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Click to view
enlarged image. It can be assumed all prints are oban size (14.75 X 9.5 inches;
37.5 X 24 cms) or multiples thereof unless specified otherwise.
Please note: All images shown are
digital photographs of the actual prints, thus, due to individual monitor colour
displays, images viewed on the website may vary slightly in colour, shade and
contrast from the actual prints.
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Hishikawa MORONOBU ( c 1618 – 1694 )
A superb and important book by an unrivalled illustrator in depicting
street life and views of the Yoshiwara and the theatre. One volume
complete, Tsukinami no asobi, “ Months in the Eastern [ Edo] Capital.” One
page preface and 19 double page illustrations plus one page colophon.
Shows the inhabitants of Edo engaged in various activities from pleasure
to devotion as well as street markets and daimyo processions. Published by
Urokogata-ya of Odenba-cho, Edo, Genroku 4, 4th month, 1691. Beautiful
contemporary hand colouring. Ex collection Walter von Scheven, 1878 –
1950, and purchased by him from Karl W. Hiersemann, Leipzig, in 1924.
Extremely rare. Listed by Mrs Brown in Block Printing and Book
Illustration in Japan, p. 48.
Original salmon pink covers with embossed pattern and original title slip.
Minor soil and marks but otherwise extremely good condition for a book of
this period.
status:
available

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Kawamura BUMPO ( 1779 - 1821 )
One volume complete Kimpaen gafu " A Book of Paintings by Kimpaen [ Bumpo
]." Published Bunsei 3, 1820, by Hishiya Magobei. Bumpo's major book of
kacho-e. The better impressions ( as here ) do best justice to what Jack
Hillier called the "boneless" technique ( without outline ).
Original covers with an indented mushroom design and title slip. Minor
thumbing and other minor marks, otherwise very good condition.
status:
available

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Kitao MASAYOSHI ( 1764 - 1824 )
One volume complete Choju ryakugashiki, "Simplified Forms of Drawing Birds
and Flowers." Published Kwansei 9, 1797, by Suharaya Ichibei. Illustrated
by Kuwagata Keisai ( Masayoshi ). These influential books of Masayoshi's
were popular and were reprinted many times.
Fine early copy. Original title slip and lemon-yellow covers ( some wear
). Some thumbing at bottom especially towards front, and other minor
marks, otherwise good condition. Unidentified collectors' seals at end and
small annotation on back cover of a previous (?) collector: L. de la
Bedollier.
status:
available
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Teisai HOKUBA ( 1771 - 1844 )
One volume complete Kyoka sumidagawa meisho zue, " Humorous Poems on
Famous Views of the Sumida River." Colophon dated Bunsei 6, 1823,
published by Shunsuien. Extremely rare.
Original covers with a printed design of chidori. Original title slip.
Very good condition.
status:
available

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Nishimura NANTEI ( 1775 - 1834 )
One volume complete Nantei gafu kohen, "A Book of Drawings by Nantei,
Second Part." Also published as Jimbutsu gafu. Published by Bunchodo (
Yoshida Shimbei ), Bunsei 9 ( 1826 ), the preface dated Bunsei 6 ( 1823 ).
Fine designs of everyday life in the Kyoto area.
Original light orange covers and brown title slip. Some wear to covers.
Slight thumbing to lower corners, otherwise a nice copy.
status:
available

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Various SHIJO ARTISTS ( Compiler Bunshodo Fuji Mokyo )
One volume complete Keijo Gaen, "An Album of Pictures by Kyoto Artists."
One of the finest of the Shijo anthologies. Published by Yoshida Shimbei,
Bunka 9 ( 1812 ). The colophon dated Bunka 11 ( 1814 ). Twenty-six
double-page illustrations by Goshun, Soken, Roshu, Hironari, Toyohiko,
Shiba Kokan, Zaimei, Shoin, Toyo, Ozui, Keibun, Gito, Shodo, Hakuei,
Gantei, Kokei, Nangaku, Gyokorin, Bummei, Kiho, Kosen, Minwa, Chikudo,
Koshu, Geppo and Ozui ( in that order ). There are also copies known with
twenty-five illustrations. Ex collection Hayashi ( small red seal ).
Original blue covers with impressed pattern. Original brown title slip.
Minor marks and wormage, but generally good condition.
status:
available

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Kitao MASAYOSHI ( 1764 - 1824 )
One volume complete Sansui ryakuga shiki, "Landscapes in the Cursive
Picture Style." Published by Suwaraya Ichibei, Kansei 12 ( 1800 ). This is
the first edition. It was reprinted in 1813. I fine book and one of a
series of influential books that he published using abbreviated images
with a limited palette. Ex Hayashi collection ( large red seal ). Signed
Keisai fude.
A fine copy with original pale blue covers and white title slip.
status:
available

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Utagawa KUNIYOSHI ( 1797 – 1861 )
One volume complete Ichiyu gafu, “Drawings by Ichiyu [Kuniyoshi ].” Sumi
and light colour. Some fine designs showing heroes and legends. This is
the first edition, dated Bunsei 13 ( 1830 ). It was reissued in 1846.
Original covers and title slip. Minor wormage, otherwise fine condition.
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-013_small.jpg) status:
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Yamaguchi SOKEN ( 1759 – 1834 )
Yamato jimbutsu gafu, “An Album of Japanese Figure Drawings.” Three
volumes, first series, bound as one, complete. One of the great
Maruyama/Shijo ehon showing 105pp of sumizuri-e scenes from daily life in
Kyoto. The compositions owe as much to what is left out as what is present
with everyday activities imbued with insight and humour. Without first
preface ( as is often the case ); second preface dated Kansei 12 ( 1800 ).
Colophon signed Yamaguchi Soken and dated Kansei 11 ( 1799 ). Each section
starts with a single page showing plum blossom, pine and bamboo. The book
was reissued in 1802 and then reprinted together with the second series in
1804. This is an early edition on thin paper. Opaque paper was used in the
reprints and a title was added on each illustration.
Original covers and title slip ( ? ), somewhat worn, giving it as one
volume. Some minor marks and soil, otherwise good condition.
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 status:
sold
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Hosoda EISHI ( 1756 – 1829 ) and Katsushika HOKUSAI ( 1760 – 1849 )
One volume complete Nishikizuri onna sanjurokkasen, “The Thirty-Six Women
Poets in Brocade Prints” published by Eijudo Nishimuraya Yohachi and dated
on last postscript Kansei 9 hinoto mi “ Kansei 9 [ 1797 ] mid-Winter” and
stating that the calligraphy was written by thirty-six young girls, none
over the age of fifteen. Date of publication Spring 1801 ( Kansei 13
kanoto tori haru ). Two prefaces followed by a double-page frontispiece by
Hokusai and thirty-six double-page prints with a poetess at left and a
poem in shikishi at right decorated with colour patterns. Two postfaces
with colophon giving artist as Hosoi Chobunsai, with seals Hosoi and
Chobunsai. Rare complete and as Jack Hillier wrote in The Art of the
Japanese Book, Sotheby’s, vol. 1, p. 454: “The other book with colour
prints by Eishi is one of the major masterpieces of the colour-printer’s
art.” Provenance: Ex Hayashi collection ( large and small seals ) and
Edmond de Goncourt with an annotation by him at end of second preface
where he states that he purchased it from Hayashi in 1888 for 200 francs (
and sold, lot 1499, in Goncourt sale, 10/3/1897, Hotel Drouot, Paris ).
There is also a small oval seal with a capital “G” running through the
book. This appears to be another collector as it does not tally with
Goncourt’s seals.
Old brocade covers and title slip, probably not original. Very fine
impressions and colour. Minor backed wormage on preface and colophon,
otherwise very good condition.
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 status:
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Nakamura HOCHU ( fl. late 18th to early 19th c. )
The rarest of rare books: Korin gafu, “An Album of Pictures by Korin.” The
first of the major Rimpa books and “… must be numbered among the most
exceptional picture-books in the world.” ( Hillier, The Art of the
Japanese Book, volume two, p. 657.) The illustrations copied by Hochu from
Korin. Two volumes incomplete: Missing 4½ pages. Volume one: One double
page preface plus 13 double page illustrations; volume two: 7 ½ double
page illustrations with one double page postscript plus one double page
colophon. This is the extremely rare first edition published by Omiya
Yohei, colophon dated Kyowa mizunoe inu no toshi ( Dog year 1802 ). With
de-luxe hand-colouring and yellow covers. There are few extant examples
and they show considerable variation ( a complete copy being in the Beres
collection, Paris ). The book was reprinted in 1826 ( with blue covers and
lacking hand-colouring ) and then copied in the late 19th century.
Volume one ( ken ):
One double page preface/ One double page Cranes/Turtles/Plum Tree/6
Immortal poets/ Peonies/2 Taoist immortals/Dandelion and blue flowers/3
puppies/Poets in boat/Hollyhocks/3 rats/7 Sages of the bamboo grove/Fuji (
this illustration normally in volume two ).
Volume two ( kon):
One double page Musicians and No dancer/One half page Noblemen crossing
bridge/Chrysanthemum/Morning glory and red flower/Jo and Uba/ 4 Deer/Blind
man’s buff/Daikoku and Ebisu/One double page postscript/One double page
colophon.
Original yellow covers with title slips. Minor toning, wormage and marks,
but generally very good. Ex Biedermann collection ( seal inside slip case
and another unidentified seal in slip case and colophon ).
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Ikeno TAIGA ( 1723 – 1776 )
An important shunga book Daito keigo. One volume complete with preface and
nine double page illustrations. This actual copy is discussed by Jack
Hillier, The Art of the Japanese Book, Sothebys, 1987, volume two, pages
908-909, and illustrations ( from this copy ) nos 606 and 607. The images
are thought to be based on Ikeno Taiga’s original paintings. Wonderful
broad, almost abstract images using what Jack Hillier called a “dragged
brush line.” This actual copy offered here was the earliest that Hillier
had traced ( dated 1814 ). Ex Biedermann collection. It was reissued in
1867 with text by Shibata Roshu.
Original covers. Some minor marks, but surprisingly good condition. A sumi
drawing inside front cover of a Dutchman with a fish. Biedermann seal.
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Katsushika HOKUSAI ( 1760 – 1849 )
One volume complete Ehon Suikoden, “ A Picture Book of the Suikoden”, published by Kadomaruya Jinsuke, Bunsei 12, 1829 showing 108 Chinese brigands. Some fine designs. Signed Katsushika Zen Hokusai I-itsu
fude.
Fine impressions. Original covers lacking title slip. Some slight foxing and minor
marks.
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Sakai HOITSU ( 1761-1828)
One volume complete of Oson gafu, “The Drawing Book of Oson. “ ( This
being one of the artist’s names taken from the village Uguisu-mura where
he lived in retirement. ) Original yellow covers with karazuri decoration.
Dated Hinoe ne ( 1816 ) but an early and very careful reprint of this
famous book. Published by Owari Toheki do.
A very nice clean copy with original covers and title slip. In chitsu.
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Katsushika HOKUSAI
(1760-1849)
Two volumes complete: Toto
shokei ichiran ( alternative title: Toto meisho ichiran ), “Fine Views of
the Eastern Capital at a Glance.” The first of three important works
showing the sights of Edo in colour prints. ( See this website for
examples of the other two. ) Published Kansai 12 ( 1800 ) by Suwaraya
Mohei, Suwaraya Ihachi and Tsutaya Jusaburo, Edo.
Original hand-painted
blue-green covers with original title slips. One or two minor marks,
otherwise a nice example with perfect colour. In chitsu. |
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Ki BAITEI (1774-1810)
One volume complete: Kyuro
gafu, “Kyuro’s Picture Album.” ( Kyuro was one of the art-names of Baitei,
a Nanga painter in the Buson manner. ) The first edition of this book is
in two volumes with haiku, c 1795. However, there is some confusion on the
other issues: Mitchell, Biobibliography Of Nanga, Maruyama, Shijo
Illustrated Books, pages 402-4, lists three examples: “A” ( 2 vol. 1795 );
“B” ( 2 vol. 1799 ), and “C” ( 1 vol. 1797 ). The example offered here
does not tally with either of these having preface of 2 pp. with 64
single-page illustrations plus 2 pp. afterward and colophon dated Kansai
11 ( 1799 ) published by Koto Shorin. There are also examples with 62 pp.
of illustrations and some lacking forward and or afterward and colophon. A
later edition of 1824 is also known. A famous book with impressive, bold
and austere images.
Lacking original covers and
title slip and with some offsetting, but generally a nice copy. Ex Bing
collection. In chitsu.
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Katsushika HOKUSAI (1760-1849)
One volume complete: Shuga ichiran, “Excellent Paintings at a Glance.” One
of Hokusai’s most undervalued books but at the same time one of his best
documented. ( See Hokusa’s Shuga Ichiran, An annotated description of
Hokusai’s Shuga Ichiran by C. Ouwehand, Heinz Kaempfer Fund, 1991. Based
on the copy in the National Museum of Ethnology, Leiden. ) Two versions
are known: A colour printed edition ( as here, and Leiden ) and a
monochrome example with title Denshin gakyo. The book is unusual ( and
must have been expensive ) as it is partly printed in gold with mica
added. There were a number of later reprints of this book. Published by
Hishiya Kyubei, Nagoya and five others, c 1818.
Original
dark brown burnished covers. Original title slip ( faded ). Front cover
nibbled at edge affecting edge of first two sheets of preface. Other minor
marks and soil, but generally a nice copy. |
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Katsushika HOKUSAI (1760-1849)
One volume complete: Denshin kaishu-ippitsu gafu, “Drawing Manual – Album
of Drawing with one Stroke of the Brush.” Similar to the ryakuga style
which was pioneered by Masayoshi. One of the best known and most
influential of Hokusai’s books and one which was reprinted and copied many
times. Published 1823 by Eirakuya Toshiro, Nagoya.
Original burnished orange covers. Original title slip. A nice early
example: This is a difficult book to find without the fugitive pigments
being completely washed out. This example has been in the collection of
four collectors: Jaeger; Kari and the other two unread ( seals inside
front cover ). |
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Yashima GAKUTEI (Fl. c 1786-1868)
One volume complete: Ichiro gafu, “Ichiro’s [ Gakutei’s ] Picture album.”
The prints were first issued in a private two volume publication with
kyoka poems ( c 1820 ). Published by Gasendo, Edo, 1823.
Original dark brown covers with burnished pattern. Original blue title
slip. A nice early copy. This popular book was reprinted many times.
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Oishi MATORA (1794-1833)
Two large volumes complete: Soga kokufu, “Sketches of National Customs.” A
rare work with wonderful images which Vignier, in Odin, described as
“Tirage d’une delicatessen remarquable.” Published by Yoshinoye Nimbei,
Kyoto; Tsuruya Kiemon, Edo; Kawachiya Kihei and Kawachiya Kichibei, Osaka,
1828.
Original creped and printed covers with original title slips. Two backed
wormholes running through two volumes which do not detract from the lovely
compositions, otherwise very good.
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Katsushika HOKUSAI
(1760-1849)
One volume complete: Hokusai
soga, “Hokusai’s Free Sketches.” Two versions of this publication are
known: Solely printed in sumi and ( as here ) sumi with gradated shading
and a pink block. This version also with the colophon. Both are almost
certainly contemporaneous. Contain’s some of Hokusai’s best known images
and was considered by Jack Hillier to contain “the finest figure prints by
Hokusai.” Published 1820 by Eirakuya, Nagoya; Surawaya Mohei and seven
others in Edo.
Original light blue burnished
covers. Original title slip. Some slight damage to covers, and thumbing on
some pages, but overall a very nice copy with fine impressions.
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Katsushika HOKUSAI
(1760-1849)
Three volumes complete: Kyoka
yama-mata-yama, “Kyoka: Range Upon Range of Mountains.” The fanciful title
is based on the fact that the views illustrated are located around
Yama-no-te, the higher ground situated in the north and north-western part
of Edo. The pictures accompanied by kyoka poems. This is one of Hokusai’s
most admired works. Published 1804 by Tsutaya Jusaburo.
Original dark green embossed
covers. Original title slips. A very nice clean copy of this famous book.
Some slight smudging of pigments and turning of colour on one or two
sheets, but otherwise extremely well retained colour, the elusive blue and
purple intact.
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Katsushika HOKUSAI (1760-1849)
A fine example of the first edition, the “Falcon’s
Feather”, of volume one of the Fugaku hyakkei, the “Hundred Views of Mount
Fuji.” ( So-called because the title slip is printed in blue with a
decorative design of a falcon’s feather – missing on later editions. ) The
first volume was published in 3/1834 by the Edo firm of Nishimura Sukezo
together with the Nagoya publisher Eirakuya Toshiro and the Edo firms of
Kadomaruya Jinsuke and Nishimuraya Yohachi using Hokusai’s favourite
engraver, Egawa, amongst others. One of the great and most influential
illustrated books. Not just with other Japanese artists, but on European
artists of the last century. Full of exquisite compositions, best
appreciated in the first or early editions. Due to their popularity, the
volumes were reprinted many times. It is also a target for cutting up and
separately mounting the pages. Colophon signed: “the old man mad about
drawing, formerly Hokusai Iitsu aged 75.”
Original covers and title slip. One small wormhole on a
few pages. Otherwise extremely good condition with only minimal soil.
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Takehara SHUNCHOSAI (Fl. c 1772-1801)
An original wood block for printing four pages for one
of his books of famous places published in the 1780s and 1790s. Shows
Yamashira Village. Shunchosai, of Osaka, was one of the leading
topographical illustrators. Original pictorial blocks as opposed to pure
calligraphy are rare. Interestingly, some of the descriptive text has been
corrected with new plugs dropped in showing that during the lifetime of
the blocks facts needed changing. Sold “as is” with damage, signs of old
woodworm, etc. Size: 33.25 x 9 in.; 84.5 x 22.75 cms. A fine addition to a
collection of illustrated books.
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Yashima
GAKUTEI (1786-1868) and Totoya HOKKEI (1780-1850)
Two vols. kyoka books complete: Ressen retsujo gazoshu, a "Collection of
the Portraits of Immortal Men and Women." Twenty eight portraits of
Chinese hermits and twenty one portraits of celebrated women in Japanese
history. Being a selection of kyoka presented at the meetimg held at
Kawachiya of Yanagibashi Ryogoku in Edo, 1st day of the 9th month, Bunsei
7 ( 1824 ). Published by Shinsenyen. Rare.
Original covers and title slips. Minor marks to covers, otherwise very
good condition.
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Ichiyusai
KUNIYOSHI (1797-1861)
One volume complete: Shinkoku hyakushoden, "New Edition of the Lives of a
Hundred Generals." N.d. ( but 1848 ). Five double pages of colour
illustrations and one hundred b.&w. illustrations of generals. Three page
preface signed Kuniyoshi ga. The Pulverer copy ( illustrated, no.253,
p.222, Heroes & Ghosts, Hotei Publishing, 1998 ) appears to be a later
edition lacking the signature and with only 49 b.&w. illustrations of
heroes. Rare.
Original covers and title slip in near perfect condition.
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Aoigaoka
HOKKEI (1780-1850)
One volume,
black & white, Kyoka suikoden shu, “Picture Book of the Water Margins with
Kyoka Poems”. Presumably this is based on the 1829 Kyoka suikoden gazo shu
. There were a number of variant editions after it.
Original covers
and title slip. Slight wormage, otherwise good condition. Although pages
start at 6 ( and go to 23 ) there is no indication of any pages being
removed.
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Suzuki
HARUNOBU (1724-1770)
3 volume
complete : Ehon yachiyogusa, “The Plant of Eight Thousand Ages”. Sumi
images illustrating old poems with the Sumida River as a central theme.
Published Meiwa 5, 1768 by Yamazaki Kinbei.
Original
covers but later title slips. One page with sumi marks, otherwise good
impressions and condition.
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Katsushika
HOKUSAI (1760-1849)
Volume 1 only of Ehon Sumidagawa ryogan
ichiran, “Panoramic Views Along the Bank of the Sumida River”.
Published by Senkakudo c1805/6. Minor marks and wormage, otherwise a fine
copy, with perfect colour, of the first edition. Original covers and title
slip.
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Utagawa TOYOKUNI
(1769-1825)
Ehon kukuri-zome,
“Tie-Dyed Work”. Two volumes complete. Original covers and one
title slip. Published by Izumiya Ichibei, 1794. Shows bijin at famous
spots around Edo. Some backed wormage on vol. 2 and some damage to covers,
but otherwise good condition with exceptional, pristine colour. Extremely
rare. Ex Haviland and Duret collections.
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Kitao MASAYOSHI (1764-1824)
Choju Ryakugashiki, “Simplified Forms
of Drawing Birds and Animals”. Published by Suharaya Ichibei, Kwansei 9
( 1797 ). One volume complete. First edition. Original covers and title
slip. Beautiful condition with perfect colour: The best copy of one of
these “simplified” books of Masayoshi’s I have seen. Ex collection
Dr E.F.
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Kitao SHIGEMASA (1739-1820) and Katsukawa
SHUNSHO (1726-1792)
Seiro bijin awase sugata kagami, Mirror
of Beautiful Women of the Green Houses, published by Tsutaya Juzaburo,
Anei 5, 1776. Complete in three volumes divided into Spring and Summer in
volume 1 and Autumn and Winter in volume 2. Considered to be one of the
great "choice" colour printed books. Very rare complete.
Lacking title slips. Light sumi
affecting 2,5 designs. Minor fading and marks and repaired wormage but
generally a very good example of this fine book.
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Kitagawa UTAMARO (1754-1806)
Two volumes: Momo chidori kyoka
awase, “Birds Compared in Humorous Songs” published by Tsutaya
Juzaburo in 1790 or 1791. Each double page illustration contains two kyoka
poems; eight illustrations in vol.1 and seven illustrations in vol.2, with
preface to each volume and an identical colophon in each ( this example
lacks one of these ).
Other examples are known with alternative titles
which appear to be slightly later. The sequence of the illustrations
varies from copy to copy. Of the utmost rarity there appearing to be
around thirteen extant copies and considered to be one of the great
Japanese illustrated books. Original covers with one original title slip.
Covers and title as per B.M. copy.
Covers slightly worn with slight wormage
to one cover. Contents very clean with minimal soil, marks, etc. Lacks one
of the two identical colophons, but a fine example of this great rarity.
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Utagawa TOYOHIRO
(1773-1828) Two
volumes complete of the excessively rare book: Ehon Azuma Warawa,
"Picture Book: Children of the East". Shows popular life in Edo
during the 12 months and every image is a success. Published by Izumiya
Ichibei, Bunkwa 1, 1804. There appear to be only a few complete copies
extant of this book and they are in bad condition., Original covers and title
slips., Ex Bing collection. Covers
worn. Slight wormage and some thumbing but very fine colour and
impression.
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Utagawa TOYOKUNI I (1769 - 1825)
Two volumes complete Yakusha sangaikyo, "Amusements of Actors on
the Third Floor" (iez the dressing-rooms or green rooms).
Published Kansei 13 (1801) by Nishimiya Shinroku and Yorozuya Tajiemon,
Edo. An extremely rare and important work showing actors engaged in
various private pursuits and not on stage, as is normal. Original
covers and title slips. Ex Duret and Gillot collections.
Slight turning of some colours on vol two and some slight thumbing on
bottom corners of some sheets, but overall very good and an essential item
for any serious collection. |
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 status: sold |
Katsushika HOKUSAI (1760-1849)
Two volumes complete Toto shokei ichiran "A View of the Famous
Sights of the Eastern Capital". Dated Kansei 12 (1800) and published
by Tsutaya Jusaburo, Suwaraya Mohei and Suwaraya Ihachi, all of Edo.
Original covers, hand-painted with Iris flowers, and title slips. The
first edition (probably of 200 copies) was published solely by Tsutaya
Jusaburo in 1800 with title Toto meisho ichiran. The example offered here
was published shortly afterwards (probably also in 1800). There were also
later reprints in 1815 and 1840. One of Hokusai's best known books and
featuring his best work of this period. Difficult to find in an early
edition. Ex Kegan Paul Gallery.
Good condition: title slips damaged and some thumbing. A little
movement of the blue pigment due to dampness, but overall a nice example
of this important work. Signed on colophon Hokusai Tatsumasa. |
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status: sold
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Kitagawa UTAMARO (1754-1806)
(Seiro Ehon) Nenju Gyoji, Yoshiwara Events or "Annals of the Green
Houses". One of Utamaro's major books showing the annual events in
the only government licensed brothel district in the city of Edo (Tokyo).
Two volumes complete published Spring 1804 by Kazusaya Chusuke juo. Text
by Jippensha Ikku. Original covers and title slips. Very fine copy: Fine
impressions with very fine, completely unfaded colours. Slight stain
affecting first few pages of text and a small wormhole within binding
affecting the first few illustrations. Covers in very good
condition, some rubbing of title slips. Ex collections Theodore Duret
(seals on last page of each vol.) and Tadamasa Hayashi (large square seals
on first page of each vol.). Catalogue entry (lot 35) pasted onto inside
of front cover: "Tres bel exemmplaire en parfait etat". Also
labels identifying each scene in French lightly attached in margin of each
design. Certainly one of the finest copies extant. |
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