, a mica ground added, and sumptuous hand-colouring applied and was renamed Nami chidori, “Plovers Above the Waves.” This was a costly exercise and was obviously directed at a few wealthy clients. Hokusai’s best shunga set with large figures often completely filling the space. Published c 1820. Another example illustrated in Richard Lane, Hokusai, Life And Work, Barrie & Jenkins, 1989, no. 224, p. 168.
Fine impression. Wonderful fresh carefully hand-applied colour with mica ground. Album backing. Centre fold (as usual) and slight soil to corner. But otherwise very good condition.
Status: Sold
Torii KIYONOBU I (1664-1729)
Click here to view image full size.
A large sumi oban showing a couple in flagrante. These prints were normally issued in sets of twelve and would only have had the signature on the first sheet. Published c 1704-1711. Provenance: Ex Kiyoshi Shibui collection.
Very good impression. Slight edge soil and centre fold with small pin holes, but generally good condition considering the age.
Status: Sold
Suzuki HARUNOBU (1724-1770)
Click here to view image full size.
A chuban shunga print showing the occupant of a kago in flagrante with one of the porters, having seized the opportunity of a stop on the journey. Published late 1760s. Rare.
Very fine impression on thick hosho: The outlines raised in certain areas. Fine colour and condition.
Status: Sold
Suzuki HARUNOBU (1724-1770)
Click here to view image full size.
A couple in flagrante on an open engawa which has a large bowl of goldfish. There were many attempts by the Tokugawa Shogunate (1603-1868) to suppress shunga with edicts issued in 1661, 1722 and the 1790s. None of these were particularly effective and production usually resumed with most Ukiyo-e artists producing shunga prints, books or paintings. Published c. 1768. Unsigned as often with these shunga prints.
Superb impression. Fine, unfaded colour. Fine condition.
Status: Sold
Okumura MASANOBU (1686-1764)
Click here to view image full size.
The Fourth Month, Shibumukute toshimano mumami jukushi kaki, “Well Aged and Ripe Persimmon” from a set of 12 shunga prints Someiro no yama, Neya no hinagata, “Mountains of Dyed Colours, Patterns for the Bedroom.” One of the finest shunga sets; of large size and beautifully hand coloured. Published c. 1740. Others from the set are illustrated in Tim Clark, Shunga: Sex and Pleasure in Japanese Art, BM, 2013, p. 147-151. Masanobu is one of the most important figures in Ukiyo-e being the proprietor of a shop but also a publisher, an illustrator of books, print publisher, painter, and inventor of the hashira-e and uki-e as well as being at the forefront of advancements in colour printing. Rare.
Very good impression, colour and condition.
Status: Sold
Okumura MASANOBU (1686-1764)
Click here to view image full size.
The fifth month from a set of twelve prints Someiro no yama: Neya no hinagata, “Mountains of Dyed Colours: Patterns for the Bedroom.” A haiku poem relating to the time of year on each design. Published c. 1740. Shows a couple in flagrante in a room with sliding doors painted with images of Mount Fuji and the poet Ariwara no Narihira admiring the mountain. One of the great Shunga sets with fine contemporary hand-colouring: The careful colouring on impressions from this set was obviously carried out by skilled artisans and is exceptional with the sumi screens being almost painterly: Colouring is often later on early shunga prints, and even if contemporary can be slipshod. Masanobu was a great innovator, developing new formats and technical advances. Unidentified collector’s seal bottom left. Rare.
Very good impression. Slight weakening along laid lines, otherwise very good condition.
Status: Sold