Utagawa KUNIYOSHI (1797-1861)
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Orio Mosuke Yasuharu (Horio Mosuke Yoshiharu) in early youth overcoming a huge wild boar. A feat which caused Hideyoshi to take him into his service. From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this design not numbered) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.27. One of the best designs from the set.
Fine impression, colour, and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Saito Toshimoto nyudo Ryuhon (Saito Toshimitsu nyudo Ryuhon) in armour struggling with a Chinese brigand underwater. From the set Taiheiki yeiyuden, “Heroic Stories of the Taiheiki. A history of the wars of the loyalist Nitta and Kusunoki families against the Ashikaga war-lords during the second quarter of the fourteenth century. But in fact the subject of this set of fifty prints (this numbered 48) is the civil war of the late 16th century. Censorship restrictions imposed in the 1840s prevented publishers from illustrating historical subjects from the Tensho era 1573-92 onwards, so the publishers circumvented this by slightly altering the names of the historical figures. Published 1848-9 by Yamamoto-ya Heikichi. Robinson S62.31. One of the best designs from the set.
Fine early impression. Fine colour. Slight nibbling to left edge, otherwise very good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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The most gruesome of Yoshitoshi’s designs showing the old hag of the Lonely House about to eviscerate the pregnant woman hanging from the roof. Published by Matsui Eikichi, 1885.
Fine impression of the first edition. Little work has been done on the various states in this set other than that most were reprinted by Hasegawa Tsunejiro. Fine colour. Very full size with large margins left, top and where the sheets join. (The left border is often trimmed thereby losing the publication details.) Minor soil, otherwise fine condition. On thick hosho. Signed Oju Yoshitoshi.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The stern of a large sailing-junk and a smaller vessel infront. A poem by Sangi Takamura (Ono no Takamura) from Hyaku-nin isshu, “The Hundred Poets” published by Ebine c 1838. Depending which story one reads, either Takamura, who was a customs official for ships trading to and from China, went missing on a mission or was reported for being an extortioner and banished to the Oki Islands. Either way, he was subsequently pardoned. One of the best designs from this fine set. Robinson S19.11 and illustrated in Robinson (1961), no. 59.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The priest Nichiren standing on the rocky promontory at Reizan in Kamakura and having his prayers for rain answered. The event occurred in 1271. His disciples surround him and protect him from the deluge with a large umbrella. Bunei hachi Kamakura Reizan-ga-saki uki. The second best design from Koso [ Nichiren ] goichidai ryakuzu, “Illustrated Abridged Biography of the Founder.” Nichiren ( 1222 – 1282 ) was the founder of the Buddhist Nichiren sect ( Nichiren shu – Kuniyoshi being a follower ) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published by Iseya Rihei c 1831.
Fine impression. This example has an orange-red colour used on Nichiren’s robe and umbrella, rather than the brighter red of other impressions. Also, the far mountains are more subtly rendered than on other examples.Very good colour and condition. Slight centre fold. Full size with ample room on top border for the umbrella which protrudes beyond the border and is notorious for being trimmed. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The priest Nichiren calming a storm at Kakuda on his way to Sado Island by invoking the name of the Lotus Sutra (namu myoho rengekyo) which is shown written on the waves. From Koso goichidai ryakuza, “Illustrated Abridged Biography of the Founder.” Nichiren was the founder of the Buddhist Nichiren sect (Nichiren shu – Kuniyoshi being a follower) and indeed the set of ten prints may have been commissioned to mark the 550th anniversary of his death. Published c 1831 by Iseya Rihei. One of the three best designs from the set.
Fine impression and colour. Slight centre fold, otherwise fine condition with splashed gofun. Full size. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing the famous battle on Gojo Bridge between Ushiwaka Maru (Minamoto no Yoshitsune’s childhood name) and Benkei. Yoshitsune is aided by Sojobo, King of the Tengu (white-bearded in the centre), and other yamabushi tengu. Published by Enshuya Hikobei, 1847-50. Robinson T194.
Very fine impression and colour. Fine condition. This is the best example I have seen of this design. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Hatsuhana’s long penance under the Tonozawa waterfall to aid her crippled husband “Hazari” Katsugoro who is intent on revenging his brother’s murder. Hatsuhana dies, Katsugoro is cured and kills his arch enemy near the waterfall. From the set Kenjo reppuden, “Stories of Wise and Virtuous Women.” Published by Ibaya Sensaburo, 1841-2.
Fine impression and colour. One backed wormhole top left, otherwise good condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Kesa Gozen writing her last words before dying for her husband, the palace guard Minamoto Wataru from the set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Published by Tsuda Genshichi, 1881-87 (this being 1887). This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing.
Very fine impression, colour and condition. Superb gradation and blind-printing. Signed Taiso Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Torii Suheemon Katsutaka escaping the castle of Okudaira Nobumasa, which is being attacked by Takeda Katsuyori, in order get help from Tokugawa Ieyasu. From the set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Published by Tsuda Genshichi, 1881-87 (this being 1887). This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing.
Very fine impression, colour and condition. Superb gradation on the piers with gofun added to the sumi. Signed Taiso Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Zennojo, the filial son from Shinano Province, dreams of his father’s crimes and successfully prays for his recovery from illness. From the set Kokoku nijushiko, “The Twenty-four Accomplishments in Imperial Japan.” Published by Tsuda Genshichi, 1881-87 (this being 1887). This is the first edition. It was republished by Matsuki Heikichi with altered signatures and other changes and inferior printing.
Very fine impression, colour and condition. Superb gradation and burnishing. Signed Taiso Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A vertical diptych showing Taira no Atsumori and Kumagai Naozane at the battle of Ichinotani in 1184. The story relates how Naozane cuts off the head of Atsumori but is overwhelmed by remorse because he looked so much like his son. Published by Matsui, Meiji 18, 1885.
Superb impression. Very fine colour and condition with ample room for joining. Untrimmed. (An essential with this set as the publishing information is often on the left margin.) The first edition (indeed, this may be the earliest state of the first edition). Signed Oju Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A vertical diptych showing Taira no Koremochi about to kill the female demon whose reflection he sees in a stream on Mount Togakushi in Shinano. The episode follows an excursion to view the autumn maples. He encounters a party of girls who invite him to join them to only become intoxicated and fall asleep. He is aroused by terrifying sounds emanating from the devil. The No play Momijigari, “Maple Picnic” is based on this story. Published by Matsui, Meiji 20, 1887.
Superb impression. Very fine colour and condition with ample room for joining. Untrimmed. (An essential with this set as the publishing information is often on the left margin.) The first edition. Signed Oju Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1832 – 1892)
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Saigo Takamori yumei hosho. Shows the ghost of Marshall Takamori ( 1827 -1877 ) holding a petition. Best known as the leader of the Satsuma rebellion, which was finally quashed at Kagoshima on Sept. 24th 1877. Saigo was wounded in the leg and his faithful retainer, Beppu Shinsuke, put an end to his life. A popular figure with a statue being erected in his honour in 1899 at the entrance to Ueno Park in Tokyo, and his son being made a Marquis in 1902. This print, published by Funazu Chujiro, was issued just under a year after he died in 7/1878. Exceptionally rare: One other ( trimmed ) impression illustrated in Beauty & Violence, Havilland Press, 1992, no. 37, p. 124. Interestingly, the print has a price of two sen, five rin marked on it.
Fine impression and colour. The ornate brocade printed in silver. Trimmed close on two sides and minor marks, otherwise good condition. Signed Oju “By special request” Yoshitoshi.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Hatakeyama Shoji Shigetada wounded by soldiers of his Lord Hojo Tokimasa. One of the best designs from a fine set: Yoshitoshi musha burui, “Yoshitoshi’s Courageous Warriors” published by Kobayashi Tetsujiro, 1883. This is the first edition with two red seals left margin, complete date with day, month and year in left margin and three-colour cartouche. Subsequent editions were printed with only two-colour cartouche and then just one colour. It was also reprinted by Tsunajima Kamekichi in 1886.
Fine impression and colour. Slight browning, otherwise very good condition. Signed Taiso Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Hojo Tokimasa praying to a goddess in the sea. One of the best designs from a fine set: Yoshitoshi musha burui, “Yoshitoshi’s Courageous Warriors” published by Kobayashi Tetsujiro, 1883. This is the first edition with two red seals left margin, complete date with day, month and year in left margin and (on this design) a two–colour cartouche. Subsequent editions were printed with only one colour. It was also reprinted by Tsunajima Kamekichi in 1886.
Fine impression and colour. Burnishing and mica added. Slight browning, otherwise very good condition. Signed Taiso Yoshitoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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Lu Ta ( Lu Chi Shen ) demolishing the gate of the temple of the Five-Crested Mountain. A Chinese captain, he accidentally killed a man and to escape death he became a priest at the temple. The abbot cut his hair and renamed him Lu Chi Shen, “Lu of Deep Wisdom.” However, quickly disregarding priestly vows, he became violent again and drank heavily. Staggering back one night he shattered the temple gate fighting the huge wooden guardian figures. The abbot dismissed him and he reappears as one of the 108 heroes of the Suikoden. Published by Matsui 1887.
Very fine impression of the earliest state of the first edition with blind printing and burnishing. This design was reprinted by Hasegawa with seal in upper left margin “Reproduction not permitted” and lacking date. Also, the lovely pigment used to colour the torso of the guardian figure ( which oxidizes ) is replaced with an inferior colour . There are also intermediate printings between first and Hasegawa version. Fine colour. Some discolouration on the reverse not affecting the front, otherwise fine condition with left margin intact. On thick hosho: These vertical designs must have the left border uncut as it often contains publication information. Signed Yoshitoshi.
Status: Sold
Utagawa Kuniyoshi (1797-1861)
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A triptych Shijo-nawate nite Nanke no yeiyu taiteki wo. The last stand of the Kusunoki at Shijo-nawate under a hail of arrows in 1348. Right to left: Wada Shinbochi (Genshu), Kusunoki Masatsura, and Masatomo. Their blue demeaner indicates their imminent demise. Published 1857 by So-To (Sagamiya Tokichi). This forms a 6-sheet composition showing Masayuki, Koshiro Hyogo, and Noda Shiro. Robinson T346.
Fine impression and colour. Imperceptible fold on last sheet and slight discolouration in margins, otherwise very good condition. Full size. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Utagawa KUNISADA (1786-1864)
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Kaido-maru (Kintoki) with his forest companion, a bear-cub, attacking a giant white monkey. The chubby Kintoki is always shown red-hued and wielding a giant axe. In this case he heaves a tree above his head. Published by Moritaya Hanzo, c 1827. Rare.
Very good impression. Fine colour. Slightly trimmed, otherwise very good condition. Signed Gototei Kunisada ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych showing Ushiwakamaru (the young Minamoto Yoshitsune) holding the spear of Ise Saburo Yoshimori as he and his compatriots pass over Yahagi Bridge. From a set of triptychs Bidan musha hakkei, “Eight Views from Fine Tales of Warriors.” This being Descending Geese at Yahagi Bridge. Published 2/1868 by Kinseido. In fact this is based on an earlier version of this subject designed by Utagawa Yoshitsuya in 1861.
Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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A triptych: Honcho gito kurabe, “The Great Thieves of Japan, Compared.” Published by Iseki, 1865.
Superb impression, colour and condition. Extensive mica and burnishing. Signed Ikkaisai Yoshitoshi ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The warrior Ju-unryu Kosonsho holding a sword and making a magical gesture with his other hand. A dragon encircles the rock he stands on. A design from the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi’Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kagaya Kichiyemon, 1827-30. Robinson S.26.
Fine impression, colour and condition. Full size (unusual as these prints are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Shows Kiyohime (Princess Kiyo) who fell passionately in love with the monk Anchin and endeavoured to pursue him across a swollen river to his monastery. Unable to cross she transforms herself into a serpent-like creature to enable her to reach the other side. One of a set of 26 prints with title: Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.
Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Shows the samurai Tawara Toda (“Lord of the Ricebag”) Hidesato slaying the monstrous centipede Mukade on the request of the Dragon King. Elated the king presents him with a bottomless bag of rice. Behind Hidesato is the centipede’s arch-enemy Otohime. One of a set of 26 prints with title: Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.
Fine impression with variegated cartouche and mica. Fine colour and condition. Signed Ikkaisai Yoshitoshi ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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Shows Suma Urabe Suetake, one of the retainers of Minamoto Yorimitsu, meeting the apparition of the woman Ubume, who is to place a baby boy in his arms. One of a set of 26 prints with title: Wakan hyaku monogatari, “One Hundred Tales of China and Japan.” Published by Daikokuya Kinnosuke, 1865.
Very good impression, colour and condition. Signed Ikkaisai Yoshitoshi ga.
Status: Sold
Utagawa YOSHIHARU (1828-1888)
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A fearsome beast looking over the shoulder of Senkaiji Chojun. One of a set Suikoden goketsu kagami, “Mirror of Heroes of the Suikoden.” The set published in conjuction with Yoshitaki and Yoshitsuya by Yamaguchiya Tobei, 1856.
Fine impression of the first edition with variegated cartouche. Fine colour. Trimmed at bottom, otherwise fine condition. Signed Ichibaisai Yoshiharu ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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The ghost of the wicked Genta Yoshihira attacking his executioner Nanba Jiro at the Nunobiki waterfall from Shinkei sanjurokkaisen, “New Forms of Thirty-six Ghosts.”The set published by Sasaki Toyokichi, 1889-1892 (this being 1889). One of the two best designs from the set.
Very fine first edition. Fine colour and condition. Signed Yoshitoshi.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych showing Ushiwakamaru (Minamoto no Yoshitsune, 1159-1189) and his manservant Onmaya Kisanta watching his loyal retainer, the warrior monk Benkei, dragging the giant Mii Temple bell up Mount Hiei. Benkei ga yuriki tawamure ni Miidera no tsurigane no Eizan e hikiaguru zu. Published by Ibaya Senzaburo, 1845-6. One of Kuniyoshi’s great designs. Rare.
Fine impression. Very good colour. Some edge strengthening on the back on centre sheet, otherwise very good condition. Full size: An extremely difficult design to find without trimming and illustrated examples often have the bell not aligning up because of this. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Furuyama MOROMASA (C. 1712-1772)
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A rare artist, possibly the son and pupil of Furuyama Moroshige. Shows the famous poet Saigyo Hoshi (1118-1190) gazing up at the courtesan Eguchi as the Bodhisattva Fugen on a white elephant. The poet is famous for his long poetic journeys around Japan but especially to northern Honshu. Fugen is known for offering shelter to travelling monks. A large panel, 27.5 x 6.5 in; 70 x 16.5 cms. Coloured by hand in tan, yellow, beni, brown, and sumi. Published c. 1740s by Igaya. Provenance: Sold Christies, New York, 31/10/1995, lot 10.
Fine impression. Slight soil and creasing. Several small restored areas but generally very good condition for the date. Signed Getsugetsudo Furuyama Moromasa.
Status: Sold
Kitao SHIGEMASA (1739-1820)
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A large panel, 12.5 x 16.75 in; 31.5 x 42.5 cms in two shades of beni, yellow and blue (partially faded). Published by Eijudo c. 1768-72. Title in right panel: Uki-e Kanadehon Chushingura youchi no zu, “The Night Attack from the Storehouse of Loyalty, New Perspectives.” On the left border is written: Furyu Edo goshikizumi ganso, Eijudo Hibino, “ The original of elegant Edo pictures in five colours, Eijudo Hibino [Nishimuraya Yohachi]” This publisher considered himself the inventor of benizuri-e. Shows Act 11 of the Chushingura. This famous story revolves around the suicide of Enya Hangan in 1701. Forced to draw his sword in the Shogun’s palace by the goading of the courtier Moronao, he has no option but to commit seppuku. His retainers become Ronin and vow revenge. This Act shows the night attack by the 47 Ronin led by Yuranosuke on Moronao’s house. He is seen lower left confronted before his assassination. The Chushingura was an 11 act bunraku puppet play written in 1748. Shigemasa had a long career and was founder of the Kitao School. A prolific book illustrator including collaborations with Shunsho. Designed a number of these uki-e, western perspective prints. Extremely rare: One other impression is in the Achenbach Foundation, S.F., acc. no. 54755.84. An early rendition of this famous tale.
Very good impression and colour. Some careful restoration with slight soil and fold marks, but given the date and size in very good condition. Signed Kitao Shigemasa dzu.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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A vertical oban diptych showing the renowned swimmer and fishmonger Rorihakucho Chojun grappling underwater with the famous (but non-swimmer) warrior Kokusenpu (“Black Whirlwind”) Riki. The result of Chojun challenging Riki to a fight after his gang attempt to rob some fishermen. They eventually become friends. Rorihakucho Chojun Kokusenpu Riki ochude tatakau zu. Published by Matsui Eikichi early 1887. This is the first edition without publisher or date. It was then issued with this information and then re-published by Hasegawa Tsunejiro in September 1887. This is most likely a proof impression with extra large margin on the left. The finest impression I have seen of this design.
Superb impression, colour and condition. Signed Oju Yoshitoshi ga.
Status: Sold
Taiso YOSHITOSHI (1839-1892)
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A triptych showing an exploding land-mine throwing bodies and horses into the ether. Taiheiki Masakiyo nansen no zu, “Masakiyo’s Difficult Battle from the Taiheiki.” Figures identified in the print are the 14th century warriors Sato Shukei no Kami Masakiyo and Shimura Masazo Katsutoyo, but by way of avoiding censorship, it is actually showing Kato Kiyomasa (1562-1611) and Kimura Matazo Shigekatsu. It may also be that the design alludes to the rogue samurai in Choshu Province during the summer of 1866. Published by Yamashiroya Jinbei, 1866. One of Yoshitoshi’s great designs. An unidentified collector’s seal at the bottom right of each sheet. In fact, this is a reworking of a similar composition in a book early in his career, Ehon jitsugokyo dojikyo yoshu of 1853.
Fine impression and colour. Lovely oxidation of the orange pigment. Fine condition. Signed Ikkaisai Yoshitoshi hitsu.
Status: Sold
Ichiyusai KUNIYOSHI (1797 – 1861)
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Triptych showing Kusunoki Matsatsura and his staff on a cliff watching Ashikaga’s troops massing. Published 1839-41 by Sano-ya Kihei.
Very good impression, colour and condition. Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Katsukawa SHUNTEI (1770-1820)
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A fabulous and extremely rare triptych showing the ama diver Tamatori-hime escaping from the Dragon King’s Palace with the priceless pearl. The story (with variations) relates how the Dragon King stole the jewel during a storm when it, and two other treasures, were being sent to Japan by the Tang dynasty emperor in memory of his consort’s father, Kamatari. Subsequently, Fujiwara no Fuhito, the son of Kamatari, searches for the pearl; meets the pearl diver Tamatori-hime, falls in love and marries her. She vows to retrieve the pearl which she eventually achieves but is pursued through the ocean by the dragon and a myriad grotesque sea creatures who were guarding it. Published by Kawaguchiya Uhei, c. 1810.
Fine impression, colour and condition. Full size. Signed Shuntei ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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A triptych of the Ink Wars, Bokusen no zu. Evidently a court pastime during the Nara period (710-794) was to stage ink battles. Courtiers are involved in throwing ink and daubing each other with brushes. Published by San, 1843.
Fine impression, colour and condition. Signed Ichiyusai Kuniyoshi giga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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The warrior Ritchitaisai Genshoji in a boat attacked by grappling-hooks thrown by his adversaries. A design from the set Tsuzoku Suikoden goketsu hyaku-hachi-nin no hitori, “The Hundred and Eight Heroes of the Popular Suikoden, One by One.” Based on the Chinese novel Shui Hu Zhuan, attributed to Shi’Nai’an, which tells of a band of 108 brigands who operated from Liangshan Marsh. Published by Kagaya Kichiyemon, 1827-30. Robinson S2.53.
Fine impression, colour and condition. Full size (unusual as these prints are overlarge obans and often trimmed). Signed Ichiyusai Kuniyoshi ga.
Status: Sold
Tsukioka YOSHITOSHI (1839-1892)
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The ghost of Genta Yoshihira, having been executed by Taira no Kiyomori, springs into the air causing a thunderstorm and exacting revenge. The best design from Shingata sanjurokkaisen, “New Forms of Thirty-Six Ghosts.” Published 1889 by Sasaki.
Very fine impression, colour and condition. The first edition. Signed Yoshitoshi.
Status: Sold
Taiso YOSHITOSHI (1839 – 1892)
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The ghost of Genta Yoshihira. The best design from Shingata Sanjurokkaisen, “New Forms of Thirty-Six Ghosts”. Published 1889.
Fine impression, colour and condition. First edition. Signed Yoshitoshi.
Status: Sold
Ichiryusai HIROSHIGE (1797-1858)
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Taira no Kiyomori haunted by strange sights, Taira no Kiyomori kaii o miru zu. Hiroshige’s finest musha-e. A triptych showing the dying Taira no Kiyomori, head of the Taira clan, tormented by hallucinations and seeing, from the veranda of his palace, the garden covered in snow and transmogrified into the skeletons and skulls of the people he had slain. His lover cowers behind him. Published by Ibaya Kyubei, c. 1845. A wonderful design.
Fine impression, colour and condition. The first sheet doesn’t quite match because the publishers had to fit in the title cartouche which protrudes into the top margin. This is the same on every impression. Signed Hiroshige ga and Ichiryusai Hiroshige ga.
Status: Sold
Utagawa KUNIYOSHI (1797-1861)
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Kido Maru learning magic from the forest tengu. Possibly Kuniyoshi’s greatest design in this genre. He is shown, cross-legged,atop a giant python, two wrapped pine sprigs (aomatsuba) in his mouth. A long dagger is driven into the python’s head and snakes curl around its blade. Robinson SIF.1. Illustrated in colour , pl. 12, and also used on the front cover of B. W. Robinson, Kuniyoshi: The Warrior-Prints, Phaidon, 1982. This is the rare first edition published by Tsutaya Kichizo, c 1840 with the kiwame seal above publisher.
Very fine impression with fine gradation (missing later on). Fine colour. Imperceptible fold, otherwise fine condition. Full size. Signed Ichiyusai Kuniyoshi ga.
Status: Sold