Utagawa HIROSHIGE (1797-1858)



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Nihonbashi no hakuu, “Light Rain on Nihon Bridge.” From a Toto meisho set of 21 designs published between c. 1832 and 1839 by Kikakudo. The set was subsequently enlarged. Shows figures crossing Nihonbashi in rain, one figure carries an umbrella with the publisher’s name. Warehouses in the background and a distant view of Fuji. A beautiful print and very difficult to find in early impression: The title cartouche had a plug inserted beside the bottom three characters of the title on the left. This damage seems to have occurred when the block was cut and over time the spigot gradually slipped out leaving an unprinted area (which is sometimes painted in). In the earliest impressions the plug is hardly visible (as here). Also, the publisher’s seal at the bottom right should be in red, later editions having it in black. There was also an early variant edition with a yellow sky.

 

 

Fine impression and colour. Imperceptible centre fold, also near the right edge, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)



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Susaki yuki no hatsuhi, “Snow on New Year’s Day at Susaki” from a Toto meisho “Famous Places in the Eastern Capital” set of ten prints published c. 1831-2 by Kawaguchiya Shozo. Hiroshige’s first oban landscape set with some outstanding designs. Fukagawa Susaki was a spit of land along Edo Bay. (Also the subject of the Eagle design, Jumantsubo Fukagawa Susaki, from the One Hundred Views of Edo later on.) The first editions, as here, have decorative borders adding a western element into the designs. These were removed on later editions. Extremely rare in this state.

 

Fine impression and colour. Very minor edge soil and slight centre fold, otherwise very good condition. Prints from this set are often missing or have the publisher’s name and address on the right border trimmed. Signed Ichiyusai Hiroshige ga. (The last set to be signed like this.)

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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Tosa, kaijo katsuo tsuri, “Tosa [Province], Bonito Fishing at Sea.” From a set of 69 prints [Dai Nihon] Rokujuyoshu meisho zue, “Famous Places in the Sixty-odd Provinces [of Japan]” published by Koshihei between 1853 and 1856, this being 1855. Tosa, located on the southern coast of the island of Shikoku, was famous for its bonito.

 

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

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Utagawa HIROSHIGE II (1826-1869)



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Mino Ochiai-bashi. Mino (Noshu) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1861). An evening rain scene with figures making their way across the torrential Chitose River, famous for its fishing.

 

 

Very fine impression of the first edition. Fine colour and condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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A pheasant on a snow-covered pine. Published by Kawaguchi Shozo, c. 1830s (seal top left).

 

 

Fine impression and colour. Minimal trimming, otherwise very good condition. Signed Hiroshige hitsu.

 

 

Status: Available

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Utagawa HIROSHIGE II (1826-1869)



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The Dragon’s Maw Mountain, Bizen Province, Bizen tatsu-no-kuchiyama from an unfinished set Shokoku meisho hyakkei, “One Hundred Views of Famous Places in the Provinces” published by Uoya Eikichi between 1859 and 1861 (this being 1860). Shows a lone figure battling a heavy rainstorm in a steep-sided canyon.

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE II (1826-1869)



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Enshu Akiba enkei Fukuroi tako. Fukuroi, Enshu (Totomi) Province from the “Hundred Views of Famous Places in the Provinces.” An uncompleted set of 81 prints published by Uoya Eikichi between 1859 – 1861 (this being 1859). Shows kite flying with a distant view of Mount Akiba. It has been suggested that the release of confetti was to bring good luck for the forthcoming harvest.

 

 

Very fine impression of the first edition. Fine colour. Very slight soil, otherwise fine condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)




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A snow scene: Yushima Tenjin sakaue chobo, “Hilltop View, Yushima Tenjin Shrine.” The shrine is dedicated to scholars and is near Ueno Park. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.

 

 

Fine impression, colour and condition. Signed Hiroshige hitsu.

 

 

Status: Available

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Utgawa HIROSHIGE (1797-1858)




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Kurodai, black sea bream (Acantho pagus schlegeli) and akadai, red bream (Pagus tumifrons) together with bamboo shoots and Japanese pepper. Poems by Tomigaki Uchiyasu and Kaoan Hoshi. From the first series of ten plus one prints published by Eijudo, c. 1832-34. The set was issued privately for a poetry group (probably the Shingyoku Circle) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they seldom come onto the market.

 

 

Fine, early impression before the grey block defect on the tail of the black sea bream. Fine colour. Slight centre fold (as usual), otherwise very good condition. Full size. Kruml 10b (Andon 49). Signed Ichiyusai Hiroshige.

 

 

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Utagawa HIROSHIGE (1797-1858)




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Shimadai, grouper (probably Chilodactylus zonatus) and ainame, greenling (Hexagrammus otakii) together with red-berried nanten. Poem by Kanshunro Nushibito. Probably the first edition (Kruml 18a). From the second series of fish published by Yamasho c. 1840-42.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Ichiryusai HIROSHIGE (1797-1858)



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Seki and Kameyama from the chuban Muraichi Tokaido. The set of 56 prints published by Muraichi, 1852. Printed two-to-a-sheet uncut and probably from a complete proof set. Double censor’s seals Murata and Kinugasa and date seal 2ic/1852 top right.

 

 

Fine impressions with strong woodgrain showing. Fine colour. Very small binding holes in right border, otherwise fine condition. Signed Hiroshige ga on each print.

 

 

Status: Available

 

 

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Utagawa HIROSHIGE (1797-1858)



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Shibaura, shiohigari no zu, “Low Tide [or Ebbtide, or catalogued in some instances as Shell-gathering] at Shibaura” from a Toto meisho “Famous Places in the Eastern Capital” set of ten prints published c. 1831-2 by Kawaguchiya Shozo. Hiroshige’s first oban landscape set with some outstanding designs. Shibaura is now an area with high-rise residential towers. The first editions, as here, have decorative borders adding a western element into the designs. These were removed on later editions. Extremely rare in this state.

 

Fine impression and colour. Very minor edge soil and slight centre fold. Slight trimming of decorative border on left, otherwise very good condition. Prints from this set are often missing or have the publisher’s name and address on the right border trimmed. Signed Ichiyusai Hiroshige ga. (The last set to be signed like this.)

 

Status: Available

 

 

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Utagawa HIROSHIGE II (1826-1869)



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A view of a smoking Mt Asama, Shinano Province, from Shokoku meisho hyakkei, the “One Hundred Views of Famous Places in the Provinces.” Mt Asama is an active volcano which violently erupted in 1108. Subsequently there was another eruption in 1783 and since then there have been minor tremors. Published by Uoya Eikichi between 1859 and 1861 (this being 1859).

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

Status: Available

 

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Utagawa HIROSHIGE (1797-1858)




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A snow scene: Fukagawa kiba, “Fukagawa Timber Yards.” The yards date back and are the result of the Meireki fire of 1657. Large amounts of wood was required for expanding Edo and the wood yards were moved to this area of swampland east of the Sumida River. From the set Meisho Edo hyakkei, “One Hundred Views of Edo.” The set published by Uoya Eikichi 1856-58 (this being 1856). The set comprises 118 prints by Hiroshige and another by Hiroshige II. However, three prints are dated 10/1858, the month following Hiroshige’s death, and these are thought to be by Hiroshige II as well. They are: Ueno Yamashita, Ichigaya Hachiman and Bikunibashi.

 

 

Fine impression, colour and condition. Signed Hiroshige hitsu.

 

 

Status: Available

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Ichiryusai HIROSHIGE (1797-1858)




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An original fan painting mounted as a scroll. Shows a gorge with the fast flowing Nagatoro River in Musashi Province. (An area in western Saitama Prefecture northwest of Tokyo.) Sumi and light blue on paper, 7 x 20.5 in; 17.75 x 52 cms. Comes with a certificate from Aoki Shinzaburo (who had a large collection of Hiroshige drawings and paintings). In good condition. Signed Hiroshige with Ryusai seal.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858)



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Oi, a suburb of present day Ena City, is in the southern foothills of the central mountain range now known as the Japan Alps. Shows a group of travellers heavily protected against the snow and cold. From Kisokaido rokujukyutsugi no uchi, “Sixty-Nine Stations of the Kisokaido.” The set of seventy prints was started by Eisen and published by Hoeido in 1835, but in 1837 Hiroshige took over and completed the series with the publisher Iseya Rihei (Kinjudo). One of Hiroshige’s most famous designs.

 

 

Very good impression and colour. Imperceptible centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Available

 

 

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Ichiryusai HIROSHIGE (1797-1858)




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An original painting showing the old lighthouse at Tempozan, Osaka. To the left is the mount which was formed by earth dredged from the Ajigawa in 1831 to allow easier access for ships. In the foreground masts of moored vessels. There appear to be few images of this lighthouse. It was replaced by a lighthouse designed by the British engineer Richard Henry Brunton, the “Father of Japanese Lighthouses” in 1872. Sumi and light colour on paper, 12.75 x 20.25 in ; 32.4 x 51.4 cms.

 

 

Signed Hiroshige ga with Ichiryusai seal. Very good condition.

 

 

Status: Available

 

 




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Utagawa HIROSHIGE (1797-1858)




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Ishiyakushi from an aiban set Tokaido gojusantsugi no uchi, commonly called the Gyosho Tokaido because of the cursive script on title. Shows travellers entering and leaving the village in heavy snow. Published by Ezakiya Kichibei/Yamadaya, c. 1841-2. There are variant states: later editions lack the gradation on the horizon. The first state may have a Hiroshige seal after the signature.

 

 

Very good impression and colour. Slight centre fold, otherwise very good condition. Signed Hiroshige ga.

 

 

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Utagawa HIROSHIGE (1797-1858)




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A medium tanzaku showing a Java sparrow on a magnolia branch. Published by Kawasho (Kawaguchi Shozo) c early 1830s. Another example of this design has an overall light pink ground rather than the light yellow graded up, as here. Another impression is illustrated in Kikuchi , A Treasury of Japanese Wood Block Prints Ukiyo-e, NY, 1968, no. 1477.

 

 

Fine impression with blind-printing on the bird’s breast. Very good colour. Minimal soil at bottom, otherwise very good condition. Signed Hiroshige hitsu with Ichiryusai seal.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Kami, crab (Charybois) and saba, mackerel (Scomber Japonicus) together with two flowers of morning glory. Poem by Shichichintei. This is the first edition (Kruml 19a). From the second series of fish published by Yamasho c. 1840-42. Collector’s seal Hayashi bottom right corner.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)



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A half-block print showing a Japanese cormorant (?) and iris. Printed only in grades of sumi. In fact, this and the other half is illustrated in: Four Hundred Ukiyoe Woodblock Prints From The Museum Of Art, Rhode Island School Of Design, 1990, no. 166, p. 72 which shows fish and hydrangea on the other side. This is an aizuri print. The quality of impression here leads me to believe this might be a proof impression. Published by Shimizuya Naojiro, c early 1840s.

 

 

Fine impression, colour and codition. Signed Hiroshige hitsu.

 

 

Status: Sold

 

 

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Utagawa HIROSHIGE (1797-1858)




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A large panel showing a parrot on a flowering crab apple branch. This is the very rare first edition published by Jakurindo (Wakasaya Yoichi). It was reissued by Kikakudo (Sanoya Kihei). Published c. early 1830s. Hiroshige is rightly regarded as the leading landscape artist. However, many of his finest designs are in the fan (uchiwa-e) and bird and flower (kacho-e) genres. They are not so well known because of their often great rarity.

 

 

Fine impression. Very good colour. Slight trimming, otherwise very good condition. Signed Hiroshige hitsu.

 

 

Status: Sold

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Ichiryusai HIROSHIGE (1797-1858)




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Ichiryusai HIROSHIGE (1797-1858)

A bluebird and a branch of wild rose. A chuban print published c 1835-9. A very similar design with the same poem is in the Museum of Fine Arts, Boston, acquisition number 21.9729 and also a chutanzaku design, acquisition number 21.7997. Rare.

 

Fine impression. Very good colour. Minor marks, otherwise very good condition. Signed Ichiryusai Hiroshige hitsu with Ichiryusai seal.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A Java sparrow on a clematis vine. A sanchogake format (three designs printed on a horizontal sheet and intended to be separated). Published c 1835-9. This is the first edition with the cube-shaped red Hiroshige seal. Two later impressions are in the Museum of Fine Arts, Boston, acquisition numbers 21.9590 and 65.1671. Rare.

 

Fine impression and colour. Minor marks, otherwise very good condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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A half-block, 8.75 x 6.5 in; 22.5 x 16.5 cms, print showing a Japanese crane standing in water with a flowering plant (a variety of Berberis ?). Published c. late 1840s by Tsutaya Kichizo. Unidentified collector’s seal au verso.

 

Very good impression, colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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A third-of-a-block (ko-tanzaku) print, 13.5 x 3 in; 34 x 7.25 cms, showing a sparrow and cherry blossom. Published c. mid 1840s. Unidentified publisher’s seal. These narrow panels are often poorly printed, but not in this case.

 

Very fine impression: beautiful gradation. Fine colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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A bora, grey mullet (Mugil cephalus), together with camellia and Japanese asparagusudo. This impression is from the extremely rare first private edition for a poetry club with the judges’ names beside the kyoka poems by Higaki Kunifune and Toshinoto Haruki. From a set of ten prints published – most likely – by Eijudo around 1832-34. These prints were subsequently issued commercially by Eijudo with his seal and a kiwame seal (both missing here on the private printing) and with the judges’ names removed. Who the poetry group was is not known, but they must have been affluent and influential. Of the sixteen poets on the prints, four were certainly members of the Shingyoku Circle, which was affiliated to the Yomogawa. This was the group that commissioned, amongst others, Hokusai’s Horse and Shell series of surimono. There appear to be three other impressions known from the private edition: Sebastian Izzard, Hiroshige, The Ukiyo-e Society of America Inc., 1983, no. 5; Ukiyo-e art, no. 18, Memeorial exhibition of Hiroshige, The Japan Ukiyo-e Society, 1968 (C) no. 4; and Juzo Suzuki, Utagawa Hiroshige, Nihon Keizai Shinbun, 1970, no. 593. Provenance: Ex Stoclet collection.

 

Very fine impression. Fine colour. Centre fold (as usual as they were issued in folding album form), otherwise fine condition. Signed Ichiryusai Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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A one third block (10 x 4.75 in; 25.3 x 12.1 cms) panel showing an oriole – probably a black-naped oriole – on a branch of a flowering apple tree. Published c. early 1830s.

 

Good impression. Very good colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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An extremely rare aiban print showing two kochi , bartail flatheads, (Platycephalus indicus) and an abalone, sea-ear, (Haliotus tuberculate). From a set of eight prints of various fish published c. late 1830s. Another impression is illustrated in Japanese Prints IV – Hiroshige and the Utagawa School, Rijksmuseum Amsterdam, 1984, no. 45, p. 35.

 

Fine impression and colour. Slight soil, otherwise very good condition. Signed Hiroshige

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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An uncut fan print: Yoshiwara Naka-no-cho sakura doki, “Cherry Blossom at Naka-no-cho in the Yoshiwara.” Published 7/1852. Exceptionally rare: One other trimmed impression is illustrated in Hiroshige Fan Prints, Rupert Faulkner, Unsodo, 2010, no. 55, p. 45.

 

Fine impression and colour. Extremely good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)



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An uncut fan print: Ochanomizu no seiran, “Fine Weather but Windy.” From a set Edo hakkei, “Eight Views of Edo.” Published 1847-8 by Ibaya Senzaburo (who specialised in fans). Shows two beauties caught on a blustery day to the north of the Kanda River, the aqueduct lower left and Mt. Fuji in the distance. Exceptionally rare: The V & A museum has a complete (trimmed) set, see Rupert Faulkner, Hiroshige Fan Prints, 2001, nos. 23-30 (this being no. 25). And another impression is illustrated in Ukiyo-e Art, number eighteen, Memorial Exhibition of Hiroshige, 1968, no. 3. These appear to be the only other impressions known.

 

Fine impression. Very good colour. Slight centre fold and soil, but generally very good condition. Signed Hiroshige ga.

 

Status: Sold

 

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Utgawa HIROSHIGE (1797-1858)




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An uncut fan print from a set of views of Ise: Ise meisho, Asakumayama toge no chamise, “Teahouses on the Mount Asakuma Pass, Famous Places of Ise Province.” Hiroshige used this same view about a decade later for no.7 from the set The Sixty-odd Provinces. He cleverly uses the cliff sides to wrap around the uchiwa-e shape. Published c.1840. Extremely rare: This actual impression illustrated in Hiroshige no uchiwa-e, Unsodo, 2010, p.78, pl.108. Ex collection Maroni with seal at bottom. (His collection was sold at public auction at Kende Galleries, N.Y. 1947-9.)

 

 

Fine impression and colour. Centre fold (as often), otherwise very good condition. Signed Hiroshige ga.

 

 

Status: Sold

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Utagawa HIROSHIGE (1797-1858)




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Kami, crab (Charybois) and saba, mackerel (Scomber Japonicus) together with two flowers of morning glory. Poem by Shichichintei. This is the first edition (Kruml 19a). From the second series of fish published by Yamasho c. 1840-42. Unidentified collector’s seal bottom right corner.

 

 

Fine impression, colour and condition. Signed Hiroshige ga.

 

 

Status: Sold

 

 

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Ichiryusai HIROSHIGE (1797-1858)




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A shishi cub being taught to scale a vertical cliff. ( Shishi: ‘Chinese Lion’ [ Ch.: Shi-tzu ]. ) it was said that the shishi cast its young from a high rock to test whether it could scale the rock face in which case it became the perfect beast. Published by Sanoki, c 1839-40. Extremely rare: one other impression illustrated in The Art of Hiroshige, Tsuneo Tamba, no.410.


Fine impression and colour. Small areas of expert restoration. Signed Hiroshige ga.



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Ichiryusai HIROSHIGE (1797-1858)



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A tanzaku showing a Japanese finch sitting on a camellia branch. Unidentified collector’s seal au verso.

 

Very fine impression. Fine colour and condition. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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Ai or ayu, river trout, Plecoglossus altivelis. Poem by Haruzono Shizuo. From the first set of fish prints published by Eijudo, c 1832-4. This first series was issued privately for a poetry group ( probably the Shingyoku Circle ) with judges’ names and extra poems. These prints are of the utmost rarity as probably only enough for the Circle were printed and they never come onto the market. Due to their popularity this first series was published commercially and a second set was commissioned. The most sought after print in the series and probably the first to be designed.

 

Very good impression, colour and condition. Full size with with no centre fold. Signed Hiroshige hitsu.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A half- block print showing a small bird (possibly a bush warbler) and plum blossom. . Published by Kawasho (Kawaguchi Shozo) c. mid 1830s. Half-blocks were printed two-to-a-sheet and divided, either vertically or horizontally.

 

Very good impression, colour and condition. Signed Hiroshige ga with Utagawa seal.

 

Status: Sold

 

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Ichiryusai HIROSHIGE (1797-1858)




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A half-block print showing a sparrow and iris. Published by Kawasho (Kawaguchi Shozo) c. mid 1830s. Half-blocks were printed two-to-a-sheet and divided, either vertically or horizontally.

 

Very good impression, colour and condition. Signed Hiroshige ga with Utagawa seal.

 

Status: Sold

 

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Utagawa HIROSHIGE (1797-1858)



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An uncut fan print. Moon from a setsugekka set of famous views of Edo. Shows the interior of a teahouse. Published 1849-53 by Ibaya Sensaburo.

 

 

Very good impression and colour. Restored centre bottom and other minor imperfections, but otherwise good condition. Signed Hiroshige ga. Very rare: Seemingly only two other impressions extant.

 

 

Status: Sold

 

 

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Ichiryusai HIROSHIGE (1797-1858)



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A chu-tanzaku showing a house swallow above a trailing yellow plant.

 

Fine impression. Very good colour. Slight browning, otherwise very good condition. Signed Hiroshige fude.

 

Status: Sold

 

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